Riad Sattouf Interview: On 'The Arab of the Future'

Ойын-сауық

Franco-Syrian Riad Sattouf here discusses his emotionally honest graphic memoir, praised as ”a classic within its genre.” Sparked by the civil war in Syria, it is told from a child’s perspective, humorously balancing between two cultures.
“I like to show that when people think they have a destiny, sometimes it’s just stupid things that decide life.” At the age of two, Sattouf made a drawing of a man, which his grandmother praised to the sky, thinking it was the French President Pompidou. This sparked his belief in his drawing abilities, and Sattouf is amused by the fact that it was “a vision of admiration” that decided his whole life, and that he might as well have become a chef if his grandmother had praised his cooking.
Puzzled by the strange fact that all writers of horror, fantasy or science fiction seemed to never have Arabic names, Sattouf decided that he wouldn’t be restricted in such a way: “I wanted to be a guy with an Arabic name who makes science fiction for example.” However, when the civil war broke out in Syria, he wanted to convey his troubles with the French administration when trying to help his Syrian family and to do so, he had to tell the story from the beginning - and so he began ‘The Arab of the Future’.
“I wanted to not judge the characters, and to show them with their inner paradox.” The story is from a child’s point of view, and Sattouf found that many of his childhood memories were of sound, taste and smell, which was important for him to convey: “I wanted to make it emotionally understandable by anybody.” The main character is his father, who was from a poor background in Syria but succeeded in becoming a doctor in France, and the graphic memoir deals with Sattouf’s childhood fascination of him - for better or worse. As a result, people have very different perceptions of his father when reading the book: “It’s exactly what I wanted - each person sees in the character a part of maybe himself.”
Riad Sattouf (b. 1978) is a French cartoonist, comics artist and film director of Franco-Syrian origin. Sattouf became widely known for the praised on-going graphic memoir ‘The Arab of the Future - A Childhood in the Middle East, 1978-1984’ and ‘The Arab of the Future 2 - A Childhood in the Middle East, 1984-1985’ (L’Arabe du future) (2014-15), first of which won the 2015 Fauve d’Or Prize for best graphic novel. Sattouf has also written and directed the award-winning film ‘Les Beaux Gosses’ (The French Kissers) (2009). Sattouf worked for the French satirical weekly Charlie Hebdo from 2004-2014. He lives and works in France.
Riad Sattouf was interviewed by Christian Lund at the Louisiana Museum of Modern Art, Denmark in October 2017.
Camera: Jakob Solbakken
Edited by: Roxanne Bagheshirin Lærkesen
Produced by: Christian Lund
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2017
Supported by Nordea-fonden
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Пікірлер: 15

  • @illustratornamedkasper
    @illustratornamedkasper3 жыл бұрын

    Such a great comic, incredible what he can remember from his childhood and filled with humour and poetry.

  • @AndyRiot
    @AndyRiot2 жыл бұрын

    This series is a masterpiece

  • @thelex001
    @thelex0015 жыл бұрын

    What a wonderful video of a truly gifted comics writer and illustrator. The three volumes (soon to be four) of The Arab of the Future are as revelatory as young Sattouf's inspiration to draw. I have some small familiarity with the region, but Sattouf offers a child's-eye view (process, of course, through an adult sensibility) of what's on the other side of a door most of us have little or no access to. His comments about his father were particularly interesting: after 450 pp of the trilogy, I'm on the side of "this man is insufferable; his family should leave him." In this interview, however, Sattouf reframes the matter and, in large part, wants his readers to see his father as more sympathetic character. Sattouf himself is a non-judgmental narrator and tries to render all his characters sympathetically in their - and this is most important - cultural, social, and political context. These are wonderful books that anyone with an interest in the Middle East and the intersection of ME and European cultures should check out at their local library or purchase. (I'm grateful that the wonderful New Hanover County (NC) Regional Library purchased these...)

  • @edmills9160
    @edmills9160 Жыл бұрын

    A brilliant series. Worth reading on so many different levels. Take the time to enjoy it.

  • @grillodofus
    @grillodofus3 жыл бұрын

    Damn! never look at this after watching a Pierre Woodman casting! Excelent interview and comic.

  • @jornalistarenatarosa4205
    @jornalistarenatarosa42052 жыл бұрын

    I love it!

  • @jwd2690
    @jwd26903 жыл бұрын

    Incroyable de l'entendre s'exprimer en anglais. :)

  • @DieAnananas
    @DieAnananas19 күн бұрын

    This video will probably get a massive boost in views just because everyone writes an exam about this guy at my school

  • @olga4956

    @olga4956

    19 күн бұрын

    CASPER???

  • @DieAnananas

    @DieAnananas

    19 күн бұрын

    @@olga4956 HAHAHA als ob es wirklich jemand gesehen hat xDD

  • @tashkashka
    @tashkashka3 жыл бұрын

    Interesting how he considers his father the main character

  • @klapsigaarenbasgitaar1931
    @klapsigaarenbasgitaar193117 күн бұрын

    Does anyone know what kind of pen he uses while drawing here? I would like to buy one for my daughter.

  • @juandaviddiazgonzalez5404
    @juandaviddiazgonzalez54043 жыл бұрын

    Buenas noches, disculpe lo podria por favor explicar en Español. Gracias

  • @moonryan3908
    @moonryan39085 жыл бұрын

    Is he an author? Arab? Is he a smuggling or a Syrian refugee? Isn't he married? How many wives and children?

  • @thelex001

    @thelex001

    5 жыл бұрын

    Google...and all shall be answered. It will take less time than the time it took you to tap out your inane questions...

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