Amazing idea of Rewaz

Nobody showed such a brilliant ideas of swar vistar

A million thanks.I have been searching for this sort of unconventional approach to expanding a raga and today I stumbled upon your vedio.You have opened a new avenue to learn and present the Vistar of any raga. With regards ,Dr.Anil Deshpande (Pune)

eXCELLENT EXPLANATION i LIKED YUOR LOGIC development with explanation and oscillation. Warm Regards. Colonel Narendra Singh

Amazing wao This is a real teaching concept Thanks a lot 😊

Very controlled and having clear concept of Indian classical music..

Very very interesting and useful lesson for new learners

Very informative video sir🙏 thanks

Keep going sir 😌

Sir - i just realised how fortunate I am! meri ma'am ne jaise mujhe sikhaaya hai, I didn't even know that anything else than pure improvisation is even possible...if people are having to learn pre-scripted phrases and nothing else, then they clearly haven't been doing endless amounts of sapaat and chalan repetitions...if someone does thousands and thousands of repetitions of sapaat and chalan of a raag over a long period of time EVERY DAY without fail, then spontaneous improvisation is merely the next natural step anyway. Dimaag apne aap chalne lagega, vistaar apne aap aayega - no problem....this is how I have been made to learn and then it's easy! our ma'am is truly amazing! thank you for an amazing video yet again Nishant ji!

Very nice sir .

Thank you sir

Nicely explained sir

thanks sir so unique

Great sir

Very nice 1

Sir aapka naam Nishant Akshar ki bajaay Shaant Sur hona chahiye! hahaha! just love it when you sing shaastriya sangeet! wah wah!

U r looking smart 👍😀 earlier i had listen rag yaman 3 years back & that was the fantastic amazing information u have been given & now about the swar vistar is an excellent 👍 i Just want to know about the rag todi swar vistar if u have make a video 🌹👏🏼👏🏼👏🏼👏🏼🌹🙏🌹

Please make more videos like this so people can do practice themselves...and go ahead in classical music....

Thank you so much, sir! for your comprehensive and sober explanation !

Thank You Sir for your beautiful explanation🙏

Thank you. Waiting for next video

Great Sir Please share guidance for playing Raag Bhairavi

Thankuuu sir...for your efforts!!!!!!and knowledge 🙏🙏🙏🙏🙏❣️❣️❣️❣️

Thank you Nishant Ji. These sessions have been so useful to me as well as others.

A complex thing made too easy to understand. Great presentation, sir!👌

Wonderful sir.. Very good rendition

Wonderful! Very meaningful learning.

Very useful and accurate information!

Fantastic explanation sir ji 👏👏👏👏👏🙏

Sir... How To Sing A SUDDENLY GIVEN SARGAM PHRASE In SUR... We Can Sing S R G M P D N S .... But If We Are Given PDMDNGSRMDPGNS... We Face A Lot Of TROUBLES & PROBLEMS.... HOW WILL WE BE ABLE TO SEE THE NOTES.... AND SING ACCORDINGLY WHAT OUR MIND Says .... PLZ MAKE A VIDEO ON THIS 🙏🙏🙏...

Sincere thanks. Pl teach us to raise swaras for raag Bhairav. Regards

great it is good and helpfull

Very nice. Hope to hear more from you in bhupali alaap

Pranaam Guruji🙏 Thank You for sharing so beautiful knowledge...This video on music is one of the best I have ever seen, So valuable and so fantastic it is. Thank you once again.🙏🙏🙏🙏

Great, sir, why don't you introduce your own Android app for learning.

Easier way to Indian classical music through a Mentor like you.. Thanks....

Sir plz make a video on taal riyaaj bcz I didn't understand word of taals so when I practice any raag taan and alaap most of the tym i am out of taal

There is no such videos on this type of deepest valuable knowledge of indian raga music. Thank you so much for this video Keep posting some tutorial on other raga and improvisation so we can understand it better.🙏

Thank you so much Sir for uploading this video it is really very useful for students :-)

Thank you so much Guruji it is very helpful for us One request Guruji plz make tutorial series on different Ragas It will be like blessings for us

Love you guruji

Sir really very clear. Superb. Now which tanpura app. We shuold use to practice better. Thanku sir. God bless you lot.

Thank you for sharing. Very helpful. So in all the ragas the notes which are near to vadi/samwadi takes meend from them(vadi/samwadi)?

@locobhai842

2 жыл бұрын

I'm very interested to know if this is true, thank you

Lovely to hear from you Sir ji, this is my favourite topic! I love to come up with my own notes which I keep doing without knowing the exact notes, by just using A O La Na, basically trying to create some tune that goes on in my mind at some moments! Since I am not yet well versed in the notations I am unable to use the exact notes to practice!

Very nice. You have provided a framework - rest is up to how we apply what you have taught.

Thank you sir. It was really nice and understandable. Two requests sir. 1. Please explain how can I think of moving around other swars when I am pronouncing a single swar only. 2. Next time please explain this with Yaman. Thank you very much sir for this wonderful contribution to Indian music.

Sir try to say in kannada if possible..it will be so helpful..pls sir

Thank you Sir. Great lesson indeed. Also please let me know which App you used to play tanpura and swarmandel

Thank you for sharing your knowledge, really appreciate it. I would love to learn a technique to quickly interpret swars from aalap. Is there any way or it is a matter of years of practicing?

@NishantAkshar

5 жыл бұрын

Thank you. I too appreciate. Learn to play a key based instrument, preferably harmonium as it lays the foundation for identifying the base note and basic chord structure to discern the progression of notes. It is all about conscious practice on consistent basis.

Thanks sir very clearly explain. Sir please can you also make one video about nom tom (dhere na etc) I requested many people but no one helps. Thanks in advance ❤️💐

This is great. I feel like this is the hardest topic, but this video makes it easier. Can we do one for Jhinjhoti? Thanks!

Sir please tell me one thing that Is there is need to remember orgiganl raga pakkad Or on the basis of aroh avroh you can make your on style pakkad Will it work? I paly flute so every time confuse to remember the pakkad of raga Please sir help me

@NishantAkshar

2 жыл бұрын

This question is as interesting as important. ‘Pakad’ of a raga, written anywhere, is only a fixed preliminary introduction of a raga. Since every book mentions a different ‘pakad’, there is no original ‘pakad’ therefore. So, how can we have our own ‘pakad’? Take into account the aroha-avroha and vaadi-samvaadi as well and imagine a set of notes centring around these two prominent notes in particular. You will see a ‘pakad’ emerging on its own. Don’t memorize or write it down as it is not our objective to fix it forever. Enjoy the same and next time when you sit, keep the same points in mind to experience a new set of notes culminating in a new ‘pakad’ this time. This imaginative technique is applicable to vocals and as well as instrument playing, including your flute.

First Like💕

First Comment😍😍

I think the success of your teaching is , you start challenging the intellect and not the throat directly ! Thanks .. I always face this as a challenge to introduce a new note out of nowhere ! Whereas , ( generally ) the introduction should happen in the form of कण swar earlier before it is presented fully .. This is my learning from this video .. Thanks again .. and keep challenging us !!

Aap english ki jagah hindi ka use krte to jyada badiya hota. Pr aap ko hindi se jyada english se pyr h

@kavitafullofdevosiationalv1392

3 жыл бұрын

Thanks

Great sir