Mozart - Piano Concertos No.20,21,22,23,24,25,26,27 + Presentation (Century's record. : Lili Kraus)

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Wolfgang Amadeus Mozart (1756-1791) - Piano Concertos 20-27.
Click to activate the English subtitles for the presentation (00:00-05:43)
A very big « THANKS » to Sony Music who authorized us to release this recording.
Piano Concerto No.20 in D minor, K.466 Ⅰ. Allegro (00:00)
Piano Concerto No.20 in D minor, K.466 II. Romance (13:34)
Piano Concerto No.20 in D minor, K.466 III. Rondo: Allegro assai (22:31)
Piano Concerto No.21 in C major, K.467 Ⅰ. Allegro maestoso (30:28)
Piano Concerto No.21 in C major, K.467 II. Andante (44:27)
Piano Concerto No.21 in C major, K.467 III. Allegro vivace assai (50:39)
Piano Concerto No. 22 in E flat Major, K. 482 - 1. Allegro (57:47)
Piano Concerto No. 22 in E flat Major, K. 482 - 2. Andante (1:10:53)
Piano Concerto No. 22 in E flat Major, K. 482 - 3. Allegro (1:19:30)
Piano Concerto No. 23 in A Major K. 488 - 1. Allegro (1:31:20)
Piano Concerto No. 23 in A Major K. 488 - 2. Adagio (1:41:57)
Piano Concerto No. 23 in A Major K. 488 - 3. Allegro Assai (1:47:30)
Piano Concerto No. 24 in C Minor K. 491 - 1. Allegro (1:55:27)
Piano Concerto No. 24 in C Minor K. 491 - 2. Larghetto (2:08:24)
Piano Concerto No. 24 in C Minor K. 491 - 3. Allegretto (2:15:23)
Piano Concerto No. 25 in C Major K. 503 - 1. Allegro (2:24:47)
Piano Concerto No. 25 in C Major K. 503 - 2. Andante (2:39:38)
Piano Concerto No. 25 in C Major K. 503 - 3. Allegretto (2:45:48)
Piano Concerto No. 26 in D Major K. 537 - 1. Allegro (2:55:10)
Piano Concerto No. 26 in D Major K. 537 - 2. Larghetto (3:09:18)
Piano Concerto No. 26 in D Major K. 537 - 3. Allegretto (3:15:06)
Piano Concerto No. 27 in B-Flat Major K. 595 - 1. Allegro (3:27:00)
Piano Concerto No. 27 in B-Flat Major K. 595 - 2. Larghetto (3:40:29)
Piano Concerto No. 27 in B-Flat Major K. 595 - 3. Allegro (3:48:17)
Piano : Lili Kraus
Vienna Festival Orchestra
Conductor : Stephen Simon
Recorded in 1965-66
New Mastering in 2017 by AB for CMMR
🔊 Discover our new website: www.classicalmusicreference.com/
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg
🔊 Follow us on Spotify (Profil: CMRR) : spoti.fi/3016eVr
❤️ If you like CMRR content, please consider membership at our Patreon or Tipeee page.
Thank you :) / cmrr // en.tipeee.com/cmrr
COMMENTAIRE COMPLET : VOIR PREMIER COMMENTAIRE ÉPINGLÉ.
Nulle part plus que dans ses andantes, Mozart n'a montré combien son expression personnelle a su épouser la forme que l'usage de son époque lui présentait. Dans certains de ses allegros et rondos, il peut nous arriver de percevoir jusqu'à en souffrir la symétrie et la régularité d'une section, à tel point que la forme s'impose à notre attention plus que le sentiment. Dans ses andantes, inspiration et technique, lyrisme et construction, se fondent avec une telle unité que rien ne nous distrait de la beauté de la pensée elle-même. Les concertos ne mériteraient pas, dans l'œuvre de Mozart, la place hautement représentative qu'ils occupent si leurs andantes n'étaient pas les égaux des meilleurs de ceux des quatuors et des symphonies. Aucun autre groupe de mouvements chez lui ne les dépasse en variété.
Lili Kraus a comparé son affinité avec Mozart à une mission : « Quand j'ai commencé à explorer Mozart, j'ai découvert la beauté infinie de cette musique, et d'une certaine manière il m'est donné de donner vie à cette beauté. Je trouve qu'il est de mon devoir, de mon privilège, et si vous voulez, de ma croix, de consacrer ma vie à cette musique. » Certains pianistes et compositeurs deviennent inextricablement liés aux yeux du public. Mentionnons Glenn Gould, par exemple, et les Variations Goldberg de Bach viennent à l'esprit. Artur Schnabel et Beethoven étaient pratiquement synonymes, tout comme Walter Gieseking et Debussy, Arthur Rubinstein et Chopin, Alicia de Larrocha et les impressionnistes espagnols. Lorsqu'il s'agissait de la musique pour piano de Mozart, plusieurs générations d'auditeurs et de collectionneurs considéraient les interprétations de Lili Kraus comme le dernier mot..
Mozart - Piano Concertos 9 Jeunehomme,15,16,1,2,3,4,5,6,8 (Century's recording : Lili Kraus/Simon) : • Mozart - Piano Concert...
Mozart - Piano Concertos No.11,12,13,14,17,18,19 (recording of the Century : Lili Kraus/Simon) : • Mozart - Piano Concert...
Mozart - Piano Sonatas Nos.1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16,17 NEW MASTERING 2021 (Century's record.: Lili Kraus) : • Mozart - Piano Sonatas...
Wolfgang Amadeus Mozart PLAYLIST (reference recordings) : • Wolfgang Amadeus Mozar...

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  • @classicalmusicreference
    @classicalmusicreference7 жыл бұрын

    ❤ Join us on our WhatsApps fanpage (our preview releases): www.whatsapp.com/channel/0029Va8GWC7ICVfrh2QjcM3y Wolfgang Amadeus Mozart (1756-1791) - Piano Concertos 20-27. *Click to activate the English subtitles for the presentation* (00:00-05:43) A very big « THANKS » to Sony Music who authorized us to release this recording. Piano Concerto No.20 in D minor, K.466 Ⅰ. Allegro (00:00) Piano Concerto No.20 in D minor, K.466 II. Romance (13:34) Piano Concerto No.20 in D minor, K.466 III. Rondo: Allegro assai (22:31) Piano Concerto No.21 in C major, K.467 Ⅰ. Allegro maestoso (30:28) Piano Concerto No.21 in C major, K.467 II. Andante (44:27) Piano Concerto No.21 in C major, K.467 III. Allegro vivace assai (50:39) Piano Concerto No. 22 in E flat Major, K. 482 - 1. Allegro (57:47) Piano Concerto No. 22 in E flat Major, K. 482 - 2. Andante (1:10:53) Piano Concerto No. 22 in E flat Major, K. 482 - 3. Allegro (1:19:30) Piano Concerto No. 23 in A Major K. 488 - 1. Allegro (1:31:20) Piano Concerto No. 23 in A Major K. 488 - 2. Adagio (1:41:57) Piano Concerto No. 23 in A Major K. 488 - 3. Allegro Assai (1:47:30) Piano Concerto No. 24 in C Minor K. 491 - 1. Allegro (1:55:27) Piano Concerto No. 24 in C Minor K. 491 - 2. Larghetto (2:08:24) Piano Concerto No. 24 in C Minor K. 491 - 3. Allegretto (2:15:23) Piano Concerto No. 25 in C Major K. 503 - 1. Allegro (2:24:47) Piano Concerto No. 25 in C Major K. 503 - 2. Andante (2:39:38) Piano Concerto No. 25 in C Major K. 503 - 3. Allegretto (2:45:48) Piano Concerto No. 26 in D Major K. 537 - 1. Allegro (2:55:10) Piano Concerto No. 26 in D Major K. 537 - 2. Larghetto (3:09:18) Piano Concerto No. 26 in D Major K. 537 - 3. Allegretto (3:15:06) Piano Concerto No. 27 in B-Flat Major K. 595 - 1. Allegro (3:27:00) Piano Concerto No. 27 in B-Flat Major K. 595 - 2. Larghetto (3:40:29) Piano Concerto No. 27 in B-Flat Major K. 595 - 3. Allegro (3:48:17) Piano : Lili Kraus Vienna Festival Orchestra Conductor : Stephen Simon Recorded in 1965-66 New Mastering in 2017 by AB for CMMR 🔊 Discover our new website: www.classicalmusicreference.com/ 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg 🔊 Follow us on Spotify (Profil: CMRR) : spoti.fi/3016eVr ❤ If you like CMRR content, please consider membership at our Patreon or Tipeee page. Thank you :) www.patreon.com/cmrr // en.tipeee.com/cmrr Les concertos que Mozart a écrits pour son instrument favori jouent dans l'histoire de leur genre un rôle comparable à celui joué dans l'histoire de la symphonie par les neuf chefs-d'œuvre de Beethoven. De même que la symphonie beethovénienne a déterminé la forme du genre pour près d'un siècle, de même les concertos pour piano de Mozart, par leur nombre et par la grande beauté de la plupart d'entre eux, sont à l'origine du concerto moderne et ont tracé les lignes selon lesquelles il s'est pendant longtemps développé. Le défi pour les compositeurs de la fin du XVIIIe siècle était de concilier les caractéristiques les plus fortes de la forme concerto baroque (contrastes timbraux distincts entre un instrumentiste soliste et un orchestre, plus une brillante écriture en solo) avec le nouveau style de sonate-allegro. Lui-même virtuose accompli, Mozart a élevé la fonction de pianiste soliste à de nouveaux niveaux d'expression, de technique et d'élan dramatique. Par conséquent, le piano et l'orchestre n'étaient pas simplement des partenaires égaux, mais des personnages distincts à part entière. Entre tous les grands compositeurs, Mozart est celui qui a enrichi la bibliothèque du genre du plus grand nombre de chefs-d'œuvre. Chez la plupart des maîtres, les concertos tiennent une place relativement petite, beaucoup plus petite, par exemple, que les symphonies ou les quatuors. Chez lui, au contraire, ils sont plus nombreux que n'importe quelles autres compositions, à l'exception des symphonies. Cependant, aux yeux du musicien qui se préoccupe moins de l'histoire de la forme que de la personnalité de chaque œuvre, de la pensée qui l'inspire et de la joie qu'elle peut procurer, ses concertos sont encore plus précieux, car ils constituent une source intarissable de jouissance artistique. Ils forment un groupe de chefs-d'œuvre qu'on pratique continuellement sans jamais s'en lasser. Dans leur diversité, ils correspondent aux états d'âme les plus variés, depuis le contentement où nous demandons l'art d'être une simple distraction, délicate plutôt que profonde, depuis la joie de vivre franche et animale, la santé physique et morale et le parfait équilibre de toutes les facultés, jusqu'à la mélancolie, la douleur et même la révolte, jusqu'à cette sérénité « olympienne » qui atteint l'air vivifiant des hauts sommets. Il y a peu de moments de notre vie intérieure qui ne retrouvent dans l'un ou l'autre le tonique dont ils ont besoin. C'est là la marque des plus grandes œuvres et elle permet de placer ces concertos parmi ce que la musique a produit de plus durable. L'uniformité relative qu'au premier abord on croit constater entre eux disparaît devant l'examen. L'émotion ne se reproduit jamais identique d'une œuvre à l'autre ; une physionomie particulière à chacune d'elles permet de les différencier, et la variété de leur inspiration se révèle toujours plus grande à mesure qu'on en approfondit l'étude. C'est grâce à cette variété que Mozart est parmi le petit nombre des compositeurs dont on peut faire son pain quotidien. Peu importe la diversité de la forme ; la diversité de l'émotion est celle qu'exige notre esprit et la seule qui prévienne l'ennui. Nombre de musiciens ont une forme plus variée que celle de Mozart, et leurs œuvres, néanmoins, lorsqu'on veut s'en repaître, provoquent bientôt un sentiment de monotonie que le Mozart des grandes œuvres ne cause jamais et dont on ne souffre chez lui que si on s'obstine à l'étudier dans les compositions où il n'a pas mis le fond de lui-même. Ce privilège qui leur appartient' de satisfaire d'une manière durable l'âme et l'esprit, plus encore que leur rôle historique, a valu à ses concertos pour piano leur place aux rangs des chefs-d'œuvre. Nulle part plus que dans ses andantes, Mozart n'a montré combien son expression personnelle a su épouser la forme que l'usage de son époque lui présentait. Dans certains de ses allegros et rondos, il peut nous arriver de percevoir jusqu'à en souffrir la symétrie et la régularité d'une section, à tel point que la forme s'impose à notre attention plus que le sentiment. Dans ses andantes, inspiration et technique, lyrisme et construction, se fondent avec une telle unité que rien ne nous distrait de la beauté de la pensée elle-même. Les concertos ne mériteraient pas, dans l'œuvre de Mozart, la place hautement représentative qu'ils occupent si leurs andantes n'étaient pas les égaux des meilleurs de ceux des quatuors et des symphonies. Aucun autre groupe de mouvements chez lui ne les dépasse en variété. Nous sentons, cependant, que certains mouvements s'apparentent l'un à l'autre, qu'il est des « familles de mouvements » et cela permet d'établir une certaine classification parmi eux. C'est ainsi que les andantes de Mozart, malgré leur richesse et leur diversité, et avec quelques exceptions, se laissent rapporter à quatre ou cinq types, que nous pouvons étiqueter, pour plus de commodité, l'andante galant, l'andante-rêve, l'andante ou adagio méditatif, l'andante cantabile ou romance, et l'andante élégiaque ou dramatique. Personne ne sera dupe de cette classification au point de la croire absolue. Mais elle peut nous aider à embrasser plus facilement l'ensemble de ces andantes où Mozart a livré ce qu'il avait de plus précieux. Les concertos de Mozart, cependant, étaient loin d'être des incontournables des salles de concert au début du XXe siècle. Pourtant, le vent a commencé à tourner. Une nouvelle génération d'éminents claviéristes classiques, parmi lesquels Wanda Landowska, Walter Gieseking, Edwin Fischer et Arthur Schnabel, a contribué à faire avancer la cause, tout comme Lili Kraus. Lili Kraus a comparé son affinité avec Mozart à une mission : « Quand j'ai commencé à explorer Mozart, j'ai découvert la beauté infinie de cette musique, et d'une certaine manière il m'est donné de donner vie à cette beauté. Je trouve qu'il est de mon devoir, de mon privilège, et si vous voulez, de ma croix, de consacrer ma vie à cette musique. » Certains pianistes et compositeurs deviennent inextricablement liés aux yeux du public. Mentionnons Glenn Gould, par exemple, et les Variations Goldberg de Bach viennent à l'esprit. Artur Schnabel et Beethoven étaient pratiquement synonymes, tout comme Walter Gieseking et Debussy, Arthur Rubinstein et Chopin, Alicia de Larrocha et les impressionnistes espagnols. Lorsqu'il s'agissait de la musique pour piano de Mozart, plusieurs générations d'auditeurs et de collectionneurs considéraient les interprétations de Lili Kraus comme le dernier mot.. Mozart - Piano Concertos 9 Jeunehomme,15,16,1,2,3,4,5,6,8 (Century's recording : Lili Kraus/Simon) : kzread.info/dash/bejne/eHyrz65xfceYYto.html&index=3 Mozart - Piano Concertos No.11,12,13,14,17,18,19 (recording of the Century : Lili Kraus/Simon) : kzread.info/dash/bejne/jKKorpuSZ9nJdLA.html Mozart - Piano Sonatas Nos.1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16,17 NEW MASTERING 2021 (Century's record.: Lili Kraus) : kzread.info/dash/bejne/fWaY0ayPYKm4aLQ.html Wolfgang Amadeus Mozart PLAYLIST (reference recordings) : kzread.info/dash/bejne/d4qEzciBdJnIZ6g.html

  • @iraidakim5902

    @iraidakim5902

    6 жыл бұрын

    Classical Music/ /Reference Recording Fi

  • @kaiambireid9456

    @kaiambireid9456

    6 жыл бұрын

    Baronbub Musicsic Musicto

  • @garydabrowski679

    @garydabrowski679

    6 жыл бұрын

    Lili Kraus...so glad there are musicians like you who put in the work to be able to perform and keep genius music like this alive!...I'm sure Mozart himself would approve of your, and the other musicians' performances of his works here...

  • @yvescrochet6320

    @yvescrochet6320

    6 жыл бұрын

    Classical Music/ /Reference Recording -

  • @yvescrochet6320

    @yvescrochet6320

    6 жыл бұрын

    Iraida Kim - - - - navigation

  • @MrYomino
    @MrYomino2 жыл бұрын

    Ô Seigneur, merci de nous avoir donné Mozart.

  • @HenriHamel-tm9ej

    @HenriHamel-tm9ej

    9 ай бұрын

    Je voudrai qu'il y ait que de la musique classique je vous l'ai signalé déjà ce matin vous n'avez pas tenu compte est ce sérieux??

  • @patriciasalis2160

    @patriciasalis2160

    8 ай бұрын

    Dommage de l'avoir repris si tôt !

  • @marvinramosveiga5919

    @marvinramosveiga5919

    7 ай бұрын

    Sa mort n'était pas dûe à quelque chose de très seigneur seigneur...

  • @daniserrat3150

    @daniserrat3150

    6 ай бұрын

    No hay nada mejor en el mundo,ni siquiera el sexo.Ni ferraris ni mansiones,sólo la salud y tener lo básico para poder vivir lo cambio por el.Con esto quiero decir que si me dicen: tendrás mucho dinero pero jamás podrás escuchar a Mozart,prefiero quedarme como estoy, es decir justo de dinero pero poder escucharlo hasta el fin de mis días

  • @annegoudine7167

    @annegoudine7167

    3 ай бұрын

    Sans Mozart, la vie manquerait de charme. Anne

  • @mr.fredericchopin6214
    @mr.fredericchopin621411 ай бұрын

    The Lili Kraus and Stephen Simon complete Mozart Concertos were recommended to me when I read an article about where to find the best recordings of all these concertos. Wow! I hit the jackpot. The pianist and conductor understand Mozart more deeply than anyone else I have ever listened to in these concertos! Mozart can be so deep, bring out emotions in such a subtle way that you don't even know those emotions were even in you. There is also great humor and playfulness, simplicity and elegance, nuance... on and on. I think Lili Kraus understood Mozart better than almost any other pianist. She was so attuned to the composer, there is such color in every note and Lili searches the depths of touch and tone. Just as Mozart's concertos go where no composer can go, Lili Kraus and Stephen Simon go where no pianist and orchestra usually travel. What words can one use to describe these concertos? Sublime, gorgeous? Yes!

  • @panprezes1993

    @panprezes1993

    7 ай бұрын

    You wrote: "Just as Mozart's concertos go where no composer can go, Lili Kraus and Stephen Simon go where no pianist and orchestra usually travel. What words can one use to describe these concertos? Sublime, gorgeous? Yes!" I will add that I have no words to describe this recording of the first concert here (in D minor). I have never known such an outstanding cadenza for the 1st movement of any piano concerto with orchestra... AND YOU??

  • @user-fd2cc5rm1e

    @user-fd2cc5rm1e

    6 ай бұрын

    とても、心地よいピアノ🎹❤❤❤ ゴージャス!…日本より🇯🇵

  • @mr.fredericchopin6214

    @mr.fredericchopin6214

    2 ай бұрын

    @@panprezes1993 I really adore the way Lili Kraus and Stephen Simon play the second slow movement of the 17th concerto (Their disc with the yellow jacket cover). Almost immediately I feel both the beauty and the depth of despair. Wow!

  • @williammatthewjosephgenova9802
    @williammatthewjosephgenova9802 Жыл бұрын

    What wonderful music one which to reflect on Mozart's 267th birthday on 27 January 2023. Lili's piano is strikingly beautiful and pure, without any frills. Mozart's music will remain forever fresh and inspirational to all us who are lucky enough to be witnesses to his genius.

  • @beethovenlovedmozart
    @beethovenlovedmozart Жыл бұрын

    The more I listen to Mozarts #24, the more I realize what this piece was. This was Mozart for one month not giving a damn what people thought. This piece was Mozart coming out of a shell. This piece was to leave no doubt who the best composer in the world was. This piece was Mozart telling the world "I'm here and this is why I'm the best". He didn't just write another concerto. He crushed what a concerto was up until this point. He sounded like he was freeing himself , and he let the world know this is how good he is and how far he's come. If I were Haydn or Beethoven listening to this for tbe first time, I would be In complete awe, shocked, and would run and hide because this was like what Beethovens 9th did to the Romantics, it set the bar high in the genre and they knew any work they did would never measure up. Oh so many composers were happy and sad he left early because this man had skills, heart, photographic memory, taste, and knew how to take a melody and create endless possibilities. As Haydn cried the last 15 years of his life "If the world could only see his talent through my musical eyes, they would never let him go. He was an irreplaceable generational talent gone way too soon."

  • @BritinIsrael

    @BritinIsrael

    Жыл бұрын

    Just saw your great comment. The concertos 20-27 are absolutely mind blowing. I agree that # 24 is something special but all this last group are individually special in their own way. For me, the first movement of # 25 is Mozart on steroids. He is just laying out everything in his "tool box" .And the opening bars of # 27 makes me shudder . It's just an amazing opening. He certainly knew how good he was . Listening to these concertos you can see from where Beethoven's piano concertos germinated. Beethoven was 21 when Mozart died and he must have been aquainted with these concertos and loved them.

  • @beethovenlovedmozart

    @beethovenlovedmozart

    Жыл бұрын

    @@BritinIsrael nice post. Ironically, the opening bars of #27 ended up being very popular with the Romantics after Beethoven. The concept of briefly playing the strings before the piano was something the Romantics loved and it was one of mozarts many contributions to Romanticsm I guess. The opening of his 40th symphony was a similar thing.

  • @beethovenlovedmozart

    @beethovenlovedmozart

    Жыл бұрын

    To add more to #24, Beethoven used the melody a long with mozarts c minor fantasy as the basic for his final movement in his Pathetique sonata.

  • @beethovenlovedmozart

    @beethovenlovedmozart

    Жыл бұрын

    Listen to beethovens melody closely. He used the notes from mozarts c minor 24 final movement theme, but the structure from his piano fantasy in same key. Showing his respect and getting cute I guess. :)

  • @beethovenlovedmozart

    @beethovenlovedmozart

    Жыл бұрын

    kzread.infoUgkxmyJMBl9SwbkHXTBV-Q-WZOtZwJXLOfsY

  • @yasamanderiszadeh902
    @yasamanderiszadeh902 Жыл бұрын

    What a beautiful 4 hour journey. How lucky are we to have had musicians like Mozart.

  • @Berley_1234

    @Berley_1234

    2 ай бұрын

    a man that probably would have been WOKED out of his job by our current culture. Mozart had a, um, let's say slightly perverted sex life that might not have been accepted today

  • @user-vj5kx6gn7m
    @user-vj5kx6gn7m3 жыл бұрын

    Как всё же прав был Чайковский, который сказал, что самая яркая звезда на музыкальном небосводе-это Моцарт!!!!!

  • @ronaldopacifico9441
    @ronaldopacifico94413 ай бұрын

    " it’s the D minor (K.466) I love the most. It is in resonance with my profound being. I sense each note deep in my heart… the music is breathtaking, majestic, tremendous, it fills my soul with beauty, and longing, and a bittersweet feeling that words could never explain" . W. A. Mozart

  • @randalmata100
    @randalmata1005 жыл бұрын

    Lili Kraus (3 April 1903 - 6 November 1986) was a Hungarian-born pianist. Thank You Lili !!

  • @albertsimmons7045

    @albertsimmons7045

    5 жыл бұрын

    You think no one understood you the 1st time?

  • @randalmata100

    @randalmata100

    5 жыл бұрын

    Just those around 10 months ago jack-ass!

  • @ashishthomas5562

    @ashishthomas5562

    4 жыл бұрын

    Ah the Hungarians 🙇

  • @ingemarbjorklund3147
    @ingemarbjorklund31475 жыл бұрын

    Tänk om Mozart hade fått leva ytterligare 35 år, vilken enorm musikskatt hade vi inte kunnat ha möjlighet att lyssna till?! Imagine if Mozart had lived for another 35 years, what enormous music treasure could we not have been able to listen to ?! Stellen Sie sich vor, wenn Mozart noch 35 Jahre gelebt hätte, welche enorme Musiksteuer hätten wir nicht hören können?! ¡Imagínese si Mozart hubiera vivido por otros 35 años, qué enorme impuesto musical no podríamos haber escuchado?

  • @lintelle2382
    @lintelle23823 жыл бұрын

    I always get emotional when I hear Piano Concerto No.20 in D minor, K.466 II. Romance (13:34). Takes me back to the credits of Amadeus and how wiped out I feel after watching that movie!

  • @SV_2000
    @SV_20002 жыл бұрын

    Украина, апрель 2022 года. Воздушная тревога, сижу в подвале, слушаю Моцарта. Очень помогает.

  • @amneris78

    @amneris78

    Жыл бұрын

    Надеюсь, Вы живы. Храни Вас Бог!

  • @SV_2000

    @SV_2000

    Жыл бұрын

    @@amneris78 Живой:) Спасибо вам.

  • @kclee1

    @kclee1

    Жыл бұрын

    Ukraine will win! Long live Ukraine! - from Malaysia

  • @patriciabravoriscal6264

    @patriciabravoriscal6264

    20 күн бұрын

    Ukraine should win ❤

  • @pinkcatstudios9824
    @pinkcatstudios98246 жыл бұрын

    There is Mozart, and there's the rest of them. Not that they're all alike, but he is one of a kind.

  • @andrewrico8321

    @andrewrico8321

    6 жыл бұрын

    there few things im always agree with, this is one of them.

  • @kurtprader7517

    @kurtprader7517

    5 жыл бұрын

    Das ist Mozart in höchster Vollendung.

  • @MrPhil480

    @MrPhil480

    5 жыл бұрын

    non, il y Bach est le reste. faut pas exagerer...

  • @beethovenlovedmozart
    @beethovenlovedmozart2 жыл бұрын

    #22 is no joke either. The second movement was revolutionary and no one realizes it. :) His father attended the premier so you know mozart was going to do extra for his dad in the audience. His dad was in shock. Not of his sons extraordinary talent, but the audience gave a standing applause after the second movement. It was the first time in history that the audience begged for an entire repeat of the second movement in a minor key. Mozart could be himself with minor key. I've said this for the past 20 years. Twice mozart interrupted the minor themes with major themes showcasing woodwinds. Then he would explode back to minor on the piano. The perfect piece to show off to his dad. I'm sure that wad an extraordinary moment for him. That piece was revolutionary in many ways. Mozart elevated the piano with more power in the concerto. Something that later inspired Beethoven.

  • @karlheinzkirchmann6469

    @karlheinzkirchmann6469

    2 жыл бұрын

    I’m on your side. The Rondo remains a miracle for me. It is so peaceful but melancholic. It’s so extraordinary.

  • @beethovenlovedmozart
    @beethovenlovedmozart2 жыл бұрын

    It took me a long while, but I finally figured out mozart. No matter how hard you study, as Beethoven found out, you will never be him. Why? He remembered everything. It's really that simple. He had an unbelievable ear, math genius, and can remember everything he hears or touches. He could be extraterrestrial for all we know! Mozart reused his old melodies all the time because they were simply in his head and he was trying to make them better. Piano concerto #22 for example, 3rd movement is an example where only mozart could do it. Beethoven couldn't have that creativity to save his life. His memory was the main difference! You can hear it in his music. Every concerto gets better and better at something because he can always recall what he did. It's what made him tbe greatest ever.

  • @gfweis
    @gfweis5 жыл бұрын

    Lili Kraus surely deserves, but doesn't really need, additional praise from me. I'd like to praise the often-unmentioned conducting by Stephen Simon here, so well paced, balanced, and dramatically phrased. This was a happy collaboration indeed.

  • @FlexingClassicalMusic
    @FlexingClassicalMusic6 ай бұрын

    Classical music is an incredibly refined and wonderful form of art. It has the ability to express emotions and create a unique sonic experience that no other genre of music can compare to.

  • @renatohauptmann5548
    @renatohauptmann55485 жыл бұрын

    LILI KRAUS INCREDIBLE ONE OF THE GREATESTS PIANISTS EVER - MARVELOUS MOZART PIANO CONCERTOS RECORDINGS

  • @christopherchardt
    @christopherchardt2 жыл бұрын

    The perfect union between composer, conductor, orchestra, pianist, and instrument. Exquisite. The language of the Gods.

  • @Frankincensedjb123
    @Frankincensedjb123 Жыл бұрын

    Many years ago, Mozart was my introduction to great compositional music. What better place to start than with the versatile, inspired, and gifted master of melody and form.

  • @bubblerap7176

    @bubblerap7176

    Жыл бұрын

    Oh, so true.

  • @simondalzell6108
    @simondalzell61084 жыл бұрын

    Lili was without a shadow of doubt simply a phenomenon. Completely and utterly awe inspiring. God bless her for the legacy she bequeathed to us.

  • @HenriHamel-tm9ej

    @HenriHamel-tm9ej

    9 ай бұрын

    Je suis content d'écouter Mozart car comment peut-on vivre sans écouter Mozart?

  • @adrianjames7968
    @adrianjames79685 жыл бұрын

    (Wikipedia) Lili Kraus was born in Budapest in 1903. Her father was from Czech Lands, and her mother from an assimilated Jewish Hungarian family. She enrolled at the Franz Liszt Academy of Music, and at the age of 17 entered the Budapest Conservatory where she studied with Zoltán Kodály, and Béla Bartók. In the 1930s, she continued her studies with Severin Eisenberger, Eduard Steuermann in Vienna and Artur Schnabel in Berlin, who focused her interest in the classical tradition. Lili Kraus soon became known as a specialist in Mozart and Beethoven. Her early chamber music performances and recording with violinist Szymon Goldberg helped gain the critical acclaim that launched her international career. In the 1930s, she toured Europe, Japan, Australia and South Africa. In 1940, Kraus embarked on a tour of Asia where, while in Java, she and her family were captured and interned in a concentration camp by the Japanese from June 1943 until August 1945. After the war, she settled in New Zealand where she spent many happy years playing, performing, and teaching. She became a NZ citizen and resumed her career, teaching and touring extensively. In the early 1950s she performed the entire Beethoven sonata cycle with violinist Henri Temianka. From 1967 to 1983, she taught as artist-in-residence at Texas Christian University in Fort Worth. After that she made her home in Asheville, North Carolina, where she died in 1986. Kraus' husband was Otto Mandl (b. 1889 d. 1956), a wealthy Jewish (later converted to Catholicism) mining engineer and philosopher. They were married on October 31, 1930 and Mandl sold his business in order to devote himself to the furtherance of Kraus' career.[1]. The couple had two children, Ruth and Michael.[1]

  • @paulina3201
    @paulina3201 Жыл бұрын

    I am grateful to the people (the orchestra and the performer) who work so hard to revive this magnificent, brilliant music....thank you. You make this world a better place, you transform it.

  • @javierpereda4304
    @javierpereda4304 Жыл бұрын

    EL AÑO 1975, EN CINTAS NARANJAS, DE BASF, LOS OÍ, LOS CONOCÍ, LOS ESCUCHÉ , TANTAS VECES, QUE LOS DIRIGIRÍA DE MEMORIA HOY ... ....💓🥰MARAVILLOSO MOZART🥰💓..

  • @rodsalvador3608
    @rodsalvador36085 жыл бұрын

    The Adagio to No. 23....one of the most beautiful pieces ever composed.

  • @gordonpepper1400

    @gordonpepper1400

    2 жыл бұрын

    totally agree

  • @onkelmarvin8360

    @onkelmarvin8360

    2 жыл бұрын

    It`s so beautiful words can hardly describe it. That was one of Mozarts talents, to put his feelings to music, and when he wrote " The 23rd " the adagio.......he was really really sad...he must`ve been. It was Stalins favorite piece of music, and though he was a coldblooded killer, it proves, that deep down in his dark soul.........there was still some genuine feelings, trying to get out.

  • @tng2022

    @tng2022

    2 жыл бұрын

    he wrote it for his father... especially the adagio

  • @beethovenlovedmozart

    @beethovenlovedmozart

    2 жыл бұрын

    One of my favorites as a kid. Mozart had a superb memory. He would experiment, and always remembered the result. He remembered everything he heard or studied. He was always experimenting. That was mozarts main gift. He also worked very hard on his craft and man it showed in his 30s. Beethoven would've had no chance if mozart lived another 15 or 20 years.

  • @tng2022

    @tng2022

    2 жыл бұрын

    @@beethovenlovedmozart beethoven is also a beast. one of a kind. he has his own thing going on. they are just distinctly different my man, Art is not a competition. if we only have Mozart and no Beethoven or any other magnificent composers, the world would be poorer indeed.

  • @destineydevereux4722
    @destineydevereux47223 жыл бұрын

    Bon jour from Periguex France,, I play these through the whole house system everyday,,, life is so much enjoyable with Mozart,, merci💖🇫🇷💋

  • @akinsons

    @akinsons

    2 жыл бұрын

    Bon jour from Whangarei, New Zealand! Ditto Adriana, I do the same, turn off all the bad news TV, listen to this wonderful music every day and all seems right again 🤗😊

  • @tepmich
    @tepmich6 жыл бұрын

    Моцарт жил и творил Верой в Триумфальную и Спасительную Власть Истинной Музыки !!! Теппер Михаил.

  • @wise_up_dems.
    @wise_up_dems.6 жыл бұрын

    Every time I listen to No. 21, Andante, I have to listen to it at least 4 times and...... everything else in the world just fades away............ Mozart has the ability to do that.

  • @alcidesduartefalcao2577
    @alcidesduartefalcao25774 жыл бұрын

    I have been listening to these concerts for many years and I have no words to describe its beauty. Perahia, Brendel and Lili Kraus are my favorite pianists to play it. Lili Kraus is simply wonderful: her playing is so impressive, unique. She was a great mozartian player, among the best genius I have been known!

  • @jameswidman2780

    @jameswidman2780

    3 жыл бұрын

    So do agree of her performance quality! Murray Perahia is, for my taste, near perfect. He provides the most soft, slower and sensitive interpretation of 1 through 27! Again, my taste. Lili Kraus is a little quick which, to me, detracts a bit. To show you how critical I am, I consider Horowitz something of a key-banger. Taste! We all have our individually. I have not nor will I ever tell anyone how to listen to or enjoy any form of musical entertainment. Willie Nelson wrote the music his own lyrics to Angle Flying Too Close to the Ground. It is simply beautiful! Taste. The loveliest piece of music he ever composed or performed. Again, taste! We should all thank our lucky stars for the masters and contemporary composers, Mozart working in a virtual dungeon and those today in comfortable studios, well equipped electronically with a Black 7 Foot 2, Steinway and Sons Concert Grand Instrument. There will be agreement and criticism. Love to here it all.

  • @emilelaurent

    @emilelaurent

    8 ай бұрын

    @@jameswidman2780 Lili Kraus somewhere described that she had learnt more from playing original Mozart-time pianos, more than from any teacher. Now the tone of this pianos showed a much faster decline during time than is the case with modern pianos. Therefore to link the melody and fill the space you need a slightly faster tempo, which makes also sense because then you get even in Mozart a Beethovenian drive.

  • @earlenehamner3433
    @earlenehamner34332 жыл бұрын

    I treasure Mozart’s music. A true Genius and his music is a treasure.

  • @miltongajardo9800

    @miltongajardo9800

    2 жыл бұрын

    I agree totally

  • @beethovenlovedmozart

    @beethovenlovedmozart

    2 жыл бұрын

    The real man who Kickstarted beethoven and romantic period. The guy that everyone says didn't write serious music. Mozart was the most gifted composer ever to breath on earth

  • @akirakanda7972

    @akirakanda7972

    Ай бұрын

    @@beethovenlovedmozart His music is the most serious and most beautiful music ever composed which came from his heart. When a music reaches to this level and depth, there is no need for the melodramatic Beethoven and his followers.

  • @estherpaulussen9916
    @estherpaulussen99162 жыл бұрын

    I also love Nr. 27 it is carrying humans straight into heaven, dancing in easiness⭐️

  • @dzugaty
    @dzugaty7 жыл бұрын

    Thank you for this. Of course, "The Big Piano Concertos" are the climax of Mozart's work. Breadwinners or not, they were HIS and HIS only. He was the author, the conductor and the performer with them. Nothing else shows his personality as much, what he was both outside and inside. Sometimes, I can see his face, his posture, his movements in this music, his absolute enjoyment of playing it. They all reflect his persona, one way or another. But as much as I know about him, as much as I read in any language I could understand, I see his most precise selfportrait in #23-II. Sadness hidden behind a wide smile, wisdom in the shadow of a joke.

  • @johnsweeney8115

    @johnsweeney8115

    4 жыл бұрын

    That was a lovely post Olga.

  • @ccsung9640

    @ccsung9640

    3 жыл бұрын

    Lili's beautiful touch blends well with the delicate interpretation of the orchestra makes me listen on and on nonstop. I just cannot help it. I must stop now to do my work. No. I cannot stop. How can I stop now!

  • @sorousha19

    @sorousha19

    2 жыл бұрын

    Like poetry. 23 II is one of the greatest compositions of all time...

  • @lymanmj

    @lymanmj

    2 жыл бұрын

    @@sorousha19 Absolutely true. I believe Mozart composed that movement just for himself, not for any particular audience.

  • @beethovenlovedmozart

    @beethovenlovedmozart

    2 жыл бұрын

    His #26 under the radar is thr beginning of a new era. Lots of Romantics loved this piece

  • @raularizabarca2238
    @raularizabarca2238 Жыл бұрын

    While today countries are torn apart in a fratricidal war, Mozart's music rescues the best of the human soul.

  • @Mohammad-dt5wq

    @Mohammad-dt5wq

    Жыл бұрын

    sad but true...

  • @user-kc5id1bg3d
    @user-kc5id1bg3d7 жыл бұрын

    Майже чотири години чудових фортепіанних концертів неперевершеного Моцарта, та ще й без реклами! Найщиріша подяка!

  • @claradereland7326

    @claradereland7326

    5 жыл бұрын

    Александр Измайлов c vbvbaareimboembggy

  • @sukrame5331
    @sukrame533116 күн бұрын

    I absoloutly love these versions . Kraus and her fellow musicians play Mozart because they love it. One can hear how much they enjoy to do so. They're not trying to impress any one 🙂

  • @virginiabuhn9719
    @virginiabuhn97193 жыл бұрын

    Glorious music! Superb artist! Dear Lili Kraus, always gracious and beautiful whether performing her beloved Mozart, conducting a masterclass or sharing conversation over lunch. She spread joy wherever she went...and now it continues on KZread. Thank you, Classical Music! We are much indebted to you!

  • @luisdiazlopez3712
    @luisdiazlopez37123 жыл бұрын

    Los movimientos lentos de los conciertos para piano de Mozart nos muestran su faceta emotiva. Es la emoción que suscitan aquello que los hace tan queribles, en tanto que en los allegri y movimientos más rápidos está el Mozart genial, capaz de improvisar el movimiento en el mismo momento en que el concierto recibía su primera ejecución. Las grandes pianistas como Lily Krauss, Clara Haskill y Mitzuko Ushida nos entregan, con delicada sensibilidad femenina la emotividad de los movimientos lentos. La gran música, la de Mozart, la de Bach, la de Beethoven, la de Schubert, la de Brahms, la de Bruckner y la de muchos otros me han hecho llevaderos los confinamientos impuestos por la pandemia COVID19. Gracias a KZread es posible, hoy, disponer de casi toda la gran música que se ha grabado. En 1960, en Chile, cuando los equipos de reproducción no estaban al alcance de la gente de ingresos bajos hubo un hombre que hizo a mi país uno de los regalos culturales más grandes que hemos recibido, creó la radio emisora Andrés Bello dedicada exclusivamente a la gran música. Ninguna calle de Santiago de Chile lleva su nombre civil, James Morrison, o su nombre de comunicador social, Jimmy Brown. Sí hay calles con nombres de futbolistas.

  • @shin-i-chikozima
    @shin-i-chikozima5 жыл бұрын

    It is not natural for us to say that we are alive every day. Life and death may be reversed tomorrow. We are in such an unstable situation. These songs will relieve that kind of anxiety. Greetings from Japan. Sayonara❗

  • @classicalmusicreference

    @classicalmusicreference

    5 жыл бұрын

    :-)

  • @tepmich
    @tepmich6 жыл бұрын

    У Моцарта мы слышим Живой Поток Благороднейших Гармоний. И чем жизнь ощущается душой всё более и более опустошительной и тяжёлой, тем ярче удивляет и радует нас Небесное Искусство Моцарта!!! Теппер Михаил.

  • @user-em3rx7wr3j

    @user-em3rx7wr3j

    3 жыл бұрын

    Браво, Михаил! Приятно почитать комментарий единомышленника. Всего вам самого наилучшего. Андрей. Украина.

  • @shin-i-chikozima
    @shin-i-chikozima2 жыл бұрын

    Mozart's music invites me into the comfortable and fascinating world Mozart's works are the cradle of my nostalgic memories While listening to Mozart's piano works, it is special to see the shining famous autumn Moon over the bamboo grove In Kyoto's Sagano , Japan The autumn is around the corner

  • @lepingstepp7401
    @lepingstepp74013 жыл бұрын

    Now I really understand what a person means by saying "I have Mozart in my heart"!

  • @FrancoiseRenaudind21ch50
    @FrancoiseRenaudind21ch504 жыл бұрын

    Juste fermer les yeux pour s'imprégner de la musique de se génie....... Mozart....

  • @normanrichmond2127
    @normanrichmond21275 жыл бұрын

    An honor to have studied with Lili. I listened to her recordings repeatedly as a child and finally got to be under her tutelage as a 31 year old.

  • @classicalmusicreference

    @classicalmusicreference

    5 жыл бұрын

    What a privilege, can we share an anecdote about his teaching?

  • @alainspiteri502

    @alainspiteri502

    4 жыл бұрын

    @@classicalmusicreference For me an anecdote not with Lili Krauss-Teacher but Concertist Lili Krauss very far from to day and j remember very well : when she appears on stage she had a top black hungarian hat unforgettable on her head , a hungarian black dress with J dont'write in english ( une large écharpe blanche en dentelles sur les épaules ) In bis Lili Krauss pkayed " alla turca " and saluted the audience crossing hers hands : j remember fotever " alla Turca " by Lili Krauss it''s was in 1956 " Salle Pierre Bordes " à Alger where Samson François played his Concerto in 1957 , j was a young lover-music and j had already bought " alla turca " by Marcelle Meyer recording in a little 45 t vinyl . Many pianists recordings were in little vinyls vinyls as also : " The Harmonious- Black Smith " by Wilhem Kempff .

  • @mathieuguillet4036

    @mathieuguillet4036

    4 жыл бұрын

    She plays Mozart beautifully! It is as though she was made for his music.

  • @alainspiteri502

    @alainspiteri502

    4 жыл бұрын

    J don't see an other pianist in Mozart , all famous pianist have a composer , of course Rubinstein play all composers but not as a pianist who worked a composer during all in life . There is a particular Mozart in Adagios sonatas concertis by Clara Haskil with in more a melancolic , nostalgic , dreamer almost as a suffering of his soul . Haskil had a life more difficult by her difficult physical , during war 1940 ' not Lili Kraus . Except thoses differencz j can say there were two Mozart Haskil- Krauss the others pianists are all very good ( mostly Geza Anda ) but there us not this above the notes , there are no word , that is with Lili Kraus . Not possible to listen Mozart if we don't known thoses two pianists : same thing Rubinstein Cortot S Francois with Chopin

  • @aliveli-hq6zk

    @aliveli-hq6zk

    4 жыл бұрын

    @@classicalmusicreference He's lying.

  • @stephanebelizaire3627
    @stephanebelizaire3627 Жыл бұрын

    Wonderful Music Forever !

  • @zmi060200
    @zmi0602004 жыл бұрын

    I love Herr Mozart so much! He's the number 01 between the classical composers I love more (and more). Greetings from Sao Paulo, Brazil, dear Mozart fans.

  • @mathieuguillet4036

    @mathieuguillet4036

    4 жыл бұрын

    Mozart and Bach truly stand apart from the other great composers in their genius. The divine beauty which they left us for all time is astounding.

  • @laurahelenaxou1834

    @laurahelenaxou1834

    4 жыл бұрын

    Vc precisa escutar a Alma Deutscher 😊

  • @patriciabravoriscal6264
    @patriciabravoriscal62642 жыл бұрын

    Every Mozart's piano concert is a piece of art, but I feel number 20 is special, precious... and a little similar to Beethoven music style

  • @larisajeshe108

    @larisajeshe108

    2 жыл бұрын

    It was written just before 18th-century French revolution 1789 year (2 or 3 years before) and yes, Beethoven wrote coding for 1st and 3d parts

  • @anne-lisebouvier128

    @anne-lisebouvier128

    2 жыл бұрын

    Numéro 21 pour moi😊...

  • @matthewcoldicutt5951

    @matthewcoldicutt5951

    2 жыл бұрын

    Yes, agreed. They transcend time and place, as does symphony No 40

  • @matthewcoldicutt5951

    @matthewcoldicutt5951

    2 жыл бұрын

    I can't get over the recording quality. Combined with Lili's playing this has been an unforgetable find, right up there with Brendel, Perahia et al

  • @patriciabravoriscal6264

    @patriciabravoriscal6264

    Жыл бұрын

    @@larisajeshe108 Amazing! Thanks for telling us

  • @shin-i-chikozima
    @shin-i-chikozima2 жыл бұрын

    Listening to Mozart, troublesome affairs of the mundane world is washed away

  • @user-ry6pp3js2b
    @user-ry6pp3js2b3 жыл бұрын

    I open the morning, the window of this day through Mozart

  • @alexberlin154
    @alexberlin1544 жыл бұрын

    This group of Mozarts Piano Concertos (20+) is the best music that has been vorever written.

  • @shnimmuc

    @shnimmuc

    4 жыл бұрын

    Nonsense.

  • @cristobocarrin1746

    @cristobocarrin1746

    4 жыл бұрын

    @@shnimmuc Absolutely! Just listen to Kanye West, now THAT's music

  • @shnimmuc

    @shnimmuc

    4 жыл бұрын

    @@cristobocarrin1746 Silly

  • @seanmcconnell58
    @seanmcconnell582 жыл бұрын

    These concertos are what made me fall in love with classical music.

  • @rumba1zt
    @rumba1zt2 жыл бұрын

    Божественный .. Бессмертный Моцарт. А на Земле пржил всего 35 лет. 🤔♥️🇧🇾

  • @carlosbonds2513
    @carlosbonds25135 жыл бұрын

    Lili Kraus and Ingrid habler are to Mozart as Rosalyn Tureck and Tatiana Nikolayeva are to BACH. Legends of the piano history.

  • @jeanghika7653

    @jeanghika7653

    4 жыл бұрын

    Good gracious! La Nikolayeva était virtuose de la politique du P.C. Rien d'autre. Les Russes ne comprennent pas Bach. Perrahia, Schiff, Fischer, Brendel, oui, on en discute, mais surtout pas les Russes.

  • @Viktorvelat95

    @Viktorvelat95

    4 жыл бұрын

    Jean Ghika excuse me? The well tempered clavier played by Sviatoslav Richter is a pure gem!! Although I agreee that I am not a fan of Nikolayeva, that doesn’t mean that all Russians are bad at playing Bach! What a snobbish and narrow minded opinion! Ever heard of Demidenko’s Bach? Another great Bach performer!

  • @thegoalfather9922
    @thegoalfather9922 Жыл бұрын

    You can't change any note in Mozart's pieces, it's just always perfect.

  • @severinacappelletti8364
    @severinacappelletti83643 жыл бұрын

    Concerti meravigliosi, uno più bello dell " altro!@! Grazie a chi li condivide con l 'umanità intera.💕💥💚

  • @lucianolucci6402

    @lucianolucci6402

    2 жыл бұрын

    Condivido.Mozart, dono di Dio!

  • @CaroleHoldem-lh4np
    @CaroleHoldem-lh4np Жыл бұрын

    Brilliant Pianist Love the Concerto Mozart is Pure Magic ⭐🎶🎶💞👏🎶

  • @catherinejones9396
    @catherinejones93969 ай бұрын

    Gorgeous, thank you. 4 hours of pure beauty starting with the operatic style opening of 20, and then on. Ms Kraus and this conductor and orchestra competently explore Mozart's incomparable works. I am sure that Mozart would have loved the fact that his music still delights people the world over and the way his piano has been developed over two or so posthumous centuries.

  • @luiscortes7570

    @luiscortes7570

    8 ай бұрын

    Lo bueno perdura ,lo maravilloso es inmanente!!

  • @user-gq4pb5bd2u

    @user-gq4pb5bd2u

    8 ай бұрын

    well said

  • @poco_salon333
    @poco_salon333 Жыл бұрын

    진짜 천재중의 천재. 모차르트곡을 들으면 모차르트가 작곡하던 당시의 날씨,분위기,장소,상황 ,표정 들이 상상이 됨. 어쩜 이렇게 다 다른매력의 곡들을 완벽하게 작곡했을까💗

  • @parenparsekhian352
    @parenparsekhian3523 жыл бұрын

    This was uploaded on Mozart's birthday (January 27). Nice touch :)

  • @mariobaiocchi6366
    @mariobaiocchi63665 жыл бұрын

    The Concerto No. 21 is actually one of the pinnacles of Music

  • @D1E9086

    @D1E9086

    5 жыл бұрын

    Totally agree pal. Lili Krauss is amazing but I prefer Yeol Eum Son's interpretation. Check it out if you haven't already. kzread.info/dash/bejne/mIKJj7p6is3OqqQ.html

  • @mathieuguillet4036

    @mathieuguillet4036

    4 жыл бұрын

    Mozart is one of the pinnacles of Music. ;)

  • @danielbetancourt1483

    @danielbetancourt1483

    4 жыл бұрын

    20

  • @D1E9086

    @D1E9086

    4 жыл бұрын

    @@danielbetancourt1483 21

  • @DanielLopez-zt4ig

    @DanielLopez-zt4ig

    4 жыл бұрын

    Mozart is overrated.

  • @alexa-kimstone3656
    @alexa-kimstone36564 жыл бұрын

    Mozarts piano concertos are for me his best works

  • @user-xz6hj4cs9i
    @user-xz6hj4cs9i2 жыл бұрын

    СПАСИБО ВАМ ЗА ВОЗМОЖНОСТЬ БЫТЬ ВСЕ УТРО СПРЕКРАСНОЙ МУЗЫКОЙ МОЦАРТА В ИСПОЛНЕНИИ ВЕЛИКИХ МУЗЫКАНТОВ МОЕЙ МЛОДОСТИ И СОВРЕМЕННОСТИ!!!

  • @user-si1hm1fu4k
    @user-si1hm1fu4k7 жыл бұрын

    Грандиозно! Огромное спасибо за бережное сохранение мирового культурного наследие. Ваш труд делает вам честь .

  • @user-em3rx7wr3j

    @user-em3rx7wr3j

    3 жыл бұрын

    Прекрасна музика! Відчувається високий професіоналізм диригента і оркестру...

  • @mvo5450
    @mvo54504 жыл бұрын

    Превыше восторга.., превыше восхищения.., превыше слов.. Мятежное маленькое тело с огромной миссией - возвысить человечество, дав ему эстетику этих Божественных музыкальных композиций.

  • @odilefrankum2558
    @odilefrankum25582 жыл бұрын

    Je vais prier pour exulter ma joie auprès de notre Dame de la PAIX !!!!!!!!!!!!!

  • @user-hk2oy6eo3r
    @user-hk2oy6eo3r2 жыл бұрын

    Сердечная благодарность за несколько часов наивысшего счастья!!! 💓💓💓👏👏👏

  • @reinhardmilz9192
    @reinhardmilz91922 жыл бұрын

    Thank you! Lili Kraus was the inspiration for me to play piano when I was a child. For me Lili Kraus is also today the reference how to play a Mozart concerto.

  • @elanding6059
    @elanding60595 жыл бұрын

    Mozart rarely composed in minor keys. But when he suddenly changes from major key to minor key, it is just sublime. The No. 23, second movement is my favorite. Beautiful!!

  • @jeanghika7653

    @jeanghika7653

    4 жыл бұрын

    C'était un homme triste, Mozart. Obligé d'écrire de la musique "gaie" pour la Société, il donnait le meilleur de lui-même quand il composait en mineur, car c'était le plus profond de son âme. Ceci posé, il s'est beaucoup "inspiré" (pour ne pas dire plus) de Johann Christian Bach. Écoutez donc les concertos pour piano de celui-ci op. 13. Vous allez.. entendre. J'ai failli écrire "voir"!. Quant à Lil Kraus, elle a des passages où elle fait des accelerandi non justifiés. Peut-être par nervosité. Seul celui qui n'a pas joué en public ignore ce que c'est cette énorme nervoité que l'on appelle "trac", "Lampenfieber", "stage fright". Personne ne peut y échapper, pas même les plus grands et les plus routinés. Un de ces grands disait:"Après la première fausse note je n'ai plus de trac". Ayant demandé à un grand maître de la baguette ce qu'il voulait exprimer par les grands cercles dessinés, de temps à autre, par son bras gauche. Réponse:"C'est quand j'ai oublié la partition et ne me rappelle pas les entrées." Et c'était l'un des cinq ou six des plus grands du monde de son temps (1940-1960s). Il a été l'un de mes deux maîtres. RIP et un grand merci, Maestro!

  • @tomduke558

    @tomduke558

    4 жыл бұрын

    yea No.23 2nd movement is the most beautiful piece with over-flows of peaceful serenity, especially with the rendering of the clarinet... loved that melody for almost 20 years( I always linked it up with the 2nd movement of the clarinet concerto) . And as for the minors - you're right, Mozart seldom composed in them for piano works with two exceptions - the two most epic ones are the No.20 and No.24 both in d minors... the No.20 was such a magnificent materpiece that Beethoven once commented that no one ever would compose out something like that

  • @jntaca

    @jntaca

    4 жыл бұрын

    Agree. 23's Adagio is a piece from heaven. I love Perahia version too.

  • @remomazzetti8757

    @remomazzetti8757

    4 жыл бұрын

    I believe the slow movement of #23 is the only one in the piano concertos to be marked Adagio which for a composer in the austro-germanic tradition is more than a tempo marking: it implies music of a deeply profound type. The extraordinary Adagio Sostenuto of Beethoven's great Hammerklavier Sonata is also in f sharp minor like Mozart's, and seems to me to have been influenced by the Mozart slow movement.

  • @paolozirilli565

    @paolozirilli565

    2 жыл бұрын

    ...very important words!......minor.mozart...paolo zirilli

  • @shin-i-chikozima
    @shin-i-chikozima2 жыл бұрын

    These music have the scent of Mozart's aesthetics and his unrivaled genius

  • @gberchier
    @gberchier3 жыл бұрын

    Magnifique, très belle interprétation. Écouter cette musique, me remplit de paix et de sérénité. Dans ce monde de folie, un moyen de retrouver un équilibre émotionnel. Merci

  • @j.snefrou9356

    @j.snefrou9356

    2 жыл бұрын

    Savez qui a écrit les cadences de ces concertos que je trouve originales? Merci

  • @guillermodelgado1468
    @guillermodelgado14683 жыл бұрын

    Escuchar a Amadeus es un viaje al espíritu.Gloria eterna a Mozart

  • @patriciabravoriscal6264

    @patriciabravoriscal6264

    Жыл бұрын

    Para mí es, literalmente, un viaje al CIELO. Tan maravilloso como eso.

  • @michaelletellier218
    @michaelletellier2184 жыл бұрын

    This is a "Century's Record" without any doubt. This sublime recording of the Mozart Piano Concertos was perhaps the apex of a dynamic relationship between the gilded American Stephen Simon, and Lili Kraus through whose veins flowed the pianistic tradition of Central Europe. For her it was the culmination of a life's work and perhaps for Stephen Simon, who conducts with sensitivity and balance, it too, marks a personal highpoint. His influence no doubt created the mysterious Vienna Festival Orchestra, probably made up of the most able musicians freelancing from the Vienna Phil. The remastering reveals a glorious sound. I cannot recommend these recordings highly enough.

  • @isyborensztajn
    @isyborensztajn3 жыл бұрын

    Thank you for posting these miracles! Thank you Mozart!

  • @JJTownley_Classical-Composer
    @JJTownley_Classical-Composer4 жыл бұрын

    This music is so glorious you can start with No. 20 and be at No. 27 and not even realize four hours have passed. Masterpieces all.

  • @naneeleo823

    @naneeleo823

    2 жыл бұрын

    ab SOL utely :)

  • @beatamarko4463

    @beatamarko4463

    2 жыл бұрын

    exactly.

  • @gonzalovaldivia3835

    @gonzalovaldivia3835

    Жыл бұрын

    Yes, I have already experienced it and more, starting with 20 and after 27 wating for 28 and further . . .

  • @efrenpizano8905
    @efrenpizano89053 жыл бұрын

    I've noticed listening to concertos by Mozart that he is one of the few classical musicians that makes you want to dance, and not feel the less smart about it.

  • @thovex
    @thovex2 жыл бұрын

    Happy bday to Mozart today! Thank you for the musical gifts!

  • @Waterboy2211
    @Waterboy22113 жыл бұрын

    Mozart's later piano concertos are spectacular. I could never pick a favorite.

  • @panprezes1993

    @panprezes1993

    7 ай бұрын

    Very spectacular, yes, goodly!!!!!

  • @erichodge567

    @erichodge567

    6 ай бұрын

    So true. Objectively, no one is greater than another. Just the same, the last movement of number 23 is like listening to a perfect story told by a perfect storyteller. I have listened to it hundreds of times over the last fifty years, and it has never ceased to amaze me. It's as close to perfection as anything I know.

  • @alvarito45
    @alvarito454 жыл бұрын

    Love from the deepest of my heart 23 and 25. Thanks a million to Sony Music.

  • @beatamarko4463
    @beatamarko44632 жыл бұрын

    this is the best recording of Mozart's piano concertos. I think I've been listening to all three records a milion time. 🧡🧡🧡

  • @akirakanda7972

    @akirakanda7972

    2 жыл бұрын

    Yes, the essence of the entire life of the grandest composer is here performed by one of the grandest Mozart interpreter. It is divine.

  • @yveswarhem9281
    @yveswarhem9281 Жыл бұрын

    sur mon lit d'hôpital, j'écoute Wolfgang Amadeus et la vie est plus belle: tant de légèreté et de finesse, tant de fantaisie et de joie rendent la journée moins longue...pur plaisir

  • @manolisfragaki
    @manolisfragaki20 күн бұрын

    Tres bien, c'est magnlfic MOZART!!!!

  • @ondrejnovotny7628
    @ondrejnovotny76285 жыл бұрын

    The 20th concert is just beyond beauty...

  • @PHANTOMZ0NE
    @PHANTOMZ0NE2 жыл бұрын

    LILI KRAUS!!! Beautiful, crystal interpretation!

  • @EdgarFGirtainIV
    @EdgarFGirtainIV3 жыл бұрын

    Thank you SO MUCH for NO ADS!!

  • @prassitelexk4336
    @prassitelexk43362 жыл бұрын

    un abbraccio fraterno...avevo 12 anni.....upim, dischi Joker... la musica è vita!!! e per questo, essendo voce di Dio e dei suoi angeli che ancora ci sopporta..... Eratostene di Cirene... Ah, un ricordo ..Arturo Benedetti Michelangeli

  • @user-gi8un4ig9j
    @user-gi8un4ig9j2 жыл бұрын

    КЛАССИКА обладает удивительным свойством успокаивать человеческую душу погружая ее В УДИВИТЕЛЬНЫЙ.мир гармонии впрочем как любая другая нужно уметь ее СЛЫШАТЬ

  • @mayamanign
    @mayamanign2 жыл бұрын

    Mozart's music changed my life and enriched my existence. Gracias Maestro.

  • @michaelsomerville1319
    @michaelsomerville1319 Жыл бұрын

    Michael Somerville What a joy it is to have for posterity these beautiful recordings by masters of their art.

  • @jean-michelprillieux5012
    @jean-michelprillieux5012 Жыл бұрын

    Il n'y a rien de meilleur que Mozart ... Une musique inspirée par Dieu...

  • @SilviaRamirez-rd6qn
    @SilviaRamirez-rd6qn3 жыл бұрын

    W.A..MOZART Y SU MARAVILLOSA INTÉRPRETE LILI KRAUS, DIVINOS !!! INMORTALES 💖💖💖💖💖

  • @markgoldstein8923
    @markgoldstein89237 жыл бұрын

    Listening to this recording I can understand why Lili Kraus is rated as one of the great Mozart interpreters. Her touch is sensitive and articulate. Her dynamic range is wide. Her phrasing makes the music sing. I hope you upload concertos 1 thru 19, especially my favorite, number 15, k450!

  • @patriciabravoriscal6264

    @patriciabravoriscal6264

    2 жыл бұрын

    I think Lili Kraus and Dame Mitsuko Uchida

  • @patriciabravoriscal6264

    @patriciabravoriscal6264

    Жыл бұрын

    Have you heard number 9 ("Jeunehomme")? It's simply beautiful

  • @user-ry6pp3js2b
    @user-ry6pp3js2b3 жыл бұрын

    Thanks Mozart! Thank you, Lord!

  • @mariaalfaro5870
    @mariaalfaro58705 ай бұрын

    the most beautiful mozart piano concertos

  • @Ajrod3310
    @Ajrod33107 жыл бұрын

    what still seems incredible is that in the times we are leaving we have access to so many wonderful music, documentaires, movies and that we can communicate immediately with anybody anywhere . only 40 or 30 or even 20 years ago was unthinkable.

  • @poorvic2

    @poorvic2

    6 жыл бұрын

    I still remember having to ask the operator to place a call for me, If you wanted to call abroad she would take down the number then call you several hours later with someone on the other line. Yes I am old but i still yearn for simpler times

  • @anattcherikover4936

    @anattcherikover4936

    6 жыл бұрын

    Only one thing was better 50 years ago. I was 50 years younger. Other than that, the present is far superior.

  • @GoldinDr

    @GoldinDr

    5 жыл бұрын

    Yes, this is what I love about KZread.

  • @kaysonpiano

    @kaysonpiano

    4 жыл бұрын

    @bill Bloggs lol i was thinking the same thing.. but enough of the elites corruption lets just enjoy the beautiful music

  • @hamzajas1532

    @hamzajas1532

    4 жыл бұрын

    @bill Bloggs what do you think who started that all? Surelly it wasn't someone born in 2001. It was that careless generation 50-100 years ago that accelerated every Decadence of Society with their world wars, globalism and uninterrupted capitalist monopoly

  • @luccailleaud
    @luccailleaud2 жыл бұрын

    une vraie et belle référence . la quintessence de mozart !!!

  • @robbell9444
    @robbell94443 жыл бұрын

    The highest echelon of music Mozart's mature piano concertos

  • @odilefrankum2558
    @odilefrankum25582 жыл бұрын

    Il n'y a pas de mots pour exprimer ce que je ressens ... C"EST TROP FORT !!!! TROP BEAU TROP JUSTE ...............

  • @jimcrawford5039
    @jimcrawford50395 жыл бұрын

    Absolutely 1st class. She was brilliant!

  • @RaineriHakkarainen

    @RaineriHakkarainen

    2 жыл бұрын

    Not true!! The Best Mozart piano concertos players Are really=Mozart 17 Dezo Ranki Mozart 18 Vladimir Ashkenazy Mozart 19 Radu Lupu Mozart 20 Vladimir Ashkenazy Mozart 21 Radu Lupu ( others like Artur Rubinstein Maurizio Pollini Vladimir Ashkenazy Murray Perahia) Mozart 23 Solomon Cutner ( others like Vladimir Horowitz Radu Lupu Vladimir Ashkenazy Murray Perahia) Mozart 24 Grigory Sokolov Maria Grinberg(.others like Wilhelm Kempff ( The most beautiful piano sound Ever). Mikhail Pletnev(.The most Powerful Ever!. Pletnev The Best.3th.mvt coda!!). Mozart 25 Murray Perahia Mozart 27 Alexei Lubimov (Lubimov number one! Others like Emil Gilels Natalia Trull Vladimir Ashkenazy).

  • @tepmich
    @tepmich6 жыл бұрын

    Прослушав все эти концерты, я пришёл к убеждению, что с человечеством через Моцарта Говорил его Ангел-Хранитель ! Большое спасибо всем, кто помог появиться в Интернете эти чудесные концерты ! Хочу особенно подчеркнуть бесподобную игру милой Лили Краус !!! Теппер Михаил.

  • @user-gp9ht8qe8p

    @user-gp9ht8qe8p

    5 жыл бұрын

    Михаил, отлично сказано: "бесподобная игра"! В моей коллекции есть записи этих концертов в интепретации Гезы Анды (Geza Anda, piano and coductor) и Camerata Academica des Salzburger Mozarteums. Тоже весьма достойное и волнующее исполнение

  • @user-em3rx7wr3j

    @user-em3rx7wr3j

    3 жыл бұрын

    Да, Михаил, исполнение виртуозно. И музыка бесподобна...

  • @oguzochka_dura
    @oguzochka_dura5 жыл бұрын

    Великолепно, одухотворенно...настолько, что кроме слуховых ощущений при прослушивании рождается масса других ощущений, вплоть до тактильных. Ощущение наполненности небесной гармонией и невозможность сдержать слезы от осознания прикосновения к Божественному. Какое счастье, что я могу жить в этом же мире, где жил и ты, Моцарт!

  • @minhtientran9292

    @minhtientran9292

    5 жыл бұрын

    Согласно

  • @user-em3rx7wr3j

    @user-em3rx7wr3j

    3 жыл бұрын

    Эмили, Вы великолепно сформулировали свое видение творчества Моцарта. Будьте счастливы...

  • @ginevskyabe220
    @ginevskyabe2205 жыл бұрын

    No one has commented on Concerto 22; it was not familiar to me and the Andante is just stunning. Thanks.

  • @sergelachantee767

    @sergelachantee767

    3 жыл бұрын

    ИДИОТ!!!

  • @beethovenlovedmozart

    @beethovenlovedmozart

    2 жыл бұрын

    This #22 is another hidden gem. Interesting story about the andante movement. His father attended the premier of this concerto and he was shocked when the audience gave mozart a standing applause after the second movement. He was like "what's going on here?". It was the first time ever there the audience asked the performer to play the second movement over again. Unheard of at the time for a minor key work.

  • @beethovenlovedmozart

    @beethovenlovedmozart

    2 жыл бұрын

    The second movement plays to mozarts strengths. Since its in a minor key, he could be serious without consequences. Also he was the first to really bring piano as tbe dominant instrument in a concerto. He was a top 10 pianist of all time.

  • @beethovenlovedmozart

    @beethovenlovedmozart

    2 жыл бұрын

    I also believe when he went to two themes in a major key twice in this movement a s returned with thunderous piano in minor, it was really different for the time