Olivier Mantei, Monsieur Philharmonie de Paris

Фильм және анимация

À la tête de la Cité de la musique - Philharmonie de Paris depuis novembre 2021, Olivier Mantei propose de faire de ce lieu de culture un espace de vie, dynamique, inclusif et ancré dans son territoire. Son but : promouvoir un élargissement des publics sans perdre en exigence artistique.
#Philharmonie #Culture #PhilharmoniedeParis
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Пікірлер: 1

  • @IKnowNeonLights
    @IKnowNeonLights2 жыл бұрын

    I am going to propose a theory, it is a nothing theory as it is thought by me, and my name should indicate to it's nothingness as a theory, nevertheless I will propose it anyway. It seems that after the period of visual art titled impressionism, a step by step procession of artistic expression was fallowed relentlessly, bringing all of us here, together with the art we all get involved as of now. This I will propose to be called the copyright of madness period of visual art. I believe this happened as a result of a intentional, ignorance, and many times naive, understanding of the titled impressionism form of visual art. More exactly the new techniques developed during this period, by the artist's involved, which if I am not wrong, when intentionally, ignorantly, and naively understood, will inevitably lead to what we all have been graced for decades, and decades as visual art, rightly called abstract modernism isem isem isem. What has been completely ignored, is the fact that almost all of the artist's involved in the period called impressionism, were really really good at visual arts, that is drawing, and sculpture, etc etc, (with the exception of geniuses of course) and because of such skills combined with the times, and the knowledge of such times available, the form titled impressionism was born. It was not a new type of madness sprucing up out of nowhere, it was the actual skills on what is now titled classic visual arts, that brought it to life, and gave it such an impact. A new method, not something separate, something that had happened many times before, with different methods/techniques in art. Because of this incomplete understanding of such progression in visual arts, we ended up with scribbles, prints made, not by a printing house, bananas hanging on walls, and colours completely not related to eachother in order to form anything, except that of colours in a location, weather in order or not, who cares, it is all relatively abstract. Than it happened to music, making the niche existence, of what had no copyright, folklore, and weeding/funeral songs, have copyright, and a enormous market to sell them. Putting an artisan of music, and sound, together with the ones of visual arts in a real dilemma, to be or not to be in full mode madness, and if yes, for how long, what form, and what price!? Which has made realise the fact that I will use to support my nothing theory. In the form of a plausible conversation. Hey Skinny, what's up? What's up Fat Man. Alright, everything is alright. Did you hear about the new album of Speech Tech? No, has he brought something out?! Yes bro, and it is massive, the beats, the lyrics, he's got so, and so, and so, and so featuring, it is his best work so far. That's great. Look, do you want to go and listen to it? Of course, let's go. Where to? At the Paris Philharmonie. Yeah...! Yeahhhhhh they have shows every fortnight. Wait let me put my tux on. Good thinking, that is a great idea. (What will that lead us next to, NFT's) let's hope not.

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