Tutorial 2: Using Red and Orange Powdered Enamel

Тәжірибелік нұсқаулар және стиль

Enamel: Signal Box Red and Tangerine from Milton Bridge in the UK
Metal: Copper that is 3x4 inches and 1.2mm thick
Firings: 3 for red, 2 for orange and glass rod
Kiln Temp: 800˚ Celsius (approx. 1450˚ Fahrenheit)
Firing Times: 1.30 mins for initial firings up to 2 mins for the last firing.
Stencil: made from card stock. Stencils need to be robust without being too stiff. Regular printer paper is too flimsy. You'll need to fix tape to the stencil so that you can lift it.
I used a Cricut machine to cut out the stencil but a Stanley knife or scalpel is just as good.
Steel mesh stencil - just an old piece of firing mesh support.
Links: www.milton-bridge.co.uk/
Key takeaways: red and orange are considered "rogue" colours in enamel. That means that they burn off really easily when sifted directly onto copper. The disadvantage is that you need several layers and must under-fire (fire for less time at the beginning to offset the fact that they burn off easily) the first layer or possibly two layers. But the advantage is that they (esp. red) mix beautifully with the black oxides that are released from the copper when it is under extreme heat. So you get some black/burned effects which give the piece more gravitas, texture and interest.
The use of a background stencil - in this case the tangerine sun - plus the use of the black glass rods at the bottom of the piece give depth: the chicken is not floating in space. The black anchors it down and the tangerine gives distance. The composition where the tangerine is in the top left and the black rods are bottom right, make the eye travel around the image and tie it together.
Visit www.geraldinemurphyenamels.com to view and purchase my work.

Пікірлер: 12

  • @tonipeers8165
    @tonipeers816510 ай бұрын

    Another great video. I've been enamelling and teaching beginners classes for years but feel like I neglect my creativity in this wonderful artform, you've inspired me to get going with more artistic pieces. Thank you.

  • @sylviaprudhomme5417
    @sylviaprudhomme54173 жыл бұрын

    Can’t say how impressed I am with your work. Very good descriptions and explanations. Really enjoyed video

  • @GeraldineMurphyEnamel

    @GeraldineMurphyEnamel

    3 жыл бұрын

    Thanks Sylvia

  • @mikealman9259
    @mikealman92593 жыл бұрын

    I really do enjoy your videos, full of tips and the odd classic one-liners, like "after 20 years of metalwork my hands are like boxing gloves lol" ;@)

  • @GeraldineMurphyEnamel

    @GeraldineMurphyEnamel

    3 жыл бұрын

    Ha!

  • @marylyman6654
    @marylyman66543 жыл бұрын

    You are a terrific teacher...thank you!!!

  • @GeraldineMurphyEnamel

    @GeraldineMurphyEnamel

    3 жыл бұрын

    Thanks Mary, you're very kind!

  • @LittleCherryHill
    @LittleCherryHill3 жыл бұрын

    Love the finished piece and really enjoyed the tutorial and listening to you talk us through whilst working. Thank you for sharing!

  • @GeraldineMurphyEnamel

    @GeraldineMurphyEnamel

    3 жыл бұрын

    Thanks!

  • @cindiesue1
    @cindiesue1 Жыл бұрын

    why is it so important to use liquid enamel on the back. which one do you use.

  • @susantyson1204
    @susantyson12042 жыл бұрын

    Hi, why do you use liquid enamel on the back instead of the powdered enamel please?

  • @GeraldineMurphyEnamel

    @GeraldineMurphyEnamel

    2 жыл бұрын

    Hi Susan, I used liquid enamel on the back so that when it dries I can turn it over without the enamel falling off and work on the front - then fire both sides at the same time. It saves time and also the front doesn't get oxidised while in the kiln without any enamel on it. But you can use any enamel on the back - powdered works just as well.

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