I generally prefer 1176 into LA2A. 1176 for the peaks. Fast compression envelope levels the transient spikes, into lLA2A for overall leveling. A sharp transient peak into an LA2A is not desirable generally speaking as the release is so incredibly slow, we can easily overcompress, meaning the next vocal line has been pushed out of the pocket. Every source is different but I generally get a smoother, denser result by using this sequence.

@mixedbymatty

3 ай бұрын

For sure. You can go either way. I like the LA-2a to smooth things out than the 1176 to handle the rest. But vice versa works great too.

@user-bo8ex4ji7n

3 ай бұрын

I do CL1B into 1176. I tried the other way around and whichever processor comes first tends to color the sound the hardest (pretty similar to Opto > FET). Many of the biggest songs in the world were tracked through a CL1B and then processed with an 1176-style later... so this is not far off from that concept. You make a great point though - if you're hitting the LA2A with more than 2-3db of GR in that first pass, you are putting yourself in a compromising position. Better to just add another one after the 1176 if you need more compression and want to stick with the OPTO>FET signal path.

Thank you Matty. I truly appreciate your tutorials. You're the best.

Had to subscribe. Very well done

Hi Matty, I’m new to mixing vocals and I noticed you didn’t use delay on your parallel sends. Can you explain how you incorporate delay in your mixes? Thanks!

Great!

Where can I hear this song? Sounds really nice

GOLD!

@mixedbymatty

3 ай бұрын

Thanks so much!

Nice great video

🔥🔥🔥

Can you do one for softube?

Very helpful tutorial and it's a great sounding chain. The two reverbs have a similar decay time - do you have them at the same levels in the returns? Also, I have to set the Studio D to be quite loud in order to hear the chorusing effect. I have each of the four effects on individual returns.

@user-bo8ex4ji7n

3 ай бұрын

The chorus effect is (typically) set very subtly - almost invisible to the ear - for some almost subconscious widening and thickening. You can run into some issues with your vocal in mono if hit that chorus too hard.

Great advice here! Do you ever use the Pultec EQP-1A on vocals? If so, what kind of settings have you found to be useful? Thanks!

@mixedbymatty

3 ай бұрын

For sure. 10 to 16k for air. If you need some thickness in the vocal the 100hz can help

Is there any decent alternative to the 1073 preamp?

Wats the name of the song it sounds amazing

What is your mic chain?

This is good for a great vocalist. How about for vocals that needs surgical eqs?

@mixedbymatty

3 ай бұрын

That’s the one thing I don’t feel uad offers is a good surgical EQ. Except the Massenburg one. But they don’t include that in spark.

@user-bo8ex4ji7n

3 ай бұрын

if you use Ableton, just use their included parametric EQ8 - it's incredible for this. Otherwise pick up fabfilter pro-q 3 and call it a day. I use it on every mix all over the place. Plus if you're cutting out resonances that only happen when you hit certain notes, Pro-Q3 offers dynamic EQ - essentially only cutting the frequency when you hit that specific note. This can also be achieved with automation if you're just using your stock EQ.

You should put spark in the title

No holding back on auto tune

On your plate, are you purposely lowering your mix knob?

@mixedbymatty

3 ай бұрын

Wet Solo is on so the mix knob is not active

funny... I also use two compressors but I go from 1176 into a Teletronix

@solfriedman2

3 ай бұрын

That's how I've done it too, but I prefer Matty's ordering after trying it. He's the man!

Bro do you offer vocal mixing classes

@mixedbymatty

3 ай бұрын

I don't. But I do have a course on my website.

Can't get license for Studiorack free download?

@mixedbymatty

2 ай бұрын

YEs

ONLY UAD plugins....right out The gate you use waves studio rack and then waves meter..... wtf???!!!!