Madera Viento y Metal by Alejandro Viñao - Marimba Literature Library

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VF Artist YoungKyoung Lee performs Alejandro Viñao's new marimba/electronics solo 'Madera Viento y Metal' (Wood, Wind, & Metal)
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MALLETS:
Robert van Sice Signature Series
vicfirth.com/robert-van-sice/
M114 & M115
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ABOUT THE PIECE:
The marimba has a very distinctive and seductive sound. However, except at the lower end of the instrument, its resonance is relatively short, and in the middle and high sections of the register the sound decays quickly after the initial attack.
In this piece I used electronic sounds to extend and transform the resonance and timbre of the marimba. As the title of the piece suggests, I sought to add to the colour of 'wood' characteristic of the marimba sound world, the colours of wind and metal which I felt complemented and contrasted the marimba in a rich and evocative way.
Unlike in my purely acoustic compositions, the harmonies in Madera Viento y Metal follow not only the logic of the notes and scales on which the piece is based, but are also dictated by the colours and resonances resulting from the interaction between the marimba and the electronics sounds I created for this work. This interaction is dynamic, changing from moment to moment as the music unfolds.
To put it simply, in this work harmony and colour do not function as independent categories but may be experienced by the listener as the unified quality of an emerging sound world.
A.V. March 2016
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ABOUT THE PERFORMER:
YoungKyoung Lee began studying classical percussion at the age of 16 with Kevin Clarke and has since performed internationally as a soloist and chamber musician.
As an advocate of chamber music, Lee has performed as a member of the Yale Percussion Group, the Peabody Percussion Group, and the Korean Traditional Percussion Ensemble. Lee has participated in numerous music festivals such as the Sō Percussion Summer Institute, the Cloyd Duff Timpani Seminar, and the Brevard Music Center. Most recently, Lee performed in the Norfolk New Music Workshop and traveled with the ensemble to perform at the Ciclo de Música Contemporánea de Oviedo in Asturias, Spain.
Lee completed her Bachelor of Music Degree program studying with Robert van Sice at the Peabody Conservatory, as well as Tom Freer, Assistant Principal Timpanist and Percussionist of the Cleveland Orchestra. While at Peabody, Lee was the recipient of the Zildjian Scholarship.
Lee is currently an MM student at the Yale School of Music, where she studies with Robert van Sice.
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Пікірлер: 20

  • @digimikek
    @digimikek6 жыл бұрын

    Mesmerizing music and performance; Mr. Alejandro Viñao's vibrant composition plus Ms. Lee's exceptional musicianship make for a wondrous presentation!

  • @kramermilan
    @kramermilan6 жыл бұрын

    What an amazing performance! A true professional!

  • @ornleifs
    @ornleifs6 жыл бұрын

    Great piece - loved this.

  • @stupidhatonthefloor3
    @stupidhatonthefloor36 жыл бұрын

    I would be fascinated to know how this was mastered. It sounds good through my studio speakers, but also comes through surprisingly well on built in phone speakers.

  • @fuzzylightning

    @fuzzylightning

    4 жыл бұрын

    Since she is using in ears they just layer her marimba audio with the master backing track. They might not be playing it on speakers while filming.

  • @stupidhatonthefloor3

    @stupidhatonthefloor3

    4 жыл бұрын

    @@fuzzylightning that's probably spot on. 🙂 I was pretty mush just referring to the sound of the marimba itself. Cheers 👍

  • @user-ts6cb6ck4z
    @user-ts6cb6ck4z6 жыл бұрын

    와 대박 한국분이 이 영상에 올라오시다니!!!ㅠㅜ포말렛 연주 진짜 멋지시네용!!♡♡

  • @phillbrittsdrummer
    @phillbrittsdrummer6 жыл бұрын

    Very good!!

  • @latte2150
    @latte21506 жыл бұрын

    I love her. SO EXCITING!!!!

  • @EduardoLOrtiz
    @EduardoLOrtiz6 жыл бұрын

    Fascinating complexity

  • @stupidhatonthefloor3
    @stupidhatonthefloor36 жыл бұрын

    Well, I know what I'm playing next.

  • @sonicgumdrops2455
    @sonicgumdrops24556 жыл бұрын

    Would be a great movie soundtrack - "the villain ramps up his kaos"

  • @holygroove2
    @holygroove26 жыл бұрын

    Cool, percussion and electronics, and it doesn't sound like a scientific experiment. Man, everyone should drum or play some kind of percussion instrument. This is very well done.

  • @darbouka89
    @darbouka896 жыл бұрын

    Good job!! It's a really great piece and the performance is good. It's a nice looking video, just take more care when editing, like the headphone or some cuts like in the minute 3:00 (left hand), these things are quite obvious.

  • @eduardoortega7538
    @eduardoortega75386 жыл бұрын

    Her left headphone seemingly teleports through the video hehehe ;)

  • @angelviernes
    @angelviernes3 жыл бұрын

    Imagine adding this some actual metal music. Would be mind-blowing.

  • @Scriabinfan593
    @Scriabinfan5935 жыл бұрын

    i dislike this composition a lot. i don't get Vinao's music at all its like his intention is to make it make no sense.

  • @nickjackson1993

    @nickjackson1993

    4 жыл бұрын

    It’s something you need to develop a pallate for. Definitely not something you can appreciate at face value. I think a lot if it makes sense.

  • @AnthonyLeighDunstan

    @AnthonyLeighDunstan

    4 жыл бұрын

    Do you do that with everything - dismiss the things that don’t make sense to you? I don’t necessarily agree Viñao’s music is an acquired taste either. He has at times very clear DnB patterns and tones in there but in any case seems to have embedded many pop influences into this piece which makes the whole construction approachable, likeable (if you indeed like the pop flavour) and actually easy to understand. He’s very good at making it clear where he’s going with the material. It’s not predictable but it’s not random or disorganised or ill-conceived either. It’s ok that it doesn’t make sense to you. That’s totally fine. But “disliking” it because it baffles you, especially to my ears such tastefully written piece, is odd. Taste, however, is a completely different point. Not liking something is fine. You don’t even need a reason. Your reason just seems flawed.

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