Resurgence for Solo Trombone and Trombone Ensemble (Perusal Score)

Resurgence for solo trombone and trombone sextet, written for and recorded by Dr. Jeremy Marks and the Carolina Trombone Project off their debut album 'Mountain Ascent'!
More information about the piece:
hassmusic.com/chamber/resurge...
Available for purchase through IMBrassWorks:
Digital:
www.imbrassworks.com/p/chris-...
Physical:
www.imbrassworks.com/p/chris-...
Program Notes:
Resurgence is a story about resilience in the face of adversity, inspired by Dr. Jeremy Marks' experience battling and ultimately overcoming Bell's palsy, a neurological paralysis to the left side of the face that caused him to be unable to make a sound on the trombone for months during his undergraduate degree as a music major. The soloist directly represents Jeremy's actions and mentality during this trial through three connected movements, entitled 'Revelation', 'Recovery', and 'Redemption', that describe the timeline of events and narrative arc of this story.
'Revelation' begins with the trombone sextet, acting as Jeremy's colleagues in high school and university concert band, responsibly warming up with traditional Remington exercises before the soloist bombastically starts showing off by playing through every famous trombone concerto or orchestral excerpt they know (including Gordon Jacob's Concerto for Trombone, Maurice Ravel's Bolero, and Alexandre Guilmant's Morceau Symphonique). This introduction leads into a rhythmically-driven, yet unstable, section where the soloist continues to display their technical prowess before everything comes to a halt when they suddenly lose their ability to make a sound on the instrument.
'Recovery' depicts the long, arduous journey Jeremy went through during his confrontation with Bell's palsy. The seven grueling months of work Jeremy endured to get his voice back during this time are reflected with timbre and instrument changes, transitioning from simple mouthpiece buzzing, to being muted when switching back to trombone, to finally playing an open F, the first note Jeremy was able to play after battling with this ailment. The harmony in this movement mirrors this transformation too by starting dark and uncertain, but getting more hopeful over time.
'Redemption' is an upbeat and triumphant conclusion to this story, illustrating Jeremy's appreciation for what he almost lost and the teachers that helped him through the healing process. The movement features callbacks to earlier material from other movements to represent residual side effects and brief moments of doubt, but the soloist quickly overcomes these hurdles and comes back stronger because of their newfound respect and responsibility towards their craft. This culminates in an uplifting restatement of the melody from the second movement, now in a major key, followed by the soloist cooling down with a set of long tones akin to the Remington exercises from the beginning of the piece.
Resurgence is dedicated to Jeremy Marks' former teachers, Dr. William Mathis, Garth Simmons, Dr. Steve Wolfinbarger, and Dr. Nathaniel Brickens.

Пікірлер: 36

  • @cehass11
    @cehass11 Жыл бұрын

    Thank you for listening! More information about the piece is available here:

  • @jameswilson9563
    @jameswilson9563 Жыл бұрын

    I didn't even need the score notes to understand the story told by this piece, the music conveyed it well! Excellent work!!

  • @michaelquillen2679
    @michaelquillen2679 Жыл бұрын

    Started listening to this without reading any notes or comments. During the intro, my first thought was, "Seriously, a piece based on Remington's daily exercises?" After the cadenza at Letter A, I figured it might be helpful to read some notes and see what the story might be on this composition. Cool piece! This work hits home with me as many years ago, as a trombonist, I dealt with my own episode of Bell's Palsy. Mine was not too serious (very little facial droop), but I recovered quickly and was able to play to some degree while recovering. Although I went on to play for another 31 years, I always felt that I was never quite as good as I was before the palsy. Great piece! Thanks!

  • @moist_soup7215
    @moist_soup7215 Жыл бұрын

    This is a beautifully written piece. The nods from Morceau, bolero, Wagner, and many others is so clever and tells the story beautifully. This is true art

  • @juicymango8400
    @juicymango8400

    Oh Mr Hass and your lovely odd time signatures. You really know how to make an awesome melody with any time signsture

  • @Novacreeper231
    @Novacreeper231 Жыл бұрын

    the first solo part I recognised almost every melody there

  • @user-qs6ro5yq6d
    @user-qs6ro5yq6d Жыл бұрын

    I know your work from before this piece, mainly Violent Shadows. I listened to this piece performed by Dr. Marks at the UNC Charlotte Trombone Festival and had somehow missed that you had written it. It makes sense now as to how this piece turned out so great.

  • @Qrw-zd4xw
    @Qrw-zd4xw Жыл бұрын

    I love your trombone pieces, one of your greatest yet

  • @ethanjankowski-composer
    @ethanjankowski-composer Жыл бұрын

    Your work never ceases to inspire. A fantastic listen as always!

  • @Thomas_Robinson405
    @Thomas_Robinson405 Жыл бұрын

    This guy looks really nice. I would love to be his friend

  • @brandonshenmusic
    @brandonshenmusic Жыл бұрын

    YEAHHHH!!!

  • @memelord417
    @memelord417

    this could lowkey be a movie soundtrack

  • @johnsimpsen5
    @johnsimpsen5 Жыл бұрын

    10:59

  • @johngordon6526
    @johngordon6526

    Wish I was young enough to play it.. Haven't played in years, but yea, if I ever practice enough, it seems like a really good solo to ease into (the accompaniment not withstanding =p)

  • @skullangelz1939
    @skullangelz1939 Жыл бұрын

    I swear I hear song of storms in here but I feel Like im wrong.

  • @boykin740
    @boykin740

    Was that solo supposed to have Bolero, Morceau Symphonique and Ride of the Valkyries or am I just hearing that?

  • @maxwellkowal3065
    @maxwellkowal3065 Жыл бұрын

    00:58

  • @rescue270
    @rescue270

    This seems more like a septet rather than soloist and sextet.

  • @samh_06
    @samh_06 Жыл бұрын

    1:00

  • @octavianaugust2005
    @octavianaugust2005

    Cadenza it's a mix of famous solos? Really?