Gérard Grisey - Dérives (Audio + Full Score)

Музыка

Gérard Grisey - Dérives, for two orchestras (1974)
Orchestre National De France
Conductor - Jacques Mercier
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Пікірлер: 25

  • @oscargill423
    @oscargill4238 ай бұрын

    I'm so happy that someone has incorporated an orchestra tuning into a piece's opening. I've been wondering if it was a thing for ages.

  • @mechaalex
    @mechaalex Жыл бұрын

    God, that sound world at around 18 minutes 🥲

  • @feinstruktur
    @feinstruktur Жыл бұрын

    So beautiful!

  • @machida5114
    @machida5114 Жыл бұрын

    sodelicious.......

  • @arielorthmann4061
    @arielorthmann4061 Жыл бұрын

    i read « des rives » (french for sides)

  • @sabaneyev
    @sabaneyev Жыл бұрын

    i read « dévier » (french for deviate)

  • @ThePianoExperience
    @ThePianoExperience Жыл бұрын

    i read « dérivé » (french for derivative)

  • @Quim141
    @Quim141Ай бұрын

    5:20!!!

  • @anngrogan6343
    @anngrogan6343 Жыл бұрын

    Thirty minutes of an orchestra tuning up?

  • @RyanPower

    @RyanPower

    Жыл бұрын

    Actually, the 'tuning' bit stops after around a minute.

  • @tjaruspex2116
    @tjaruspex2116 Жыл бұрын

    Not possible to rise to the level of Beethoven or Mozart, so one descends into nonsense. Modern art!

  • @scriabinismydog2439

    @scriabinismydog2439

    Жыл бұрын

    L take

  • @RyanPower

    @RyanPower

    Жыл бұрын

    lol what does this comment even mean?

  • @mrtchaikovsky

    @mrtchaikovsky

    Жыл бұрын

    ​@@RyanPower Some people genuinely believe that music peaked centuries ago and everything that came after is unnecessary. I recently saw someone claim that Kapustin's piano concertos are useless because Gershwin had already written the ultimate "jazz piano concerto". De gustibus etc., but I cannot understand for the life of me why these people always spout their opinions with such vitriol, often accusing lovers of modern music of being posers who only pretend to like it in order to appear cultured. Then you have the kind of "experts" like John Borstlap or Jaspernatchez, who use their own, narrow definitions of what constitutes "real music", dismissing everything that doesn't fit their limited view while confusing their own bias with objective fact. You also have the ultra reactionary I'm-mentally-stuck-in-the-19th-century brigade, who thinks modern music contributes to the downfall of Western civilsation or whatever, but that's a whole other can of worms. I like to believe that everyone can enjoy this kind of music, provided he approaches it with an open mind and willing ears, but maybe Babbitt was right and this music is not for everyone after all. Who knows? Who cares? I certainly don't invade Haydn comment sections and tell people that they should stop listening to this "boring drivel" and listen to some "real music" by Boulez instead, yet you'll frequently find the inverse kind of comment under videos of works written in more recent times, as evidenced by the comment above and the almost obligatory carnage under most Schönberg videos.

  • @RyanPower

    @RyanPower

    Жыл бұрын

    @@mrtchaikovsky Very well said, it always saddens me when people remain so narrow minded on these topics, but honestly it's easier to just accept that not everybody will have the same tastes, and some still think it's acceptable to spread hate about the music that is enjoyed by others.

  • @thomaslaubli1886

    @thomaslaubli1886

    Жыл бұрын

    Your comment is nonsense, because you are only expressing that you are not able to comprehend the play with the natural tone row in this piece. You are exposing your lack of a musical ability.

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