UNFINISHED Mozart: Fantasy No. 3 "Who finished it?" (Playing and Explaining with Dr. Duane Hulbert)

It's a gorgeous little piece. Simple, dark, beautiful. But Mozart never finished it! It was never published in his lifetime. He wrote all but the last ten bars in 1782. Was the music lost? Never finished? No one knows. Mozart died in 1791. Between 1804 and1806, a musician named August Eberhard Müller (most likely) finished the last ten bars. The piece was then published, and it became one of Mozart's most popular piano pieces.
For years everyone thought the Fantasy was 100% Mozart. Then in 1944, Paul Hirsch, a musician and collector of historical musical works, wrote an article suggesting that someone else had written the ending. Now most music historians believe this to be true.
Some current pianists have written their own ending to the piece. Listen to Mitsuko Uchida's version:
• Mozart Fantasy in D mi...
(00:00--5:25) Dr. Duane Hulbert performs Mozart's Fantasy No. 3 in D minor
(5:28) Dr. Hulbert talks about the piece.
(14:03) Dr. Hulbert talks about the ending of the piece and plays the ending in D major and then one in D minor.
Which do you prefer?
For more info, read Ephriam Hackmey's doctoral dissertation: MOZART’S UNFINISHED FANTASY
THOUGHTS ABOUT THE FANTASY IN D MINOR, K. 397
scholarworks.iu.edu/dspace/bi...
Dr. Hulbert received his BA and MM from The Juilliard School of Music and his DMA from The Manhattan School of Music. Hulbert received the Gold Medal at the 1980 Gina Bachauer International Piano Competition, and also won prizes in the 1981 Leeds Competition and 1985 Carnegie Hall International American Music Competition. He has performed as a soloist with symphonies across the United States and has given recitals at Merkin Hall in New York, Kennedy Center in Washington, D.C., and Benaroya Hall in Seattle. In 2002, his recording of the piano works of late-romantic Russian composer Alexander Glazunov was nominated for a Grammy Award for Best Solo Instrumental Recording. David Hurwitz of ClassicsToday.com called the CD “a production that makes the best possible case for this really excellent but sadly neglected repertoire.” Dr. Hulbert taught at the university level for over thirty years.
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Пікірлер: 5

  • @stephenbruce2600
    @stephenbruce260010 ай бұрын

    Very enjoyable to listen to. Thank you 👏👏👏

  • @michaelsmith697
    @michaelsmith69710 ай бұрын

    This is a wonderful piece to learn and perform! It’s got so many nice parts. I love those cadenzas. I have performed this quite a few times. It’s pine off my favs. The ending section is really quite a contrast and always fun to get to this bit. Nice tutorial!

  • @user-eq8wm5oz3e
    @user-eq8wm5oz3e10 ай бұрын

    First of all, it is great to have you back posting on Learn and Love music. I have been listening for years to a recording I have of this beautiful piece but these explanations have added a great deal to my understanding and appreciation of the piece. I am also intrigued by the mystery surrounding the ending, which I only learned about today - maybe I will check out the alternate version by Mitsuko Uchida!

  • @kingvii7250
    @kingvii725010 ай бұрын

    Well since I'm a close friend to Amadeo I know that he took the chance in this Fantasia to end it suddenly, because he both could and wanted it to leave it like that. That's who he was. Oh do I miss my old friend. My friend with both happiness and darkness.

  • @michaelsmith697
    @michaelsmith69710 ай бұрын

    I think the ending section would not end in D minor as this section is in D major. He wrote this section in D major ( the tonic major) so why change the ending bars into D minor? Makes no sense to me . I will look into this. Maybe we can compose our own ending? But, in D major…..