Mozart - Mass in C minor, K. 427 (Bach Collegium Stuttgart, Helmuth Rilling)

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Rendition of Mozart’s Mass in c minor, KV 427 by the Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart and conductor Helmuth Rilling is recorded at the Knights Hall in Schloss Wolfegg in 1988.
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Ibolya Verebics - soprano
Andrea Rost - soprano
Uwe Heilmann - tenor
Daniel Lichti - bass
Gächinger Kantorei Stuttgart
Bach Collegium Stuttgart
Helmuth Rilling - conductor
Wolfgang Amadeus Mozart - Great Mass in C minor K. 427
I. Kyrie (Andante moderato: Chorus and soprano)
II. Gloria
Gloria in excelsis Deo (Allegro vivace: Chorus)
Laudamus te (Allegro aperto: Soprano II)
Gratias agimus tibi (Adagio: Chorus)
Domine Deus (Allegro moderato: Sopranos I and II)
Qui tollis (Largo: Double choir)
Quoniam tu solus (Allegro: Sopranos I and II, tenor)
Jesu Christe (Adagio: Chorus)
Cum Sancto Spiritu (Chorus)
III. Credo
Credo in unum Deum (Allegro maestoso: Chorus)
Et incarnatus est (Andante: Soprano I)
IV. Sanctus (Largo: Double choir)
Sanctus Dominus
Hosanna in excelsis
V. Benedictus
Benedictus qui venit (Allegro comodo: Quartet and double chorus)
After Wolfgang Amadeus Mozart had married Constanze Weber on the 4th of August 1782, he promised to compose a mass in her honour. He intended for the mass to be performed during the newlyweds’ visit to Mozart’s father in Salzburg. In January 1783 Mozart wrote to his father that his Mass in C minor ‘Grosse Messe’ was halfway finished, but when he arrived in Salzburg in July of the same year the mass was still incomplete. He would never finish the mass. The parts of the mass that Mozart did manage to compose (the Kyrie and Gloria) had their opening on the 26th of October 1783 in Salzburg, with Constanze as solo soprano.

Пікірлер: 20

  • @dsw20090326
    @dsw2009032612 күн бұрын

    Music from Heaven!!!

  • @paulusrex321
    @paulusrex3212 жыл бұрын

    I remember back in the late 90's watching this same concert on EWTN (the Catholic tv network) in the U.S. that was such a long time ago, but it seems like yesterday.

  • @user-zj7ey8yc9l
    @user-zj7ey8yc9l5 ай бұрын

    Andrea Rost is the soprano I (although she doesn't sing the opening soprano part) and Ibolya Verebics is the soprano II

  • @vsobko
    @vsobko11 ай бұрын

    Дуже дякую! Молодці!

  • @VictorOrdu
    @VictorOrdu2 жыл бұрын

    Wunderbar!

  • @gergelycsallo5133
    @gergelycsallo51332 жыл бұрын

    Young Andrea Rost :)

  • @ChickenDelivering
    @ChickenDelivering2 жыл бұрын

    21:25

  • @quaver1239
    @quaver12392 жыл бұрын

    Lovely performance. Sadly today the recording no longer remains as it once was; not even with excellent BlueTooth. A pity.

  • @normanzurich2781
    @normanzurich2781 Жыл бұрын

    Et incarnatus @38:25 ❤

  • @charlestyser8176
    @charlestyser817620 күн бұрын

    Should one say magnificent?.No,it’s infinitely more.

  • @chatbud
    @chatbud8 ай бұрын

    Funny Andrea Rost didn't sing the opening soprano part.

  • @user-zj7ey8yc9l

    @user-zj7ey8yc9l

    5 ай бұрын

    it's not the first time i see that. also in Neville Marriner's edition Felicity Palmer (Soprano II) sings the opening part and not Margaret Marshall (Soprano I)

  • @janbonsema5888
    @janbonsema58888 ай бұрын

    Der Obergenannte mstro. Gonnenweinhat den ffff Paukenschlag um 2.49 respektiert.

  • @janbonsema5888
    @janbonsema58888 ай бұрын

    any heredatary properties from the SuedDeutches Kammerorchesterm of the deceased lamented Wolfgang Gonnenwein " With the Sueddeutsches Madrigal Chor. ?? Excepting they're Suttgarters.

  • @brookcej
    @brookcej2 жыл бұрын

    C minor - how would you describe it?

  • @quaver1239

    @quaver1239

    2 жыл бұрын

    White, with a touch of pale purple.

  • @youtito9472
    @youtito94722 жыл бұрын

    Vivaldi likes!

  • @yurastoyan5973
    @yurastoyan59738 ай бұрын

    К сожаленью у солистов сильно страдает техника пения, они скорее орут, там где необходимо просто красиво петь. В целом исполнение на троечку. Кстати и хор то же довольно резко орет. Что то не то, не так😮.

  • @seanmchugh840
    @seanmchugh8404 ай бұрын

    Blatant Germanification, slurry slow tempos and affected syrupy strings and perfume all from confused affected personal ego and outlandish ideas about the music instead of trying to find it with any honest; this is the outdated ignorant undifferentiated application of Germanic stoicism, here to lyrical Mozart to again destroy and anonymize the music. Rilling has no idea what he’s doing; a few mins of this benighted silliness is enough.

  • @klassikpunk_
    @klassikpunk_7 ай бұрын

    Nach den ersten Takten bereits wieder weggeklickt. Zu breit, zu dick, zu zäh. Zieht sich wie dickflüssiger Brei.

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