Kirov Opera: Prokofiev - Betrothal in a Monastery / Обручение в монастыре, Op. 86 (Anna Netrebko)
Музыка
From the Mariinsky Theatre in St. Petersburg, Russia (1997)
Kirov Opera Company, Kirov Chorus & Kirov Ballet
Available subtitles: English, German, Spanish, French, Italian
Valery Gergiev - conductor
Vladislav Pazi - stage direction
Soloists:
Nikolai Gassiev - Don Jerome, a nobleman of Seville
Aleksander Gergalov - Don Ferdinand, his son
Anna Netrebko - Luisa, his daughter
Larissa Diadkova - Duenna, Luisa's governess
Yevgeny Akimov - Don Antonio d'Almanza
Marianna Tarassova - Clara d'Almanza
Sergei Aleksashkin - Isaac Mendoza, a wealthy fisherman
Yuri Shkliar - Don Carlos, an impoverished nobleman, comrade of Mendoza
Vladimir Vaneev - Padre Augustine, father-superior of the monastery
Sergei Liadov - Padre Elustaf/Pablo/1st Mask
Georgy Zastavny - Padre Chartreuse/Pedro/2nd Mask
Fiodor Kuznetsov - Padre Benedictine/Miguel/3rd Mask
Liudmila Kasianenko - Lauretta, Luisa's servant-maid
Liubov Sokolova - Rosina, Clara's servant-maid
Vladimir Zhivopistsev - Lopez, Ferdinand's servant
Sergei Prokofiev - Betrohal in a Monastery (The Duenna)
Lyric-Comic Opera in four acts, nine scenes
Libretto by Sergei Prokofiev and Mira Mendelson, after the play "The Duenna" by R.B. Sheridan
Chapters:
0:00 Sergei Prokofiev - Betrothal in a Monastery
1:27 Act I, Scene 1 - A square in front of Don Jerome's house
31:14 Act II, Scene 2 - At Don Jerome's house
48:50 Scene 3 - The quay
1:07:09 Scene 4 - At Don Jerome's house
1:22:42 Act III - Scene 5 - At Mendoza's house
1:37:58 Scene 6 - At Don Jerome's house
1:49:50 Scene 7 - A garden in the convent
2:04:34 Act IV - Scene 8 - A monastery
2:19:49 Scene 9 - A hall in Don Jerome's house
Subscribe: goo.gl/jrui3M
Пікірлер: 68
SUPERB Performance !!! The most impressive tenor sang, did a sword fight and played the glass bells - 2 hours all from memory !!! Prokofiev’s score is one of his finest achievements. BRAVO À TUTTI !!! 🙏👍
@thebioagetm25
2 жыл бұрын
Haha I was thinking the same, Opera is so underrated and the performers are just brilliant!
Потрясён, нет слов выразить восхищение !!!
Amazing opera! Amazing production!
This is a wonderful performance. The singing, the dancing, the costumes, the orchestra, Prokofiev, everything about it is amazing. Prokofiev and Kirov have won me over totally. Of course I have been wowed by many other Prokofiev works and Kirov performances but this is very special. One has come to expect this sort of performance from Anna Netrebko and Valery Gergiev and they certainly have not disappointed. Thanks for sharing this.
I just love this opera and this production is simply marvelous
Дзякуй вялікі! / Спасибо большое!
アシュケナージ氏指揮の組曲があって、組曲でなんて楽しい美しい作品だと、元オペラの全曲がようやく聴くことができました。私はプロコフィエフはマニアでして、オペラはまだほとんど聴いていません。これから時間をかけて彼の舞台作品を聴いて行きます。全曲、本当にありがとうございます。プロコフィエフが喜劇に取り組んだ珍しい作品、醍醐味を味わわせて頂きます。😔
Gracias a EuroArts por este encantador regalo !!!
I recognised the v young Netrebko almost immediately! Love this opera & this production. And find Gergiev so much better then. Spassiba... for it & for the multiple subtitles!!
@ediccartman7252
4 жыл бұрын
He is still peerless in this repertoire , as well as in many more composers. I guess your impression is all about his look ( indeed he looks here much more respectable). Who really degraded since then it's m-me Anna.
@mckavitt13
4 жыл бұрын
@@ediccartman7252 His look? Are you kidding? Just don't like his conducting. Didn't always like Bernstein's either, & he LOOKED great.
@ediccartman7252
4 жыл бұрын
@@mckavitt13 yeah I think about Lenny too , when look at Gergiev. They're both showmen.
@mckavitt13
4 жыл бұрын
@@ediccartman7252 Really! Well, then. Greetings from France. 🙆
@ediccartman7252
4 жыл бұрын
@@mckavitt13 in return -from Israel. Excellent English for French man :))
GRacias gracias desde Tenerife España
Wonderful! Thanks!
Да, в те давние времена какая хорошенькая внешне была г-жа Нетребко!
@orlandofurioso2034
3 ай бұрын
Она всегда прекрасна. И с каждым годом лучше и лучше.
I’m completely mad of this performance ! I can’t stop listening to it again and again !! Thank you so much for sharing, I’m working on Prokofiev Operas I really think it’s one of the most incredible production of XXth century, I do analysis and also write 2 piano versions to play some Prokofiev Operas in concert. Hope it will have the recognition it deserve !!
Потрясающае!!! Очень яркая,достойная постановка,с очень профессиональными певцами и артистами! Всё на высоком уровне декорации,художественная и музыкальныя части спектакля,брависсимо!!! Никого нехочется выделять,все отлично звучали и играли),ещё раз брависсимо Мариинка!!! В москве и близко ничего нет сейчас по уровню профессионализма!
@ediccartman7252
4 жыл бұрын
Дело было в 1998 г. Сейчас там бывают и очень халтурные спектакли ( хотя есть и много хороших ).
Really gorgeous!
Сергей Прокофьев "Обручение в монастыре" 1997 г. Анна Нетребко / Валерий Гергиев !
Anna...you are tge best!
¡Absolutamente deliciosa! Qué linda y qué simpática...
La más grande. Muchas gracias
Excelente!!!
コメディです。私は全曲これ何度目かな。素敵なナンバーがあります。私は、この全スタッフに敬意を込めて感謝をします。
desde México, Mil gracias :3
@Euroarts
6 жыл бұрын
Muchas gracias por tu comentario! Nos alegra que lo disfrutes :)
Bravo!!
Danke schön!!! Bamberg
This is more like Netrebko’s real voice...nowadays she just put so much constriction and artificial darkening it doesn’t even sound healthy.
@mckavitt13
4 жыл бұрын
@Seb G As do I. Terrible.
@ediccartman7252
4 жыл бұрын
She just can't sing anymore.
@mckavitt13
4 жыл бұрын
@@ediccartman7252 Because of all her forcing.
@ediccartman7252
4 жыл бұрын
@@mckavitt13 because she takes the roles that are total mismatch for her voice.
@mckavitt13
4 жыл бұрын
@@ediccartman7252 Same thing. But she started doing what the 1st commenter mentions long before she started singing the wrong roles. In preparation for them. PS. And her voice was so beautiful! As was she 😕
Can't go wrong with this one!
I saw this at the Met when the Kirov came to NYC. I did not know who Netrebko was at the time but boy has she blossemed since then.
Нетребко бесподобна.Эффектная постановка, вокал хороший , игру актеров можно было бы сделать потоньше.
@georgioverini2299
3 жыл бұрын
Так музыка не самая изящная и у Прокофьева другая задача была. Это же комедия, поэтому образы четкие и яркие.
Olé! I've no idea what happened - but I enjoyed the music.
merci pour la traduction en français!
@mirtacernich7797
4 жыл бұрын
actually what I',m listening has subtitles in SPANISH
@rayraleuse
4 жыл бұрын
@@mirtacernich7797 and today I don't see any subtitles. Weird.
@mirtacernich7797
4 жыл бұрын
@@rayraleuse I can't understand why .I have subtitles in Spanish.Are you watching thhe Ana netrebko version?
@rayraleuse
4 жыл бұрын
@@mirtacernich7797 yes !
@mirtacernich7797
4 жыл бұрын
@@rayraleuse sorry can't help you.
お気に入りのシーン自分用です2:22、2:52日本風な旋律 21:18 2:04:41 2:30:17
❤🌹
Act 1 Don Jerome intends his daughter Louisa to marry the vain, wealthy and ugly fish merchant Mendoza. However, she loves instead Antonio, who is poor, though noble in spirit. Furthermore, Don Ferdinand, son of Don Jerome and prone to fits of jealousy, wants to marry Clara d'Almanza, who is a virtual prisoner of her stepmother. Act 2 Don Jerome locks up Louisa in her room to force her to marry Mendoza. Louisa's nurse (the Duenna) provokes the fury of Don Jerome by pretending to be a messenger between Antonio and Louisa. Jerome dismisses her - but the Duenna exchanges clothes with Louisa who makes her escape in this disguise. By the quayside - where fisherwomen are praising the quality of the fish caught in Mendoza's boats - Louisa encounters her friend Clara, who has also run away from home and intends to seek sanctuary at the nunnery. Louisa asks to borrow Clara's name for a day - Clara assents. Enter Mendoza and his courtly friend Don Carlos. Mendoza is recognized by Louisa but he has never seen her. She therefore approaches Mendoza claiming to be Clara and asks him to take her under his protection and find Antonio with whom she is in love. Mendoza is attracted by this idea as a means to rid himself of his rival Antonio by marrying him off to 'Clara'. Don Carlos escorts 'Clara' to Mendoza's house. Mendoza visits the house of Don Jerome to meet 'Louisa' (the Duenna in disguise); whilst 'Louisa' is not as young and beautiful as Mendoza had been led to believe, her dowry is sufficient attraction. they agree to elope that evening. Act 3 The mystified Antonio arrives at Mendoza's house; while he is offstage meeting 'Clara', Mendoza and don Carlos congratulate themselves on their cunning. Still unwitting, they agree to help the pair get married. Don Jerome is rehearsing some amateur musicians (A trio of trumpet, clarinet and bass drum). He receives two messages- one from Mendoza saying he has eloped with Louisa, which delights him, and another from the real Louisa who asks for his blessing on her marriage, which he neglects to read carefully. He sends back his consent with both messengers and arranges for a great feast later that evening to celebrate. At the monastery, Clara meets with Antonio and Luisa and laments her apparent loss of Ferdinand. Enter Ferdinand, who mistaking Clara for a nun exclaims that he is chasing his false friend Antonio who has run off with his beloved Clara. Clara is secretly overjoyed at this demonstration of Ferdinand's passion. Act 4 The act opens with a drinking song for the monks in the monastery where the marriages are to be performed. The monks then switch to a hymn that extols fasting and abstinence, to a tune that is a slower variant of the earlier drinking song. Enter Mendoza and Antonio who by lavish bribery gain the monks consent to marry them to their loves. Enter Ferdinand who challenges Antonio to a duel, but the genuine Clara arrives and Ferdinand now understands the true situation. The three marriages are agreed. At Don Jerome's feast, the host is increasingly amazed, exasperated and infuriated as the successive arrival of the newly-weds makes it clear that his plans have gone completely awry. He is slightly compensated by the likely size of Clara's dowry. He sings a drinking song, accompanying himself on a set of tuned glasses.
1:26 - Вступление 1:38 - 1-ая тема (тема сватовства) Картина 1 4:18 - 1-ое Скерцо (Мендоза) 6:39 - 2-ое Скерцо (Жером) 11:51 - Ария Фердинанда 13:00 - (тема у Фердинанда) 15:05 - Каватина/Серенада Антонио 19:37 - Ария Гнева / Каватина Жерома 19:55 - (середина Арии Гнева) 21:18 - Танец масок 22:04 - Танцы -> Маски в восточных костюмах 25:14 - Жером про рыбу 25:33 - Танец масок 2 Картина 2 31:19 - Начало 2 картины (Луиза и Дуэнья) Картина 3 53:58 - Каватина Клары 1:04:42 - (Карлос) Картина 4 1:12:17 - (Дуэнья раскрывается, Мендоза теряет дар речи) 1:15:08 - Ария Дуэньи Картина 5 1:27:43 - (Тема Антонио) Мендоза подглядывает, Карлос 1:34:06 - Дуэт Антонио и Луизы (с Мендозой и Карлосом) Картина 6 1:38:21 - Трио - Жером, приятель, слуга (кларнет, корнет-а-пистон, большой барабан) Картина 7 1:49:54 - Женский монастырь 1:55:19 - Дуэт Луизы и Антонио (Тема Антонио) 1:56:41 - Ариозо Клары (начало) 1:58:13 - Ариозо Клары 2:02:10 - оркестровое проведение (любовь) Картина 8 2:04:54 - Священники пьют и поют 2:06:52 - Тост за женщин (имитация псалмов, унисон) Картина 9 2:29:14 - Хор, 1-ая тема (тема сватовства) 2:30:17 - Мелодия Жерома
@user-tv3zb1hg2z
3 жыл бұрын
С П А С И Б О
1:11:00 25:13
Kto perepisal libretto i tekst?
1:55:30 дуэт Луизы и Антонио
2:33:33
0:30 - вид И А Мусина 😀
1,48 zdarty głoś żenada
В чем прикол?