Thanks for this Tony. Great lesson!

Thank you Mr. Winston for this and taking time out to teach !!

Awesome Tony!!! thanks again for the great tutorial on this great tune!

Tony, this is a really useful and informative video on how to count and read difficult charts. Also enjoyed your explanations on improv on those chords. Keep going buddy, I find your stuff so interesting and enjoy the way you break every measure down. Thankyou.

Outstanding lesson thank you so much.

Oh wow T.W. This is the holy grail for me in terms improv over the chord changes. Your tutorials are just right ! 🤩

Nice explain and the important to add in mind thanks for teaching like that clear

Very nice lesson!

That's great. Very helpful. Keep up the hood work. Thank you.

Thank you so much sir I like your videos and I learn so much thank you again

Thank you, Tony😀

Thank you dear Tony! Really helpfull!

Fantastic lesson

Gracias master, excelente!! 🎹 👍

Wow this is the second time After another Am watching your video You might have changed My life Sir Especially with the 8th note practising story I will so devour this tutorial Thx

amazing, thanks

Thank you🙏

You are very good

Thanks that is really great lesson would you please mr: tony if you can play it from beginning the entro with all left hand chords progresson even end . I need to see all spain complete . Thank you very much

Merci ❤

Great tutorial. I've learnt Spain on Melodica but would like a tutorial on a melody improvisation. 🙏

Obrigado! 🇧🇷

I watched all of your Spain videos and they're great! I wonder if you would do another one on playing the popular big band arrangement, which is in C minor instead of B minor. (presumably to make it easier for high school horn players to read in d & a minor instead of c# & Bb minor). I had to break down the fingering in the B section and play it in 4/4 with a metronome to get it working. Also any general comments about latin comping rhythms or how to be heard in this dense arrangement would be appreciated too.

3:21 this is a really good point. Ive had some troubles in the past with some bandleaders who refuse to write ties in their scores in examples like these and have told me to write in my own amendments to their score an hour before a gig because "i know how it goes". The completely miss the point and its frustrating from a sight readers point of view who is paid to sight read because they are essentially blaming me for being "awkward" 😡

Fantastic l

You too can become a success !!

Great video! Please do a tutorial about my favorite things

@TonyWinston

6 жыл бұрын

Kluse I'm not sure what approach to make to that song. Anyone's version you like best?

@Speedcrafter100

6 жыл бұрын

An approach about Joey Alexanders version would be interesting.

...thank you so much for the resources that you are offering...particularly fundamentals like counting the rhythm of this clever classic...and, as time is less of the essence, I'd be delighted to share some of the 'extraneous bullshit' as well...cheers,

@TonyWinston

6 жыл бұрын

Andrew Blair I meant to edit that out ,hehe, thanks Andrew

Good

احسنت

8:25 that line Am having trouble getting it I depend on my ear mostly Can you break it down even more slower pls?

Hi Sir Tony.. İs it ok I use a bit of your video? The part from 1:10 minute To showcase the difficulty involved in your exercise of clapping ur fingers and playing right hand ...amazing wow

@TonyWinston

3 жыл бұрын

Yes, you may use it. Thanks for asking

@MiLaDoB

3 жыл бұрын

@@TonyWinston no no big thanks to You..my condolences ...you are an İnspiration

Wow at 1:10 minute when he clapped his left hand while played with his right...wow....ur brain needs to seperate senses wooooow

How does one know what scale to use with each chord

@bermchasin

3 жыл бұрын

Your ear primarily. But there are some general tips that will lead you in the right direction. For a major chord, you can play a major scale. Sometimes you will instead play a Mode of a different scale. Somethings you may decide to make it more "jazzy" by playing a blues scale. For a minor scale you can choose any of the minor scales. If the minor is acting in conjunction with a ii V I progression, then you can just use the major scale from the I. And if you have a dominant chord, then you can sometimes play the diminished scale a half tone above the root. There are Tons of these tricks you just will slowly learn over time by listening to others play them. But there is no "right" answer. Many scales will work over many chords. I didnt eve mention the pentatonic scales yet. But in general work on building melodies, playing from the tones available in the melody, and then expanding on that.

@evanwang7361

3 жыл бұрын

@@bermchasin hey thanks so much for the advice! After all this time i think i was originally searching for one “right way” to approach this, but i guess i just have to keep picking up tricks over time. :)