Matière et sensibilité avec Renaud Barbaras et Olivier de Sagazan.
Фильм және анимация
Renaud Barbaras begins with the idea that the body is a sensitive being in every way. He refers to it as an interiority that feels (M Ponty). This perception invites us to not separate interiority a subject on one end, from the other- object exteriority.
And so it would be the same model for the whole world which would be a visible thing and a sensitive being at the same time. This is what Merleau Ponty calls "The flesh of the world". The world is not a pure, naked abstract, but it is already inhabited by an archaic sensibility.
For Renaud, I would highlight through my work a form of transitory state between the exteriority, the pure matter of my sculptures' clay body and the interiority of their characters in order to ultimately make the viewer feel that sensitivity presides over the subject itself. The material of my sculptures' bodies is already sensitive.
Renaud Barbaras,
Bibliographie:
Autrui, Paris, Quintette, 1989.
De l'être du phénomène : sur l'ontologie de Merleau-Ponty, Grenoble, J. Millon, coll. « Krisis », 1991.
La perception : essai sur le sensible, Paris, Hatier, coll. « Optiques, Philosophie », 1994. Rééd. Paris, Vrin, 2009.
Merleau-Ponty, Paris, Ellipses, coll. « Philo-Philosophes », 1997.
Le tournant de l'expérience : recherches sur la philosophie de Merleau-Ponty, Paris, Vrin, coll. « Histoire de la philosophie », 1998.
Le désir et la distance : introduction à une phénoménologie de la perception, Paris, Vrin, coll. « Problèmes et controverses », 1999.
Vie et intentionnalité : recherches phénoménologiques, Paris, Vrin, 2003.
Introduction à la philosophie de Husserl, Éditions de la Transparence, 2004.
Le mouvement de l'existence : études sur la phénoménologie de Jan Patočka, Éditions de la Transparence, 2007.
Introduction à une phénoménologie de la vie, Paris, Vrin, 2008.
L'ouverture du monde : lecture de Jan Patočka, Éditions de la Transparence, 2011.
La vie lacunaire, Paris, Vrin, 2011.
Investigações fenomenológicas Em direção a uma fenomenologia da vida, Curitiba, Editora UFPR, 2011.
Dynamique de la manifestation, Paris, Vrin, 2013.
Métaphysique du sentiment, Éditions du Cerf, 2016.
Le désir et le monde, Hermann, 2016.
Lectures phénoménologiques et Recherches phénoménologiques, éditions Beauchesne, Paris, 2019.
L'appartenance. Vers une cosmologie phénoménologique, Peeters, Leuven, 2019.
photo screen : antoine Harinthe
Пікірлер: 50
Love your work. Grateful if you can include English subtitles.
@Mentocthemindtaker
3 жыл бұрын
Check the description.
Do you have some english captions or translation? I love your work so much I might take up classes to further understand your expression. :)
@sagazan
3 жыл бұрын
Renaud Barbaras begins with the idea that the body is a sensitive being in every way. He refers to it as an interiority that feels (M Ponty). This perception invites us to not separate interiority a subject on one end, from the other- object exteriority. And so it would be the same model for the whole world which would be a visible thing and a sensitive being at the same time. This is what Merleau Ponty calls "The flesh of the world". The world is not a pure, naked abstract, but it is already inhabited by an archaic sensibility. For Renaud, I would highlight through my work a form of transitory state between the exteriority, the pure matter of my sculptures' clay body and the interiority of their characters in order to ultimately make the viewer feel that sensitivity presides over the subject itself. The material of my sculptures' bodies is already sensitive.
There’s something so cool about this kind of art
@VoidViniOwO
3 жыл бұрын
Ikr!
@filinty6955
3 жыл бұрын
Creepy art
@heaven0_
2 жыл бұрын
FRFR
@Kazze922
Жыл бұрын
It weird + scary bro):
L'analyse est pertinente. Votre art semble également proche du ressenti des artistes du paléolithique qui ont si magnifiquement fait naître une vie symbolique de la matrice lithique proto-organique. Les prises de vue illustrant le propos de la vidéo sont aussi magnifiques.
Natural, primal, it's like a window to who we were and where we come from. Reminds me of tribal rituals
Creepy and cool art , I love it 😍💜
Impresionante
So beautiful!! Thank you olivier for this beauty!!
I love these types of video showcases, amazing!
You are the most inspiring artist for me. Keep it up!
Amo suas obras
merveilleusement beau!!!!!!!!!!!!
Ayy my dude is back. Hell yeah
ur the man 👍 oui oui my guy
Nice!
Your work is creepy but interesting I like it
Please add english caption !!
@Mentocthemindtaker
3 жыл бұрын
Check the description.
al chile no te entiendo nada pero me gusta:)
so interesting
Genius
Videos en español por favor
I don't know what is he saying and i wish i knew what he was saying
Guess ill be learning french this winter xd
@Mentocthemindtaker
3 жыл бұрын
Check the description.
HES ALIVE
Better than da Vinci by far
Creepy art
Alguém veio pelo vc sabia?
I need to learn f r e n c h
Certes
English comment
Jsuis bourré je crois
Esse cara tem problemas
@luisribeiro2223
3 жыл бұрын
Qual o problema em expressar a arte ? Acho que quem tem um grande problema é você , critica sem construção e totalmente mal educado.
@JoaoVictor-jn3en
3 жыл бұрын
@@luisribeiro2223 arte seu cu rpz
Ничего ужасного. Одна из сторон нашей жизни. Просто мы не хотим этого замечать.
3edgy5me
JESUS CHRIST RETURNS,, REPENT OF SIN AND CHANGE YOUR WAY ..OF LIVING
@Mentocthemindtaker
3 жыл бұрын
I hope the rapture comes and takes you away before you can make anymore stupid, irrelevant KZread comments.
What the fuck is this
I don’t understand shit he’s saying