«La Traviata». Part 1 (Verdi) - Olga Peretyatko
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Olga Peretyatko as Violetta in Giuseppe Verdi's «La Traviata»
Vienna, live broadcast, 2.10.2017
Part 1
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Olga Peretyatko, one of the world’s most sought-after sopranos, made her international break-through after winning Plácido Domingo’s prestigious Operalia Competition, since then she has been a regular guest at the world’s most important opera houses and concert halls.
Olga Peretyatko opens the 2018/19 season with concerts at the renowned stages of Grafenegg and Gstaad Festivals, as well as singing songs by Gabriel Fauré with the Basel Symphony Orchestra, celebrating the release of the highly acclaimed new album The Secret Fauré. She then heads to Asia to perform at the Forbidden Concert Hall Beijing and at Guangdong Xinghai, as well as singing Carl Orff’s Carmina Burana with NHK Symphony orchestra in Tokyo, with Paavo Järvi conducting. China is also the place for bringing her highly acclaimed portrayal of the role of Leila in in Wim Wender’s production of Les Pecheurs des Perles at China National Center for Performing Arts. Besides that, in this operatic season she sings the title role of Anna Bolena at Opera Royal de Wallonie Liège and one of her signature roles, the title role of Lucia di Lammermoor at the Vienna State Opera, where she also performs Donna Anna in Mozart’s Don Giovanni. After the success of her role debut singing all ladies in Les Contes d’Hoffmann in 17/18, she presents it in concert at Festspielhaus Baden-Baden. Olga Peretyatko also takes part in Mozartwoche 2019, the Smetana Festival Litomysl, sings gala concerts at Budapest’s MÜPAand joins stage with Rolando Villazón at Konzerthalle Bamberg.
#OlgaPeretyatko #Verdi #Opera
Пікірлер: 76
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Eine wunderbare Vorstellung. Sehr schönes Duett mit Paolo Rumetz
Это моя самая любимая опера! Могу слушать её в любом исполнении бесконечно! Браво великому Верди!
Une histoire tragique, mais une musique de Verdi d'une telle beauté avec Violetta, interprétée par Olga Peretyatko avec cette belle voix et son talent de comédienne si extraordinaire ! ❤️❤️❤️
@OlgaPeretyatkoOfficial
4 жыл бұрын
Merci bien!
Нежный и чистый, как ручей голос Ольги - прекрасно!
Sehr natürlich und wirklichkeitsnah. Eine herausragende Aufführung. DANKE
Thank you for this performance and for your warm amazing voice .
💓💓💓💞 Как же Ваше исполнение прекрасно! Спасибо!!!
большое спасибо за Труд! . рад встрече с Вами , с Вашим талантом!
@OlgaPeretyatkoOfficial
4 жыл бұрын
Спасибо!!
Большие! Слушаешь отрывками и то счастье с красотой, браво! Спасибо, что долго учитесь! Каждый имеет счастливый доступ к индивидуальности артистов певцов, просто спасибо, что вы так умеете и делитесь, что сливаетесь с музыкой! Вы вдохновляете и забываешь о спорах. Благодарю вас Ольга и ваших коллег! 👏👏👏👏👏
olga sublime y maravillosa
Olga sei fantastica! Bravissima!
Bravissima! Bellissima voce. L´ho vista e sentita nel ruolo di Adina, anche li fantastica.
@OlgaPeretyatkoOfficial
3 жыл бұрын
Grazie!! E Adina dove? A Napoli?
@Neldidellavittoria
3 жыл бұрын
@@OlgaPeretyatkoOfficial Io ti ho visto nell'Adina di Vienna qualche settimana fa e mi è piaciuta tantissimo. A dir il vero non ti conoscevo, ma da allora ho cominciato a seguirti. Sei bravissima.
Thank you so much for sharing this wonderful performance. I love your voice From Chile
@OlgaPeretyatkoOfficial
3 жыл бұрын
Thank you!!
I watched this live concert at Wiener Staatsoper with my wife during our honeymoon trip. It's an unforgettable highlight in that 15-day journey especially we visited Wiener and Staatsoper for first time. Such a great performance and beautiful voice! Today, I unexpected find this familiar concert in your channel and happy to see whole concert again. Thank you for posting this video and be a part of our sweet memory. Wish you have a wonderful career and enjoy every performance! Greeting from Taiwan.
❤
БРАВИССИМО !!!!👍👍👍👍👍👍❤💖❤💖
Olga I love you !!!
Magnifique
@OlgaPeretyatkoOfficial
4 жыл бұрын
Merci!
Wonderful! Very inspired performance.
@OlgaPeretyatkoOfficial
3 жыл бұрын
Thanks!
Bravissima Olga
Прекрасно!!
@OlgaPeretyatkoOfficial
4 жыл бұрын
Спасибо!
Qué hermosa voz Olga y maravillosa interpretación!! Saludos desde Perú
Perhaps the best Germont I have ever witnessed! Up to now, I saw only the duet - Peretytko got better and better as it proceeded, and she became extremely moving!
@Neldidellavittoria
3 жыл бұрын
The best Germont you have "witnessed" you say. I don't know about witnessing, but I entreat you to listen to some of the great Germonts of the XXth century. There are plenty of great recordings to choose from.
Muy bien la direccion musical y excelente los cantantes
Оленька,желаю вам здоровья!!!!!! Пусть вашему нежному,лёгкому,прекрасному голосу ничего не мешает звучать!!!!!!
Molti dubbi e riserve sulla regia. Detto ciò, Violetta SUBLIME? 👍👏
@OlgaPeretyatkoOfficial
2 жыл бұрын
Rarely singers can choose staging directors…
Bravi 🎼🌷🌷🌷🌷🎼
Olguita divina
@OlgaPeretyatkoOfficial
3 жыл бұрын
😇🙏🏻
Ob es die Adina ist oder wie hier die Violetta, Ihnen steht jede Rolle gut. Sie können Oper. Danke. Ich mag Sie.
@OlgaPeretyatkoOfficial
4 жыл бұрын
Danke!
Wunderbar.-)
My favorite Opera
@Neldidellavittoria
3 жыл бұрын
También la mía, destruida en este caso por una regie malísima.
Linda! Pena que não tem legenda.💓
magnifica !
Divina. La adoro.
@OlgaPeretyatkoOfficial
4 жыл бұрын
🥰
Excelente. Brava
Muchas gracias por compartir el video. 👏👏👏👏👏👏👏👏👏👏💐💐💐💐💐
@OlgaPeretyatkoOfficial
2 жыл бұрын
Спасибо за интерес!
I didn’t realize Jean Francois Borras was on this❤
Tousemplemen sublim la voi le jeu tou vien droi de votre ceur plus votre bautée Merci a vou et Bravo.
Is there anyway you could include English Subtitle. It greatly adds value to this wonderful and full of emotions performance.
❤️‼️
The confirmation that #OlgaPeretyatko is the new Opera Star of her generation is the repertoire that she is singing in her brilliant career. Violeta, perhaps one of the sweetest characters, has a very technically difficult First Act that she sings as if she were singing a lullaby, without any problem. Some will say and where is the High Eb at the end of Semper Libera? My answer is, a High Eb does not make the characterization of a character, it is everything together that defines a character, and wow, Olga gives us one of the brightest Violeta, so feminine, so beautiful, so delicate, passionate, emotional and in the end tears ran down my face. Something had broken inside me, it was my heart and my soul, used to listening to other sopranos who are cold, who think that the First Act is saved with a High Eb, who in duet with Giorgio Germont, are as cold as if each singer was on different stages, there is no communication, they turn Violeta into a mechanical doll. Olga convinced me that #VioletaValery is a human being of flesh and blood, that in her life for a moment she lost her way, but with Alfredo's love she redeemed herself, and that in the end, her Addio del Passato and the final minutes your heart aches, because that's where you know the greatness of this woman, when she gives her portrait to Alfredo. Technically she is perfect, tenderness in her singing, her singing line is perfect, her breathing technique unwavering, her musical phrases perfectly constructed, her singing is a caress for our ears and for our hearts. Thank you Olga God bless you, she continues with your immense career, take care of #Maya, your husband, your family and loved ones. And perhaps the most important creation of #OlgaPeretyatko was the very difficult #MatildeDiShabran available on DVD and BLURAY, there she is impressive, along with Juan Diego Flórez and a great cast. Brava Olga, a well deserved victory. Just BRILLIANT. ❤❤❤🤩🤩🤩
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Me resulta curioso oír los murmullos del apuntador, oculto bajo la concha del escenario, es una figura que prácticamente ha desaparecido de todos los teatros.
15:30 song
Mamacita
1:02:40 beautiful
35:40
А я обожаю Ольгу Перетятько. Но здесь , на мой взгляд , чересчур медленное исполнение . Ольга при ее владении голосом обычно поет в хорошем темпе!! ( Тенор " не тянет"?)
Ольга! Почему в разных спектаклях ТРАВИАТЫ Вы берете ми- бимоль в 1 действии,а в других нет. В записи Мариинского не брали, а БАДЕН БАДЕНЕ брали?
@OlgaPeretyatkoOfficial
4 жыл бұрын
Потому что в Баден-Бадене у меня не было трахеита! Кстати, тут, если Вы внимательно посмотрите конец арии, я решаю не идти наверх в самый последний момент. И отчаянно отрицательно махала дирижёру головой в надежде, что он поймёт))))
@user-mv2sd1xs5h
4 жыл бұрын
@@OlgaPeretyatkoOfficial Большое спасибо за ответ.
Una penosa puesta en escena, habría sido preferible realizar la ópera en concierto, es una puesta en escena de un teatro de provincias, no está a la altura de uno de los teatros más importantes del mundo. En cuanto a las interpretaciones me ha gustado mucho Violeta, y Giorgio Germont, también Alfredo. Buena versión pero echada a perder por la puesta en escena, nada que ver con Solti y Gheorghiu en la Royal Opera House, ni con Conlón y Renee Fleming en la Ópera de los Ángeles. Lo siento mucho porque soy fan suyo, pero tengo que decir lo que pienso.
you resemble Tori Black
My favourite opera mangled by a mediocre regisseur, who has imposed his personal misconceptions to the point of ignoring the essence of the characters, making the singers perform actions that bear no relation to the text or to the music. Not to mention the meaningless handling of clothes and shoes and make-up kit until it becomes really tiresome. Also, what's with this trend of setting a XIXth century melodrama in supposedly modern times. It's not only anachronistic, it makes no sense: who'd give a damn today if the lady has had "a past" or if she and her love interest aren't married! I'm sorry for Ms Peretyatko to have had to participate in this pitiful production.
@richardfallon5507
2 жыл бұрын
I totally agree.. too often seen these days, period settings replaced by modern day settings,. it does NOT work and in fact it ruins the original concept.
#HISTORIASOCIALXXI També aquí cal remarcar els diàlegs dramàtics de Verdi que són decisius on el COR hi intervé i es requerixen ESCENIFICACIONS CONTINUADES, els moviments, per tal de comprendre l’emotivitat sublimada, inherent i global de l’obra.
Alfredo Germont è senza voce e soprattutto fascino,non pare punto innamorato
Lamentable escenografia y lamentable vestuario.
@OlgaPeretyatkoOfficial
2 жыл бұрын
D’accordo
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