00:00 1963 Daniel Friederich #98 Concert Model: Jule Malischke plays Palhaço - Egberto Gismonti Arr. Sergio Assad www.siccasguitars.com/shop/gu... 3:26 1965 Daniel Friederich - Arpège Model: Federica Canta plays Capricho de Goya No.1 by Mario Castelnuovo Tedesco www.siccasguitars.com/shop/gu... 7:04 1968 Daniel Friederich - Récital Model: Andrea De Vitis plays Fantasía sobre La traviata de Verdi by F. Tárrega www.siccasguitars.com/shop/gu... 11:53 1971 Daniel Friederich - Concert Model #303: Gvaneta Betaneli plays Romance by Niccolò Paganini www.siccasguitars.com/shop/gu... 15:20 1971 Daniel Friederich - Concert Model #305: Marco Bartoli plays Valseana by Sérgio Assad www.siccasguitars.com/shop/gu... 18:08 1973 Daniel Friederich - Concert Model # 368: Jessica Kaiser plays 'Collectici Intim II - La Joia' by Vicente Asencio www.siccasguitars.com/shop/gu... 21:34 1975 Daniel Friederich - Concert Model #424: Matteo Staffini plays Prelude No 1 in D minor by Francisco Tárrega www.siccasguitars.com/shop/gu... 22:59 1982 Daniel Friederich - Concert Model #549: Duo Françaix - Isabella Selder and Eliška Lenhartová playing Blau Mar by Feliu Gasull i Altisent www.siccasguitars.com/shop/gu... 32:05 1994 Daniel Friederich - Concert Model #724 Left-hand: André Simão plays Sonata romantica by Manuel Maria Ponce www.siccasguitars.com/shop/gu... 37:33 2003 Daniel Friederich - Concert Model #789: Alexander Kryuchkov plays Ballata per Elena Bellissima by Viktor Kozlov www.siccasguitars.com/shop/gu...

@francescoluna1391

3 жыл бұрын

All so unique and beautiful, personally loving 1975 and 1994

@jackkurasik8371

11 ай бұрын

Jjj

Excellent!!! Thank you. Friederich is pretty much my favorite guitar maker. It was sad to lose him last year. He left behind a legacy of fantastic classical guitars!

When we hear the sound of the 1965 which was his "basic" model (the Arpège) and the 1968 which was one model above (The Récital) one can wonder what they have less than the concert model! It is true that the Maestro said that he was "making experiments" with these 2 models and didn't take risks with the concert model. (Orféo magazine n°2 interview) Most of the Arpège and the Récital had Brazilian rosewood back and sides! In his catalog he stated that these woods dried for over 30 years before being used which means that in his guitars made in the 60's, the trees were cut more than 90 years ago.. In the hands of these exceptional artists, they deliver the best sound a guitar can produce. Thanks you Siccas for sharing!

I love the 1968. Haven't been able to listen to part two yet.

This video made me so calm after a stressful day .

Beautifull people, beautifull guitars and music. I love that setting with all those guitars, could that be heaven?

Federica Canta has the most amazingly compact and efficient right hand!

Wonderful guitars and amazing performers.

Wow! Amazing!!

Bravíssimo! Excelente coletânea

Sehr schön alles was ich sehen und hören Excellent ausgezeichnet Spielerin

It would be greatly beneficial to know which stringsets were used, as they contribute quite a lot to the whole.

Absolute guitars sound''loveky play,,,,

Thanks 🌹

Sweeeeeeet Friedrichs!!! Sound a lot like my Yairi collection!!!

I gotta have me one of those!

Wunderschön.Ich würde jede nehmen.

Nice another cover idol

This is insane

sehr schöne video φανταστείς όνειρο

danke

I have a guitar from Christain Aubin model ROQUECAVE CENEVIERES. LOT no. 33. I have been to several Lutherans in the Netherlands. They all think it's a beautiful guitar. but no one knows this Chritian Aubin. but I think it is a special guitar. which is also worth a lot. I'm definitely not getting rid of it. it stays in the family. but is there anyone who can give me information about this guitar? Thanks in advance and looking forward to hearing from you, greetings Peter Lenior

Which of Daniel Friederich's assistants or relatives is making guitars?

Julie plays the lovely Gismondi piece very sweetly - thoughtful, emotionally engaged. The guitar is very fine supporting her - but, is there something amiss w/ the audio engineering? Artificial echoes? Brava, Federica - another impressive interpretation; one can almost see Goya's visions, tempered by a kind of empathy for humanity in your playing. Still - something odd in the audio... OK, I'll shut up & just listen. Thanks to all.

Sometimes you don't know whether you are hearing the sound of wood or crystal. I wonder if Daniel's knowledge was passed on to the next generation. Did he have apprentice worked with him?

I really like how Jule sings along with the piece she is playing

should also pay homage to the luthier manuel reyes

Looks like the turning point is 1975. My favorite is the 1994 - just so refined and balanced.

Ganz schön angestres Gesicht. Meins sieht beim spielen der Gitarre bestimmt auch nicht besser aus.

The guitar sounds flat as a tortilla