Your customer-build, bespoke 🎸 is stunning!!! Thx for guiding me through the jungle called: All that jazz, Rotem!!!

@RotemSivanGuitar

4 ай бұрын

Happy to help!!

Thanks Rotem. I'm not an advanced level player but, the concept of humming the chords to get the sound changes in my head, and then playing the chord tones on the beats, is a door opener of the highest order. Good explanation.

Amazing lesson, truly one of your best! Thanks for the extensive approach

always coming at the right time... thank you!

Dear Rotem, many thanks for your work, and this lesson in particular! I tried bebop scales a while ago, but didn't understand how to use them. Your approach with ascending arpejio before descending bebop is sooo cool! There are so many different sounds in that, yet it is relatively easy to use with enough training! Thank you so much!

Honest, super- thanks for sharing your art with us !

Thanks!! What an amazing video it helped me a lot

Thank you for sharing.I am learning so much.

@RotemSivanGuitar

4 ай бұрын

My pleasure!

Great lesson, more deep lessons like this into the world of jazz would be great ❤ Cheers from Italy

Yeah ❤ love your sound so much!!

the concept of using chromatic scales to elevate a chord tone is something I never thought about!

bro your phrasing on the first prog you played the whole video is just so nice.

@carlodevivomusicontent2138

26 күн бұрын

🤔

Man that's a crazy guitar

Uuuu what a new guitar!!!!congr 🎉

@RotemSivanGuitar

4 ай бұрын

Thank you!! Exciting guitar

Fantastic, thanks 👍👍👍👍👍

@RotemSivanGuitar

4 ай бұрын

Thanks!! I feel it's a good one to check out

Thank you, Rotem!

Oh this stuff feels heavy. Maybe it's just my sleep deprivation speaking. Anyways, huge respect for diving into such stuff. This is the type of content that keeps this platform aflote.

@RotemSivanGuitar

4 ай бұрын

I feel you! But really worth the time I believe

love to you brother ..xxx great lesson **

@RotemSivanGuitar

4 ай бұрын

Hugs!!

surprisingly enough, using chromatics to accentuate chord tones was one of Jerry Garcia's main techniques

Brilliant

Thanks!

What is that guitar you are playing? Whoa! Very helpful video! Thank you!

Love your playing brother. Just one thing: according to chris parks-the reigning king of BH concepts and someone who spent 30 years studying with him-barry harris never used or referred to anything called the “bebop scale.” He has a uniquely beautiful and usable chromatic scale concept but it’s not a “bebop scale.” Peace.

@RotemSivanGuitar

4 ай бұрын

I met him and he showed me exactly what I'm showing in this video

@jeremyversusjazz

4 ай бұрын

@@RotemSivanGuitar awesome. respect bro! just sharing what we hear from chris in his BH classes at open studio: barry never called it a “bebop” scale. Anyhow, love your playing and teaching!

@jlr022159

4 ай бұрын

If you look at the BH scale that he refers to as the “major six diminished scale“ that is the major bebop scale

@jeremyversusjazz

4 ай бұрын

@@jlr022159 gotcha. just saying he never called it that because the term bebop scale doesnt describe anything. the “major sixth diminished” scale tells u exactly what its DNA is. more importantly, in barry’s world you dont play lines using the major 6th diminished “scale.” it’s one of his “scales of chords” for chordal work. Barry does use the minor 6th diminished scale as both a scale of chords and for lines but thats the only one of his 4 scales of chords, that he also uses to create lines. Barry uses all the regular plain old scales We all use to create all his lines, (other than using the minor sixth dim scale as ive stated above as both a scale of chords and a linear scale ) and, from what im learning, mostly the dom 7 and major scales--but Barry has a whole bunch of “rules” of what to do with those scales and that’s where you get into the similarities between some of the results of those rules, and the so-called bebop scale. If any of that makes sense! Lol.

@malachia8590

4 ай бұрын

​@@jeremyversusjazzit is the bebop scale indeed, than I can agree with you that calling it major or dominant or minor six diminished spells more of its DNA and that's pretty clear if you look at the chords of these scales

Rotem! I'll see you in Mexico, just got the tickets

@RotemSivanGuitar

4 ай бұрын

Oh amazing! To which show?

Bb major bebop scale should work as well

👍

first =D I love you Rotem

@RotemSivanGuitar

4 ай бұрын

🙏🙏 hope you dig the bebop scale exploration

What is that guitar!!

@RotemSivanGuitar

4 ай бұрын

www.jeffwhitehead.com/

What is that Guitar?

@RotemSivanGuitar

4 ай бұрын

www.jeffwhitehead.com/ :)

@martinrhodes1619

4 ай бұрын

@@RotemSivanGuitar thanks! Very 😎 cool!

At last a normal guitar 😮

@RotemSivanGuitar

4 ай бұрын

🎸yessss

b9, #9, B5,#5, b6 . 9 on I it's not chord tone. 1356

Too much talking. Like writing a speech. Before delivering informative speech. This information is confused. Organize thoughts. Write them down Main information sentence. State 3 backing ideas Inform each idea succinctly. Repeat main information sentence. End.

Why do you keep repeating like a looping machine the same thing over and over 1&2&3&4&1&2&3&4 its redundant.

I enjoy your videos but I think you are giving false information on the historical context. I believe that Barry Harris actually was pretty opposed to "Bebop" scales. The term was I coined by David Backer I think.

@RotemSivanGuitar

4 ай бұрын

He literally showed me this scale exactly.

@hearingvoices111

4 ай бұрын

@@RotemSivanGuitar ok. Sorry about that Rotem, my bad then, I don't mean disrespect. I just always heared on the internet that people tend to say that Barry Harris concepts are similar to bebop scales but they go much deaper from the harmonical point of view. and I heared a lot of youtubers say to not mistaken Barry Harris concepts and Bebop scales. But again, you can find everything on the internet and people say sometimes contradictory things. I am not enough of an expert to be able to know the true "inventor" of bebop scales. Cheers, all the best to you.

Two is not sub dominant....one is tonic, five is dominant, FOUR is sub dominant .

@RotemSivanGuitar

4 ай бұрын

They are both subdominant. The II & the IV. Check out classical / functional harmonic analysis.

@S2B

4 ай бұрын

The second degree is actually called the supertonic.😉

@Sound-of-Bansuri

4 ай бұрын

II-7 and IVmaj are almost the same, just the bass note differs. They can be exchanged easily, so both can be called "subdominant". Besides, all 7th chords which are a 3rd apart share that many notes and can be substituted for each other (iii minor for the I maj e.g.)

@restlessbean4635

4 ай бұрын

@@RotemSivanGuitarwhat they want you to say in this case is predominant, which is a really close term

@davidcreel1323

4 ай бұрын

If we're in C. 2=D,F,A,C 4=FAC,E. The only difference is 1 note. That's kinda why the share the same function