A real treasure of ICM by Ustad ji, one of the best Bageshree Alap,

Shihidji is man of propotions. He is right medicine for right raaga There will never be another shahidji.

Aderniy ustaadji.. Hum jo chah rahe thhe bilkul vaisa jod jhala bageshtee ka wah maja aa gaya in real sence... Regards

Sa fais juste trop du bien.... C'est comme de la magie sa enlève la colère, les problèmes devienne léger. Vive cette musique simpliste

What a gossamer spell he weaves ❤

I pity those poor 6 souls who could not understand the beauty of this ethereal music

@dnsarkar1111

6 жыл бұрын

abhijit banerjee Qciishhhid parvezuiiiiiiiuuuyugv U

@alakhjhala6035

5 жыл бұрын

32

utd. ji is my Guru ji and sitar is my soul.Guru ji ka sitar vadan lajawab raheta h.

Beautiful mind blowing

There are I think over then 100 clips of Ustad ji on you tube but I think this one is the greatest of them all..

@shouqie844

6 жыл бұрын

I suppose because it is a professionally recorded dvd.

@tattvamasip

5 жыл бұрын

For me its the bhimpalas one...

@yuvalzuker4184

5 жыл бұрын

shouqie844 no. Just because it's so beautiful

@nik5129

4 жыл бұрын

its the beauty of bageshree

this guy has just really understood this Bageshwari raga entirely..always great with this raag

Its wonder full and very loving listning ,its music that you could listne again & again and never get bourd . Jasi

Divine music...

I just love his music.

Simply stunning.

absolutely Amazing.. God Bless these wonderful artists..

@asifaasifa1615

8 жыл бұрын

asifa

Shahid Ji has explored Bageshree to a whole new level. Divya Khandekar : Thanks for explaining Bageshree the other day!!!!

Shahidji u r really great. Mind blowing your music. With regards.

simply beautiful(:

Amazing !!! Sublime !!!! Fantastic mastery of technique and melody. He is a truly blessed artist.

@faridrafiq6918

7 жыл бұрын

Preetinder JOSHI 8

This is one of my most favorite raga and ustad saheb has done really a marvel in this performance. He takes you to sublime world the eternity. A great upload

Ustad Ji Jabab nahi Ap ka Alaha Sani Aap par Mahir rakhea

Sur Samrat ko Salam

I love his style, it's almost like blues guitar

@amitpatel3071

4 жыл бұрын

bageshree i think its like pentatonic minor and dorian mode

Apurbo

very beutyfull playing...very nice

expressions out of what he played also pouring into me

very, very beautiful

Spellbound

Superb

Kya bat hain

nice!!!

Pure bliss that's what my mind registers . Awful .

@sandrosadhukhan

4 жыл бұрын

Awesome you mean. Awful means quite the opposite.

@amitpatel3071

4 жыл бұрын

Awful Haha!

Superb, he has an electric blues sound almost

@BrianGriffithVibes

6 жыл бұрын

Bageshree and blues (particularly minor blues) share the same musical intervals, so I'd imagine that's what your ear is picking up on: nice observation.

Who is the guy playing Tabla ?

@MultiDipal

8 жыл бұрын

he is not Guy he is legendary Tabla maestro Pandit Anindo Chatterjee

@MultiDipal

8 жыл бұрын

he is not Guy he is legendary Tabla maestro Pandit Anindo Chatterjee

@smitashinde9112

2 жыл бұрын

With due respect i would like to say that while expressing our views we should not talk in casual manner. These artists are legends. So we should show our respect to them. I didn't mean to criticise you. But such queries can hurt even his disciples. Take care.

Hi does anyone know who is Parvez's guru(teacher)

@romitgupta2832

6 жыл бұрын

Mohan Chandola his father Ustad Aziz Khan. His music is inspired mainly by his uncle Ustad Vilayat Khan and singers Ustad Amir Khan and I believe Bade Ghulam Ali Khan? But definitely Amir Khan

simpliste?

0

somebody knows his tuning?

@thesillofthedoor

8 жыл бұрын

+Mathieu Trépanier Bageshree: Ascending scale D, E, F, G, B, C, D. Descending Scale D, C, B, G, A, B, F, E, D (G, D) all major notes. So all patterns and melodies skip A on the way up, and going down is not a straight run, must approach A from the note below, G, and lead onto B, before continuing ascent. And the phrases end by going down to g then up to D (hence "(G, D)" All this gives the Raag its structure. The tonic is G while the root is D , sitars are tuned to a drone in this case on D (well just shy of D really in Parvez's case) and the dominant (effectively) is D. Melodies are played based on these two notes so its played as a mode in the key of G against the root of the instrument in D. Hope that helps

@trepaniermathieu

8 жыл бұрын

+Robin Baldock Wow thanks a lot for you time! It's really appreciated! But just to be sure, when you say ascending scale you mean that C and D are the 2 first string (the longest)?

@thesillofthedoor

8 жыл бұрын

+Mathieu Trépanier those are the notes on the scale of the music, not the tuning of the strings. diffent notes played up the scale than down it for that raag. The tuning of the stings for a guitar? I would use a kind of open tuning 1st string d 2nd A so that d is on the fifth fret 3rd D 4th D 5th G 6th D then you play the melody on the second string, can use the first string to add notes which create cords against the drone created by the rest of the strings. that mimics sitar tuning a bit by have one main melody string and the others mainly drone strings. But there are many ways to tune. tuning down to D one way or another seems suitable.

@trepaniermathieu

8 жыл бұрын

+Robin Baldock Ahh I understand. Yeah I wanted the note for the tuning of my Sitar! I just like how the sympatic strings resonate on his sitar. mine tune in C is not that ''brillant''

@shouqie844

7 жыл бұрын

Try this: main strings M S M M D S S^ and Tarabs ( from taar asthaan) R S n D P M g R S D n S S

Aziatomik ?! O_o !! xD