ProRes HQ vs ProRes RAW
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I tried to match the footage as best I could, but I'm not professional colorist by any means. Both shot on the Z Cam F6 in 6K 16:9 with the 65mm Blazar Remus @ T2.4 - one in 10 bit 4.2.2 ProRes HQ internally, and one in 12 bit ProRes Raw externally...
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