Libra Head forever ! i've been a technician for over 10 years now i have worked and rigged on every rig youve mentioned here! the world of remote heads is a strange place, for those that are interested the Libra Head wqas the first stabilised camera platform of its kind and id like to go on to say id love to see you do a video on remote heads especially from the pov of remote heads vs gimbals. There are a lot out there (scorpio stab V , LIbra 7 and L8, Matrix, m7 evo (aka maximus 7), shot over and flight heads to name a few. In my opinion the perfect feature film would have a LIbra 7 a matrix and ronin on because each have their areas of expertise! great video thank you !

Hi IDC, great content as always! Can you mention the name of the film whenever you're using them as examples? I'd be more inclined to check them out if I knew what they were!

Hi so I actually work professionally in the Grip dept on large scale movies and television projects. Most of the gear mentioned in this video is typically operated by the camera department/specialized operators. Within the Grip dept we would be responsible for dolly placement and operations, which is covered in part 1. Not trying to be a dick, just trying to be objective.

10:26 I think it has to be "like day and night" if the steadicam is better. Great video, I loved the Asteroid City examples!

so glad to see more content from you : ) you do great work!

Perfect explanations of the different use-cases!

Perfect as always!

A perfect video for this subject. Wow, you're good!

Great video.

How does Wes Anderson do that thing where he trucks sideways then tracks forwards or backwards in the same shot (where it is clearly on a dolly) He does it multiple times in asteroid city

@paleofilms6787

9 ай бұрын

Some dollies have a “crab mode” where all the wheels turn together.

I love you

Honestly the only way to use a gimbal is as a remote head, it doesn't stabilize anything. It's like saying panning or zooming with the actor is the same as dollying with the actor, not the same thing at all.

How was the last shot in Minority Report done??

wow I think I found the best Channel for learning whit i love

I hate gimbals. As a wedding filmmaker, nothing grinds my gears more than the statement "I'm on gimbal all day" which usually means "I dont know what I'm doing and don't know how to use the right tools for the right shots".

As someone who's grown up in the gimbal age shall we say, I loathe nothing more than using them, there such a pain to set up and use I find, and not to mention the steadicam allows you to have a bit of sway and 'movement' in your shot whilst still keeping it stable, the gimbal just looks so pedestrian and clinical.

dude. where did this video come from?

How can anyone afford to buy or rent such equipment, like the one at 0:51! It might be great gear, but who can afford that and that other stuff? You know, I watch this channel to improve my skills and vision about filmmaking and photography. Not feel bad if I don't have that gear!

KENDRICK THE GOAT🔥🔥🔥🔥🔥🔥🔥🔥

no dolly?

@turbotaquitogoogle8095

Жыл бұрын

There's a part 1

I'm very anti the robotic camera rigs. Like I get it you can do really difficult moves precisely but it is SO GIMMICKY. I think it's great for commercials but for filmmaking I'd argue it is overkill every time and just lazy

@turbotaquitogoogle8095

Жыл бұрын

I agree with everything but "lazy." They're very expensive and difficult to use, so really when people use them it's usually for an overly fancy gimmick that does nothing but add some "how did they do that??" production value. As you said, perfect for commercials, but rare for movies