Making a Meyer Double Bass: Chapter 2 "The Sound of Spruce"

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The Evolving Bass. This video is the 2nd sneak peak into the workshop and reveals the procedure of making the belly of the Double Bass.
"Behind-the-Scenes: Making the Meyer Double Bass," inspired by the amazing music and sound of virtuoso Edgar Meyer.
I was lucky enough to meet with him in 2019 and had access to his Italian labelled instrument, and it turned out to be a passion project I just couldn't resist.
Part 2 reveals my procedure for making the belly/top of this stunning Double Bass using well aged Swiss Spruce.
Set to the music of the very talented Bassist/ Musician Elsen Price, improvising and recorded live by Rippa Recordings.
Filmed entirely by myself in the winter of 2020 -
Please feel free to ask questions, and comment below. And if you would like to see more in this series don't forget to LIKE and SUBSCRIBE!
Thanks for watching. Benedict
Thank you for your help with this project:
Andy Tigges, Luthier
Rose Chaffey, Assisant
Egder Meyer, Inspiration
Robin Brawley, Measurements
Elsen Price, Original Music
C/- Rippa Recordings
Special thanks to the Puglisi Family:
Annelies, Leonardo, Sebastian, and Ebony
Thanks also to:
Tim Kill,
Corey Swan,
Ranier Beilharz
And Kae Goodsell
All filming and editing, Benedict G. Puglisi
© Benedict G. Puglisi 2021 - All Rights Reserved

Пікірлер: 66

  • @alexanderkendra4667
    @alexanderkendra4667 Жыл бұрын

    I am a bass player and wood worker. for the longest time I have been wanting to make my own double bass. Thank you for making these videos. It is incredible to learn from a master craftsman, its hard to find courses of particular subjects. I look forward to your future projects!

  • @atelierpuglisi

    @atelierpuglisi

    Жыл бұрын

    Thanks Mate. When it comes to making investments I always say “ just go for it !”

  • @lacommedia41
    @lacommedia413 жыл бұрын

    Beautiful to watch the metamorphosis. Thankyou. I bet those shavings would be put to good use in my smokehouse… 😉

  • @JoshEssex
    @JoshEssex2 жыл бұрын

    The cat is a star. Loved this shot of locking her out of the room. She knows what she did, lol

  • @atelierpuglisi

    @atelierpuglisi

    2 жыл бұрын

    She…! I’m so glad I had the camera there to show people what happens. I never know what she’s thinking. She comes in close for affection and sit quietly with me for so many many hours. But every now and then she gets the devil in her. And my camera catches the moment she just attacks!

  • @jasonlindsay719
    @jasonlindsay7196 ай бұрын

    First class and so informative. Thank you from Jacksonville Florida

  • @atelierpuglisi

    @atelierpuglisi

    5 ай бұрын

    Thanks Mate

  • @vdavis4785
    @vdavis47852 жыл бұрын

    These videos are terrific! Perhaps Ebony can be trained in the art of purfling? Or purr-fling, I suppose it would be.

  • @jameschristiansson3137
    @jameschristiansson3137 Жыл бұрын

    Pretty good cat.

  • @gleneaton3852
    @gleneaton38523 жыл бұрын

    You're an absolute master craftsman, and this little series I have just stumbled across is beautiful. Makes me want to learn to play DB!

  • @atelierpuglisi

    @atelierpuglisi

    3 жыл бұрын

    Thanks Glen. Too kind. Yes , learn the majestic Double Bass 👍

  • @patrickjobling8676

    @patrickjobling8676

    Жыл бұрын

    Man o man ..that was breath taking .. i pertnear went blue on them f holes .. just magic ..😁pip pips n carryon

  • @pabloguzzo2011
    @pabloguzzo20112 жыл бұрын

    Un verdadero artista!!!!

  • @stringmatrix
    @stringmatrix Жыл бұрын

    A fascinating video! Thank you very much.

  • @atelierpuglisi

    @atelierpuglisi

    Жыл бұрын

    Glad you enjoyed it! I really enjoyed making this little video collection as well. Sharing the my work.

  • @SteveAbrahall
    @SteveAbrahall3 жыл бұрын

    Ebony (the cat) is so wounderfully naughty! Yet again so much amazing work - Just a thought - would an automated CNC machine help take a lot of the sweat out of the initial shaping? Thanks for all your time and effort on this.

  • @atelierpuglisi

    @atelierpuglisi

    3 жыл бұрын

    Ebony really is a funny cat. What you don't see is the many hours that she sits really close to me sleeping or just watching me. But there's always those few times a day (which I've managed to catch a few filming with my phone) where she just wants to take over the warm spot under the lamp. Her other trick is to hide under a workbench, and as I walk past she just scratches my foot with her paw. I'm gonna catch her and trim those nails this week. Yes a CNC machine would probably speed things up.. But really what would I do for exercise.. I'm not really one for going to the gym so I think I'll just put my energy into carving. Someways it really doesn't take that long to do the rough carving. And I would never trust a machine for the fine arching. The arching is probably the most important part for how the instrument behaves tonally. The next video is on the Evolving Scroll and once again a machine might be helpful, but I'm having way too much fun for that to be an option. Thanks for watching and your comments.

  • @MatchaMakesThings
    @MatchaMakesThings2 жыл бұрын

    Thank you for making this series, you have inspired me to further grow my wood working abilities. I used to play the double bass, but had to stop due to hand injuries. I've recently started my first guitar project, and have found it sparks that same joy. Someday I hope to build a bass, and maybe by then (and with some surgeries) i'll be able to play again!

  • @atelierpuglisi

    @atelierpuglisi

    2 жыл бұрын

    Hi Chatman. So glad you like them. Good luck with your guitar project. Acoustic guitar? Just don’t under estimate the physical effort with repeated repetitive procedures when building a musical instrument. Same thing applies, as does with musicians, good technique and rest, will reduce the chance of injury. In saying that result can be amazingly satisfying and rewarding. Good luck. Next varnish video later this week.

  • @MatchaMakesThings

    @MatchaMakesThings

    2 жыл бұрын

    @@atelierpuglisi Thanks! I'm actually building a Ukulele for my friend as a gift, but then I plan to expand into other stringed instruments. I really appreciate the reply! Thank you! I'm taking my time and doing it slowly.

  • @timbeaton5045
    @timbeaton5045 Жыл бұрын

    Nce to see that you feature the most important tool in the armoury of the luthier... The espresso machine! Seriously though, a fascinating look at a craftsman at work. Looking forward to the rest of this series.

  • @DrJohn123
    @DrJohn1233 жыл бұрын

    Just discovered this series. Very interesting and well done! 👍 Curious to see the next part!

  • @atelierpuglisi

    @atelierpuglisi

    3 жыл бұрын

    Thanks Johannes. Kind words appreciated. I will upload another video with another element of the making next week.

  • @nolojavo
    @nolojavo Жыл бұрын

    😍😍👏🏻👏🏻

  • @guitfidle
    @guitfidle5 ай бұрын

    Oh there you go, I LOVE the long handled gouge! I have a large slick (flat edge boat building chisel) but now I really want to find or make a gouge like that 😍

  • @atelierpuglisi

    @atelierpuglisi

    5 ай бұрын

    Really can't recommend a long handle gouge, or for that matter pairing chisel enough. The extra length gives the leverage to make the job so much easier. Helps with posture as well.

  • @guitfidle

    @guitfidle

    5 ай бұрын

    @@atelierpuglisi totally agreed. The boat building slick is really nice to use, like a 2 -3 inch wide blade with overall length is a bit over 3 feet. I do have a couple gouges, I might have to track down another so I can make a long handle on the lathe. Oh yeah, I just watched the video on carving the back too: one tool that made life easier for me on guitar tops is a spoon plane. It works on the pull stroke like the Japanese hand saws. The blade is crudely shaped, but once it's dialed in, the pull stroke is really nice. Amazon has the WoodRiver Carver's spoon plane, it's $30 US and worth it's weight in gold... or bronze anyway 😁😁

  • @JacqueHarper
    @JacqueHarper3 жыл бұрын

    Thank you Benedict for sharing this process! So very inspiring to think about the artistry behind the artistry.

  • @atelierpuglisi

    @atelierpuglisi

    3 жыл бұрын

    My pleaser Jacque. i agree 100%.

  • @armandobarajas2142
    @armandobarajas21422 жыл бұрын

    Excelente artesano,peleando con un lindo gatito 🐈‍⬛ mordelón jaja,saludos maestro.

  • @Chrisfogaty
    @Chrisfogaty3 жыл бұрын

    Many thanks what a wonderful video, would love to see more

  • @atelierpuglisi

    @atelierpuglisi

    3 жыл бұрын

    Thanks Chris. More to come! This week the Scroll making set to Jazz

  • @anastasiocatalan416
    @anastasiocatalan4162 жыл бұрын

    Wow soo much work, and such a beautiful creation. Simply beautiful.

  • @brohan283
    @brohan2833 жыл бұрын

    ahh this is absolutely incredible!

  • @atelierpuglisi

    @atelierpuglisi

    3 жыл бұрын

    Thank you.

  • @user-pn9kd7pn8i
    @user-pn9kd7pn8i6 ай бұрын

    👋👋💯

  • @KadeTurner
    @KadeTurner3 жыл бұрын

    Very cool!

  • @bruceburton3515
    @bruceburton3515 Жыл бұрын

    Thank you for letting us know into your workshop. It's a handsome instrument.

  • @atelierpuglisi

    @atelierpuglisi

    Жыл бұрын

    Thanks Bruce

  • @guismth
    @guismth2 жыл бұрын

    Wonderful!

  • @RobRob516
    @RobRob5162 жыл бұрын

    Meraviglioso!!

  • @jchumley57
    @jchumley572 жыл бұрын

    Hello Benedict, Could you speak to the glues you use? Is it all hot hide glue or do you use different glues for different tasks?

  • @atelierpuglisi

    @atelierpuglisi

    2 жыл бұрын

    Hi Jeff. Only hide glue used. With a fresh pot made every morning.

  • @glenscowen7296
    @glenscowen72963 жыл бұрын

    Wonderful video, thank you very much for sharing your time and experience, it was very educational.

  • @atelierpuglisi

    @atelierpuglisi

    3 жыл бұрын

    Thanks Glen. Although I didn't set out to make a "how to" instructional videos, I'm really pleased to know it's been educational for many. Some of the techniques haven't changed for centuries, and some of them are my own adaptions. Building instruments to be ergonomic, sound great and look good as well it's certainly a lifelong enjoyable vocation.

  • @mark-stefaniw

    @mark-stefaniw

    3 жыл бұрын

    @@atelierpuglisi you used a tuning fork to hunt for the wild tone. Have you been able to build basses with a minimal wolf tone using this method? What causes the wolf in the first place?

  • @atelierpuglisi

    @atelierpuglisi

    3 жыл бұрын

    @@mark-stefaniw Hi Mark. Wolf notes to a certain degree will always be in every instrument. I remember my old master used to say "if it doesn't have a wolf note, it's not a Double Bass or Cello....". You could also write a scientific thesis on the subject as they are complex in nature. However the resident frequency of the internal air mass working in sympathy with the bellies frequency can cause cancellations tones... Putting it very simply. Working on the area of the top where they are most prominent can help suppress them. Using small wooden or brass counterweights help to re-adjust these frequencies. I'm certainly always working towards wolf tones that are not too aggressive and happy to say haven't found them to be a major problem on any of my recent instruments including this Meyer inspired little bass. Benedict

  • @Elephanthandproducts
    @Elephanthandproducts3 жыл бұрын

    This is so beautiful to watch!

  • @atelierpuglisi

    @atelierpuglisi

    3 жыл бұрын

    Thank you Nick

  • @user-vs7ml1nv4n
    @user-vs7ml1nv4n2 жыл бұрын

    this is great, your work!Thank you ha very interesting video master classes

  • @atelierpuglisi

    @atelierpuglisi

    2 жыл бұрын

    Thank you. Glad you enjoyed it!

  • @nedsmith7144
    @nedsmith71446 ай бұрын

    What are the starting thicknesses of the front and back blanks? Or maybe a better question is how much arch is in both panels.

  • @vreevroow
    @vreevroow6 ай бұрын

    Is plate tuning a thing when making double basses?

  • @jazzbassix2814
    @jazzbassix28142 жыл бұрын

    Many thanks for sharing this amazing transformation. Every double bass player should watch this series. How many hours to create the top?

  • @atelierpuglisi

    @atelierpuglisi

    2 жыл бұрын

    Thank you. One of my intentions for making this series was for bassists to appreciate the effort involved and every instrument they play. If you don’t count the choosing of the timber and the 7+ + years used to dry that wood… I normally allow 100hrs over two weeks to build each top.

  • @embodiedconducting

    @embodiedconducting

    2 жыл бұрын

    @@atelierpuglisi I thought it would be even longer. Understand that's just for the top. Watching you make the back next.

  • @therc4784
    @therc47845 ай бұрын

    how thick it the piece of wood you used for the face plate of the bass ?

  • @atelierpuglisi

    @atelierpuglisi

    4 ай бұрын

    The finish thickness is about 9 mm in the middle. And graduates to 4.5 on the flanks. The arching height is roughly 34 mm at the highest point

  • @therc4784

    @therc4784

    4 ай бұрын

    @@atelierpuglisi also, what would did you use, and would using another type of wood affect it, I would imagine hardwoods would be better, because of the residence, and softer woods would be more frowned upon. And also if I were to glue three pieces together to create the front piece, would that be good, or should I go for a solid piece of wood? Thank you so much, I enjoyed watching this series.

  • @jarekb8929
    @jarekb8929 Жыл бұрын

    Hi, is it any specific method for the wolf tones adjustment?

  • @benedictpuglisi8369

    @benedictpuglisi8369

    Жыл бұрын

    Hi. There are many things but I try after the instrument is finished. However, one thing I found very helpful is to see if there’s any areas that resonate too much, where the amplitude spikes, particularly below the F hole on the bass bar side. I then like to add a small spruce cleat at the spot. It can be trial and error, and these can also be added after the top is glued on, and the instrument is being played.

  • @jarekb8929

    @jarekb8929

    Жыл бұрын

    @@benedictpuglisi8369 Thanks for youtr answer, your videos are really awsome. BR from Poland :)

  • @benedictpuglisi8369

    @benedictpuglisi8369

    Жыл бұрын

    @@jarekb8929 thanks again. One thing I should say about Wolf notes is that you will never really eliminate them. In fact, if it doesn’t have a wolf note, it’s not a double bass. It’s more about suppressing and managing the wolf tone.

  • @tomoktom3758
    @tomoktom37586 ай бұрын

    why not oak or walnut tree or birch ?

  • @atelierpuglisi

    @atelierpuglisi

    6 ай бұрын

    Spruce his a relatively light timber with amazing tonal qualities for the top plate,(tavolo). Oak is too heavy and has a dull tone. Walnut is very heavy and too bright for a top plate, however it can work well for the back and sides. However hard to get in the large size for a carved back Double Bass. And Birch can also be used for the back and sides, however I find the tone a little too dull and not a particularly attractive alternative.

  • @tomoktom3758

    @tomoktom3758

    6 ай бұрын

    @@atelierpuglisi thank You, violins and cellos are made from spruce too ? - if I have money I will maybe order an oak-walnut one double bass or cello - just out of curiosity - it will decorate my audiophile room - since I can't play any of instruments - but maybe there will be a musician wanting to try it here in Poland - who knows

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