Playing Over the Bar Line / Inside the Teaching Studio
Музыка
Presented by Luke Woodle
In this installment of "Inside the Teaching Studio", Luke Woodle shows you how to open up your playing and develop new textures by learning to play fills over the bar line.
Audio Engineering by Aaron Walk
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#MyPerfectPair - #vf5a
vicfirth.com/pr...
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In this new educational series from Vic Firth, we take you "Inside the Studio" of some of the world's top instructors to give you a peek into the time-proven curriculum that has motivated and educated generations of successful teachers and performers.
In our second series, we take you inside the jazz drumming studio of Peter Erskine from USC's Thornton School of Music. With each student's presentation, you'll see the immediate application of curriculum to the real world of performance and explanation.
Whether you're an educator or student, you'll be sure to benefit from the concepts and lessons from this series. We encourage your thoughts and questions in the discussion below.
FIND OUT MORE ABOUT USC'S THORNTON SCHOOL OF MUSIC:
music.usc.edu/...
Пікірлер: 10
My eyes!!!
Great touch!
Tell em Luke!!!
Yay Luke!!!
Nice one 👏😎
hello and can you know play along track? I'm sorry for my English you're very good 👍
Was he playing behind the bassist intentionally? I'm not trying to be rude, I'm just genuinely curious
Matt Stonie ?
In short, play a fill, but don’t land on the 1. Keep the fill going past the 1, and land somewhere else. Lol. That’s it.
@pedrobarbeira8729
5 жыл бұрын
yeah dude, that's level 1. then start practicing finishing on the 1&, 2, etc. Thats 2. Now write a few syncopated kicks and practicing hitting them during the fill. Cool you got 3. Now practice phrasing in a cross-rhythms. Now add the kicks to the cross-rhythm phrasing. Now apply this to an 8-bar form. Afterwards go for 32, and remember the only 1 you can hit the the 1 every 32 bars, and play the form. Now sing a tune while doing it. First AA', then into AABA Final level, get the odd-bar forms (all the things, alone together, etc) and ace that. Now use your creativity to find new ways to fuck up while playing syncopated snare notes on top of this. Seriously, over the bar playing is so important in jazz. Too bad he didnt take it further than the fills. Then again, it only gets as deep as the river it's sailing on ^^