Microphone Placement for Saxophone

Experimenting with different microphone placements for saxophone.
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Dan Forshaw is one of the most passionate and charismatic musicians on the British Jazz scene. Born in Blackpool, Lancashire, Dan studied in both London and New York and has played all over the world with many different ensembles ranging from jazz quartet’s to cathedral choirs. He is one of the UK’s leading experts on John Coltrane and has written a number of published articles on the music and theology of ‘Trane’. Tim Price, Professor of saxophone in New York and a former teacher of Dan said, ‘Forshaw has reached a strong level of musicality, depth and technique that very few players have….he is a breath of fresh air, ‘hear him!’
Fleetwood & First GigsDan grew up in the small Lancashire fishing town of Fleetwood. Opera star Alfie Boe lived a few doors away from Dan and music was a big part of Dan’s childhood. In his youth he performed for Royalty, U.S. President Bill Clinton and for the opening of Tony Blair’s first conference as Prime Minister!
Dan was taught by Ray Wilkes, a legend on the Northern Jazz scene and a former member of Cedar Walton’s band in New York. Dan started picking up gigs aged 14 and by 16 Dan was on the road with the ‘Amazing Blues Brothers Soul Revue Tour.’
New York, London & BelfastAfter meeting Branford Marsalis at the RNCM in April 2003, Branford invited Dan to study with him in the USA, which Dan did in March / April 2005. Whilst in New York, Dan was inspired by the many amazing musicians he heard & upon returning to England, he moved to London in the summer of 2005. Dan’s target was to return to New York, but meeting and marrying his wife Katy led to a move to Belfast in 2007.
Cambridge and beyond…Dan is now based in Cambridge where he teaches saxophone through his award-winning website, Cambridge Saxophone.com. Dan still maintains an active performance schedule with regular tours, residences and his ‘Jazz Vespers‘ project, that has seen Dan on Prime Time National TV, (BBC One,) leading jazz events at St. Paul’s Cathedral, Ely Cathedral and the at new home for Jazz Vespers in London, Methodist Central Hall, Westminster.
Dan is an active ‘Vlogger’, (his KZread channel now has over 7500 subscribers in twenty countries), and he enjoys photography, sport and most of all spending time with his young family.

Пікірлер: 14

  • @DanForshaw
    @DanForshaw5 жыл бұрын

    So if you have the patience of a gnat - the mic placement bit is @5:42

  • @jevonchandler9856

    @jevonchandler9856

    4 жыл бұрын

    Dan Forshaw thanks for Mercy Mercy Mercy at the start

  • @strangeradvice1288
    @strangeradvice12885 жыл бұрын

    Very informative video, Dan. Thanks! I'd never even considered the microphone up over or around your head before but will give it a try in the near future for a project I've got to record my playing for.

  • @geoffreycox8687
    @geoffreycox86875 жыл бұрын

    Thanks for that Dan, very informative.. A bit surprised by the overhead mic, which sounded really good.

  • @DynamixWarePro
    @DynamixWarePro5 жыл бұрын

    You are right about putting the mic on the bell, it can tend to sound a bit thin and nasilly and don't like that much, especially on Soprano and you get the full sound from the mic pointed at the body of the sax. You mentioned flatter microphones. I have a Rode NT1 (2014 version) and its very flat sounding. I once recorded myself playing with it and it is almost too flat, didn't have much clarity in the highs which sounded a bit muffled even after equalizing the audio. Still a good mic though and its very low self noise helps. I never thought about putting the mic above like you said, but I will have to try that in future. I have Sennheiser ME66 and MKH 416 mics I normally use for voice overs and natural sound recording and once tried one of those to record my alto sax as they have more clarity in the sound, and it didn't go well. They are very sensitive mics even on the lowest gain setting on my Tascam recorder, and being further away from them when playing, I was getting the sound peaking easily.

  • @stanleysteamcar
    @stanleysteamcar5 жыл бұрын

    Hi Dan, interesting vlog. I've also looked at other people's set up and put the mic roughly at chest level but I'm never really sure to have loads of gain or not so I opt for 50%. Even though, like you, I play with a reflector I'm surprised at how good I sound with basic EQ chopping the top and bottom. Thank's Dan

  • @pablofrias758
    @pablofrias7585 жыл бұрын

    Hi, i love the sound, Which microphone are you using?

  • @DanForshaw

    @DanForshaw

    5 жыл бұрын

    AKG 414

  • @xlomen
    @xlomen5 жыл бұрын

    Back in the day Got great recording results in a big room by accident with whole band. No post processing required.

  • @T.H.W.O.T.H
    @T.H.W.O.T.H5 жыл бұрын

    Sounding great on that ugly mouthpiece mate! 😊 🎷

  • @DanForshaw

    @DanForshaw

    5 жыл бұрын

    Beauty is in the eye (or ear) of the beholder... ;)

  • @bobblues1158
    @bobblues11585 жыл бұрын

    Never record with compression. Always put it on when mixing. The same for all other effects. You can have whatever effects in your headset monitor to make you feel good and make it sound like a recording while you are recording, but do not use that sound for the recorded mix. Everything can be added in the mix.

  • @DanForshaw

    @DanForshaw

    5 жыл бұрын

    Totally agree, I was referring to the fact that I’ve not mixed anything on these recordings. They’re just ‘dry’

  • @pimeye
    @pimeye5 жыл бұрын

    I thought it sounded very good although the grey jumper may have had something to do with it ......