Poulenc: Piano Music

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This new recording presents a delightful selection of Poulenc’s piano music. The Trois Mouvements Perpétuels, Huit Nocturnes, Villageoises, Trois Novelettes, Napoli Suite and two Waltzes, music of great charm, seductive, touching and intimate, or exuberant and jolly.
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Composers: Francis Poulenc
Artist: Chiara Cipelli (piano)
This new album presents a fine selection of piano music by Poulenc, starting with the intriguing little Valse (1919) from L’Album des Six, which first presented in published form the collective of Franco-Swiss composers who came to be known under that title. As the fruit of a trip to Italy in the company of Darius Milhaud, a fellow Les Six-er, Napoli is a suite written in 1925 and presenting Italian forms through the light of Poulenc’s irrepressible personality.
More affecting are the eight Nocturnes, composed between 1929 and 1938, and the three Novelettes (1927-1959), while the ’Six petites pièces enfantines’ that make up the Villageoises of 1933 share the a spirit of gentle playfulness with Poulenc’s popular musical tale, Babar the Elephant. One day when Poulenc was improvising on the piano, his cousin’s little girl exclaimed: “Grandfather, it’s so boring when you play like that, why don’t you play us this?”. And in 1945, once the dreadful war years were over, Poulenc was happy to oblige.
The Trois Mouvements perpétuels are early pieces, a product of the kaleidoscopic ‘harlequin years’ of Paris in the 1920s. The three movements reveal a musical freshness and fluidity somewhat reminiscent of Satie, whose individualistic approach to life and art inspired the members of Les Six, to whom he served as a kind of honorary president. Finally, Poulenc evokes the spirit of Bach returns in a surprising guise in the Valse-Improvisation sur le nom de Bach, a piece bursting with vitality, in perfect keeping with the famous pianist Vladimir Horowitz, to whom it was dedicated.
Two previous albums by Chiara Cipelli on Brilliant Classics and Piano Classics have won enthusiastic praise from reviewers in Fanfare magazine. The piano music of Bruno Bettinelli is ‘presented with wonderful vigour and colour by the fine young Lombardy native Chiara Cipelli’ ( • Bettinelli: Piano Music ), while ‘Cipelli’s technical capabilities are impressive throughout’ her selection of early Messiaen pieces ( • Messiaen: 8 Préludes, ... ).
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Tracklist:
00:00 Valse for l’album des six, FP 17
Napoli, suite pour piano, FP 40:
02:07 I. Barcarolle
03:57 II. Nocturne
07:09 III. Caprice italien
8 Nocturnes, FP 56:
12:43 I. Sans trainer
16:03 II. Très animé. Bal des jeunes filles
17:20 III. Modéré mais sans lenteur. Les cloches de Malines
20:42 IV. Lent, très las et piano. Bal fantôme
22:17 V. Presto misterioso. Phalènes
23:43 VI. Très calme mais sans trainer
27:12 VII. Assez allant
29:25 VIII. Très modéré. Pour servir de coda au cycle
Villageoises, FP 65:
31:52 I. Valse tyrolienne
32:32 II. Staccato
33:25 III. Rustique
34:26 IV. Polka
35:01 V. Petite ronde
35:58 VI. Coda
3 Novelettes:
36:52 I. Ut majeur
39:51 II. Si bémol mineur
41:30 III. Mi mineur
3 Mouvements perpétuels, FP 14a:
44:01 I. Assez modéré
45:20 II. Très modéré
47:22 III. Alerte
50:32 Valse-improvisation sur le nom de Bach, FP 62
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Пікірлер: 20

  • @BrilliantClassics
    @BrilliantClassics5 ай бұрын

    Thank you for watching! Tracklist: 00:00 Valse for l’album des six, FP 17 Napoli, suite pour piano, FP 40: 02:07 I. Barcarolle 03:57 II. Nocturne 07:09 III. Caprice italien 8 Nocturnes, FP 56: 12:43 I. Sans trainer 16:03 II. Très animé. Bal des jeunes filles 17:20 III. Modéré mais sans lenteur. Les cloches de Malines 20:42 IV. Lent, très las et piano. Bal fantôme 22:17 V. Presto misterioso. Phalènes 23:43 VI. Très calme mais sans trainer 27:12 VII. Assez allant 29:25 VIII. Très modéré. Pour servir de coda au cycle Villageoises, FP 65: 31:52 I. Valse tyrolienne 32:32 II. Staccato 33:25 III. Rustique 34:26 IV. Polka 35:01 V. Petite ronde 35:58 VI. Coda 3 Novelettes: 36:52 I. Ut majeur 39:51 II. Si bémol mineur 41:30 III. Mi mineur 3 Mouvements perpétuels, FP 14a: 44:01 I. Assez modéré 45:20 II. Très modéré 47:22 III. Alerte 50:32 Valse-improvisation sur le nom de Bach, FP 62

  • @user-fu6tt8qq4v
    @user-fu6tt8qq4v5 ай бұрын

    아름다운 피아노 연주곡 잘 들었습니다~감사합니다~🎵🎹🌿🍀☘🌹🌹☘🍀🌿❤❤수고 많으셨습니다~☕

  • @johngarry9689
    @johngarry9689Ай бұрын

    PUR IMPRESSIONISME ! QUEL GENIE CE POULENC !

  • @galina3176
    @galina31765 ай бұрын

    There are so many bright lyrics and touching charm in Poulenc's music! Thanks! ❤

  • @maestroclassico5801
    @maestroclassico58015 ай бұрын

    Poulenc 's music is underrated....

  • @easy-mathmedellin6330

    @easy-mathmedellin6330

    5 ай бұрын

    ¿Which one, not? All is shit 😂

  • @maestroclassico5801

    @maestroclassico5801

    5 ай бұрын

    @@easy-mathmedellin6330 Excuse me? You're saying all his music is SHIT?

  • @fquaranta8093
    @fquaranta80935 ай бұрын

    Si respira un’aria di inizio Novecento! Sono musiche deliziosamente moderne. 🤩

  • @ziegunerweiser
    @ziegunerweiser25 күн бұрын

    there is something about his music that is unlike any other, a unique language somehow I came to know poulenc from his violin sonata, I searched for a good recording for what seemed like 10 years and even after I thought I found a good recording I still struggled to find meaning and yet it still was so good at the same time i liked it and continued to grown on me I feel like it would be difficult to perform convincingly about 10 years later i read richter taking in his book of memoirs titled notebooks and conversations about the poulenc concerto for 2 pianos and thats when I started to become even more curious

  • @notaire2
    @notaire25 ай бұрын

    Erfreuliche und wunderschöne Interpretation dieser kompakten doch perfekt komponierten Klavierwerke im lebhaften Tempo mit klar artikuliertem doch elegantem Anschlag und mit künstlerisch kontrollierter Dynamik. Wahrlich intelligente und geniale Pianistin!

  • @classicsbycandace
    @classicsbycandace3 ай бұрын

    These whimsical piano pieces remind me of some of the background music from “The Legend of Zelda” franchise. ❤

  • @RosCharron
    @RosCharron5 ай бұрын

    Love them all especially the delightfully whimsical Valse ! Thanks BC!

  • @hannawagenknecht6378
    @hannawagenknecht63785 ай бұрын

    Das Zuhören ist ein Vergnügen, schön gespielt 😊❤

  • @basilbucolic
    @basilbucolic5 ай бұрын

    Un superbe cadeau pour l'anniversaire du Maître! Merci sincèrement!

  • @silviacastillo7445
    @silviacastillo74455 ай бұрын

    Calidez ❤

  • @anselmovieti5260
    @anselmovieti52602 ай бұрын

    Approfitto di questo spazio, che da qualche anno mi accorgo essere popolato da persone cui si potrebbe riconoscere una competenza. Secondo voi l'operazione, io dico geniale, che compie Puolenc rispetto alla musica " classica ", è percorribile in ambito musica jazz? È una domanda ma è anche un assunto. Poiché se non lo fosse io direi che la musica jazz non avrebbe lasciato anche se semplicissimo ricordo di sé.

  • @miavos3610
    @miavos36105 ай бұрын

  • @jeffgrigsbyjones
    @jeffgrigsbyjones3 ай бұрын

    Me reading Poulenc sheet music: This music is weird and doesn't make any sense. What is this? Also me, but listening to Poulenc: What an amazing imagination!

  • @alessandropelizzoli6613
    @alessandropelizzoli66135 ай бұрын

    Musiche stupende ma...eseguite senza partecipazione, senza charme timbrico, così importante nella scrittura pianistica poulenchiana... Il Notturno n 1 in do scorre via senza quei colori infinitamente sottili che gli sono propri, e che costituirebbero una sorta di omaggio a un genere che era praticamente sul viale del tramonto....

  • @mustuploadtoo7543
    @mustuploadtoo75435 ай бұрын

    beethoven

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