Our CINEMATOGRAPHER LUTs COLLECTION for BMPCC4K, GH5/GH5S and URSA MINI PRO IS NOW AVAILABLE AT: www.butteryluts.com Also, I am posting exclusive content on Patreon: www.patreon.com/matteobertoli

@chelo1116

3 жыл бұрын

your luts are the best my boy----no cap big facts....god bless you and your family....

¡Muchas gracias Matteo! Disfruto mucho de tu videos.

So glad I found your channel! This is great content my friend!

Great stuff. Def picked up on a few things watching this. Thanks!

grazie per tutti questi preziosissimi consigli Matteo, dalla gestione del workflow su daVinci alla esposzione che traspare dal tuo girato. Have a nice day!

Great video. I love your channel it's so helpful. Thanks

Thank you Matteo! You're a life saver!

Can you post an update on your color grading process?

Thank you! I was enjoying! I could easily watch just another video similar to this, with new shots only, for hour +. The shots are just so pleasing. In those perfect shots with no color correction at all, like at 19:00 , if anything, all I could think of was maybe Sat vs Lum curve only, if I'd like to try it out with less colors in shadows - but it's another style (think your friend Aram K tries to control sat in shadows sometimes, for film look) - colorful shadows are perfectly natural too (as you went more with in some versions). :)

Hey Matteo. First of all really appreciate the tutorials. I had an unfortunate occurrence where I changed the Video Frame Rate in the Clip Attributes on a project I had already cut. Now I have multiple "Media Offline" errors and the timing of my clips is all messed up. Do you have any idea how I can fix it?

I really dig your way of thinking! Getting the look in camera is so helpful, simpler the better.

Hi Matteo, great stuff. Curious if the banding is present in your original export or if that just shows up with YT compression. For example BG at 12:25 or sky at 52:00. Not surprised to see banding in the darker footage at 49:45...(maybe this is where people are saying the 12:1 compression is unusable?). Thanks for uploading! I'm just starting to work with the camera and find all this info super helpful.

3:42 Thank you for this tutorial man.

great help thanks!

Bro I have watched your videos for many years now. And I have been inspired by your smartphone photography too. I recently purchased a pixel 3 XL and FiLMiC Pro the cinematographer kit. I really wish you can do a video on how to grade a pixel footage. Please

The best Da Vinci Resolve tutorial EVER!!!! What was the false color plugin that you used? I love your channel!!! Soooo inspirational!!!!!

Great picture, love it! What do you think about color charts?

Molto utile grazie! Scusa se ti faccio una domanda un po’ fuori dal video. Sono un videomaker (principalmente per matrimoni) ho una gh4 e vorrei fare il passo successivo. Mi consigli la gh5s o la BMPCC 4K?

Right on time! as i woke up thinking if i were going to invest in this camera while i wait for the A7s3 :D.

@matteobertoli

5 жыл бұрын

Dante Corbett people are waiting for that sony since 3 years I think 😂

@imiy

5 жыл бұрын

still waiting for pocket 4k here. there's like one or two in the whole country :)

Did you use false color in camera for exposure? Did the irisbutton a good Job?

This is awesome! Excellent work! Would you consider doing a video on how you dial in your exposure? Specifically with the BMPCC4K, exposure tools you use? You have completely sold me on the Takumars! Big fan of you & Noam! Also, is that false color a plug in??

@matteobertoli

5 жыл бұрын

Thank you!! I only do it by eye and using false colors just to check everything is fine, but I can definitely do it! And yes the false colors is a plugin :)

At 20:20 you mention architecture. The shot of the hotel lobby is kind of a classic architecture shot. But your vertical lines are slanted by the lens. I know Resolve can correct for this with the pin-cussion control, so that would straighten the lines. (After Effects can fix it too, easily) If it was a still photo, one would do it for sure. But for video, should it be done? Or should one put a tilt shift lens to fix this? Would this shot have been better with a Canon 17mm tilt shift lens, like the TS e-17? Of course, even with a speed booster this would have yielded a 27mm equivalent. Anyway, what is your opinion about this, especially when shooting a hotel or building? By the way, it is a great shot! Just wondering about the classic vertical line issue.

These are great videos. Thank you. I wanted to ask, when you use false color do you use it to expose the Braw (or ProRes if you are using that) OR do you use it to expose Braw/Pro res plus the LUT you will use after (i.e. a rec 709 lut). I.e do to you expose for the mix?

@matteobertoli

3 жыл бұрын

False colors on the pocket only read the log

@philpritchard5173

3 жыл бұрын

@@matteobertoli ok, thank you.

god bless you browdy....

Why when import my braw files the highlights and the dark zones looks like blow out??

@matteobertoli

5 жыл бұрын

Daniel Ortiz no idea...

Great video! That shot at 18:30 is truly wonderful. I haven't had a chance to get through it all yet but have you noticed an improvement with the highlight roll off issue since the update?

@matteobertoli

5 жыл бұрын

Audio Ollie thanks! yeah I did!

@Revisitar

5 жыл бұрын

About this issue - I’m not sure if you are aware but according to Blackmagic’s Dynamic Range chart for the pocket 4K, ISO has a HUGE difference in how many stops of highlights we have. I got the camera 2 days ago and was testing outside with a strong sunlight. I was using ISO 100 and it was very difficult to control the highlights. Changed the ISO to 800, compensanted with ND filters and the difference is striking. There’s a lot more information and a much more pleasing highlight rolloff.

@matteobertoli

5 жыл бұрын

Revisitar the problem is that at 800iso the noise is horrible

@Revisitar

5 жыл бұрын

Matteo Bertoli Visuals I only shot with BRAW and I found the noise to be quite acceptable. I don’t know if the results are different in Prores. But even at 400/640 ISO you will see an increase in how the camera handles the highlights. It’s worth testing it out, the difference is quite noticeable.

@bentivnen5396

5 жыл бұрын

@@Revisitar 400 should have the most DR right? Since it's the native ISO for that circuit?

I have a fairly beefy machine, 24GB Ram, GTX680 5GB, and a 980X CPU hex core Win 7. Davinci Resolve won't play sound, wont play smoothly even with normal 1080p. And it's not just DR16 it was the same with DR15. I've given up sending emails to Black Magic as they never even respond, complete waste of time. Is there anyone can tell me what it might be?

@drummerdude100

4 жыл бұрын

You pc can’t handle it. Graphics card is way too old as well.

Does your Natural rec709 works with BMPCC 4K Raw? Or is it only in ProRes Log?

@matteobertoli

4 жыл бұрын

Samuel PEREZ of course, it works for both. Raw or prores is just a codec, the color science is identical

@brodiebelt5645

4 жыл бұрын

@@matteobertoli great ! thank's for the answer Matteo

Hey matteo, how do you add sharpness if not in camera?

@matteobertoli

4 жыл бұрын

I don’t

@juliusherrmann4876

4 жыл бұрын

@@matteobertoli okay! what about grain? I noticed (there is an article) that a mix of noise reduction and added grain really helps, especially on low light (1200 iso shots) :)

I've read that's its a good combo editing with Adobe and doing all the color correction with davinci. Thoughts?

@matteobertoli

5 жыл бұрын

Lycan Visuals mmm adobe and davinci is a big pain in the ass... I do everything in DaVinci, way better for me. Had a very bad experience with Premiere

@LycanVisuals

5 жыл бұрын

@@matteobertoli How would you say the two compare overall? I'm still a sony Vegas user and looking to learn a new program.

@matteobertoli

5 жыл бұрын

Lycan Visuals davinci allows me to work, premiere just crashes

@LycanVisuals

5 жыл бұрын

@@matteobertoli all these visual tutorials and plugins for Adobe, are they compatible with davinci?

@matteobertoli

5 жыл бұрын

Lycan Visuals no idea

now make another one with 65 power windows and crazy tracking :)

all of these clips you’re grading were shot in pro res? Not braw?

@matteobertoli

4 жыл бұрын

SoaR Fameful both

Thank you.