No video

I misunderstood how Four Tet makes music

Listening to a Four Tet song, I started coming up with a weird and wonderful way to recreate the lead. Little did I know that the original was simply sampled from a record - but as a happy accident I now have developed this super weird and cool melody-making technique using the piano sustain pedal and modwheel. So, thanks for the inspiration, ‪@fourtet555‬ !
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Contents:
0:00 How Four Tet did not make his melody
0:28 The Indian Santoor instrument
1:10 How would electronic musicians approach this?
2:17 Using the piano sustain pedal and mod wheel
4:12 Discord community challenge
5:33 Other sounds achievable with this

Пікірлер: 118

  • @OscarUnderdog
    @OscarUnderdog7 ай бұрын

    My Foundations courses ► courses.underdog.brussels Patreon ► www.patreon.com/underdogmusicschool Discord ► discord.gg/trDbVcDHB3

  • @danpreston564
    @danpreston5647 ай бұрын

    Back in the early 90s, when I bought my first synth, drum machine and sampler, I really wanted to make music like The Orb. I had no idea that nearly everything,they did was sampled. I was trying to use an early 90s synth workstation. It didn’t work.

  • @Turbo_TechnoLogic

    @Turbo_TechnoLogic

    7 ай бұрын

    Yeah he probably had better gear. Now everyone can have super gears for everything unlike back then

  • @Makebelieve123

    @Makebelieve123

    7 ай бұрын

    Agree… and still most of the best music has already been made. But it’s the journey that counts !

  • @rhythmace1

    @rhythmace1

    6 ай бұрын

    Star 6 & 7 8 9? This reminds me of trying to work out how to recreate some funk wah-wah guitar part as a teenager, without realising that I needed a wah-wah pedal, lol. I must have thought the sound came from the way it was played somehow!

  • @abkasti1035

    @abkasti1035

    6 ай бұрын

    @@Turbo_TechnoLogic AfIK have read that they did d'jaying in beginning, 2 guys drummachine and 4 turntables?? and feed that into a delay machine.

  • @christianvictor827
    @christianvictor8277 ай бұрын

    As someone who embraces many aspects of Four Tet's productions I'm very happy to see some content in that direction here. The somehow fragile or broken sounds (mainly created with creative application of filters) is also well worth exploring.

  • @D3XTRO
    @D3XTRO7 ай бұрын

    It made me think of "Flume & Eprom's Spring" the way you were speeding it up and slowing it down that song uses that technique to great effect

  • @andrwwaugh
    @andrwwaugh7 ай бұрын

    I’d love to explore some rival consoles style plucky pad sounds, doing some nice chords, with the arp set to “trigger”

  • @OscarUnderdog

    @OscarUnderdog

    7 ай бұрын

    it's very rival consoles, I totally agree :) when combined with lovely chords & progressions

  • @swagzilla3000

    @swagzilla3000

    7 ай бұрын

    Yeah the part with the modwheel playing is very reminiscent of recovery

  • @B0K1T0

    @B0K1T0

    7 ай бұрын

    Had to think of Rival Consoles as well

  • @SsgtHolland
    @SsgtHolland7 ай бұрын

    Another variation on this would be to use a Reason Player called Quad Note Generator. It generates euclidean note repeats based on your midi input, which you can vary in interval by mapping the mod wheel to the pattern selector. As a bonus, it can also generate random pitch variations and map them to selectable scales.

  • @SyncrisisVideos

    @SyncrisisVideos

    7 ай бұрын

    Reason gang!!

  • @andrwwaugh

    @andrwwaugh

    7 ай бұрын

    Nice!

  • @OscarUnderdog

    @OscarUnderdog

    7 ай бұрын

    awesome!

  • @Sool101

    @Sool101

    7 ай бұрын

    Sometimes, I just have to make a screenshot. Thanks for sharing!

  • @SsgtHolland

    @SsgtHolland

    7 ай бұрын

    @@OscarUnderdog Thanks Oscar! I love your video's.

  • @tru7hhimself
    @tru7hhimself7 ай бұрын

    i do a similar thing in eurorack. there you can set your envelope to cycle, attack to minimum and play with the decay. you can then of course also apply that to a whole lot of different parameters than volume.

  • @Rgdonaire_07
    @Rgdonaire_077 ай бұрын

    Four Tet is one of my favorite producers. A legend. Somehow I always felt this was sampled, he is well known for that.

  • @piynubbunyip
    @piynubbunyip7 ай бұрын

    This is happening so often when listening. I think it is far more interesting exploring where an instrument will lead you rather than force the instrument to be forced to emulate another for most instances but in this case it is pretty cool. Now apply it to another sound and it will be unique.

  • @remnant342
    @remnant3427 ай бұрын

    been hearing this a lot in drum n bass lately. camo & krooked - overture is a good example, a lot of artists have used this recently

  • @hoikant
    @hoikant7 ай бұрын

    Yes underdog - awesome tutorial, great thinking and application of insights. Next logical step would be to look into karplus-strong synthesis

  • @Sil3ntKn1ght
    @Sil3ntKn1ght7 ай бұрын

    Similarly, JK Flesh "In Your Pit" is a sample from Prurient's "The Other World". Just like Four Tet, utilizing samples in unique ways with filtering and processing

  • @LongNguyen-ut5fr
    @LongNguyen-ut5fr7 ай бұрын

    Love your content bro. Sound and looks like a cool friend so happy with what he found and share with his bro

  • @theComaCalling
    @theComaCalling7 ай бұрын

    Your video’s subject of sound design parameter tweaking was just what I was hoping to find today on KZread but didn’t. However this made up for my unsuccessful search on the subject of Telefon Tel Aviv’s latest “Dreams are not enough” in which the whole record’s synth lines sound like they are ratcheting up and then releasing in the most pleasing way possible. Some of the sound’s on the record sound more like they are rooted mathematical equations and physics, sounding as if they become more or less defused, bounced off of walls and projected through tubes with changing dimensions. The record’s genre of Dark SynthPop is draped in some of the most brilliant sound design. It’s a truly incredible listen for anyone who loves good sound design. TTA’s “dreams…”, pure gold! Anyway, this FourTet record (as all FT records) is incredible. Thanks for covering this subject; I knew he’d switched DAW around this time and always assumed it was a virtual instrument myself. Keep up the great videos!

  • @philfiebz
    @philfiebz7 ай бұрын

    Super creative and fun technique. Thanks for always sharing them. “Alar & Katie Pride - Teotihuacan” and “Mona Vale - Place To Hide” will be my suggestions for today. Have a nice week everyone.

  • @TeddyBaas
    @TeddyBaas7 ай бұрын

    I wanted to make music like the prodigy and didn’t know that 99% was all samples

  • @OscarUnderdog

    @OscarUnderdog

    7 ай бұрын

    Hahaha yeah that's exactly the experience 😅 no shade on sampling, it's just that sometimes we imagine things are more complex than they are.

  • @mmilerngruppe

    @mmilerngruppe

    7 ай бұрын

    Liam was so good at it that I didn't notice the catch for twenty years.

  • @oneeyewitness9225

    @oneeyewitness9225

    7 ай бұрын

    @@OscarUnderdog The Mars Volta have a great intro to a song where the drummer is playing rolls on the snare. When I saw them live I was shocked. He was just hitting the snare once, and there was a delay on it. So simple in hindsight!

  • @mbrombert

    @mbrombert

    7 ай бұрын

    I am with you. Growing up with Experience and Jilted Generation, I wanted to create similar sounds but had no idea about sampling. Years later I was like oohhhhhhhhhh..... 🤣🤣

  • @christdolphin69

    @christdolphin69

    7 ай бұрын

    So disappointing when I find out that producers loved just sampled something and slowed it down. Of course it’s an art but it just seems cheap somehow. I’d much rather make my own “samples”/loops and manipulate those if I were equally skilled at both

  • @SyncrisisVideos
    @SyncrisisVideos7 ай бұрын

    Without a sustain pedal, one could also setup to have the mod wheel enable the arp device, at zero it wouldn't turn the device off, and anything greater would turn the device on. The main difference would be that you couldn't take advantage of the rate when the modwheel is all the way down, and also that you could use the sustain pedal to control other typical device features (as well as skip the M4L).

  • @AUTOSAD777
    @AUTOSAD7777 ай бұрын

    I'm stealing this technique, Oscar! Hope you had a good holiday!

  • @Bong050188
    @Bong0501887 ай бұрын

    Amazing video. Be great if you could cover more four yet & bonobo.

  • @kobi-kobsen
    @kobi-kobsen7 ай бұрын

    I used the Korg Pad Control with flam function on the xy pad for these kind of fx.

  • @nicholashennell-foley4608
    @nicholashennell-foley46087 ай бұрын

    Wow crazy, I used to work at the place where the Santoor section was filmed! It's a really cool space where lots of different events happen - check out the Bedouin Tent at St Ethelburga's Centre for Reconciliation and Peace in London :) Thanks for the video!

  • @mabian69
    @mabian697 ай бұрын

    To be honest, the santoor retriggers don't really sound like there's a round robin, I kind of hear some machine gun effect, maybe only mitigated by the fact that repeated notes don't immediately choke themselves. Is it sure that it's using round robin?

  • @OscarUnderdog

    @OscarUnderdog

    7 ай бұрын

    It's true, it might not even be. I just tend to mention that whenever I mention multisamplers hehe.

  • @zechs5079

    @zechs5079

    7 ай бұрын

    Agreed

  • @Nuke_Skywalker
    @Nuke_Skywalker7 ай бұрын

    imma try that with mutable instruments rings and the strum trigger via an apreggiator

  • @sonamgray5643

    @sonamgray5643

    7 ай бұрын

    I think modular might not be in his radar as it seems here, as there are many effects like this that are possible when you separate pitch and gate info. Also modular is something Four Tet uses a bit himself but mostly working in the DAW. 😊

  • @gacstibi
    @gacstibi7 ай бұрын

    i think back when i was listening to Stephan Bodzin and Marc Romboy a good 15 years ago, i've heard arpeggios and modulations like that, but now i also know how to achieve that, thanks for the explanation!

  • @AdrianW90
    @AdrianW907 ай бұрын

    that motive... You are, my fire. The one, desire...

  • @iamnexus77
    @iamnexus777 ай бұрын

    conisder mapping velocity to the mod wheel as well (and limiting the range of shift). That should help with realism.:)

  • @paulbarrett4533
    @paulbarrett45337 ай бұрын

    The pan pipe sound is good

  • @AANIBALDI
    @AANIBALDI6 ай бұрын

    is this project or chain effect available somewhere ? Thank you for all your great content. I might buy your course or subscribe to your patreon soon :)

  • @Georgemelhem
    @Georgemelhem7 ай бұрын

    fucking love youuu, thanks a lot!!

  • @stefankatic1337
    @stefankatic13377 ай бұрын

    6:33 this reminds me of Showtek - Black and other early hardstyle sounds... Is that a distorted sine wave?

  • @bobclark5360
    @bobclark53607 ай бұрын

    Pardon the Noob question but what CC value do you filter? 64? I don't see that in the filter..confused. But very cool tip and I wondered the same about how FourTet did that and, well, all his tricks. The man is amazing. Been trying to replicate his ear candy in Baby. Is it a bird, and synth a layer of both?

  • @jefefpv1695
    @jefefpv16957 ай бұрын

    I love that instrument

  • @Mr.Facebox
    @Mr.Facebox7 ай бұрын

    Very cool

  • @b00ts4ndc4ts
    @b00ts4ndc4ts7 ай бұрын

  • @csmcrckrs
    @csmcrckrs7 ай бұрын

    A few years back, I was in LOVE with ratcheting ... the perfect tool for this kind of stuff is the 4ms PEG module (my favorite combination was 4ms PEG + turing machine), but your idea is way cooler, gotta try that!

  • @mattwest8642
    @mattwest86427 ай бұрын

    Sounds amazing

  • @Gooden_Eye
    @Gooden_Eye7 ай бұрын

    it's an easy mistake to make...good owning it Oscar

  • @projectvolna
    @projectvolna7 ай бұрын

    Curious to hear this technique combined with pitch bend. I’ll try while I will figure out how to implement it in dawless setup with deluge.

  • @OscarUnderdog

    @OscarUnderdog

    7 ай бұрын

    Hehe please do try. I found my own experiments with pitch bend... not convincing, but maybe I wasn't trying hard enough :D

  • @woeye3251
    @woeye32517 ай бұрын

    Oscar, on a traditional piano you have the concept of a "trill" where you quickly alternate between two notes using your fingers 2 and 3, for example. Very common in classical music, for example in pieces from Chopin. There is also the concept of repeating one note very quickly. You can do this with one hand by alternating your fingers 3, 2 and 1 on the same note, like so: 3,2,1,3,2,1... But you will need a proper weighted hammer keybed for this or a real piano :)

  • @sebastianr4196
    @sebastianr41967 ай бұрын

    Great video, could you name the Max for Live device you're using with the sustain pedal? Thanks!

  • @QWLMusic
    @QWLMusic7 ай бұрын

    What an amazing idea!

  • @antoineguilbeault8025
    @antoineguilbeault80257 ай бұрын

    wow i never tought about mapping arp rate to modwheel. that seems so obvcious to me now thanks

  • @marcomoraschi3537
    @marcomoraschi35377 ай бұрын

    Flute and marimba are beauty

  • @Itiswhatitisitiswhatitiswhatit
    @Itiswhatitisitiswhatitiswhatit7 ай бұрын

    Afterlife artists have been using this for years now. Listen to any Anyma track out right now. It's become extremely popular in the melodic techno scene, which is really more like the progressive house scene in disguise.

  • @alexyoungbased
    @alexyoungbased26 күн бұрын

    My guy four tet is just pulling up Omnisphere presets 95% of the time 🤣

  • @SabziKooKoo
    @SabziKooKoo7 ай бұрын

    The Santoor is actually an Iranian instrument

  • @francocalifano896
    @francocalifano8967 ай бұрын

    hey oscar could you make a video about sampling like tiger & woods, soundstream etc… like discoish techno/house

  • @DGTL_MRKT
    @DGTL_MRKT7 ай бұрын

    Throw an arp onto some live drum samples.. see what hits, move some stuff around, find some good lines... Arranging decent drums and patterns is super exciting.. adding in some randomness can really give a live feel to the drums.

  • @unclemick-synths
    @unclemick-synths7 ай бұрын

    Good video 👍

  • @hugueslelais973
    @hugueslelais9737 ай бұрын

    Nice trick man ! Remembers me a lot of flume's music, "spring" especially :)

  • @lookmomonlycomputer
    @lookmomonlycomputer7 ай бұрын

    not shure there is round robin on this particular sound, for me sound exaclty same for every notes, maybe with some velocity variation, but...

  • @squareglobeplus
    @squareglobeplus7 ай бұрын

    cool

  • @musical.shamim
    @musical.shamim7 ай бұрын

    Lol you just revealed my workflow 😂❤

  • @ChiefExecutiveOrbiter
    @ChiefExecutiveOrbiter7 ай бұрын

    Guess that's why he's Four Tet, and you're running a YT channel 😁 I kid, I kid 😁

  • @SidMassiveXM
    @SidMassiveXM7 ай бұрын

    If you ever needed to design a chainsaw sound effect....

  • @PGAF
    @PGAF7 ай бұрын

    Great tutorial, need the beard trimming tutorial next

  • @Fiyeroification
    @Fiyeroification7 ай бұрын

    Tbh I thought it was made using a Mutable Instruments module

  • @SignificantOther11
    @SignificantOther117 ай бұрын

    Happy to see you cover four tet and especially this song, but isnt it kind of obvious the lead was recorded in a studio session? The world of electronic music is a severely isolated echo chamber and electronic musicians desperately need to introduce some concepts and elements from outside of electronic music into their own work. I would be interested to see if this is something you could bring to your channel.

  • @sandipannath9588
    @sandipannath95887 ай бұрын

    Would you be interested in taking a dig at Nicolas Jaar's music?

  • @OscarUnderdog

    @OscarUnderdog

    7 ай бұрын

    Love Nicolas Jaar! I do find his stuff feels quite diverse in terms of composition methods, just consistently very sloooooow hehe :) haven't listened for a long time actually, is he still actively putting stuff out?

  • @sandipannath9588

    @sandipannath9588

    6 ай бұрын

    @@OscarUnderdog I think the last album he released was in 2020. He offers all six of his albums for people to download and reuse which is pretty cool. There's a link it on his website. I am interested in understanding the way he produces the sounds rather than the composition which is also quite slow for my taste.

  • @JimJohnMarks
    @JimJohnMarks7 ай бұрын

    As it sounds like you'll be checking your DM's on Discord, you asked me to send you something quite a long time ago, which I did, but never heard from you. Sure you were busy at the time. Same user name there as here.

  • @RogueFire29
    @RogueFire297 ай бұрын

    ahah your face when you find something interesting

  • @subschnee4573
    @subschnee45737 ай бұрын

    Four Tet is know for blatenly stealing aka sampling long parts of already existing stuff. I was really into his stuff +10yrs ago until some famous producer explained to me he does the sampling and with what plug-in Pro Tools. And that it's pretty much an automated process which is the defaullt setting of the plug. And yes also there's a lack in the low end for my taste sometimes. But yeah this everything I used for my new album.

  • @musicalman1995
    @musicalman19959 күн бұрын

    I ummm don’t know how anyone can listen to four tet and not think it’s predominately built on samples

  • @jasperthemelis
    @jasperthemelis7 ай бұрын

    Might want to look into something called Ratchets or ratcheting. I’m only familiar with it in modular, but I think that could also be an interesting/easier way to get those trills.

  • @Spunionslivelab

    @Spunionslivelab

    7 ай бұрын

    Pretty sure bro knows what ratcheting is.

  • @pensoamordigofuria3203
    @pensoamordigofuria32037 ай бұрын

    Great video! Nice socks too! 💙

  • @ultralife73

    @ultralife73

    7 ай бұрын

    Ah, a fellow sock-enthousiast!

  • @nachodiaz4837
    @nachodiaz48377 ай бұрын

    Oscar! I dig and respect your material; but this time it think it's a second misinterpretation. It's obviously kinda intentional in order to showcase the technique you used; but at the same time I think the core idea one has to take away from Four Tet as a producer is it's unhinged use of non traditional approachs bot for performing and composing(such as its Cool edit pro granular sampling technique) In this case; he DID SAMPLE something and there's a lot of thought and feeling which comes with that that doesn't really works the same as playing a ratcheting arpeggiator on a high resolution santur sampler. It's more flexible? yeah but at the same time kinda pointless; like analyzing Machintosh Plus's Floral Shoppe opening from a sheet music perspective. keep it up anyway! love the channel

  • @jamesharrison5004
    @jamesharrison50047 ай бұрын

    adjust sample end point

  • @Nenko_Music
    @Nenko_Music7 ай бұрын

    Nice socks my friend :D

  • @tq2769
    @tq27697 ай бұрын

    bummer

  • @jonckheerebart9002
    @jonckheerebart90027 ай бұрын

    Why not a chapter how you get your’e hardware into Ableton send by midi from DAW Ableton ( multiple hardware )

  • @chi-bro
    @chi-bro7 ай бұрын

    XFILES vibes!

  • @MisterGrooves
    @MisterGrooves7 ай бұрын

    he used to just scrub the playhead in cool edit pro to make stutters. idk about these days.

  • @jaysilence3314
    @jaysilence33147 ай бұрын

    Something you'd expect to find on the Monome Norns.

  • @mydearzampano
    @mydearzampano7 ай бұрын

    Don’t understand all the hate in the comments. I appreciated the video. Thanks Oscar!

  • @ishanazir4734
    @ishanazir47347 ай бұрын

    Does someone have a fl studio esuivalent to this?😮

  • @mrfuriousmother
    @mrfuriousmother7 ай бұрын

    "exactly reproducing four tet is not exactly one of my life goals" if we could only be so lucky

  • @badloop
    @badloop7 ай бұрын

    *max msp has entered the chat

  • @jegr3398
    @jegr33987 ай бұрын

    Just use a hammer dulcimer lol

  • @easterislandhead9579

    @easterislandhead9579

    7 ай бұрын

    I’m all about that zither spoon 🥄 🥄

  • @MrChamesy
    @MrChamesy7 ай бұрын

    Reminds me of Age of Empires haha

  • @schermanism
    @schermanism7 ай бұрын

    Honestly, it's a little disappointing that this entire theme was sampled

  • @user-tx2ip9md3h
    @user-tx2ip9md3h4 ай бұрын

    Santoor is Iranian instrument not Indian

  • @Gainn
    @Gainn7 ай бұрын

    Trackers do this stuff without any effort.

  • @djkurtstudio
    @djkurtstudio7 ай бұрын

    Bitwig can achieve this pretty easy using a different method.

  • @viogitz
    @viogitz7 ай бұрын

    🎉

  • @voltijuice8576
    @voltijuice85767 ай бұрын

    I'd avoided them so far, because I assumed all of their stuff would be in "four tone equal temperament"

  • @MCAlvesPortugal
    @MCAlvesPortugal7 ай бұрын

    Don't do drugs😂

  • @ericpeters0n
    @ericpeters0n7 ай бұрын

    So many electronic musicians are so absorbed in their tools they don't even understand the principles of what real, live musicians do...

  • @mikebon8352
    @mikebon83527 ай бұрын

    All talk.. a bunch of equipment and still no number 1 hit around the world

  • @andrwwaugh

    @andrwwaugh

    7 ай бұрын

    How much do you talk, show yourself, share ideas or pump out number 1 hits? Weird comment dude

  • @stephenjohnstone9940
    @stephenjohnstone99407 ай бұрын

    Trilliant! cheers Oscar IshIsh! Xxx

  • @HeleneBarsch
    @HeleneBarsch7 ай бұрын

    Incredible editing! The transitions and effects add so much depth. A true testament to the creativity behind this production.🧡