Imants Kalniņš: Symphony No. 5

Imants Kalniņš (1941- )
Symphony No. 5
I. Allegro appassionato
II. Sostenuto dolce 12:10
III. Allegro festivo 26:15
IV. Largo con grazia 34:43
Latvian Radio and Television Symphony Orchestra
Vasilijs Sinaiskis, conductor
Imants Kalniņš (born 26 May 1941 in Riga, Latvia)[1] is one of the most important composers in the history of Latvian music. Having studied classical, as well as choral music, he has written six symphonies, several operas (including the first rock opera in the USSR, Ei, jūs tur! (Hey, you there!)), oratorios, cantatas, choir songs, a lot of movie and theater music. However, he is generally best known for his rock songs and is to be considered the first composer of intellectual rock music.
During the 1960s, Kalniņš led the Liepāja rock band 2xBBM, which was extremely loved because of its heartfelt songs and hippy-like lifestyle. Kalniņš became the symbol of the spirituality, rebellion and worldview of the generation, and it was emphasized by the fact the band was forced to stop playing because of the pressure from official institutions. However, this doesn't stop the music of Kalniņš from being heard - it is played by the incredibly popular band Menuets (Latvian for 'minuet'), which plays songs almost exclusively by Kalniņš.
During the 1970s, Kalniņš returned to writing symphonic music. In 1984, he wrote the rock oratorio Kā jūra, kā zeme, kā debess (Like the sea, like the earth, like the sky) together with Juris Kulakovs and Juris Sējāns. The oratorio was the first thing played by the band Pērkons ('Thunder') for the general public. With it Kalniņš returned to rock and roll once more. He wrote many new songs for Pērkons, and these same songs led him to start his own band, Turaidas Roze ('The Rose Of Turaida'). However, the band never gained the recognition and adoration that Menuets and Pērkons did.
During the third awakening of the Latvian people, when Latvia regained independence, Kalniņš took part actively in Tautas Fronte (Popular Front) political organization, which played the most important part in ending Latvia's occupation by the USSR.
The festival most associated with Kalniņš is the Imantdienas ('The Days of Imants'), extremely popular during the Soviet times and therefore banned. The tradition was reintroduced in 1995, and since then has happened every year (with the exception of 1997, when the composer was away on a trip, and 2009 -- in the time of economical downturn). It has remained at least as popular as before.
Lately Imants Kalniņš has been working together with the well-known Latvian musician Ainars Mielavs, and their collaboration has resulted in some of the most excellent albums containing primarily music by Kalniņš, such as Par lietām, kas tā ar' nekad nepāriet (About things that never truly go away) (1997), Es redzēju sapnī (I Saw in a dream) (1998) and I Love You (1999; despite the title, the lyrics are mostly in Latvian in this album).
In 2000, music for the 1973 movie Pūt, vējiņi (Blow, wind, blow) was re-recorded by the Liepāja Symphony Orchestra as well as many recognized singers.
Kalniņš also composed the song "Pilsētā, kurā piedzimst vējš" ("In the city where the wind is born"), the anthem of Liepāja.
Imants Kalniņš has been one of the most loved composers in Latvian music for the past half century, and his phenomenon is showing no sign of fading.
He is also a politician, member of the 8th and 9th Saeima for For Fatherland and Freedom/LNNK.
The second movement of the 5th Symphony depicts the suffering of the Latvian people under Russian oppression. The finale is a reflects their hope for freedom.

Пікірлер: 14

  • @joan17920
    @joan179209 жыл бұрын

    One of the best symphonies ever!

  • @norwallnorwalltino3085
    @norwallnorwalltino30857 жыл бұрын

    Soooo good to discover this important composer, I really enjoy Imants Kalniņš work. Great!!

  • @hectorbarrionuevo6034
    @hectorbarrionuevo60344 жыл бұрын

    That opening, sustained ostinato section is pretty heavy, energetic, strangely-colorful. The work also features (among other elements) dissonant, minimalistic-like, contrapuntal sections. Movement II offers a huge textural and dynamic contrast to the first; movement III starts with an awesome fugue-like section. The last movement is triumphant and ends mysteriously through a drone layer !

  • @sinesiomadronarodenas7666
    @sinesiomadronarodenas76667 жыл бұрын

    Inquietante, pero magnífica. Es todo un descubrimiento la música de Imants Kalniņš.

  • @AlsoSprach_Zarathustra
    @AlsoSprach_Zarathustra6 жыл бұрын

    This work reaches an ecstatic catharsis that words can't fairly describe it. I haven't paid attention to something so spectacular from Respighi's Vetrate di Chiesa or Braga Santos' 4th symphony.

  • @chel3SEY
    @chel3SEY7 жыл бұрын

    This is a hidden masterpiece. Thanks so much for uploading it.

  • @dougbyrd9037
    @dougbyrd90377 жыл бұрын

    I really like this guy. He's not Prokofieff, but he keeps me listening to his music. Thank you very much.

  • @albertotorro1306
    @albertotorro13067 жыл бұрын

    Para mí que estoy metido en el rock sinfónico esto es en descubrimiento increíble

  • @glaynebax3221
    @glaynebax32218 жыл бұрын

    Recuerda a Shostakovich

  • @brianhadfield7512

    @brianhadfield7512

    7 жыл бұрын

    Glayne Bax Have you heard any Arnold Bax? His symphonies especially are terrific!

  • @glaynebax3221

    @glaynebax3221

    7 жыл бұрын

    I have ALL his symphonic Music. Symphony n° 3 is an absolute masterpiece, and the rest are superb as well. He's one of my favourite composers.

  • @Dzons1602
    @Dzons16028 жыл бұрын

    Muzīkā gandrīz ģēnijs - politikā pilnīgs nepraša.