Mozart: Piano Sonata No. 13 in B♭ major, K.333 [Uchida]
Музыка
I. Allegro (0:00)
II. Andante cantabile (6:58)
III. Allegretto grazioso (14:25)
Piano: Mitsuko Uchida
Mvt 1: Allegro [Sonata-Form]
EXPOSITION
(0:00) Primary Theme (P1), a nice and serene melody. The descending four sixteenth-notes are the fist Motif (M1) and the three crochets are M2 (C-B♭-B♭). At 0:07, we hear the two motifs being briefly developed.
(0:18) Transition Section, starting with a low-registered P1. At 0:26, M1 is further developed, reinforcing the secondary dominant (C7).
(0:40) Secondary Theme (S1) in F major, assertive and confident.
(1:06) Counter-Theme 1 (S2).
(1:29) Counter-Theme 2 (S3).
(1:44) Cadential Theme.
DEVELOPMENT
(3:47) Episode 1: P1 appears in the dominant, but keeps being interrupted by a new Motif that eventually takes over.
(4:01) Episode 2: sudden shift to F minor, bringing back the scales from S3 and modulating extensively.
(4:26) Episode 3: preparation for Recap through the development of M1 (recalling the Transition).
RECAPITULATION
(4:41) P1.
(5:00) Modified Transition, once again beginning with P1 and focusing on the development of M2.
(5:28) S1+S2+S3 in the tonic.
(6:42) Coda.
Mvt 2: Andante cantabile [Sonata-Form]
EXPOSITION
(6:58) Primary Theme (P1) in E♭ major.
(7:26) Transition Section. The three repeated notes are M1.
(7:49) Secondary Theme (S1) in B♭ major. M1 reappears.
(8:15) Counter-Theme 1 (S2), developing M1 even further.
(8:46) Cadential Theme.
DEVELOPMENT
(10:58) Episode 1: Very unexpected and strange diminished harmonies take over P1, followed by the development of M1.
(11:40) Episode 2: reoccurrence of the Transition Section, modulating across many keys in search of the dominant (A♭, C7, Fm, A♭7, D♭m, A♭m, B♭7)
(11:57) Episode 3: M1 is developed even further, in preparation for Recap.
RECAPITULATION
(12:11) P1, heavily ornamented.
(12:39) Modified Transition Section.
(13:01) S1+S2 in the tonic.
(14:00) Coda.
Mvt 3: Allegretto grazioso [Sonata-Rondo form]
SECTION A
(14:25) Theme A (A1), very tender and sweet.
(14:46) First Transition.
SECTION B
(14:57) Theme B (B1) in the dominant, F major.
(15:04) Counter-Theme 1 (B2).
(15:14) Second Transition, consisting of two themes: a syncopated note (Tr1) and an arppegiated chord (Tr2).
SECTION A
(15:21) Return of A1. At 15:49, Tr2 deflects the harmony to D7, dominant of Gm.
SECTION C
(15:55) Theme C (C1) in the relative, G minor. Preserving the tenderness of A1, this theme brings a bittersweet flavour.
(16:12) Counter-Theme 2 (C2) in the subdominant, E♭ major. Its dotted rhythm produces an agitated, edgy feeling.
(16:24) At this point, we comically start searching for a way back to A1, but keep getting lost. The only part of Theme A that can be remembered is that ascending-note pattern, which turns into a new motif (M1).
(16:34) A1 comes back, but we're still in the wrong key (Cm, relative of the subdominant). The ascending motif then helps us find the tonality we want (B♭), but in the wrong mode. At last, M1 asks Tr1 for help, and we finally encounter A1 again.
SECTION A
(17:04) A1.
(17:26) The Transition is modified and extended a lot, in order to keep us in the tonic.
SECTION B
(17:54) B1+B2 in the tonic. This is a movement in Sonata-Rondo form, after all.
(18:19) Tr1 resurfaces, but all of a sudden comes to a halt.
(18:32) As if we were listening to a Concerto, a written Cadenza stars to play, developing A1 together with Tr1 and Tr2.
SECTION A
(19:43) Finally, the last statement of A1 comes along.
(20:04) The Coda of the movement is based on this beautiful variation of Theme A. It's very exciting how Mozart keeps developing his themes up until the very last moment.
![Mozart: Piano Sonata No. 14 in C minor, K.457 [Uchida]](/img/d.gif)
Пікірлер: 61
I found this by searching Mozart 333 I picked this random number. I love Mozart's works they bring me this clever light full felling of course not always like the Requiem but still
@jeffsmith1798
8 ай бұрын
Nothing is random 😊
@AhmadGhabra
6 ай бұрын
Holy shit same
@user-fc2cj9cn7i
6 ай бұрын
Fuck
@pierfrancescopeperoni
3 ай бұрын
Like picking Beethoven 111 at random.
@Alleriian
Ай бұрын
Ah yes Mozart Roulette 😎
At CSN, their hold call music is this piece at 14:25. I remember holding for 10 minutes and only a 30 second loop of this part would play then restart after some reminders. Glad to hear the full piece here!
2nd movement is absolute bliss~
@martinyoung99
7 ай бұрын
Andante cantabile, in the key of E flat major
Molto elegante. Perfetta come tempi, interpretazione e qualità del suono. Una nuvola. ❤
10:46 2악장 발전부 불협화음 좀 전 Ab 12:58 2악장 재현부 2주제 14:22 3악장 A 14:56 B 15:49 C 18:24 카덴차
Beyond beautiful ☺️❤
1:33 is amazing!
Mozart is always ravishing. Question Answer Joy.
0:33- 1-2주제 들어가기 전 1:24 종결부 들어가기 전 3:43 발전부 들어 5:23 재현주 2주제 6:56 2악장 1주제 7:26 경과구+2주제 10:47 2악장 발전부 불협화음으로 시작 12:58 2악장 재현부 2주제 좀 전 14:22 3악장 A 14:56 B 15:49 C 시작 좀 전 18:24 3악장 카덴차 좀 전
wow
0:33 2주제 들어가기 전 1:24 종결부 좀 전 3:40 발전부 좀 전 5:23 재현주 2주제 6:56 2익징 1주제 7:28 경과구 -2주제
student reads Uchida's award plaque on wall in a prestigious music conservatory (thinking to self) "Is she human?" deep exhale, "no, she is not."
Wonderful! To be honest I prefer Uchidas over Goulds. Goulds sounds so unnatural and kinda rushed. Thank you for posting man! You made my day a little sweeter
@elijahdunlap2265
2 жыл бұрын
Gould just have a different taste when it comes to Mozart. He doesn’t play music boring and vague. But I respect your opinion!
@maestoso9165
Жыл бұрын
I like this recording too, but my favorite is Horowitz. His tone control is just beyond comprehension
@EliSpotts
Жыл бұрын
@@maestoso9165 SAME
@Ezio_Cerretelli
Жыл бұрын
Sure, I think that Uchida is far better for Mozart than Gould ! I think that for Mozart the best pianists are Uchida and Pires ❤
@Ezio_Cerretelli
Жыл бұрын
@@elijahdunlap2265 I also respect your taste, but in my opinion, for Mozart Gould in too unnatural and ''Bachian''... it looses al the hapiness of Mozart's music
´´hello mortals´´
@mozart A very fine piece might i say
based on the character, 6:58 is rather an introduction 7:26 - the main theme in Eb major
4:02
14:25 hold music part some of us are looking for
Uchida and Horowitz Mozart's sonatas have soul and elegance. Gould in comparison is a bit too rumbustious.
@Ezio_Cerretelli
Жыл бұрын
Yes, maybe I don't agree so much in Horowitz, but Uchida in Great, also Maria João Pires
@fh854
9 ай бұрын
Agreed, you can tell Gould didn’t much care for Mozart
Vim pelo André Guedes
How can I read all the chapters ?
My mistake original gangster
@paulthewall7161
Жыл бұрын
BRO THIS IS WHY IM LEARNING THIS SONG
@theltakinglegend
Жыл бұрын
“I am equipped to summon the one known as little Travis on your buffoon self, his slugs are sure to deal a whole lot of damage”
@CoklatMan.Reborn
4 ай бұрын
No, this cannot be forgiven. Now empty the compartments of your pantaloons.
14:24
Oi why you disrespecting me bruv?
@CoklatMan.Reborn
4 ай бұрын
My mistake original gangster
Corporate hold music
@mustuploadtoo7543
Жыл бұрын
what?
@byua1835
Жыл бұрын
@@mustuploadtoo7543 At my job, if you called the corporate office and they put you on hold, 14:25 of this video would play for the music, and that's how I discovered this song
@mustuploadtoo7543
Жыл бұрын
@@byua1835 lucky man. i have to listen to my boss have intercourse with his secretary at work so i always feel aroused 😔
@matstan3515
Жыл бұрын
@@byua1835 whoever put that piece there is a man/woman of culture
@byua1835
Жыл бұрын
@@matstan3515 agreed haha, that's why I love it