Tuning Comparison - Scheming Weasel
Музыка
I decided to make a tuning comparison of "Scheming Weasel" by Kevin MacLeod, just because I wanted to.
I used following tuning systems:
0:00 12edo
0:28 19edo
0:51 26edo
1:14 31edo
1:37 43edo
1:59 46edo
2:22 50edo
2:45 55edo
3:08 17edo
3:31 22edo
3:54 7edo
4:17 23edo
4:40 9edo
5:03 11edo (notated as subset of 22edo)
5:25 15edo
5:48 29edo
6:11 41edo
6:34 53edo
6:57 72edo
Date of composition: 2024/05/27
#microtonal #tuningcomparison
Пікірлер: 11
Hmmm 15edo feels really good compared to my usual impressions.
9edo is the real standout here in my opinion. also love to see a case where a 12edo piece translates well to 15edo, not super common lol
15edo goes hard
👍🙂 Also you had a typo in the description: 9:57 72edo instead of 6:57, so the part isn’t recognized by YT.
@FranciumMusic
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Thank you, I've corrected it. 😅
5:03 You actually did it! (even though you made it a subset of 22edo)
@FranciumMusic
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Yeah, the notation of 11edo is messy and I wanted to know, if notating 11edo as a subset of 22edo makes this better. Turns out, that it didn't.
@rubikonium9484
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@FranciumMusic yep, 11edo is the only edo (that isn't 4edo) that has a flat RAISE by TWO edosteps (and has a sharp LOWER by TWO edosteps)
@05degrees
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@@rubikonium9484 Aren’t there more? Basically we’re solving 5 L + 2 s = EdoSize in integers (and get diatonic/antidiatonic step sizes for a MOS as a solution), but we replace L = s + c[hroma] and set c = −2 (so a sharp lowers by 2 edosteps), resulting in EdoSize = 7 s + 5 c = 7 s − 10. Now we get an edo for each size of a (anti)semitone: s = 2 gives 4edo, s = 3 gives 11edo and so on we can add more sevens: 18edo, 25edo, 32edo, 39edo etc.. I guess probably it _is_ the case that all of those larger ones support diatonic mosses as well (I’m lazy to check for a proof but I won’t be at all surprized if it is indeed so), or other sizes of antidiatonic, but they also support this brand. It should also be pretty useful too because step sizes just get more and more equalized and not something like the opposite of being harder and harder so they get closer to 2edo with 2 giant antisemitones and 5 microscopic antiwholetones. You can always count on large edos having more and more MOS scales inside them, including different hardness variants of any chosen family like diatonics or say oneirotonics etc.
@rubikonium9484
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@05degrees I forgot to imply that 11edo is the only edo aside from 4edo whose BEST fifth causes a sharp to lower a pitch by 2 edosteps (when stacking that fifth.) 18edo, for example, has this, too; however, that isn't caused by its best fifth (but rather, its second-best fifth.)
@05degrees
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@@rubikonium9484 Reasonable! 🛠