Michael Wisner on Ceramics and Meditation

Colorado artist Michael Wisner studied with Juan Quezada in Mata Ortiz, a small town in Mexico, now famous as the home of over 300 ceramic artists taught by Quezada. As a young boy, Quezada discovered pots painted by his ancestors, the Paquime Indians, and "reinvented" the technology to create ceramics from the materials of the land.
Michael Wisner carries on the tradition, creating coiled pots from clay he finds in the wild, cleans, and coils into fine art pieces. Unlike many traditions to "copy" the pattern and style of the culture, Quezada - and Wisner - believe in "inventing" one's own style while also using ancient technology. And so, over 20 years ago, encouraged by the philosophy of his mentor, Wisner asked himself, "What can I do to stand on the shoulders of the people I've learned from and try to do something new?"
He decided to continue the tradition of using native clays, natural colors, and the hand building process, while contemplating how to emulate the interplay of painted patterns and the excitement of the geometry. And so, he began developing his own style, creating tools and pressing patterns into clay, rather than painting them, to honor the patterns and structures he observes in nature: seed pods, bicycle spokes, meandering rivers, wood joints, pinecones, the calix of a sunflower, and more.
“Sacred geometry is a natural order of the cosmos, these repeating patterns. I don’t make these things up, they come out of me. They started happening after I started doing 3-month meditation retreats. My spiritual experience is we have a lot of things reversed-we look from the outside like we are people trying to invent them, but we are uncovering them.”
Of these patterns in sacred geometry, Wisner, an English, Spanish, and Portuguese speaker, thinks of it as a language. “I am learning a language and then figuring out how to use it. To translate into clay the way nature has found to lay down shingles-one on top of another-and once I’ve decoded the intelligence of it, it’s like a jazz musician riffing.”
Learn more about Michael Wisner here: korologosgallery.com/artist/m...

Пікірлер: 13

  • @susanriemer3641
    @susanriemer36415 ай бұрын

    Absolutely mesmerising - fibonacci springs to mind.

  • @eleanorbalsiger9963
    @eleanorbalsiger99638 ай бұрын

    Stunning; your talent is amazing

  • @dunnbradstreet4106
    @dunnbradstreet41069 ай бұрын

    A long near-silent AMSR version would be chill

  • @Luttibelle
    @Luttibelle9 ай бұрын

    LOVE this! ❤

  • @pavlentos
    @pavlentos Жыл бұрын

    wow ! So gipno , perfect! Thx for sharing

  • @juliechamberlain6703
    @juliechamberlain6703 Жыл бұрын

    Wow ...really beautiful

  • @wdwdHenry9022
    @wdwdHenry90229 ай бұрын

    hi i found this dzogchen practise. I can totally relate. Concentration brain effort is replaced with effortless total absorption in the moment heightened perception., non action, action without doing, thoughtless action. You dont have to go away for months to learn this it can be taught directly to anyone!

  • @marcowiak
    @marcowiak Жыл бұрын

    lindo !!!! Parabéns pelo trabalho e gratidão por dividí-lo conosco

  • @oldmanfromscenetwentyfour8164
    @oldmanfromscenetwentyfour81649 ай бұрын

    So ... how do you get it out of the Form?

  • @annewalker3344
    @annewalker3344 Жыл бұрын

    How did you get that bowl out of the form?

  • @suewilliamsbrawn2600

    @suewilliamsbrawn2600

    10 ай бұрын

    The clay will shrink as it dries and pull away from the sides of the form/mold.

  • @oldmanfromscenetwentyfour8164

    @oldmanfromscenetwentyfour8164

    9 ай бұрын

    @@suewilliamsbrawn2600 Wouldn't the drying would be uneven, the upper half would dry first and pull away from the lower half.

  • @aidasoto2936
    @aidasoto29369 ай бұрын

    Mis diseños mis ideas y lo hociste con mi dinero lo tienes que devolver todk las cuentas los carro la casa el taller.