I don't know why some people are expecting a world class old school operatic star performance from a singer who still very Young and under training? Duh a singer under training will have issues, which is why they are taking lessions to work on them.

Already better than Netrebko

@EliominDZ

Жыл бұрын

ajaaajajajajajajajajajademás

This is wonderful. Please post more of your students. My heart goes out to this girl for having been humiliated in front of people by a cruel teacher. Do you thing the opera houses will accept her given the way they all seem to want tiny voices without chest tones and falsetto only Eb6's?? I hope she does really well. Tell her to stay positive and let the public make up their own minds. I'm sure they'd love to hear a big voice.

@tarcisiasiniscalchi6641

11 ай бұрын

How do you know she has been humiliated?

Happy to see such a brilliant soprano! She started a bit off from the beginning, too relaxed on low range, seemed like a bit nostil sound. But she found the way back as she continues to sing. Wonderful singing she's done! Hope she gets what she deserves.

Her coloring is sooo good! That chest voice is just how I like it.

I like how you explain great vs mediocre singing, better than This is opera! Her voice is so beautiful and great!

What a voice! Perfectly heard over the orchestra, just a few minor tweaks and she could sing anything she likes better than 99% of modern operatic singers. The chest voice is incredible!

She’s a little bit nasal on her chest register and sometimes its sound opens up turning white voice. But the work is appreciated and it is taken into consideration that it is in development. She’s on a good way :)

already in love with her chest voice

The same path than Saoia Hernández, a complete developed voice. Great job and keep on singing girl, You Sing .🥰

I'm checking in after a while of being away. I could weep for the beauty of singing posted here! Please keep up this great gift you giving us!

Sounds promising

I hope that she continues to improve.

The art of opera is safe. AMEN!

Wow. How old is she? Her voice is definitely strong. It is an exciting performance. Don’t know if most theaters would embrace this sound again but keep at it.

@nskull9368

2 жыл бұрын

She would have a better chance if she can get work in the US. They are a bit more favorable towards “big singing” there. Unlike Europe where mosquitoes rule the operatic scene…

@KajiVocals

Жыл бұрын

@@nskull9368 You’d be surprised. I can think of far more decent singers in Europe than in America. Saioa Hernandez sings primarily in Europe after all.

@nskull9368

Жыл бұрын

@@KajiVocals I was not comparing the overall quality of the singers in my comment, just making note of the fact that American opera houses prefer bigger/louder voices.

@richiesol20

Жыл бұрын

@@KajiVocals do you think Sutherland is better than callas?

@judygarland7186

Жыл бұрын

@@richiesol20 no

OMFG I'm in love!!!

Very good for a student! For a young student. Hope for the best for her future in singing.

The technique you teach is clearly valid, and more, to enable a very slim girl to produce such a big range of sound without strain or screaming! I studied mask technique for 40 years with one very fine teacher, but never learned to bridge the lower passaggio until being exposed to this invaluable technique! Thank you for sharing this with the world!🌹🌹🌹🌹🌹🌹🌹🌹

@RadamesAida2Operalovers

Жыл бұрын

When you exercise the voice down into chest do not try to adjust the voice. just sing strong and full to the chest register and allow it to crack. It will eventually strengthen and unite more. If your middle is weak really speak that area of the voice and keep the focus of the vibration going. In time things will strengthen. Bring your head voice down low. And your chest voice up high when exercising. It will help strengthen that middle area.

Keep working that chest voice and threading it up thru the voice. She’s doing great! Keep up the good work.

Brava! It's good to hear an actual voice with modern sound quality.

I don't know what she sounded like before she met you, but it sounds like she's making wonderful progress!

Сопрано, очень хорошо обучена! Хорошо владеет регистрами , поёт сфокусированным собранным звуком! Вы очень хороший педагог !

You're a great teacher! That student sings beautifuly, with claear, dark, cavernous voice! It reminded me of Maria Callas herself! This is true Belcanto! How do you think a countertenor voice should be trained to sing properly?

@RadamesAida2Operalovers

Жыл бұрын

Sorry for the late reply. KZread does not always notify me of replies. All voices should be trained the same way. Counter tenor is hard. It takes time to strengthen the head voice. The chest voice should also be strengthened, which many probably do not do. I think most countertenors are too nasal And whinny in this category. Counter tenor can be taught with a more open throated full sound. Early on I sang Counter tenor for a while. I preferred singing in tenor voice. I have some understanding how it feels. I teach Falsetto for all my male singers. And the falsetto develops into a fuller richer sound. Most counter tenors pinch the voice to get some focus. But then they limit the sound fullness (chiaro scuro). At first an open throated sound may appear weak. But in time it strengthens correctly with the right muscles working together. I try my best with my teaching. it is not easy. Many different voices, voice levels, personalities, intellects and musical intellect levels. I just got a new student. 17-year-old Male Baritone or tenor. In one week, he achieved what some would take 1 to 2 years to achieve. I was blown over. He already had an equalized full voice all voice the same in just over two octaves. I hope he can apply it to songs and arias. This beautiful young lady is very talented and very intelligent. She just gets overwhelmed by the industry. It scares her off. She is not as committed as she originally was. I keep pushing her. She does have lessons from time to time. And she has improved her weak areas. I hope she will commit to her singing no matter the feedback. You need to be hard skinned in this industry.

Hi, do you recommend any particular warm up routine for someone who is new to singing?

Congratulations young lady! Performing is more than just hitting the notes 100% core every single time! No professional singer sings exactly the same every single performance, and students can’t always predict every trouble shooting event note to note that they may encounter until they have performed many many times. Technically, I feel that this young lady is in a wonderful advanced position, and simply has to keep working on the normal discipline of technique and judgement as a physical motor habit rather than any technical criticism in her current usage. I thoroughly enjoyed her gift of self giving, and she definitely is entitled to credit for her abilities. As a singing teacher myself, I wish to offer a tiny bit of professional sharing as a gift back to her and yourself. She is only in need of disciplining two technical areas to make a major leap forward which she is obviously ready for. 1. Stop trying to “sing”. Once you trust the anatomical technique one can use core voice in any colour or dynamic to achieve what the music requires to humanise the words. Young singers often try to sound like a singer rather than simply use the instrument. Work smarter not harder. 2. The breath control is over used. It’s not about having a BIG voice, it’s about having a BEAUTIFUL voice, and accomplishing the psychology of human emotions musically. This requires integral technique of breath through the diaphragmatic pressure changes. Once she has mastered the variants of the pressure and changes, all other technical skills will resolve themselves. Breath is responsible for every sound created. Be proud of your own work with this student too, it’s wonderful to hear the success of your skills through her. She is a great talent. No need for labels and voice categories either. It’s the 21st Century. The voice can do whatever her anatomical skills allow. Versatility as a singer of colours, agilities and repertoire is crucial for success. Oh and get over the uvula size! We can’t see it; it flips backwards when the soft palate engages and really doesn’t matter what size it is, only that she has one! Any space issues require tonsils to be checked. Though a singing teacher can recognise they need checking (size and space hogs), that’s not our area to fix. It’s medical not musical! Best wishes for continued success and enjoyment.

...Jimmy Choo,ya buscando fallos!🤔 Yo,solo quiero darle enhorabuena y desearle ,lo mejor!👏👏👏 Tiene todo,para hacer realidad su sueño! Felicitar a su maestro de canto!...también a la orquesta! Por cierto!Se llama Eleonora Yun! kzread.info/dash/bejne/l4Blu9mcfrOZf7w.html

Brava!

Bravissima!

Do you have any more of her?

This student sounds alot better than most professionals and actually has talent. Do you accept new students? How much do you charge for a lesson?

@RadamesAida2Operalovers

2 жыл бұрын

You can email me. radamesaida2@gmail.com.

@nogalupu5487

2 жыл бұрын

@@RadamesAida2Operalovers thanks!

@nogalupu5487

2 жыл бұрын

@@RadamesAida2Operalovers Hi, I sent you an email.

I wish this young singer every success as she works to free herself from technical limitations and develop as an artist . That is the pathway of a young singer after all and she clearly has exciting potential. I did wonder whether you might switch the comments section off if posting a student's singing on you tube ? Some comments are so direct , arguing about this teacher or that teacher in a way which could undermine the singer at a delicate stage of their growth. Unfortunately not everyone is thoughtful or kind in the way they express things.

@jimmychoo1857

2 жыл бұрын

If radames showed himself as such kind of a teacher one can write comments under any of his videos..

@RadamesAida2Operalovers

2 жыл бұрын

I did not touch your comments. I let you write whatever you wanted. You deleted them not me. Yet you still complain.... I do not know why you suddenly hate me so much? I find it strange that someone who does not know me or had any interaction with me is so certain of what I do or represent. You know nothing of this student and what she has been through. I am fully aware of her issues. And her strengths. We had 3 lessons last year. One after this performance. And we fixed most of her issues in this video in that lesson. We had around 6 lessons the year before. She has been badly affected by the Covid situation and did not want to sing anymore. I have pushed her to commit. But she had lost interest to sing. I told her it is such a waste of talent to give up. Her voice originally was very masky and throaty. It is much better than what she was. It was very hard to get her out of this. Her voice is not far off from being balanced. The issues with throatiness and pitch and vibrato will eventually clear up. She made an attempt at this masterclass in Italy. The performance was at the end of the Masterclass week. The teacher was very cruel towards her. And tried to change her voice. She was told her singing was too big and she will lose her voice. And that her smaller body type didn't match her sound. She contacted me in a very distressed manner. I told her to forget about what the teacher said. Forget about dynamics and just sing. I told her to sing an old aria she worked on. I suggest suicidio or Don Carlos Aria. Because she feels comfortable singing that repertoire. Verdi and the harder Arias are easy for her. She is a talented and Beautiful woman. And she will only get better. She had a very weak middle voice. I got her to work on it a lot, and it is matching up to the chest voice. For her, her singing is easy. And she is happy with her voice. She is aware of some issues. And they will balance out in time. She requested I post the video. I am glad i did it. I will post more of her in the future.

@draganvidic2039

2 жыл бұрын

@@RadamesAida2Operalovers Word!

@artdanks4846

2 жыл бұрын

​@@RadamesAida2Operalovers I am so very glad you posted this video! It demonstrates not only what a good singer she is, and what an excellent teacher you, but it also shows how much more superior the "old school" of singing is! In this performance it is particularly noticeable in her excellent use of chest tones! She has a very solid core that most singers today don't even understand! You've done an amazing job of training her, and I thank you for sharing with us!

@tinkerwithstuff

Жыл бұрын

@@RadamesAida2Operalovers It's nuts and disgusting... Craig Sirianni told something similar, that one of his students was told his voice was too big and this kind of singing was not necessary anymore today... yeah, maybe it might dwarf the students of all those who can't teach real opera singing... Also it kinda fits in with the whole not-accidental destruction of Western civilization, but maybe some find that far fetched.

Brava

How much do you charge for your lessons ?

@RadamesAida2Operalovers

2 жыл бұрын

Contact me on email. Radamesaida2@gmail.com

La reseña que he escrito hoy es para Eleonora Yun, pero creo que por error la habré enviado a otro Cantante. General Radames, si lo puedes Corregirlo, te lo agradeceré, pues quiero que Eleonora sepa de mis elogios.

This soprano uses throaty singing, it seems like there is something inside her throat that doesn't allow the sound to come freely. She needs to open her throat with a natural yawn. Also, sometimes the sound is nasal because her soft palate is not high enough, or maybe she sends her voice forward. The secret is to sing back, down, like you want to sit down and relax.

@bachphantat

2 жыл бұрын

A natural yawn is just wrong. The jaws would be wide open to the extent that your larynx is depressed

Sorry but this is not old school singing. But it's better than modern.

@75bg90

Жыл бұрын

Hi! Explain, please, what's the difference?

@DCBfanboy

4 ай бұрын

She is a student, on the way to developing even more her voice. Sure, she does not yet sound like early Callas... but she's good still !

There are no concert halls in your city?

@draganvidic2039

2 жыл бұрын

Eh…?

@muliercantatinecclesia5

2 жыл бұрын

@@draganvidic2039 Should I translate into Latin? ;)

@draganvidic2039

2 жыл бұрын

@@muliercantatinecclesia5 Just be nice

@muliercantatinecclesia5

2 жыл бұрын

@@draganvidic2039 I'm trying my best. But I don't think a question containing only "Eh...?" is nice.

Be nice if you gave her name. Very promising.

Is it me or she has a "Kermit" type of constiriction? (don't want to sound harsh on her, I don't know how to say it in a nicer way). Anyway, nice to hear a full bodied sound, instead of the usual squeek

@RadamesAida2Operalovers

2 жыл бұрын

She was worse before. It has improved a lot. Sometimes it is a little hard to get people to let go of things. There is a little there. It will go eventually. The Middle of the voice was the issue because it is generally the weakest part for women. The Middle has strengthened out more and is matching the chest more. Her clarity will continue to improve.

How to be your student?

@RadamesAida2Operalovers

2 жыл бұрын

Hi Kim. Sorry for the late reply. I have not been well. You can email me on radamesaida2@gmail.com

She kind of sound like a man I like it

This a lyric voice. Not even a true spinto had the DEPTH that Gioconda requires.

@RadamesAida2Operalovers

2 жыл бұрын

She is Lyric. Lyrical Spinto, i think. A true Spinto is able to perform both Lyric and dramatic roles. She is comfortable with most Verdi. She feels comfortable singing this repertoire. I did not choose it for her. She chose it and was happy with it. And she has just enough weight to do it. I am fully aware this repertoire is better for dramatic voices. Nothing is set. She managed quite fine. She finds Verdi and this aria very easy to sing. She is best in German. As she is a German speaker. I am not a controlling teacher. My students make their own choices. I only suggest and guide. A voice grows when you push it. Singing light repertoire does nothing.

@draganvidic2039

2 жыл бұрын

Again: Student…

@hansjancker5057

2 жыл бұрын

@@draganvidic2039 A real dramatic soprano has her own deep tone even as a student.

@BookofNote

8 ай бұрын

@@draganvidic2039Use your ears, hypocrite…

Tutto un po’ stonato..

She is NOT a dramatic soprano, and don't push her too much.

@yoolya1447

2 жыл бұрын

What is a dramatic voice like for u?

@RadamesAida2Operalovers

2 жыл бұрын

Good singers with good techniques can sing a wide range of repertoire. This aria was her choice. It is very comfortable with her.This aria IS best with a heavy soprano. Eleanor Steber sang a wide repertoire, it had nothing to do with her Fach. It is because she had a good technique. It is good to push the voice. The voice is muscular. It helps the voice grow. As long as it is reasonable.

La voce è interessante, ma troppo ingolata . A volte calante. Ma è solo un parere personale. Buon lavoro.

@RadamesAida2Operalovers

Жыл бұрын

That ingolata is going. I try to balance the voice with better enunciation. Not placement. It is sometimes hard to open a singer up and find the balance in the voice. Sometimes she sings notes that are very balanced. The idea is to get it all the time. She doesn't have many lessons. The last few lessons her singing was very good. Thank you for your comment.

You may be singng "sad" or "depressed" but do not let that influence how you center your tone otherwise you sing FLAT which is what this young singer is doing - under the note - constantly. Lovely "chest" voice. Just sing on the note, not under.- "out of tune." Go back to the drawingboard. As teacher, you should be hearing this and advising your student. It is then up to her to put that into practise. It is not called "the art of singing" for nothing.

@contraltissima

2 жыл бұрын

She is not low. Today most singers sing to high because of constriction, perhaps you are used to this. As a cellist and singer I tell you, she is most of the time right on pitch.

@tianshuren9599

2 жыл бұрын

well, you might not know this aria very well. But she sang obviously too low quite often.

@draganvidic2039

2 жыл бұрын

@@contraltissima Interesting with different ”opinions” on this right? I thought pitch could be measured so to speak meaning you are either on pitch or off pitch.

@RadamesAida2Operalovers

2 жыл бұрын

@@ian1856 She was nervous. But she does fixate the area of the soft palate. She has a very long Uvula and she is paranoid about it. Trying to get her to let go is like pulling teeth. We just had a lesson and she started to let it go of it. It is her training wheels. She wont take them off. I try to convey to her that the physicality changes and needs to be supple for these changes. She holds higher note positions for medium and lower notes. She did attempt to do it yesterday and the voice changed. The pitch was true and the vibrato even.

@andity1

Жыл бұрын

@Noack Somewhere from what I see, she likes dramatic repertoire. And there is nothing wrong with it, but I agree she must go with lighter roles for spinto, and then to go with the real dramatic repertoire. There are a few parts which are only for dramatic voices and Gioconda is one of them. Although she did quite well, given the fact she is still developing her voice. I am curious,how old is she?