Mozart: Piano Sonata No. 9 in D major, K.311 [Uchida]
Музыка
I. Allegro con spirito (0:00)
II. Andante con espressione (4:19)
III. Rondo. Allegro (9:13)
Piano: Mitsuko Uchida
Mvt. 1: Allegro con spirito [Sonata-Form]
EXPOSITION
(0:00) Primary Theme (P1). The wavy figure is M1, the four ascending quavers are M2.
(0:17) Transition Section. RH expands the scales of P2. (Also, notice how 0:19 is M1 inverted!).
(0:26) Secondary Theme (S1) in A major. The inversion of M2 appears a lot of times.
(0:39) Counter-Theme 2 (S2).
(0:45) Counter-Theme 3 (S3).
(0:58) Cadential Theme. At 1:01, a galloping figure in descending sixths (M3) brings additional closure to the Exposition.
DEVELOPMENT
(2:10) Episode 1: M3 is developed extensively, modulating across minor tonalities. M3 wants to complete its cadence to A major, but gets deviated all the time. At 2:32, it finally resolves into the relative minor of D (Bm). Then, some hesitant chords lead us to
(2:41) Episode 2: S3 in G major.
(2:54) Episode 3: expansion of that pre-cadential measure at 0:58. We start modulating and getting lost (G, D, Em, D, G, E7)...
(3:08) Episode 4: and suddenly the transitional theme based on the inversion of M1 comes back, leading us to a surprising
INVERTED RECAPITULATION
(3:14) The Secondary Theme appears in the tonic, then shifts to Dm for a moment (Mozart does the same in the Recap of K.309).
(3:28) And then we realize how Mozart is an amazing craftsman: he transforms the secondary Counter-Themes (S2+S3) into a new Transitional Section, as if rearranging the whole Exposition. We hear S2 and S3 in the tonic, conducting us back to the
(3:48) Primary Theme.
(3:58) Now that the Inverted Recapitulation is complete, a new Bridge (resembling the scales of the initial Transition) emerges to prepare us for the Coda.
(4:04) When we finally get back to a familiar pre-cadential theme, the expected dominant7 chord is deviated to the relative minor. We stand still for a moment, until M3 comes back and closes the movement.
Mvt. 2: Andante con espressione
*The structure of this movement is very ambiguous and difficult to categorize accurately, so I'll present some ideas. The first possibility is a "Sonatina-Form", lacking the Development Section (notice that the Secondary Theme appears in the dominant and returns in the tonic). The second idea is a modified Sonata-Rondo, with structure AABA'CAB'A''C'A (the tonic return of sections B and C also fits well with this idea). The third possibility, which is my favorite and the basis for the analysis below, is an Rounded-Binary form in AABA'B'A' structure. The reason why I like this analysis is because I recall other movements by Mozart shaped like that and I was very intrigued by the repeat sign at the beginning.
SECTION A
(4:20) Theme A, consisting of two parts: A1 is the initial 8 bars, then A2 is the melody over semi-quavers. The three descending octaves in m. 3 are M1.
(5:19) Bridge based on M1.
SECTION B
(5:33) Theme B in the dominant.
(5:54) False entry of Theme A in the dominant (wrong key). LH interrupts RH with another fragment of A1; both hands are trying to establish the return of Theme A, but they have to modulate first.
(6:04) Another bridge based on M1.
SECTION A'
(6:32) Theme A in the tonic, with embellishments.
(7:04) The bridge from the beginning returns, but now it prepares us for a tonic Theme B.
SECTION B'
(7:13) Theme B in G major.
(7:35) Once again, a fragmentary False Entry of Theme A, followed by a Transition.
SECTION A''
(8:13) Theme A, more ornamented.
(8:44) Coda, based on an extension of A2.
Mvt. 3: Allegro [Sonata-Rondo form]
SECTION A
(9:14) Theme A. The initial appoggiatura+note is M1 and the descending scale (m.5) is M2. At 9:31, M2 expands.
(9:33) Transition Section.
SECTION B
(9:45) Theme B (B1) in the dominant, based on M1.
(9:54) Counter-Theme 1 (B2) based on M2.
(10:01) Counter-Theme 2 (B3), polyphonic.
(10:20) Counter-Theme 3 (B4).
(10:41) Counter-Theme 4 (B5).
SECTION A
(10:55) Theme A.
(11:16) After we hear the tonic arpeggios unexpectedly ending in D7, a Modulatory Transition to the relative minor begins (G, Em, D, F#m, Bm).
SECTION C
(11:36) Theme C (C1) in B minor (deliciously beethovenian, if I dare say).
(11:59) Counter-Theme 5 (C2) in G major.
(12:17) Return of the Transition. As we approach D major and our ears crave for the Recapitulation, Mozart fools us - a dominant7 chord interrupts the flowing motion of the rondo, and we hear this beautiful written Cadenza.
SECTION A
(13:07) Theme A, second time an octave lower.
SECTION B
(13:26) Mozart transforms B1 in the new Modulatory Transition (same procedure as in mvt 1!).
(13:44) B2 + B3 + B4 + B5 in the tonic.
SECTION A
(14:34) The final statement of Theme A.
(14:44) Once more fooling us, the Transition starts to play. Suddenly, it gets interrupted by an agitated Coda that ends the movement abruptly (Notice how this Coda is a variation of that transitional motive: the four chords).
Пікірлер: 57
This sonata is such a joyful contrast to his previous sonata no. 8, which has a very dark tone as it was composed after his mother’s death. To me, this sonata signifies a new spark of joy and blissfulness found after a very tragic event. It is very different to all his previous sonatas, new concepts appear here that Mozart had not used before, and then he built upon them in later sonatas. For me, this sonata is after number 8, Mozart’s first master piece in the sonata form. Such a memorable work.
best mozart sonata
@Dylonely42
Жыл бұрын
No. 8 ?
@Fabio-cb1od
9 ай бұрын
Yeah I like the second movement a lot
@Alix777.
8 ай бұрын
K.533 This one is cute but that's all Anyway the real Mozart genius is in his isolated piano pieces, not his sonatas
@Total0Tiempo
5 ай бұрын
@@Alix777.As which?
@christianweatherbroadcasting
3 ай бұрын
Repent and trust in Jesus. We all deserve Hell for our sins, such as lying lusting coveting and more. We can't save ourselves, but Jesus can save us. He died on the cross to save us for our sins and rose from the grave defeating death and Hell. You must put your faith in him only. He is the only way to Heaven. Repent and trust in Jesus. Romans 6:23 John 3:16❤❤❤
The first movement is so delightful…
@christianweatherbroadcasting
3 ай бұрын
Repent and trust in Jesus. We all deserve Hell for our sins, such as lying lusting coveting and more. We can't save ourselves, but Jesus can save us. He died on the cross to save us for our sins and rose from the grave defeating death and Hell. You must put your faith in him only. He is the only way to Heaven. Repent and trust in Jesus. Romans 6:23 John 3:16😊❤
@Dylonely42
3 ай бұрын
@@christianweatherbroadcasting no
Thank you for your good quality video and beautiful music.
Crystal clear notes
@christianweatherbroadcasting
3 ай бұрын
Repent and trust in Jesus. We all deserve Hell for our sins, such as lying lusting coveting and more. We can't save ourselves, but Jesus can save us. He died on the cross to save us for our sins and rose from the grave defeating death and Hell. You must put your faith in him only. He is the only way to Heaven. Repent and trust in Jesus. Romans 6:23 John 3:16
@parislovesrachmaninoff
3 ай бұрын
@@christianweatherbroadcasting Nope. Im an atheist so I don't care for the words of random preaching over the internet.
Thank you so much for this this helped me alot
A great piece of music!
4:16 2nd mov 9:14 3rd mov
@christianweatherbroadcasting
3 ай бұрын
Repent and trust in Jesus. We all deserve Hell for our sins, such as lying lusting coveting and more. We can't save ourselves, but Jesus can save us. He died on the cross to save us for our sins and rose from the grave defeating death and Hell. You must put your faith in him only. He is the only way to Heaven. Repent and trust in Jesus. Romans 6:23 John 3:16❤😊❤
From 11:28 I personally like Iban Berhan's interpretation of this theme better, but all around, it's a great, fine-tuned interpretation of the piece. Thanks for the upload.
@alfredwu9523
Жыл бұрын
So?
@cPogs
Жыл бұрын
@@alfredwu9523 so at least he's thankful. And ur not 😂
Ох, помню, как я играла первую часть этой сонаты на выпускном экзамене в музыкальной школе. Моя любимая учительница до сих пор со смехом вспоминает о том, как я этой самой сонатой прибавила ей седых волос на голове ))) Я в такой бешеном темпе её играла, что она, по её словам, с ужасом ждала, когда у меня заплетутся пальцы ))))
@user-vv8hg5dq8f
3 ай бұрын
Ого.Обычно эту сонату играют в училище
@user-JuliaM
3 ай бұрын
@@user-vv8hg5dq8f возможно. 😊 я уже и не помню, какие сонаты я там играла 🤣
@user-vv8hg5dq8f
3 ай бұрын
@@user-JuliaM если вы пошли в училще,то да,вполне могли играть эту сонату в старших классах
@user-JuliaM
3 ай бұрын
@@user-vv8hg5dq8f да, я закончила училище, а вот дальше не пошла.
That is the best music pieces l ever heard Thank you
@miguelfontesmeira
Жыл бұрын
It's one of my favorite sonatas as well
@miguelfontesmeira
Жыл бұрын
sure
@alfredwu9523
Жыл бұрын
Okay When do you find this amazing piece?
@nottinghillad
Жыл бұрын
Yes. Ingenious
Uchiha❤ good version
9:42 Re, Mi, La, Fa
La velocità va a scapito dell'espressione!
2:10
@Musica-gq9gr
11 ай бұрын
🎹❤️
4:42 Is this edition wrong or is Uchida clearly playing a wrong note in the RH melody? (she plays a D instead of the B in the score). She does it again when it repeats!
@austinwgentry
10 ай бұрын
It should be a D
@mooster2095
9 ай бұрын
Yes!! It was supposed to be a B lol
Бетховен the best
@fon-faron
Жыл бұрын
@@shreekanthisaria784 composer Mozart the number 2
@lucascecim9102
8 ай бұрын
sounds like
It is clearly a copiest error. Mozart would never had finished the end of the first part in the major but rather as Glenn Gould corrected it in his playing at least.
destroyer of music
@shrihansuchit6647
2 жыл бұрын
Can you enjoy the music at such barbaric tempo?
@shrihansuchit6647
Жыл бұрын
kzread.info/dash/bejne/qaV6wdNyf87SfNY.html please hear it carefully more than once you will find Mozart is not playful childish boy ever rather a completely matured composer having an ability to make cry also. And then comment... At first I hated Mozart but this recorded changed my mindset forever.
@pianoscharmxo4391
Жыл бұрын
why??
@pianoscharmxo4391
Жыл бұрын
@@alfredwu9523 nothing?
@sagar1992
Жыл бұрын
@@shrihansuchit6647 Sounds like a you problem
Repent and trust in Jesus. We all deserve Hell for our sins, such as lying lusting coveting and more. We can't save ourselves, but Jesus can save us. He died on the cross to save us for our sins and rose from the grave defeating death and Hell. You must put your faith in him only. He is the only way to Heaven. Repent and trust in Jesus. Romans 6:23 John 3:16❤😊❤❤
too fast
@pablofeynman3619
6 ай бұрын
nobody cares bro