Download the free PDF from here... bit.ly/31FRrQq

Thank yo very much Steve!

Thank you for this free gem! So generous of you!

@SteveGilson

3 жыл бұрын

You're welcome

Great lesson, a very practical demonstration

amazing content, thanks for sharing!

Thanks Steve. Interesting lesson👍

Awesome lesson ! Thanks so much :-)

@SteveGilson

4 жыл бұрын

Glad you liked it!

Oooh... Coltrane! Fascinating! I just watched Chasing Trane on Netflix. Wow! Will there be a Coltrane deep-dive series? Take care Steve. Cheers!

@SteveGilson

4 жыл бұрын

For sure I think there's at least a follow up video covering the Minor equivalents. Then I could follow up with a "playing through changes" type video because they're a great tool for developing that skill too.

So that’s the relative minor pentatonic scale minus the root, yeah? 5:18

@SteveGilson

10 ай бұрын

Yes, that's it.

Steve Gilson - SixStringsAttachedTV

I'm new to theory and am wondering - is this a major 9 arpeggio? Thank you for the lessons.

@SteveGilson

4 жыл бұрын

Nearly, a major 9 arpeggio would also contain the major 7 note as well. This is normally referred to as an "add 9" arpeggio because there's no 7th.

@scarecrow3432000

4 жыл бұрын

@@SteveGilson And now I know the difference between an add 9 and a Maj 9 chord!

@SteveGilson

4 жыл бұрын

@@scarecrow3432000 That's it! the final missing piece is that the 9th arpeggio (also known as the "dominant 9th") has a b7 in it not a major 7th, so to give a concrete example of all three we have. G Maj9 contains G, B, D, F# A G9 contains G, B, D, F, A Gadd9 contains G, B, D, A

@saam6768

4 жыл бұрын

@@SteveGilson I never realized that naming convention extended to 9 chords (and now I'm wondering if the same goes for 11 and 13 chords? Very cool of you to take the time to respond questions. Great video, thank you.

@SteveGilson

4 жыл бұрын

@@saam6768 Yes it does, so you could have a major, minor, dominant 11th etc. but... it does get somewhat more complex in that a 13th consists of a root, 3rd, 5th, 7th, 9th, 11th, and 13th notes, however in practice you dont play all of them, (because you haven't got enough strings for one thing) also what is the difference between an Gadd13 and a G6 etc. I often think chord naming is a little like learning to spell, rather than a science, there are rules you can follow, but also there are so many exceptions to these rules that you end up just having to learn the convention.