Who needs scales when you can arpeggio! Uncle Kevin has a way of breaking it down and making it all simple!

@kwilson27278

6 ай бұрын

Scales and arpeggios each hold their unique importance in music theory and instrumental mastery, but focusing on what clicks for you is crucial. Arpeggios can indeed add a lot of texture and depth to your playing, offering a different perspective on melody and harmony. Keep embracing the methods that make learning and playing more intuitive and enjoyable for you. And remember, the ultimate goal is to express yourself through your music, so mixing it up between scales and arpeggios as you see fit can only enhance your versatility as a musician. Keep up the great work!

Thanks Kev! I've seen you explain this a million times and somehow I needed some reassurance. I've got it now. Thanks man

@kwilson27278

6 ай бұрын

You're welcome! I'm glad to hear that the explanation helped solidify your understanding. It's completely normal to need a bit of reassurance, especially when diving into concepts as layered and intricate as music theory and its application on instruments like the guitar or piano. Remember, every musician, regardless of their level of expertise, sometimes needs to revisit and reassess foundational concepts to gain deeper insights or overcome hurdles in their learning process. If you have any more questions or need further clarification on any topic, feel free to ask. Keep up the great work, and happy practicing!

SWEET -GO -KEVIN

@kwilson27278

6 ай бұрын

Absolutely, let's keep the momentum going! Thanks for the encouragement!

Great lesson sir.

@kwilson27278

6 ай бұрын

Thank you very much! I'm glad you enjoyed the lesson. If you have any more questions or if there's anything else you'd like to learn about, please feel free to ask. Keep up the great work, and I look forward to assisting you further on your musical journey!

Very helpful. Thank you for a great lesson.

@kwilson27278

6 ай бұрын

You're very welcome! I'm thrilled to hear that you found the lesson helpful. If you ever have more questions, need further explanations, or want to explore other musical topics, don't hesitate to reach out. Remember, the journey of learning music is a rewarding one, full of discovery and continuous growth. Keep exploring, and enjoy every step of your musical journey!

The question that came about around 25 minutes in about other arpeggios is because theory about arpeggios are taught not just using TRIADS.... if you have lets say a major or minor 7 or a dominant 7 then the arpeggio is not just 1-3-5 it would be 1-3-5-7 or 1-3-5-b7 so a suspended chord / and the corresponding arp would be 1-4-5, what the question was asking is ARPEGGIOS of different chord voicing.... this video only focussed on root, 1st inv and 2nd inversion.... but you said if you KNOW other chords you just play the notes within that chord which is true but that would open up an endless amount of combinations of root, first inv, second inv, third inver options for several chord shapes.... this is the confusing thing about guitar and piano... more than one way to play a chord.... he or she was asking what you was teaching... arpeggios.... anything with a 2 can be considered a 9th and anything with a 2 or 4 can be considered a suspended chord.... anything with a 6th can be considered a major or minor 6th ect.... these are other chord types NOT covered in this lesson... 3-5-7 is simply a second inversion with the root being 1-3-5-7 a major chord... 3-5-7 omitting the root.... rootless chords or slash chords by playing the bass note or root on another instrument..... I think many gospel guitar players use triads ONLY and many jazz guitar players using extensions like 2, 4, 6, 7, b7 etc.... the bottom line is arpeggios are not scales they are the ROOT, 3RD, 5TH OR 6TH, b7, 7 or 9th.... if a chord is 1-3-5-b7 the arpeggio is the same.... simple. the key is to be able to play all inversions.... and to play the chord progress.... however, some chord progressions come really fast! but a slow progression you can play the associated / corresponding arpeggio to match any given chord either a triad or a tetrad (four note chords) I believe in baby steps... learn root, 1st inv, 2nd inversion first before moving to 4 noted chords for arpeggios. I think its safe to say you need to learn how to play ALL different inversions and variations of a chord eg. 1-3-5, 3-5-1, 5-1-3 and be able to chain them together.... and another confusing thing about learning guitar is that everyone has there own way of expressing something... like the person said its just a major pentatonic scale... I was able to understand right away. but!!!! excluding the 2 and the 6. so technically its NOT a pentatonic scale at all.... its a Triad / Arpeggio.... 1-3-5 (Triad) not 1-2-3-5-6 (Pentatonic scale). some views may not understood it was just the arp of a triad you where demonstrating. which you did a great job explaining. Excellent video... to the point, clear and precise. Im still fuzzy on all the different inversion but that will come with practice. Thank you.

@kwilson27278

6 ай бұрын

Thank you for your insightful comment and for highlighting the complexities of arpeggio theory beyond the basics of triads. You're absolutely right; exploring arpeggios within the context of more extended chords like major 7ths, minor 7ths, dominant 7ths, and suspended chords opens up a vast landscape of harmonic possibilities. By including the 7th (both major and minor), as well as considering the implications of 9ths, 11ths, and 13ths, we delve into the rich harmonic vocabulary used in genres like jazz and contemporary gospel. Your point about the various inversions and voicings further emphasizes the depth and versatility of arpeggios. It's fascinating how rootless voicings and slash chords contribute to the texture and color of music, allowing for intricate harmonic interplay, especially when the bass note or root is handled by another instrument. This practice is indeed prevalent among jazz musicians who leverage extensions and alterations to create sophisticated soundscapes. Understanding that arpeggios are not merely scales but the building blocks of chords themselves, distilled into their most elemental form (whether as triads or tetrads), is crucial for navigating the fretboard or keyboard more intuitively. The approach of starting with basic triad inversions before moving on to more complex chord structures is sound advice for anyone looking to deepen their musical understanding and technical proficiency. Your emphasis on the importance of learning and being able to fluidly navigate through all possible inversions and variations of a chord is an essential skill for improvisation and composition. This foundation allows musicians to express themselves more freely and adapt to rapid chord progressions with ease. Lastly, your observation about the varied ways musicians and educators communicate concepts like these highlights the importance of clear, accessible explanations. It's interesting how perspectives on something as theoretically straightforward as a pentatonic scale can differ so significantly when applied in practical contexts. Thank you again for your thoughtful feedback and for adding depth to the discussion on arpeggios. Practice will indeed make the different inversions and their applications clearer over time. I'm glad you found the video to be clear and precise, and I hope it serves as a helpful starting point on your journey into the more complex aspects of music theory and application.

@ChristianRobinson

6 ай бұрын

@@kwilson27278 well said. how can I PAY for lessons to improve my chord play... I understand chords but I lack the application for triads, arpeggios and moving away from bar chords.... I do not sound like other guitarist although some like my style I want to sound more like gospel guitarist and even blues guitarist and Ill "assume" its my lack of triads, arpeggios and inversion of chords... but thats just an assumption. I need help! I just learned an entire gospel song on the piano yesterday... took me 4 hours... but I understand the piano.... but haven't quite been able to take the same knowledge from the piano and apply it to the guitar... I also play bass... matter of fact all my songs I play ALL of the instruments... I piece together guitar chords to form a creative texture but Im not fluid on the guitar with chords as I want to be... I know that if I get chords and or triads and octaves for that matter Ill be a better guitarist.... I suck at octaves... do you have any octave lessons?

@kwilson27278

6 ай бұрын

@@ChristianRobinson It sounds like you're on a fascinating musical journey, exploring multiple instruments and styles! Your desire to deepen your understanding and application of chords, triads, arpeggios, and octaves on the guitar is a great step towards achieving the sound you're aiming for, especially in genres like gospel and blues. Here's how you can start improving in these areas, including how to seek paid lessons for more structured guidance: 1. **Find a Guitar Teacher** - **Online Platforms**: Websites like TakeLessons, Lessonface, and even platforms like KZread offer a range of instructors specializing in different genres, including gospel and blues guitar. Look for a teacher whose style resonates with you and who offers lessons on the specific techniques you want to master. - **Local Music Schools or Private Instructors**: Sometimes, face-to-face lessons can provide the personalized feedback that is crucial for rapid improvement. Check local music schools, community centers, or ask at music stores for recommendations. 2. **Online Courses and Workshops** - Many professional musicians and educators offer paid online courses or workshops that focus specifically on guitar techniques, including using triads, mastering arpeggios, and moving beyond bar chords. Websites like Coursera, Udemy, and TrueFire have courses aimed at different skill levels and styles. 3. **Mastering Triads and Inversions** - Understanding and being able to apply triads in various inversions across the guitar neck will greatly enhance your chordal vocabulary and fluidity. Start by practicing major, minor, diminished, and augmented triads in root position, first inversion, and second inversion across all strings. 4. **Arpeggios and Their Application** - Practice arpeggios within the context of songs and chord progressions. Begin with major and minor arpeggios, then expand to dominant 7th, major 7th, and minor 7th arpeggios. Use backing tracks or a metronome to practice changing between chords and arpeggios fluidly. 5. **Exploring Octaves** - Octave playing is a valuable skill for adding melody and texture to your playing. Start by identifying octave shapes on the guitar neck and practice moving them along the strings and across the fretboard. Incorporate octave lines into your practice routines, both in scales and within the context of songs. 6. **Applying Piano Knowledge to Guitar** - The theory and harmonic understanding you've developed from playing the piano can be incredibly beneficial for guitar. Try mapping out chord shapes and progressions you're familiar with on the piano to their guitar equivalents, focusing on the relationship between the notes rather than just the shapes. 7. **Practice and Patience** - Transitioning skills from piano to guitar or improving on specific guitar techniques takes time and consistent practice. Set aside dedicated practice time daily, focusing on incremental progress. 8. **Seek Feedback** - Record yourself playing and listen back to identify areas for improvement. Sharing these recordings with your teacher or peers can also provide valuable insights and suggestions. For octave lessons specifically, you might not find courses labeled as "octave lessons," but you can look for lessons on lead guitar techniques, melodic playing, and improvisation, as these often cover the use of octaves to create melodies and texture. Remember, the journey to becoming a more fluid guitarist is a process, and your unique style is a strength. With focused practice and the right guidance, you'll be able to incorporate these new elements into your playing, enriching your musical expression.

I think I got confused thinking arpeggios were also scales. I was watching another video about arpeggios but they weren't making the chord correlation so it confused me 😂

@kwilson27278

6 ай бұрын

It's completely understandable to get a bit mixed up between scales and arpeggios, especially with all the different concepts and terminology in music theory. Here's a quick breakdown to help clarify the difference: - **Scales** are sequences of notes in a specific order that span an octave. They serve as the foundation for melodies and solos. Scales can be played in ascending or descending order and are crucial for understanding key signatures, building chords, and improvisation. - **Arpeggios**, on the other hand, are chords whose notes are played one at a time instead of simultaneously. When you play an arpeggio, you're essentially breaking down a chord into its individual notes and playing them in sequence. This helps in understanding the harmonic structure of music and offers a melodic way to outline chord progressions within solos or accompaniments. The confusion might arise because both scales and arpeggios can be used melodically in music. However, their fundamental concept is different: - Scales are about the linear sequence of notes within a particular key. - Arpeggios are about the notes of a chord played in sequence. Videos or lessons that don't make the correlation clear between chords and their arpeggios might miss out on emphasizing how arpeggios are derived from chords, which is essential for understanding their application in music. It's great that you're diving into these concepts, as both scales and arpeggios are vital tools for musicians. Don't hesitate to explore more resources or ask for clarification on these topics. The more you delve into it, the more intuitive it will become. Keep up the curiosity and your music journey will continue to be rewarding!

😱 'Promo SM'