Peabody Clinic Recording the Hammond B3
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This is a complete clinic taught by Ed Tetreault at Peabody School of Music featuring Kraig Greff as guest artist. The clinic was recorded on January 28, 2015 and included the history of the Hammond B3 and Leslie speaker, set-up, settings, accessories, mic techniques, and ways to use them with other instruments and recording styles.
Video recorded & edited by Jacquie Greff
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I have played the B3 with leslie speakers..yet I have NEVER seen a better explanation of "how it works" in my life... now,. guys.. you are awsum!!!
The Organ Cabinet is probably a(n) AB, BC or Early BV (the lathe work on the legs changed) The origin al A cabinet was Shallower (due to added components). The later electronics were probably from an A-100 (sam e as B-3, but in a cabinet with self contained speakers). Don Leslie was a Theater organ fan, theater organs have different configuration than church organ. The more pronounced Tremulant is the most noticeable difference. The Prototype Leslie I(called a "Vibratone" 30A or 30C for Churches, slower motors for Chorale effect) was introduced in 1941. WWII halted Leslie and Civilian Hammond production. Both products came back into production after the war. The first Post War Leslie was the 31-H (c1946-1963 with engineering changes, most had Field Coil Bass Speaker) . By the late 1940s-Early 1950s the 21-H gradually replaced it. By the late 1950s improvement in magnets meant that no Field Coil was need for the Bass speaker, this lead to the 22H. Around 1953, the idea of having a Two motor setup for Chorale and Tremolo was developed, this lead to the 122. After WWII other companies started building Electronic or Electro-Mechanical organs. in large quantities. Two of these companies were Conn (a/k/a "Consonatta") and Wurlitzer (that made a name for them selver previously from the Wurlitzer Theater Pipe organs that inspired Don Leslie). From the Late 1940s (originally for Wurlitzer) Leslie developed the 37W, 41W, 46W & 47W (that evolved into the 147, the 1 meant 2 speed motor setup, the number change 46 to 47 meant PM speaker revision). The main differences between these and the ones developed for Hammond was that they have unbalanced inputs and input load resistor switches (though adapter kits were made for using them with Hammonds fairly on). For Conn organs (the "Pulse" channel sounded terrible through the Leslie rotor, so these are all two channel, thne rotor for flutes), 50C (Field Coil Bass Speaker), 51C (PM Bass), 251 (Decorator cabinet and 2 speed motors).
this is great thanks!