bro, everything you do is so amazing and technical and heavy and beautiful at the same time. it blows my mind

I really hope they add scale awareness to the feedback note mode. Could be some fun frontiers to explore.

Sound design art to its fullest. It is a great privilege to be able to watch such craft and listen to the artist's reasoning behind the music choices. Thank you Mr Bill for sharing this.

Whenever I think I'm mastering Ableton to its fullest Mr. Bill drops a video with so much sauce that I feel like a noob all over again

@LockWithNoKeys

3 ай бұрын

You are reliving and revitalizing your artistic development every day!!! Keep growing!!! ❤ Click my icon to check out some cool music too. 😊

That Roar envelope technique is super dope.

Brilliant Audio Design

Sounds great so textural

love the track.

love it!!!!

really interesting editing thx u for all the tips ;)

Very Plaid like, love it 👾

babe wake up new Mr Bill knowledge dropped

@damonhumble

3 ай бұрын

🥱 we all watching virtual riot racist sample pack today

@5:58 roar? more like meow fr tho dope stuff as always sir

Senior William es muy bueno

Pedestrian Tactics has been doing the Sub distortion feed for basically all his tracks lol

Album when?

Note Feedback mode is just Comb filter, isn't it? or rather a tuned delay is what's called comb filter.

Still not sure about upgrading to Live 12. Though Roar does look beast

What does ELI PURP do?

Tipper type beat

what's up with that ~500ms delay between what im seeing and what im hearing?

@MrBillsTunes

3 ай бұрын

Zoom call is happening

I see Steam there. What do you like to play?

@MrBillsTunes

3 ай бұрын

City Skylines 2, Factorio are the main 2, sometimes CSGO (or 2 now I guess), and PUBG, and sometimes (but rarely these days) Rocket League.

@Breakbeat.

3 ай бұрын

@@MrBillsTunes Sweet, I love Skylines! GG my guy :D

“Distortion hates all subs.” Why does it hate me ):

Ah....i hope for my birthday, that mr bill would switch to bitwig😂😂😂

aw it's in mono lol

@MrBillsTunes

3 ай бұрын

I apologize for that, this was all recorded through Zoom for a talk I did for Ableton & I forgot to hit "Stereo Audio" when sharing my screen 😩

@Tapepusher

3 ай бұрын

nothing to apologize for my mang, you're a legend for sharing@@MrBillsTunes

Hey unfortunately with respect to tuned feedback on roar that's not how it's ever worked with remote mapping and variably discreet parameters. So what we would love is some sort of intelligent schema for choosing a destination parameter and then quantizing whatever modulates it to some sort of meaningful range. That just hasn't existed with any of the commonly available Max for live stuff. You've got the expression control set to key track but it doesn't know anything about the destination. If you set the expression control to what it's always been which is "remote", Meaning just remote mapped or one to one correlation (not modulate which doesn't even show destination moving) you'll see that the notes you think roar is tuning to have nothing to do with the notes you're playing. I mean sure there's a correlation of higher notes being played at some point will result in a higher tuned note but it's not tuned to the note you're playing. Some people have created very specific max patches to do stuff like tune resonator while you're playing and that's great but it's just not the case here that they've made this work seamlessly and I **** with this thing for a while after watching this video thinking "Oh my god did they actually make that seamless" and no they didn't and actually I really can't get it to line up one to one no matter how I scale it so far.(and yes I've tried enabling stepped mod for discrete parameters the destination). I suppose what I or somebody that's interested could do is make a piggyback transformer which you map stuff to and then choose exactly how many discrete values you want that to scale to on the other end. The scale object Combined with being able to input the source range and the destination range might do the trick. Please somebody reply here with a device if you know that exists already.

@shane5003

3 ай бұрын

Yeah okay I did a hard test just with the minimum and maximum on expr set to the same value macroed and then ramped that through its entire range(this is how you test what is mapping to what) and it's always going to be zero to 127 on the expression output and if you try to map that to the destination which is C -1 to C5 there's no way you can ever scale it with just these objects it's inherently mismatched it will never line up.

@shane5003

3 ай бұрын

And a final bit of clarification here, Although we have the option of normalizing live.remotel~ Which then uses the full range of its output to control the full range of the destination parameter that's not the same as creating some sort of intelligent mapping. In this situation we have a key track which is inherently going from zero to 127 and the destination is going from C - 1 to C5 which is 84 values. The only solution I see here is A custom key track made to fit the range of this particular destination parameter. The key tracker would ignore all values that didn't fall within the acceptable range of what roar wants to take and then it'll just be one to one.

"Do the roar" - some kid annoying shrek

What was the presentation about, actually? Clearly Ableton knows what Roar does.

@humfreee

3 ай бұрын

... but they don't know how artists actually use their software. 😜

you sound depressed

@needlessnoise

3 ай бұрын

he's always sounded like that

Laughs in BitWig

roar makes it sound too noisy and metalic