Piano Lesson on Fingering (part 3): Hand Distribution
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This masterclass by Graham Fitch is the third in a series of articles about Fingering. This time Graham talks about hand distribution. The lesson complements his full-length article inside Pianist magazine issue 104 (Oct/Nov 2018), with comes out at the end of September. Full details at www.pianistmagazine.com/
The masterclass takes place on a Steinway Model D concert grand at Steinway Hall, London www.steinwayhall.co.uk
Пікірлер: 21
There is a wonderfull redistribution my teacher taught me in the Rachmaninov Elegie. Makes it amazingly easier to play.
I just love watching your hands. I understand piano playing a lot better now after seeing you play in comparison to all these youtube piano teachers.
Grahams a genius. Good comments about feeling right when scoring the fingers.
Thank you for giving alternative to small hands. When you can't reach you can't reach. Keeping the hand relax is paramount instead of mounting fatigue stretching in uncomfortable positions that are readily available to bigger hands.
Thanks for the good work! A masterclass on prima-vista playing would be fantastic as I really struggle with it.
So informative, thank you!!
Really enjoy the preludes to these wonderful lessons!
I play prelude C#min and struggle to reach octaves due to small hands. I will try changing the position as suggested, thank you very much!
As a (novice) composer I find than when writing it out it is much more readable on occasion to put right hand notes on the lower clef, and also left hand notes on the upper clef, in 2-hand arpeggio run for instance. This avoids ledger lines and changing the clef sign when only a few notes are involved. Similarly it is more readable for instance to write a simple arpeggio with the implication that it is to be played with pedal. This is more practical than write all the pedalled note lengths, or the minutiae of the pedalling. So to make explicit my implied question, how do you know from the sheet music when a specific mechanical execution is intended?
@p1anosteve
5 жыл бұрын
I don't think you can. It's often implied and as a writer of music I agree, but you can use a bracket and note to indicate L.H or R.H. where it's unclear.
You need an overhead camera view like the Dave Jones Jazz videos. :)
6:47 how can you recover from that... :-)
The great composers were not always concerned with practicality it seems.
@devonkairo1258
2 жыл бұрын
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@judesamuel1357
2 жыл бұрын
@Devon Kairo Instablaster ;)
@devonkairo1258
2 жыл бұрын
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@devonkairo1258
2 жыл бұрын
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@judesamuel1357
2 жыл бұрын
@Devon Kairo Glad I could help :)
Please have overhead camera and run it slower for beginners
At 6:25 noobs. Checknout the Traum solution as Beethoven intended. kzread.info/dash/bejne/g4h2ldxxqrWpnso.html
Excellent, EXCEPT i disagree with Bauer's re-distribution for Schumann. It totally distort the musical idea and character.