This was produced in 1989, if anyone was a bit confused by how old the filming appears.

@Hannari-xt6nr

19 сағат бұрын

Yes and it is important to remember thanks to this video that in 1989 Asia was still referred to as the Orient, and Asians as Orientals. Just like Africa was referred to as the Dark Continent, and Africans referred to as the N word, and Inuits as Eskimo, and arabs as barbarians, etc, ... Make no mistake, those words have been dropped from current language very VERY recently. I was born in the early 70s and i perfectly remember my hairdresser in the UK in the 80s, referring to his maid as the N word and this was completely banal.

Our lives should be much more art, like the Japanese bowls! Thank you for sharing this great video!

I find these tea-bowls so pleasing and satisfying.

i love this video, precious

3:03 - I have never pulled out such a deep philosophy from my Ikea mug

@user-ed6km8nq2s

8 жыл бұрын

+Splinter Maker IKEA is also deep philosophy

@lorenzoamato953

3 жыл бұрын

When I try to mount Ikea furniture, OTOH, the names of different Gods, saints, and miscellanea people come to my mouth, not always in a flattening way though.

This is an excellent documentary, and it got me thinking: I wonder if I could make something out of wood in a spirit similar to what's placed into making tea bowls. I imagine creating objects by hand with the help of a few basic tools. Allowing some areas to be polished, some varnished, and others rather rough, suggesting the time and motion that went into their birth as a unique thing. Doing this, I could choose cuts of wood carefully, using boards that are considered high grade as well as cheaper lumber if it has a nice grain pattern or if it somehow calls to me. Perhaps some areas that were originally cut straight would be sanded to be a little wavy, in order to match the curve of a grain pattern or place movement into the piece. Another thing that comes to mind is creating aggregates out of irregular chips of wood and some special type of glue or resin, which could be dried into blocks and used as inlays or something else. I imagine now a box that uses this material as part of its lid. It can be seen through slightly, hinting at the contents inside the box. Perhaps some areas of the material would be left smooth so that you could see through it, and other areas would be sanded so that the inside would be invisible. I will give it a try soon.

excellent! I now have a much better understanding of the Japanese tea bowl and its unique history

Wonderful! Thank you.

A wonderful documentary!

I am the dealer of Japanese antique pottery. Thank you for sharing the impressive video.

Yo that intro was dope

@spencerdore2145

4 жыл бұрын

it was

@Nicky-ne6eb

3 жыл бұрын

facts

Beautiful, thanks for sharing! 🙏

@comontoshi

6 ай бұрын

Looks like some sort of igneous stone . . . the islands of Japan are volcanic. To me they had the luster of basalt. 🤔 . . .

music = mind blowing

いいねー流石です😮

Wonderful....

Vendo esse video eu chapei demais sem nem usar nada

stunning

Wonderful, thank you very much for sharing! A question to the potters arround here: anyone any idea what kind of stone the pebbles are, he makes his glaze of? Reminds my of (round washed) greywacke...

Where can I buy old Raku Kichizaemon bowl?

Shuichi Kato im Gespräch mit dem derzeitigen Oberhaupt der Rakufamilie Kichizaemon XV in der 15. Generation Raku. Man kann Kichizaemon bei der Herstellung von Teeschalen beobachten. Kichizaemon ist ein Wanderer zwischen den Welten. Er hat in Rom an der Kunstakademie studiert und er führt die uralte Tradition der Raku Familie fort. Ein wertvolles historisches Dokument aus dem Jahr 2008.

The Raku tea bowl is a beautiful parallel of the imperfection of man. "But we have this precious treasure [the good news about salvation] in [unworthy] earthen vessels [of human frailty], so that the grandeur and surpassing greatness of the power will be [shown to be] from God [His sufficiency] and not from ourselves." (2 Corinthians 4:7 AMP)

maravilhoso!!

Kichizaemon is as genius

Ａｅｓｔｈｅｔｉｃ 日本

😍

Getting Tekken 2 vibes from the opening xD

i wis there were captions

like a Japanese tea bowl i want one where found

@hindsightpov4218

6 жыл бұрын

Try eBay.

@saffron1996

4 жыл бұрын

etsy... i just got myself a bowl made from an artist like shown here

@krestonosets68

4 жыл бұрын

@@saffron1996 no way, what is the name

@krestonosets68

4 жыл бұрын

@@hindsightpov4218 ebay is fake, man

A chawan one at a time . . . 😛👍

Does anyone know the name of the white guy with a mustache who is speaking presumably Japanese at 42:20?

@spencerdore2145

4 жыл бұрын

that's french hahaha

@savyhendrixvideo

3 жыл бұрын

haha 41:43 his name is Claude Champi and he's a French potter (and speaking French)

No centrifugal forces here, the clay is too dry and the wheel turns too slow...

でたでた！　日本人論！

Shout out to all my blood homeboys

Phds !

Hyouge Mono anyone...?

RAID AREA 51!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

5:05 - why talk about China ceeramic traditions when Japan's ceramics are the oldest in the world. en.wikipedia.org/wiki/Japanese_pottery_and_porcelain#History_to_19th_century

@rodparsons521

7 жыл бұрын

"One of the oldest.... "

@hindsightpov4218

6 жыл бұрын

Brandon Wills China’s ceramic culture and its overall civilization is thousands of years older than Japan’s. Korea’s ceramic culture and its overall history is also several thousands of years older than Japan’s. Both China and Korea have greatly influenced Japanese culture and civilization, including Japanese ceramics. When it comes to Japanese teaware, Korean ceramics has been particularly influential. This video is inaccurate by saying this style of teaware originated in Japan, being uniquely Japanese, when its origins are actually Korean, specifically Korean Buncheong/Punch’ǒng ceramics. Most modern day Japanese potters are very frank about this. Legendary Japanese potter Shōji Hamada was heavily influenced by Korean style ceramics. These days, it’s not unusual for Japanese teaware potters to go to Korea to see the origins of Japanese teaware and to pick up new ideas.

@fil471

6 жыл бұрын

hmmm... really not sure about that.. Japan inherited a lot from china arts...

@ShaneyElderberry

4 жыл бұрын

The reason for mentioning the ceramics of the Song Dynasty is because the development of powdered, whisked tea began in the Song Dynasty, along with the tea bowls mentioned (hare fur and oil drop style glazes). The general shape of Korean and Japanese teabowls is based on Song ceramics. The appreciation of tea in this manner is also based on Song literati-scholar patronage of the ceramic vessels and accessories. It amounts to small changes to the teabowl glaze/firing and tea cultivars.

@ShaneyElderberry

4 жыл бұрын

@@hindsightpov4218 In a small sense, Brandon is historically right to make the claim about Japanese ceramics and their age. Archaeology has shown the Jomon ceramics to be almost the oldest surviving examples of pottery on the planet - the two exceptions seem to have been ancient tribes in Jiangxi & Hunan. Even so, we both understand that the Jomon pottery has no correlation to the teabowls of Japan, which were first based on Song dynasty teabowls via Korean alterations and updates to Song ceramic styles.

I wuoln not compare ye raku vase with the pollock shit.... nothing to see...

Nothing but praise in these comments. Yet if everything were fired with such incredible inefficiency, we'd have long ago denuded every forest in the world. Art is often incredibly wasteful of resources. I'd take an IKEA mug any day.

@JScarper

5 жыл бұрын

Fortunately your opinion is irrelevant, you philistine.

@krestonosets68

4 жыл бұрын

As long as your Ikea mug gives you an enjoyment

@googleuser1964

4 жыл бұрын

That's true... Also any form of art has big carbon foot print with no practicle purpose .. But we humans need them for our social well-being.

@lorenzoamato953

3 жыл бұрын

But the point is that nothing else is fired that way. The Raku family tradition is one of a kind, and it is per se an archeological remain of the Edo period and value-system. Even the fact that the 10 coworkers were descendant from those who were working with Kichizaemon's ancestors is telling: it's a feudal micro-bubble, and impacts nothing as far as human resources are concerned (certainly less than Ikea!!!).

@d.jensen5153

3 жыл бұрын

@@JScarper I am a philistine. But what I wrote is less an opinion than fact. Continuous production counterflow kilns achieve incredible thermal efficiencies.

Tanta mmda por un tazón todo feo