我们不做设计，我们只是设计小素材的搬运工。
We do not design, we are only small material porters.
设计人（designer）：ATELIER BRÜCKNER + 思路视觉
原网址（Site source）：www.silkroadcg.com/guihua
简介（Introduction）：
Shenzhen is one of the fastest growing cities in the world. The MOCAPE is exploring the asian metropolis from an urban planning point of view. Following the motto "Shenzhen is Vitality", the permanent exhibition is divided into three large areas, each with a specific theme: "City Co-Existence", "City Co-Construction" and "City Co-Wish". A floor is dedicated to each theme. The basic design concept is a grid system - a symbol for the abstract process of urban planning. Within the grid, visitors gradually get closer and closer to the city.
All the floors and the contents are connected to each other by the "Shenzhen Lens", an impressive, multi-media installation with a diameter of 15 metres. It is located in the atrium, which goes right up to the top of the building, and consists of three "levels", which overlap each other like the sketching paper of an architect: The lowest level refers to the first thematic area and thus to the basic landscape structure of Shenzhen. The second level shows how the city was formed and embedded in nature. The third level is manifested in the form of numerous screens that are suspended above the lens. Museum visitors can display their wishes for the city of Shenzhen on the screens or follow the streams of movement in the city in real time.
Up until the late 1970s, today's megacity was not much bigger than a village. In just a few decades, it has developed into a city of millions and become a high-tech centre with electronically based processes. The museum visualises the planning process itself and presents further visions.
深圳是世界上发展最快的城市之一。 MOCAPE正在从城市规划的角度探索亚洲大都市。永久性展览以“深圳就是生命”为座右铭，分为三个大区域，每个区域都有特定主题：“城市共存”，“城市共建”和“城市共愿”。地板专门用于每个主题。基本设计概念是网格系统，它是城市规划抽象过程的象征。在网格内，游客逐渐离城市越来越近。
所有地板和内含物通过“深圳镜头”相互连接，这是一个令人印象深刻的多媒体装置，直径为15米。它位于直达建筑物顶部的中庭，由三个“层”组成，它们像建筑师的素描纸一样相互重叠：最低层是指第一个主题区域，因此指的是深圳的基本景观结构。第二层显示了城市是如何形成和嵌入自然的。第三级表现为悬在镜头上方的众多屏幕的形式。博物馆参观者可以在屏幕上显示他们对深圳的愿望，或者实时跟踪城市的动态。
直到1970年代后期，今天的特大城市还没有村庄大。在短短的几十年中，它已发展成为一个拥有数百万人口的城市，并成为具有基于电子流程的高科技中心。博物馆将规划过程本身可视化，并提出进一步的愿景。