I had 3 Composers Rescore the Mario Trailer

Trailer composer Alistair Cooper joins me as we look at three attempts to write new music for the Mario Bros Movie trailer!
More about Alistair at www.alistaircooper.com/
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#supermariomovie #trailermusic #composition

Пікірлер: 33

  • @roelofmeijermusic5706
    @roelofmeijermusic5706 Жыл бұрын

    This was awesome. The feedback is appreciated, so thanks! In hindsight I couldn't hear Luigi and Bowsers talk well enough. Btw Alexis did awesome work too, loved the title card cue

  • @hudsondunbar7853

    @hudsondunbar7853

    Жыл бұрын

    So, how do you access trailers or gameplay with music removed in order to practice composing to them?

  • @roelofmeijermusic5706

    @roelofmeijermusic5706

    Жыл бұрын

    ​@@hudsondunbar7853 Ryan himself got his hands on it (every few months or so he does a clip, not sure exactly how and where he gets the permission) and shared it in the Discord server as a challenge. So it's sort of for anyone who wants, but you gotta look for it and engage with the discord server

  • @roelofmeijermusic5706

    @roelofmeijermusic5706

    Жыл бұрын

    @@hudsondunbar7853 And I also know that TheCueTube is something you should google if you want to get more unscored clips (not tried it myself yet but people are talking about it)

  • @XXIII_89
    @XXIII_89 Жыл бұрын

    Roelof's was my favorite, because of the blatant use of classic Mario themes from various games. I was won over with the nostalgia factor.. lol 😅

  • @eboone

    @eboone

    Жыл бұрын

    Yeah it was the best imo

  • @AFNacapella

    @AFNacapella

    Жыл бұрын

    totally, you'd assume you get the music rights for this trailer, so bash em with nostalgia and jokes. there are references to many games combined with movie references. for example Yoshi Theme in the style of Jurrassic Park...

  • @uffevonlauterbach
    @uffevonlauterbach Жыл бұрын

    I really liked Roelof's the most. The ending could've been much bigger, but I really liked the little callbacks to the previous Mario games and Mario Kart theme, as well as the appropriate pauses.

  • @Alexis_DL
    @Alexis_DL Жыл бұрын

    Thank you for your reviews ! I really had fun rescoring this trailer !

  • @kadenhansen

    @kadenhansen

    Жыл бұрын

    You did such a wonderful job! That was my favorite one. There was one thing that caught me off guard however. I don’t know for sure if this was touched on in the video, but the last note of the trailer seemed to resolve the tension. What I would've liked better is a note that leaves the audience wanting more. Other than that, it was amazing! Well, well done!

  • @musiclad290

    @musiclad290

    8 күн бұрын

    It was my favorite one 😁

  • @0x3C
    @0x3C Жыл бұрын

    0:19 - John Gonzalez 8:25 - Roelof Meijer 14:30 - Alexis DL Time stamps for each of the entries

  • @cypruszion8442
    @cypruszion8442 Жыл бұрын

    Amazing video! Love everything you do for the community!

  • @MotifMusicStudios
    @MotifMusicStudios Жыл бұрын

    How fun! Great topic and fun to see contemporary composers celebrated!

  • @MotifMusicStudios

    @MotifMusicStudios

    Жыл бұрын

    I love the dramatic pausing and theme hints in sample 2. All so inspiring.

  • @Doty6String
    @Doty6String Жыл бұрын

    man these are soooo good

  • @Woogadahoomph
    @Woogadahoomph Жыл бұрын

    Is this trailer still available to download and score for fun? I’ve only joined your channel today and I’m a big Mario fan

  • @brandonhord8949
    @brandonhord8949 Жыл бұрын

    Awesome!

  • @Conorplaystrombone
    @Conorplaystrombone Жыл бұрын

    Great Video! Could you possibly make a video on how to start your writing? I'm writing for symphonic orchestra, and I don't know what to do first.

  • @PeterTMusic
    @PeterTMusic Жыл бұрын

    That’s really interesting that he sees library work get used more. I feel like I’ve seen more big customs land, but that could be inaccurate

  • @mrtimn
    @mrtimn Жыл бұрын

    These videos are very helpful. Thanks!

  • @allena4034

    @allena4034

    Жыл бұрын

    M8 it didn't even premier yet 😂

  • @footsoldierzombie2987

    @footsoldierzombie2987

    Жыл бұрын

    Oh look, a bot. Let's point and laugh

  • @jacobsheeley0007
    @jacobsheeley0007 Жыл бұрын

    In defense of John Gonzalez, there is a small cue to a "nostalgic" theme; there's a bit of Luigi's Mansion at 1:26 and again briefly around 2:06

  • @YunQiPan
    @YunQiPan Жыл бұрын

    请问怎样可以获得这部预告片?我也想对它进行练习🤤

  • @timhoepfnerofficial
    @timhoepfnerofficial Жыл бұрын

    I would love to hear your opinion if AI will replace composers. Is there any video planned?

  • @mouthpiece200
    @mouthpiece200 Жыл бұрын

    How much do those peeps make? I could do that with a little more practice.

  • @RyanLeach

    @RyanLeach

    Жыл бұрын

    They weren't actually hired by Illumination.. so.. nothing?

  • @mouthpiece200

    @mouthpiece200

    Жыл бұрын

    @@RyanLeach I mean trailer composers in general. :D

  • @trackhero2714

    @trackhero2714

    Жыл бұрын

    Hi! Its important to note that trailers are pitched based. Which means you don't get hired to write for the trailer. You are pitching (unpaid), via a music trailer library, to trailer houses (the people that edit the trailers), who in turn, are also pitching their trailers to the studio. So there's a lot of competition. On a film like Mario, several trailer houses will be competing with their own cuts and trailers, each one of those using different customised music from various trailer music libraries. A lot of composers write for years before making any money, if at all. That said, it can be very lucrative if you're really, really good. Ie top few percent of trailer composers. Rates can vary, but for theatrical, a track for a feature trailer tends to sit anywhere between 30-100k, with the composer taking 50% of that. There's quite a bit of range because it depends on the scope - is it A24, Netflix, hulu, or Warner Brothers, for example. The top end of that is rare, but it commonly will sit around 60-80k for a buyout or so for a campaign like Mario if its a custom job (which anything like this tends to be). Custom music tends to get a bit more than an existing library track, however these days with theatrical trailers most stuff is customised to some degree. With TV spots less so, and the rates are generally lower (but still decent) for that. Trailer music is much, much harder than it sounds - it is deceptively simple, but difficult to pull off authentically and especially under very tight deadlines for custom work. Turning stuff around overnight, or within 1-2 days, etc. Production value + authenticity is key, which is kinda hard to spot at first, but once you have listened to thousands of trailer tracks you start to see the little details that separate the good from the bad. I would compare it to something like restaurant grade Sushi - looks easy, but there is a big difference between department store sushi, and the real deal, which is unmistakable. If you think you have what it takes -- then reach out to some trailer music libraries with your demos and go from there. If you have killer stuff, it will be listened to and you'll get some interest for sure. Anyone interested in getting into trailer music, the best thing to do is to write a couple of demos that are just so good a trailer music library would be silly not to let you in. Learn the format, study every trailer + Tv spot you can find (keep it recent and go back a few years tops, trends change rather rapidly), get good at sound design, and go from there. Good luck!!

  • @MarkPetrieMusic

    @MarkPetrieMusic

    Жыл бұрын

    @@trackhero2714wow great info. Couldn’t have said it better myself

  • @IsraelLlerena
    @IsraelLlerena Жыл бұрын

    Alexis DL took the cake for me. Completely did amazing with all scenes.

  • @ronniekitchens6502
    @ronniekitchens6502 Жыл бұрын

    Alexis won