Hey everyone, Dimash sounded incredible on that D6 - my apologies for the misidentification of that note. Hope you enjoyed the rest of the analysis! :)

@aynurgulaybastuncu1674

Жыл бұрын

Next please react to Dimash singing “Ikanaide” for Tokyo Jazz Festival.

@elevown

Жыл бұрын

Not hard to do- none of us are suprised Dimash's voice can be mixed up for Aida's on his top end :) - and there wasnt a good look at them in the footage for the note.

@asiadzi

Жыл бұрын

Yes, I enjoyed it, thank you :) I suggest you to listen to Tu vas me detruire, Dimash duet with Sundet Baigozin and to Ay Karagoz, sung with Alisher Karimov. Most of Dimash duets are great, I think.

@arturama8581

Жыл бұрын

"A lot of you're probably not able to hear it". And that's exactly why we listen to you Peter. If you want to learn, best learn from a pro. Btw. I was thinking a while ago about how you'd be announced if you sang Rossini? Something like: 'Not the Barber of Seville singing The Barber of Seville'? 😎 Have you ever?

@johnbethell1952

Жыл бұрын

Well you gave credit to Aida for the D6 when it was not her so Dimash can fool experts as well. But Soprano Elizabeth Zharov picked that it was Dimash on the high note

We're not professionals, but we all heard Dimash going higher than Aida at the end 😂

@debbienockels3796

Жыл бұрын

Sorry, but I have to respectfully disagree. I’ve listened to this closely, dozens of times, and I can clearly hear Dimash maintaining his lower note at the end, as Aida goes up. It’s still a high note, but it’s lower than Aida’s.

@stellamarina.

Жыл бұрын

@@debbienockels3796 Hi Debby, I respect your disagreement, but at the end, both are in high pitch and Dimash is even more higher at the very end. Maybe you are confused by the chorus at the back. Take care. 🥰

@estera4176

Жыл бұрын

@@debbienockels3796 Nope. It's Dimash doing the D.

@Tricia_K

Жыл бұрын

@@debbienockels3796 Aida has a surprisingly warm alto voice that tones with Dimash's so beautifully, that it's bound to cause confusion! As my favourite of all Dimash's many duets and collaborations, I just can't get enough - and yes, that includes his switch up to D6 en finale ;)

@arturama8581

Жыл бұрын

@@debbienockels3796 Simple and plain. You heard wrong dozens of times. Maybe you need your ears checked? Cause they're *clearly* not in good working order. Neither is Peter's 'professional hearing'. Watch the video in slomo and zoom in to both their mouths. You're obviously not capable of hearing it, but surely you can see?

Thank you for your commentary. The piece was originally written by Igor Krutoy for the voice of acclaimed operatic baritone Dimitri Hvorotovsky (RIP) and lyric coloratura soprano Sumi Jo. I love the way Aida and Dimash sound together. For this event, Igor chose Dimash to sing two contemporary classical pieces he originally wrote for Hvorotovsky, this one and "Ti Amo Cosi". At this same event, Dimash also sang "Olimpico" and "Passione", both songs that Igor wrote specifically for Dimash's voice, and "Know", a piece he rewrote for Dimash, originally sung by Lara Fabian, lyric soprano.

@ceusandana9191

9 ай бұрын

❤

This wasn't written for Dimash, but I think that today, he would have to reach less for those lower notes, as he's really worked on extending and strengthening the bottom of his range.

Ironically enough, Aida had said to Dimash at rehearsal - “Dimash, you don’t need any of us - you can do all the parts yourself! “ And she was serious - Aida was as impressed to sing with Dimash as he was with her.

@ceusandana9191

9 ай бұрын

❤

I love how you gushed over DIMASH'S D6, when you thought it was Aida's... 😆

The last highest note was not Aida but Dimash.

That D6 is Dimash, not Aida. 😆 That voice is very distinct.

@Watchamacallit000

Жыл бұрын

@@ecilaeniarol9863 if you don't know it would be difficult to discern. It's only because we know the tone of his voice so well. It isn't really that important because he knows that Dimash can hit those notes

@deborahsmith9968

Жыл бұрын

@@Watchamacallit000 crediting the correct singer is important

@jackzeldon2883

Жыл бұрын

@@deborahsmith9968 Peter is great & he's got a humble demeanor about him everyone makes mistakes & he admitted that above.... I actually like that he missed it b/c it underscores what Freak Dimash is lol...... Aida is amazing too.... I luv listening to her performances - such a Pro

@deborahsmith9968

Жыл бұрын

@@jackzeldon2883 agree. Love Peter’s channel!

The last note “D6” was dimash, happy you don’t see the difference. This show dimash has really a soprano voice

@RH-zc5dq

10 ай бұрын

loool yes

I will recognize Dimash's voice and vocals in 1000 people. The last note (D6) was sung by Dimash. Listen carefully.

@user-gq9tg8wr2t

11 ай бұрын

100%👍❤

@cychen9528

5 ай бұрын

I think people often have assumptions, at first I assumed it is Aida, but after checking the fan cam several times, it’s indeed Dimash.

Finally fooled you, it was Dimash who took the final high note in this song. While this is an Igor Krutoy composition it was not written specifically for Dimash or Aida. This was a birthday gala for Igor Krutoy, who is at the piano, and there were multiple performers, not the least of whom, was Andrea Bocelli, and they were all performing songs written and or composed by Igor.

The high note was Dimash's golden voice 😆 ❤️

Peter, so funny that you didn't recognize that it was Dimash who went for the high final note, particularly because you said it yourself in the beginning that he is most comfortable in the soprano range. But rewatch that moment and see his posture and his arm shoot up when he hits that note.

@purplearrow

Жыл бұрын

i agree with you. this fancam link clearly showed it was Dimash (and NOT Aida) who sang the high D6 final note : kzread.info/dash/bejne/dYubsqivnq-1qdo.html

Dimash may not be a pure opera singer but you have to love him for getting someone like me to listen to Aida in the first place. 🙂

@shrekswife2164

Жыл бұрын

I've always loved opera but also enjoy and love other genres, so glad Dimash chose crossover. the fact that he declined the invitation to confine his talent to opera says a lot though for what opera professionals of Eurasia think of his capabilities.

@SoneaT

Жыл бұрын

I'm so glad as, well! Wouldn't have listened to those pieces if It wasn't bc of Dimash! And I love it! 🤣

You listen carefully and dissect their vocals throughout the song . Then you MISSED Dimash’s last attack high note, which I don’t understand why? Lol. You even watched that part 2-3 times and still couldn’t see how he goes up higher than Aida in that last note! 😅 which seems effortless for him though, he seems comfortable on E6 F6 in head voice . Lol. 🤣

Great analysis! I dont think you realised in the video that last D6 was actually Dimash!! Keep it up Peter💪

@aynurgulaybastuncu1674

Жыл бұрын

Yep, it was Dimash who sang the high D at the end. Kinda surprised Peter didn’t catch that because that was the cute little twist at the end of this piece. lol .

@teresaz-l2963

Жыл бұрын

@@aynurgulaybastuncu1674 Ich merke, dass Peter nicht auf diese Diskussion reagiert, weil er überzeugt ist, dass die letzte Note Aida gehörte. Er hat das richtige Ohr für so was. Ich meine, dass er recht hat.

@purplearrow

Жыл бұрын

even experts sometimes miss certain points. here is the fancam link where you can clearly and closely see and hear Dimash (and NOT Aida) doing the last note in D6... kzread.info/dash/bejne/dYubsqivnq-1qdo.html thanks Peter for a great analysis. cheers!

@jackzeldon2883

Жыл бұрын

Dimash is a FREAK!

I think Dimash assigned that "masculine" punch as an artistic choice contrasting with and highlighing the beautiful "feminine" flow of her voice in this romantic piece. I've also seen him deliberately adjust his voice to his partner's voice in duets, male or female always making them shine. I noticed his choice in this, and you did as well, to me it was deliberate. Known for being laser precise in his choice of the color, timbre, tone, weight and placement of every note, word and equally so with every phrase when he sings, this was an obvious choice to me. An opinion, and thank you for your time and effort on our behalf ! I appreciate it.

@patriciapalmer1377

Жыл бұрын

,

So great to finally hear these two sing together! They performed really well as a duet, and it was super cool/interesting to see how Dimash stacks up against a legit opera star. Which Dimash song do you want to see me analyze next?

@lkayh

Жыл бұрын

I haven’t seen the video yet, but I can’t wait to hear your comments! So much to unpack!

@NSOGHello

Жыл бұрын

Here is an example of Dimash without a mic, singing with Andrea Bocelli. It is a backstage video, and not a performance, but should give you something to reference for his natural volume. You have made several comments about sound compression and wishing to hear what he would sound like without a mic, so I hope this would be a good start. kzread.info/dash/bejne/c62WmauRXdXfaLA.html

@amatalanesi4187

Жыл бұрын

the last note was Dimash's not Aida's

@Watchamacallit000

Жыл бұрын

I checked with his teacher but Dimash said the same in an interview. He is a TENOR. He does tend to be a little more choppy and less flowing between words when he sings in a foreign language and it's a song he's not super familiar with.

@aynurgulaybastuncu1674

Жыл бұрын

Watch the end again, and listen carefully, and you will see/hear the highest note at the end was actually sung by Dimash, not Aida. ;) …. Next please react to Dimash singing Ikanaide, an old classic Japanese song which he brings his Dimash flair to it. Please react to it next.

Dimash actually went higher than her at the end. This song was written long before Igor knew about Dimash. Aida had sung this for many years with other opera singers. Thank you for a great analysis.

@aynurgulaybastuncu1674

Жыл бұрын

Yeah, I am kinda surprised he didn’t catch that the high note at the end was actually sung by Dimash. If he watched that part, that would have helped because you can clearly see with the position he took that it was he who sang it.

@kevinnguyen5042

Жыл бұрын

@@aynurgulaybastuncu1674 lol, idk if he really ignored Dimash in that last note or what😂😂😂. He even looked at the screen that part 2-3 times

@aynurgulaybastuncu1674

Жыл бұрын

@@kevinnguyen5042 he did not watch the screen carefully enough (his eyes weren’t on the screen the entire time during that part) because if he did, even from dimash’s posture and stance he took for that last note he would know Dimash sang that note. It is ironic too because during this video he over-emphasized how his professional opera singer ear is more fine tuned than ours, like he mentioned it ten times that he is a professional singer but yet his super ears failed him when it came to that last note, lol.

@lovesyoutube8591

Жыл бұрын

@@kevinnguyen5042 Aida sang the last note, and Dimash matched her in high tenor. I missed it several times, being used to Dimash`s high notes, until I finally noticed a tenor note in that finale, and I realized it was Dimash. But yes, when he takes a high note other times, he sounds just like Aida, which is why she joked that if she needs to step out for something, he can sing her part 😄 But in Ulisse, just like in Ti Amo Cosi, Dimash stuck to low range, and the girls sang the high notes :) And his high tenor note at the end in Ulisse is gorrrgeous :) P.S. Not gonna comment on the ongoing 'obsession' with the differences between professional opera singers and Dimash "not choosing this path". It seems like this HAS to be mentioned every single friggin time, as if we don`t know what field Dimash has chosen. Or the obsession with "actual voice volume". Nobody asked Peter to organize an audition at an opera for Dimash and give him a pass to join the opera. Don`t understand that point Peter keeps making. I am glad that Dimash chose a career where he has concerts in front of 20.000+ people, so I can have a shot at being among them and hear him live. That`s all I`m gonna say. I don`t know why professional opera singers don`t make reactions to other opera singers and be done. Why bother with non-opera singers with questionable volume and keep comparing techniques. Beats me.

@aynurgulaybastuncu1674

Жыл бұрын

@@lovesyoutube8591 In Ti Amo Cosi Dimash stuck to low notes only, but here in Ulisse the very final high note at the very end is 100% sung by Dimash, not Aida. Other opera singers who reacted to this performances also confirmed this. So, you and Peter are wrong about it being Aida.

Мне очень нравится этот дуэт, гармоничный, прекрасно звучащий, прекрасно смотрящийся. Я восторгаюсь обоими, но Аиду слушаю редко, а Димаша каждый день. Почему-то только его голос вызывает во мне столько эмоций, независимо от тембра, жанра и стиля. И вот это объяснить не сможет ни один профессиональный разбор.

@christine4109

Жыл бұрын

His voice has magic :)

@ceusandana9191

9 ай бұрын

❤🤗👍🤝

@raisakim2769

2 ай бұрын

Аналогично и со мной так ! Только ДИМАША могу слушать по-многу раз кряду и не надоедает, это какая-то магия !!!

Dimash‘s voice is beyond amazing. What a superstar. I love his voice. For me the most beautiful. This song was written for Dimitri Hvorostosky , who was a baritone. Btw Dimash took the high note at the end and not Aida. Funny you didnt notice.

@raisakim2769

11 ай бұрын

Для меня тоже - голос ДИМАША самый красивый из всех голосов мира !!!

@user-gq9tg8wr2t

11 ай бұрын

100%❤🎉

@ceusandana9191

9 ай бұрын

❤

Well, you say to take your word for it because you are a professional, but if I had done that and hadn't known better, I would have never found out that Dimash was the one singing that high note. You even made it a point to stress how professionally Aida does it, while it was Dimash . Not criticizing, just pointing out a funny fact.

@RH-zc5dq

10 ай бұрын

looool very funny actually

Очень жалею что не поехала на этот концерт,номер шикарный, выступление солистов на высоте,хор,оркестр, катание в каждом номере выше похвал. Проделана огромная работа. Игорю Крутому,огромное спасибо за то что собрал таких прекрасных солистов и организовал этот концерт👏👏👏👏

@pamc9467

Жыл бұрын

I have no regrets, I was there!

@ceusandana9191

9 ай бұрын

❤

I love your reactions to Dimash !! Just one thing : the last high note was Dimash and not Aida ❤️ check his song Passione Greetings from Greece ❤️🥰🇬🇷🇬🇷

Dimash actually beat Aida for a classical singing award (Victoria awards?) in Russia with his song Olimpico. I'm sure someone here can give all the details because it escapes me now.

@FluffysMum

Жыл бұрын

Yes he did, I watched the ceremony where he accepted the award. He beat more opera singers than Aida but she was on the list. 🥰

@FluffysMum

Жыл бұрын

The last couple of notes up to D6 was Dimash not Aida, funny you didnt mention it 🙃

@alissa239

Жыл бұрын

It was Netrebko

@Watchamacallit000

Жыл бұрын

@@FluffysMum because someone else already did

@FluffysMum

Жыл бұрын

@@Watchamacallit000 did what?

That highest note at the end was Dimash singing. He sang the very last high note between the two. Listen again to the very last part and watch also, and you will see. ;)

@jimwallace3441

Жыл бұрын

I have no singing experience and I heard Dimash on that last note the first time I heard this. How did Peter miss it???

@pablogabriel5828

Жыл бұрын

Its dimash!!! High note !!!

@TheBxxKiddo

Жыл бұрын

@@jimwallace3441 because we are fans of Dimash, and for us, his voice is very distinctive over listening to his music incessantly 😁. I supose Peter assumed the highest note was Aida's, because he spent the whole video praising her habilities over Dimash's. And don't get me wrong, I am a big fan of Aida's too, but I felt peter was a little biased toward her. As for me, I just think that both sounded wonderfully in this piece of art.

@brg7451

Жыл бұрын

@@TheBxxKiddo Exacto, yo pensé lo mismo. Parecía que estaba haciendo la reacción a ella 😅. Lo bueno que las DEARS podemos distinguir la voz de Di y que siempre trata de que sus acompañantes brillen más que él. 🥰🥰

Although the composer (Igor Krutoy on piano here) wrote this song years ago, so he didn’t write it for Dimash. This is Igor’s 65th Birthday concert and all the artists were artists he had worked with over the years, obviously all the songs were composed by Igor. The highest note at the end was sung by Dimash!

Well, according to his own words, Dimash is a tenor. No surprise then that he has to darken his voice to get down to bass level. Too bad we rarely hear him sing operatically as a tenor because he often sings either lower or higher. Also, this piece was written for a baritone (as other commentators said), not for Dimash. Furthermore, I missed a comment about Dimash´s vibrato. In your Ogni Pietra review, you kept complaining that he did not sing all notes with vibrato as he should if singing proper opera. (Besides, Ogni Pietra is more like a rock opera so Dimash did not need to sing the notes in full opera mode.) .Finally, I am quite amused that you attributed the D6 at the end to Aida. Speaks for Dimash´s soprano quality though!

@emelianemone777

Жыл бұрын

having recently found this channel, i've been binging dimash reactions here & in pretty sure this gentleman states multiple times in each video that he DOESN'T expect "perfect" operatic technique from dimash. if i'm not mistaken, it was actually in his "ogni pietra" video where this was most pointed out & rationally explained as to why it isn't the correct standard to analyze or critique dimash's performance from. it's dears that can't understand any criticism of dimash that keep me from wanting to actually refer to myself as such, despite being obsessed with him & his talents since 2018...please relax a bit & allow others to speak their minds freely, especially on their own channel. FWIW: i super duper appreciate the honest feedback & reactions; it's a refreshing change-up from most deadpan, here for the monetization reactions i'm seeing out there of dimash.

@mmsminimalmusic3110

Жыл бұрын

@@emelianemone777 In case you are referring to my earlier comment. I don't agree with your defense. To me it is obvious that PB does actually expect it but then backs down a little bit to appease the Dears. Besides, saying to not expect perfect operatic technique from Dimash strikes me as condescending. Finally, I am not a fan who cannot bear criticism of Dimash. For example, I've been attacked repeatedly for calling his song "Okay" lame and boring. Criticism where criticsm is due, but not in the sense of "you can't expect perfect technique from a mere crossover singer".

@shrekswife2164

Жыл бұрын

@@emelianemone777 constructive criticism is always a good thing for anyone who wants to learn. Most dears understand this. Problems only arise when the reactor confuses criticism and opinion with critique..or makes some comments without context which then sparks criticism from viewers. The lesson here is as much for the channel owner as it is for viewers.

@lupitagallego375

Жыл бұрын

Yes!…..totally agreed of your comment!……ay Peter!…..🤷🏼‍♀️🙆🏼‍♀️😂

@zoteck9177

Жыл бұрын

@@emelianemone777 all fans of dimash accept the criticism

Первым исполнителем был Дмитрий Хворостовский! На этом концерте Крутой "передал эстафету" от Димы Хворостовского, Димашу Кудайбергену!

@namir3401

Жыл бұрын

Хворостовский 🙏

Actually,Igor Krutoy wrote this piece for Sumi Joy and Dimitry Hvorotovsky I think.

i love your enthusiasm and I don't mind these long interesting informative videos. But, he was doing the D at the end, not Aida. I was confused by that as well the first I heard it, but that's 100% Dimash's voice, I know it too well by now. You're so right about him sounding like a soprano when he wants to and this is a good example.

@estera4176

Жыл бұрын

Oh, I also love this performance and I believe it deserves more recognition. They sound great together. I can hear how Dimash needs more larynx push (even though not as well as you do), and that that is not his shining range, and I'm amazed at the same time that he sounds so good, while having that amazing crazy high rage too. He really does put in the work for it all.

Perfect and amazing Dimash…….Aida is amazing too!…..loved this duet!….🇲🇽🇰🇿🇲🇽🇰🇿🇲🇽🥰❤️😍

What Dimash was doing there .. was singing the D6!!! 😁 After all the praise you gave Aida for that note!! I could hear quite distinctly that she sustained her last note and Dimash went up to the D6, (without having listened before) so, kind of surprised you didn't pick it up .. but .. all is forgiven!! 😁🥰

I really wish reactors would do some research to avoid incorrect conclusions. This piece was not written for Dimash, but for a baritone. Igor has been composing since before Dimash was born, and he has composed for many singers. So much confidence in statements that are completely wrong is very offputting.

It's very interesting to me how Igor, who is known for taking classical pieces and expanding them by adding contemporary touches, has combined these two singers together in a beautiful blend of both genres! She is singing pure opera while Dimash intentionally weaves in the contemporary, creating something more dynamic in this already gorgeous piece of music! (It took me a couple of times through to realize that D6 was our boy Dimash too. He sounds very much like Aida up there😅!)

Dimash did D6.

It is Dimash singing the final high note, not Aida, but of course a well trained opera singer who hears so much more than us would pick that up straight away.

Отличный качественный подробный разбор! Для своего возраста и учитывая другие его возможности - Димаш отлично поёт, и этот разбор его не принижает, как и Аиду)) Очень интересно было послушать мнение профессионала, а не просто охи и вздохи других реакционеров. Спасибо!

Apparently Aida said jokingly to Lara Fabian that if she (Aida) got sick before the concert Dimash could sing her parts 😂😂😂 I loved your analysis. Thank you! It really showed me how to pick up the subtleties of each singer's performance as well as the mixed styles of the music behind it. Interesting and informative to a lay person like me!

Dimash sang the highest note at the end.

Dimash e Aida fizeram uma apresentação espetacular! 👏🏿👏🏻👏🏼👏🏼👏🏽👏🎶🎶♥️♥️🇧🇷🇧🇷🇧🇷

I think you're a bit envious of Dimash... I can understand: he's incomparable!!

React to Passione, Ti amo cosi, and Adagio, please 🙏

Absolutly brilliant. I have seen this before as I have followed Dimash for a long time but it was great to have their voices explained with all the high's and low's which you would never really think about until it is pointed out to you. Very interesting. Thank you Peter Dorothy x ( Grandma North East England UK )

The high d6 comes from Dimash 🤣

By now I know quite well the tone and color with which DImash's high soprano notes sounds; and I'm pretty sure that final D6 was the of him.

Dimash was the one doing the high note at the end.

The skaters were all Olympic level…so yes, they were brilliant!

As you described the difference between their voices it made perfect sense for this untrained ear, thank you so much! I've only sung Evgeniy Onegin excerpts in what you would probably consider dumpster chest belt but it isn't my pursuit, I only do stuff on the side for fun (a grand diversion, perhaps). Appreciate your insight!

@PeterBarber

Жыл бұрын

Glad the commentary resonated with you! I love that opera, and everyone should sing regardless of skill level. It's such a great way to express oneself

@madridista_kgz

Жыл бұрын

@@PeterBarber Hi, Peter. Thank you for the reaction. I subscribed because you have gorgeous voice;) Igor Krutoi wrote this specially for Dmitriy Khvorostovskiy (RIP). By the way, the last high note was taken by Dimash, not Aida.

GOOD DAY TO YOU...please react to DIMASH newess song ..it is more like a little film.....( the story of one sky...a wonderful masterpiece.....greetings from CANADA

Recently Dimash pays much more attention to development of his lows.

Couldn't you argue that if most people can't tell the "difference" between an expert and a novice opera singer that the difference is made up? At what point do we just admit that the differences are just so undetectably small that they are meaningless?

Many of Krutoy's composition are out of the ordinary. He likes to experiment, and singers like Aida and Dimash clearly appreciate the challenge of singing outside of their comfort zone. That's one of the reasons why they are the greatest.

Great with another Dimash song. Love when u "breake him down" ❤

@PeterBarber

Жыл бұрын

Glad you enjoyed it!

@yolandaaleman5074

Жыл бұрын

Thank you for your reaction Peter, have a good week❤️

@teresaz-l2963

Жыл бұрын

@@PeterBarber You are absolutely right. Comfort zone for Dimash, it's the high notes. An opera singer he once worked with would very much like Dimash to return to baroque opera at some point.

Soy de Costa Rica pura vida amo a dimash el es el mejor del mundo 🇨🇷🇨🇷🇨🇷🇨🇷

"Ave Maria" - vocalise singing only the "Ah" composed by Igor Krutoy. Champion ice skater Anna Shcherbakova performed to this particular piece by Dimash.

He is not pushing as much more recently. Check out the video of Stranger. He has really worked on his low range. You will be shocked by his low range more recently.

Appreciate your analysis and sharing of operatic specifics. Alwaus fun to learn something new and sharpen the ears a bit more. There will always be some backlash from some Dimash fans who are carried away by hus uniqueness and assume he’s perfect in all things and better than evetyone he ever sings with, and thus can never be xritiqued, even with no negative intentions. Your comment about the low notrs was quite correct. He probably hadn’t worked on the bottom of his range as well at this point, since that’s not where his uniqueness lies.

Great analysis. 2 points: a) last high note was Dimash's (watch his right hand, it's a tell) and b) the piece wasn't written for them so you're right to wonder why it's not optimized for their ranges :) thanks so much!

@PeterBarber

Жыл бұрын

Hey Mary, glad you enjoyed the analysis! Thank you for the thoughtful response

@lindahake1666

Жыл бұрын

So, you couldn't admit it was Dimash at the end?!? 😳🙄

Last note was dimash lol

Dimash es Dimash 💯💯🇨🇷

У вас потрясающий голос!

Питер, почти не понимаю, что Вы говорите, но с таким удовольствием слушаю Ваш необыкновенный голос! Никогда не слышала ничего подобного!

Thank you. Dimash sang the very last and highest note! :D Beautiful, thank you for your thoughts and expertise.

Thank you very much!💖🇫🇮

It is a great pleasure for me to listen to your analysis. Simple, clear and to the point. Thank you.

@PeterBarber

Жыл бұрын

Thanks so much! Glad you appreciate my analysis :)

There are many entertaining and astounding performances from this particular concert. I hope you'll take a look/listen to my personal favorite, "Ti Amo Cosi" with Dimash, Aida and Lara Fabian. Also, his solo performance of "Know" here is glorious. I so appreciate and enjoy your Dimash reactions and analysis. More, please. Love.

Just discovered Dimash a few months ago. He’s incredible. Now I need to explore Aida! Thank you for expanding my musical knowledge.

Great reaction! Interesting analysis. I think the last hight note was Dimash, it sounds like his voice to me...

This was written long before Igor knew Dimash. :)

Amused when you were commenting on the house music contribution of the back beat - reminiscent to me of my youth when there was a musical series known as “Hooked on Classics” where famous classical works were reworked with modern beats. Igor is very adept at his compositions and there are a few I’d love to hear Dimash revisit. I have noted that Dimash’s bass has been improving since pandemic. (More rehearsal time?). He has developed more sustainability and support to his lower register, although I haven’t heard him in the more classical style with the lower registers. (Even his 2021 SOS doesn’t go phenomenally low, but is more supported when he does the drop than the 2017 Singer version. Stranger also offers more supported low register.). Surprised you didn’t note that Aida sustained while Dimash went up at the end of this one, but there was a lot going on! Good reaction (and under half an hour!). Cheers from Canada!

But I was sure that the last, highest tone is sung by Dimash. That gesture - taking a hand up - is very characteristic for him when he sings really high. Are you sure that it is Aida, not him? Other (female) opera singer told that was him, this last highest tone.

@floA5

Жыл бұрын

Il est étrange que vous ayez besoin de poser la question.si vous connaissez Dimash ,vous savez que c,'est lui qui fait la dernière note élevée.,pas besoin de demander l'avis à ce réacteur professionnel du lyrique.

She is one of top 5 world soprano.

Interesting comments, it's good to have the opinion of an actual opera singer. Thank you! Obviously, for proper opera you need an opera house, this is a sports (ice hockey) arena, too big and not good accoustic conditions for opera. This piece was originally sung by Dmitry Hvorostovsky, I don't know if written for a duo, since I've seen several performances with him and two sopranos, Aida and Sumi Jo. When performed as trio, Sumi Jo used to take the mezzosoprano voice, and Aida the upper voice. The last high note was Dimash, earlier that day in the rehearsal they were playful, Aida joking "If I can't come, you can sing my parts", so they humorously decided that Dimash would take that last note.

Super reaction👍👍thanks. hi from georgia✌

Thank you Peter for that analysis, after your explanation it made it easier to understand where Dimash may be less comfortable vocally in his tenor voice for opera. Ohh btw the final high note was definitely Dimash and not Aida. That I can't miss as we all know he can hit those crazy high notes like it's nothing😅

ДИМАШ ПРЕЛЕСТЬ 😙😚😙😚😙👍👍👍👍👍❤💛💙💚💜💖

Awesome reaction

Thank you for this reaction, it was really informative and interesting. I actually could hear quite a few things that you pointed out, which is cool 😅.

@PeterBarber

Жыл бұрын

Hey Lavande! Thanks for the comment - happy to hear you enjoyed and appreciated the analysis :)

I subscribed to your channel with your first reaction to Dimash. It‘s very interesting to hear the comments of a professional like you. Funny: I have a friend, she isn’t a fan of Dimash but knows that I am, and a few weeks ago she sent me a link of one of your Dimash reactions „I think you might like this.“ She was surprised that I already knew it and we talked a while about you. We both like your singing and your professional expertise. I would love to hear your analysis of Dimash‘s „Ave Maria“.

Петер, вы очень красивый мужчина с шикарным голосом.

It's funny how a professional debunks himself when he doesn't recognize that the last D6 was Dimash's.

They're amazing. However, I appreciate hearing the critique of the various nuances of their singing. Thanks!

Great reaction/analysis as always. Now for the BIG request - how about you doing a vid on your “The Game of Thrones” cover? That would be awesome!!

gotta give credit to Dimash, not many singers in the wolrd can do all he does.

Hahahaha I am 1 year late in commenting. But comment I must😊! Prior to listening to this reaction video, I had heard the duet countless times in the past. Ask any Dimash fan… even with eyes closed, they can tell when its dimash’s voice. That last note was definitely Dimash . He has that distinctive trait that fans have learnt to recognise and ❤.

You made us wait months for this Peter! I want to say mean things but I'm too busy watching the reaction video 😠😤 ...😒...🤣🤣🤣

As far as I know, it was actually Dimash who did the high note at the end. Could you double check that and see if that's the case or not? I enjoyed hearing all the other little details you were able to share and explain. Thanks!

If I am hearing this right they synchronised their vibrato pretty much from beginning to end!!! Delicious.

D6- Dimash!!!

Very cool

It is amusing that Peter could not tell Dimash sang the last D6 note. Mr ‘know it all’ actually knows very little!

@lindahake1666

Жыл бұрын

@ Suzanne Carlsson.....Peter does know a lot but he does get quite pompous at times. I quite enjoyed his gushing about Aida's last beautiful note when it was actually Dimash! 😁😁😂😂🤗

Enjoyed your commentary. As you said, it depends on your art form which things you may see as more artistic. Given the personality differences between Penelope, the wife waiting forever at home and bombastic, get-out-of-my-way Ulyssses, I think Dimash's less legato line may be appropriate.

Thanks for doing this. The first time I heard this piece, the male part was sung by Baritone DIMITRI HVOROSTOVSKY. 😊

Its not odd because it WASNT wrote for Dimash or Aida specifically to sing- what made you assume it was? P.s Dimash has got better in his lower range since this- it was a while ago.

I learn so much from you, Peter! Thank you.

Thanks as always for your insights and comments! I’m used to your wearing a hat and this new look (I like!) is messing with me 😆🥰

Hi Peter, thanks for your great analysis. I just subbed to your channel. I think at the end, Aida kept the same note and Dimash lifted the pitch and sang the top note. Anyway, can you check out Dinash's Autumn Strong at the Arnau Tour concert? Thanks!

Spectacular analysis, this is why you are one of only two channels I subscribe to and the only one I watch every week. Thanks for sharing your knowledge with us 😊

lol Dimash did that D6 man, his timbre is instantly recognisable