As a Schumann devotee, I love his underlying painful emotion indwelling in all his music.

@gyozanomics

4 ай бұрын

Dude even his fun pieces like Carnaval Op.9, No. 14 "Reconnaissance" have like a deep sadness in them That sound starts off sounding like a party, like I'm about to place bets at a saloon, and then suddenly, Morose 💀 But that's ok its just for a second then back to party as the piece ends lol

The alto trombone/horn tune from 24:11 is fantastic. No trace of difficulty.

God, the power of the Vienna strings.

やっぱりこの演奏が好きです❤ 物語りが伝わってきます。 バーンスタインはシューマンも素晴らしいです。 マーラーは、もちろん、ブラームスやベートーヴェンも最高です😊 動画ありがとうございます!

Excellent performance! Bernstein knocks the concert master's folder and music off his stand at 7:56 in the first movement and they just play on like nothing's happened.

@ProdbyMadMax

Жыл бұрын

Lmfao that was hilarious 😂

@mikidoo

11 ай бұрын

I loved the big hug and kiss he gave the concert master at the end to make up for it.

I - Lebhaft 01:10 II - Scherzo. Sehr mässig 11:02 III - Nicht schnell 17:35 IV - Feierlich 24:06 & V - Lebhaft 31:06

Bernstein's conducting is fabulous as always, using his whole body to communicate, his shoulders, body language and facial expression. Wonderful as always

I like the funny face Bernstein does every time he wants to hear the bassoon cut through.

Bernstein conducted the other three Schumann symphonies often, but only conducted the Rhenish here and in a 1960 cycle in New York.

My favorite recording of this!

@ProdbyMadMax

Жыл бұрын

Anything with the Vienna Philharmonic is the best recording

@timm7400

Жыл бұрын

You might also enjoy Von Karajan and the Berlin Philharmonic performing this work. Not so very different in tempo or approach, and yet.. different. You won't be disappointed, especially in the 4th mvt (Feierlich~Solemn) After a few listenings, that movement brought to mind Hans Zimmer's Theme for the Netflix production of "The Crown". I suspect he likes that one too. He seems to have been inspired by it in it tone, and deportment. Enjoy kzread.info/dash/bejne/ZW2EzptwfdyombA.html

@justinodiaz6501

Жыл бұрын

…mine also.!…especially the first movement.

@xanaxddu71

9 ай бұрын

​@@timm7400 that Is true, but bernstein or szell are magnificent. We are so lucky tò have so many, several excellent interpretations recordings. Random examples in classical music bohm giulini abbado solti and toscanini of course

Yessss

This wonderful symphony might have been written for your namesake, Nikisch, judging from the little we can still hear and all we’ve read. Arthur evoked immense romantic surges with minimal gestures from hands jutting out from equally immense cuffs. Lenny’s technique is of course quite the opposite but here (and elsewhere) I hear hammer blows, not the mighty Rhine, though in fairness Schumann did not use that title. Perhaps Bernstein had another Wagnerian image in mind - Siegfried’s anvil.

Sensacional, maestro tem o controle total da orquestra... e a mesma se sente segura sob sua batuta e os metais roubam a cena no 3° movimento.... Bravo.. Bravo !!!!

does anyone else think the beginning of this sounds exactly like the main theme from the movie Willow?

@bw2082

9 ай бұрын

Yes. Horner was inspired by this and the Pastorale symphony by Beethoven.

やっぱ初めのリズムの取り方はバーンスタインが1番好き

Does anybody know a symphony about the birth, the life and the end of a river into the ocean. That was symphony that my music teacher was explaining as it was playing long time ago when I was 11 years old.

@someonelol3404

3 ай бұрын

Perhaps the blue danube ?

@someonelol3404

3 ай бұрын

Or is it the symphony in this video ?

@ralphoperaphile

2 ай бұрын

Surely it is Smetana's "Vltava" ("Die Moldau" in German)? Try that. Not a symphony but a relatively short "tone poem" narrating the river's progress from where it arises to when it meets the ocean. It is one of six pieces in "Má vlast" (My country).

1:06

>Rhenish >Objectively the Danube haha please be patient