Furtwängler dirigiert: 9. Symphonie d-moll (Beethoven) - März 1942

Музыка

Ludwig van Beethoven: Symphonie Nr. 9 d-moll Op. 125
Berliner Philharmoniker
Bruno-Kittelscher-Chor
Solisten:
Peter Anders, Tenor
Tilla Briem, Sopran
Elisabeth Höngen, Alt
Rudolf Watzke, Baß
Leitung: Wilhelm Furtwängler
Aufnahme eines öffentlichen Konzertes aus der Berliner Philharmonie vom März 1942

Пікірлер: 261

  • @bnddavid
    @bnddavidАй бұрын

    Eine der besten Einspielungen. Höre es mit guten Kopfhörern und es ist der Wahnsinn

  • @dominiquecharriere1285
    @dominiquecharriere12857 ай бұрын

    The sound of this recording is almost unbelievable. And the play is as majestic as you can expect from Furtwängler playing Beethoven! Great recording!

  • @louise_rose

    @louise_rose

    2 ай бұрын

    Yes, it's great. Very dramatic too. I'll admit I have to make an effort to clear out the thought that this was recorded in a city that was truly at the Heart of Darkness (yes, some of the people who attended this concert may have been involved with crushing the Warsaw ghetto uprising a year later, an unspeakable paradox) but there is no denying the courage and dedication of Furtwängler and the Philharmonic.

  • @frederickthegreat4801

    @frederickthegreat4801

    15 күн бұрын

    unbelievably terrible maybe

  • @JoseMedina-sv8uy
    @JoseMedina-sv8uy2 ай бұрын

    Muchas Gracias por compartir esta grabación histórica, patrimonio de la humanidad.

  • @user-uj5yo8tx9c
    @user-uj5yo8tx9cАй бұрын

    After the first movement I started looking around asking where I was; I was completely shocked. What a music!! What a performance!! Oh Beethoven, how great are you!! Your music is the voice of God

  • @mag-wp6yt
    @mag-wp6yt4 жыл бұрын

    Furtwangler's variation and liberty with tempo never disappoints.

  • @woweheng3011
    @woweheng30114 ай бұрын

    Eine wertvolle Aufnahme mit außergewöhnlicher Qualität!

  • @MegaClassicguy
    @MegaClassicguy6 жыл бұрын

    The greatest interpretation of the greatest symphony by the greatest conductor in history

  • @lucascarneiro2499

    @lucascarneiro2499

    6 жыл бұрын

    Of course this is not the greatest, even Furtwangler would not agree with you, since this interpretation is a demonic one, a way to express his refusal to cooperate with nazism.

  • @MegaClassicguy

    @MegaClassicguy

    6 жыл бұрын

    This is totally true that this recording expresses Furtwangler’s refusal of the nazi regime. But this is considered nevertheless by many critics as the best interpretation ever. Simon Rattle wrote a long text on this recording a few years ago to explain that this is the only recording that expresses what Beethoven wanted.

  • @lucascarneiro2499

    @lucascarneiro2499

    6 жыл бұрын

    I will read this text, then. Tks to answer.

  • @MegaClassicguy

    @MegaClassicguy

    6 жыл бұрын

    And this recording is not demonic at all. It is always described as apocalyptic, which is totally different. There is a condamnention of the nazi regime: especially the end of the first movement. It sounds like the announcement of the final judgment and has been compared with Michelangelo’s fresco of the final judgment in Rome.

  • @MegaClassicguy

    @MegaClassicguy

    6 жыл бұрын

    It is in the box on beethoven’symphonies Edited by Diapason

  • @user-qh1ue8tc6y
    @user-qh1ue8tc6y10 ай бұрын

    When Furtwaengler conducts Beethoven's Symphony No 9, l cries. Just at the beginning,l'm in tears!

  • @user-vz2jv3nq2x

    @user-vz2jv3nq2x

    5 ай бұрын

    Эта музыка воспламеняет мне сердце!

  • @danielrubio3391

    @danielrubio3391

    2 ай бұрын

    Don't cry. He didn't conduct so bad...

  • @veranderungenendlich
    @veranderungenendlich Жыл бұрын

    Er hätte heute viel mehr Würdigung verdient. Er ist unser größter Deutscher Dirigent. Von nie wieder erreichtem Format.

  • @user-qh1ue8tc6y

    @user-qh1ue8tc6y

    Жыл бұрын

    Sie haben recht !

  • @johannesrupertmaurer8666

    @johannesrupertmaurer8666

    9 ай бұрын

    Vergessen Sie Hermann Abendroth nicht!

  • @user-gh7si2lr8i

    @user-gh7si2lr8i

    7 ай бұрын

    Es gab viele großartige Dirigenten aber Furtwängler ist der Größte von Ihnen. Er ist unerreicht.

  • @mateovillacorta2279

    @mateovillacorta2279

    6 ай бұрын

    Well, Von Karajan is right up there too.

  • @user-tz2hx1xn7g

    @user-tz2hx1xn7g

    3 ай бұрын

    Ja, er war unvergesslich.Aber ich liebe Karajan auch sehr

  • @wallshootout5616
    @wallshootout5616 Жыл бұрын

    Er erfasst alles,was Beethoven zu einem titanischen Geist hat werden lassen!Sein Verständnis dieses Komponisten ist einzigartig!

  • @user-bf7br5bf1m
    @user-bf7br5bf1m4 ай бұрын

    Absolutely nothing better!!! THE BEST sound the best atmosphere!!

  • @nerowolfe736
    @nerowolfe7364 жыл бұрын

    What always stuns me when I listen to the Ninth is that the totally deaf Beethoven heard every theme, phrase, and note with a clarity that no other mortal can ever hope to attain.

  • @viewerzzzz
    @viewerzzzz2 жыл бұрын

    Oh my God! Sublime! What a perfect way to celebrate Beethoven's birthday this year!

  • @user-vz2jv3nq2x

    @user-vz2jv3nq2x

    Жыл бұрын

    Слава Великому Бетховену!

  • @louise_rose

    @louise_rose

    2 ай бұрын

    And then we continue to consider WHO would have been in the audience that day...There is video from another performance of Beethoven's masterpiece played on Hitler's birthday the next month, and in that one, Goebbels is clearly seen in the audience.. Heydrich could easily have been there too, if he came on a visit from Prague. The paradox of these superb performances of a work that appeals to brotherhood and peace being played during the darkest and most shameful age in German history is just mind-boggling.

  • @Mahlerweber
    @Mahlerweber7 ай бұрын

    Glad comments aren't turned off. Loved performance! Thank you for posting.

  • @clauss2563
    @clauss2563 Жыл бұрын

    shivers run down my spine, his performances between 1942 and 1944 are mind blowing

  • @canardeur8390

    @canardeur8390

    Жыл бұрын

    Actually, it would be much better if SHIVers run UP your spine! Similar to SHIVa's Kundalini...

  • @unterdeneichen1913

    @unterdeneichen1913

    Жыл бұрын

    @@canardeur8390 Können die Shivas auch solche Musike?

  • @canardeur8390

    @canardeur8390

    6 ай бұрын

    @@unterdeneichen1913 Das wäre eine interessante Frage, die man Musik-Experte fragen könnte...

  • @demcadman

    @demcadman

    5 ай бұрын

    ​@@canardeur8390 Hare Krishna. Jaya Mahadeva.

  • @DavidPerez-wd6tx
    @DavidPerez-wd6tx2 ай бұрын

    Sensacional apoteósico final,es la mejor versión que escuche de esta obra con esta orquesta y el director Furtwangler.

  • @cmmtac
    @cmmtac4 жыл бұрын

    For me Furtwangler is Beethoven. Furtwangler choice of tempos is incredible. The composer himself would be pleased for he used to say that inspiration has its own tempo. Furt is also out of this world with Bruckner and Brahms.

  • @sohailel-rimawi4392

    @sohailel-rimawi4392

    4 жыл бұрын

    I agree with you 100%. He is the giant conductor of the 4 Bees "Bach; Beethoven, Brahms, and Bruckner

  • @mag-wp6yt

    @mag-wp6yt

    4 жыл бұрын

    He is also a Wagnerian conductor of the highest order.

  • @marionkiker1346

    @marionkiker1346

    4 жыл бұрын

    Beethoven’s conductor.

  • @marionkiker1346

    @marionkiker1346

    4 жыл бұрын

    Sublime in Brahms, Bruckner, and yes, Schubert, Furtwangler’s 1942 traversal of the Schubert 9th is colossal.

  • @user-jj8ld9fl2n
    @user-jj8ld9fl2n13 күн бұрын

    Найкраще світове виконання!!!Дякую, ,що поділилися записом!Неймовірно,геніально!!!❤

  • @user-ej2ld9hu4o

    @user-ej2ld9hu4o

    2 күн бұрын

    Цілком погоджуюся.

  • @MrOlogramma
    @MrOlogramma5 жыл бұрын

    No one like him ... no one .. Furtwängler here is in an other world , an other planet, out of our time, but inside Beethoven ‘ soul

  • @Fritz_Maisenbacher

    @Fritz_Maisenbacher

    4 жыл бұрын

    I don't like him. I love him. If I want it or not, this is devilish seduction to me. This is my internal soul and body. Ready for everything, even the worse.

  • @waschbrettconradwaschbrett8391

    @waschbrettconradwaschbrett8391

    2 жыл бұрын

    ??? Er erreicht meine DEUTSCHE SEELE mit dieser Aufführung. Das in der schwierigsten Zeit der DEUTSCHEN. An diese Leistung kommt kein Barenboim oder Karajan heran. I LOVE Wilhelm Furtwänglers Intgerpretation. He reach my GERMAN SOUL.

  • @canardeur8390

    @canardeur8390

    Жыл бұрын

    @@Fritz_Maisenbacher MrOlogramma schrieb "No one like him". "No one like him" heißt doch nicht "Niemand mag ihn", sondern "Niemand wie er"!

  • @canardeur8390

    @canardeur8390

    Жыл бұрын

    @@waschbrettconradwaschbrett8391 MrOlogramma schrieb "No one like him". "No one like him" heißt doch nicht "Niemand mag ihn", sondern "Niemand wie er"!

  • @Fritz_Maisenbacher

    @Fritz_Maisenbacher

    Жыл бұрын

    @@waschbrettconradwaschbrett8391 "schwierigsten Zeit der Deutschen" ? Wirklich ? WIRKLICH ???? Was für ein Quatsch. Das waren die Zeiten des deutschen Orgasmus. Wie diese Musik.

  • @robertarnold3394
    @robertarnold33945 ай бұрын

    This brings Beethoven’s impassioned dialog about the future of humanity to life!

  • @louise_rose

    @louise_rose

    2 ай бұрын

    Beethoven would have felt both troubled and intrigued by the fact that such a great interpretation of his masterpiece was played at the darkest and most disgraceful hour of German history..

  • @user-lf1yg1qo9s
    @user-lf1yg1qo9s8 ай бұрын

    フルトヴェングラー博士は、単なる知識人ではない。単なる指揮者でもない。指揮が上手いだけではとてもじゃないがこれだけの演奏は出来るものではない。音楽性豊かな、守備整い、美しい響きの名指揮者カラヤンの第九を偉大で素晴らしく何よりだが、フルトヴェングラー博士の気迫の熱の隠った演奏も、録音状態があまり理想的ではないが、そこのところは、さておき、ベートーヴェンをこよなく愛し、最も尊敬していた人であるから、もうこの域になると、フルトヴェングラー博士はベートーヴェン研究員と言っても過言ではないでしょう。

  • @vlacamacho
    @vlacamacho7 ай бұрын

    Fue interpretada y grabada en el año y mes en que yo nací. Gracias a la tecnologia puedo escucharla, la que para mi es la mejor interpretación de esta obra suprema con la que Beethoven nos regaló. Me inundan todos los sentimientos de dolor, alegria y esperanza enfrentados en la vida, como resumió Beethoven en esta obra, ya al final de su vida. Gracias por reproducirla.

  • @jude999
    @jude9995 жыл бұрын

    Greatest memory from my trip to Berlin: my tour guide breaking out into Ode to Joy at the statue of Frederick the Great at Bebelplatz square. After he finished, a little old man came around from the other side of the statue and applauded. The most spectacular part of this performance is the expression of the many moods in distinct layers.

  • @eduardoisunzavera2164
    @eduardoisunzavera21649 ай бұрын

    Nadie nunca interpretará al genio de Beethoven como el genio de Furtwängler

  • @Cyberdinemechatron
    @Cyberdinemechatron5 жыл бұрын

    Der grösste Dirigent aller Zeiten!

  • @user-qh1ue8tc6y

    @user-qh1ue8tc6y

    10 ай бұрын

    Sie haben recht!

  • @user-gh7si2lr8i

    @user-gh7si2lr8i

    7 ай бұрын

    Zweifelsohne!

  • @renaudpontier
    @renaudpontier Жыл бұрын

    La lenteur de Furtwängler est parfaitement adaptée au caractère mystérieux, profondément énigmatique du premier mouvement.

  • @gerardosierchio
    @gerardosierchio5 жыл бұрын

    The most powerful interpretation

  • @salvadordiaz8443
    @salvadordiaz8443 Жыл бұрын

    My Master (Sufi) had that Predilection for Furtwangler and now that the material world has fallen on me like a stone, I have remembered and here I am, curing myself with these Masters

  • @Canardeur
    @Canardeur5 жыл бұрын

    This interpretation renders at best the true definition of joy: something we truly enjoy after long periods enduring and suffering its exact opposites, namely anger, sadness, loneliness, hopelessness and all sorts of pain! Diese Interprätation gibt am bestens die richtige Bedeutung von Freude wieder: Etwas, das man richtig schätzt, nachdem man genau das Gegenteil für lange Zeiten erleben und leiden musste, nämlich Zorn, Traurigkeit, Einsamkeit, Hoffnungslosigkeit und jede Art von Leid!

  • @RawData
    @RawData2 жыл бұрын

    Gott segne die deutschen Ingenieure, haben diese doch erst kurz zuvor die Aufzeichnungstechnik entwickelt, ohne die wir dieses Ereignis heute nicht zu Ohr bekämen!

  • @michaelmorgenroth

    @michaelmorgenroth

    Жыл бұрын

    Sehr schade, dass diese Aufnahme nicht in Stereo aufgenommen wurde. Aber aufgrund der besseren Dynamik von Mono Aufnahmen und des relativ großen Aufwandes hat man seinerzeit keinen besonders großen Wert auf Stereoaufnahmen gelegt.

  • @michaelmorgenroth

    @michaelmorgenroth

    Жыл бұрын

    Nur ein kurzer Nachtrag, ich musste es heute feststellen dass es sich wirklich lohnt dieses Video über die eine klassische Stereoanlage zuhören

  • @bernaldiaz7388
    @bernaldiaz73884 жыл бұрын

    All items of interest in this world are but attempts to perfect something, a perpetual striving, yet this, and this alone, is perfection. Beethoven is God, Furtwangler was his translator.

  • @maxmuetze9083

    @maxmuetze9083

    2 жыл бұрын

    Beethoven is God and Furtwängler is his prophet.

  • @enirrema3818
    @enirrema38186 жыл бұрын

    The best version ever

  • @SubscribeYouBatardss
    @SubscribeYouBatardss2 ай бұрын

    Hands down the best I've heard. The epic concept Beethoven means to convey in its most glorious form.

  • @niclas2601
    @niclas2601 Жыл бұрын

    Forever an eternal masterpiece in the spirit of freedom, unity and the will to self-determination.

  • @photo161

    @photo161

    6 ай бұрын

    I suspect that Beethoven himself would have appreciated your words.

  • @graveyardelf6765
    @graveyardelf67655 жыл бұрын

    You can hear the world this rendition was made in during this recording. The whole performance is informed by a sense of looming, titanic strife, in my opinion.

  • @jimsymons2178

    @jimsymons2178

    5 жыл бұрын

    Yes, and tragically it could well happen again... I will be eternally grateful for Beethoven. He shined a light in the darkness; Alle Menschen Werden Bruder!

  • @mariannelulek1070

    @mariannelulek1070

    7 ай бұрын

    Des millions de russes sont morts, et des millions d'allemands...

  • @sanwan7138

    @sanwan7138

    6 ай бұрын

    L

  • @louise_rose

    @louise_rose

    2 ай бұрын

    A classic performance of the Eroica (also, the one where I personally got to know the work - we had the LP album at home) was taped by the Berlin PO and Karajan, just a few weeks after the Cuban Missile crisis in late 1962. Every member of the orchestra would have known that if a new global were to break out, Berlin would have been one of the first places to come under fire.

  • @suboescaleras3755
    @suboescaleras37555 жыл бұрын

    Ya no se interpreta de esta manera. Esto es música y se siente en los interpretes. Furtwangler es el mejor director que ha habido y habrá. Me ha encantado , tengo el vello de punta.

  • @elcazatalentos8220

    @elcazatalentos8220

    5 жыл бұрын

    hola podrías ayudarme como se pronuncia en nuestro idioma Furtwangler usando frases onomatopéyicas gracias saludos cordiales.

  • @mangstadt1

    @mangstadt1

    5 жыл бұрын

    Furt-vén-gler. La uve labiodental en vez de bilabial. En esta interpretación, que tengo en CD, el tempo tan veloz del último movimiento me parece sobrecogedor. También tengo alguna sinfonía de Bruckner por Furtwängler con un tempo algo apresurado (yo que estoy acostumbrado a la morosidad de Celibidache, a quien sí pude ver en vivo dirigiendo las sinfonías 3, 4, 7 y 8 de Bruckner, entre otras obras). En las grabaciones hechas durante la II Guerra Mundial, a veces da la impresión de que quiere acabar rápido, no sea que caiga una bomba sobre la sala de conciertos.

  • @faktenmann
    @faktenmann10 жыл бұрын

    Bravo ! Dies dürfte die klanglich beste Wiedergabe dieser ( mittlerweile ) weltberühmten Dokumentar-Aufnahme sein, die von über dreißig Firmen auf LP bzw. CD angeboten wird.

  • @joseluisgimenezperez909

    @joseluisgimenezperez909

    5 жыл бұрын

    Heil Ludwig!!!!!!!!

  • @BarbaraWagner-tw1xt
    @BarbaraWagner-tw1xt Жыл бұрын

    Diese Interpretation geht unter die Haut!

  • @guilldrmobritos3551
    @guilldrmobritos35515 жыл бұрын

    Una de las interpretaciones más intensas de toda la música clásica. Irrepetible, un momento único y trascendental de la historia.

  • @davidrobles6858

    @davidrobles6858

    5 жыл бұрын

    Guilldrmo Britos hay que escuchar las otras versiones de el mismo hay momentos de inspiración en diferentes movimientos

  • @tatjanaheidt2588
    @tatjanaheidt25884 жыл бұрын

    Браво, маэстро!! Браво!! Низкий поклон из Баден-Бадена..Может я одна здесь из Советского Союза, из России, которая живет в Баден-Бадене. Где маэстро и умер..Но последняя часть, это гимн победе над черными силами!! Бетховен его видно предвидел, немощный!! Господь ему нашептал, а он записал ..Объединились все и победили это исчадие Ада!!

  • @user-cy1zl3mi3q

    @user-cy1zl3mi3q

    Жыл бұрын

    Мэм, вы считаете, что существует абсолютное зло, скажем, исчадие ада? Я думаю, что мир абсолютно справедлив, иначе невозможно Спасение. В мире абсолютного зла как возможно Спасение? Пишите, я буду рад просветиться.

  • @user-pt2ol4vx3o
    @user-pt2ol4vx3o Жыл бұрын

    Merveilleuqe interprétation reemplie de paix. Furt dans ses grands jours !

  • @dvra2203

    @dvra2203

    8 ай бұрын

    Peace? Nah

  • @SimarutLapisatepun
    @SimarutLapisatepun5 жыл бұрын

    1:12:38 *This final tempo is what we call... "PRESTISSISSIMO"!!!*

  • @desantiago776

    @desantiago776

    5 жыл бұрын

    Powerful..and beautiful!

  • @patrickrealdeal

    @patrickrealdeal

    4 жыл бұрын

    My god that is incredible, I've listened to many interpretation of that amazing finale, never heard something so fast and great

  • @elie2133

    @elie2133

    4 жыл бұрын

    It's great, I love it. Though I'm not sure that's what beethoven would have wanted(exept for the first movement). You can clearly hear how furtwangler hated the nazi party and said a huge "fuck you" with this interpretation.

  • @Fritz_Maisenbacher

    @Fritz_Maisenbacher

    Жыл бұрын

    @@elie2133 You know NOTHING about what "Beethoven would have wanted" and you do not know NOTHING about the point if Furtwängler "hated the nazi party". So better shut up. (and f... yourself)

  • @cheesestudios3030

    @cheesestudios3030

    4 ай бұрын

    The percussion sounds like vine boom

  • @levistrauss8310
    @levistrauss831011 ай бұрын

    This era in the history Germany as dark and evil as it was, was producing some of the greatest music of the 20th century, and the music coming out of this period from the Berlin Philharmonic is frankly incredible and should be studied academically. Furtwangler was a genius.

  • @klausbrauckmann9095
    @klausbrauckmann90958 жыл бұрын

    Erschütternd diese Aufnahme

  • @michaelmorgenroth

    @michaelmorgenroth

    Жыл бұрын

    Ja das sehe ich auch so, ich habe mich oft gefragt warum diese Aufnahme so besonders ist? Glaube es hängt sogar letztendlich mit der Aufnahmetechnik zu zusammen und dem konkreten Frequenzgang den man damals konserviert hat

  • @MusikPiratCH

    @MusikPiratCH

    Ай бұрын

    @@michaelmorgenroth Dazu kommt noch die Zeit des 2. Weltkriegs indem das Leben jeden Tag zu Ende sein konnte. Die Musiker spielten also buchstäblich ums Überleben! Musik war sozusagen die einzige Hoffnung! Das macht diese Konzerte und diese Aufnahme zu etwas ganz Besonderem!

  • @edmahl3365
    @edmahl33652 жыл бұрын

    Several things stand out: the speed; the variation in interpretation of the parts; the heavy use of percussion; and esp. the power of the chorus. Has the spirit of war crept into everyone's performance?

  • @mwhite6522

    @mwhite6522

    Жыл бұрын

    The way the percussion overpowers the rest of the orchestra in the final coda is probably one of the most powerful things I've ever heard. Never heard the ending played that fast either. Maybe it's what Beethoven wanted? Furtwangler just cut them loose and they took it.

  • @OpusDogi

    @OpusDogi

    9 ай бұрын

    It is a unique tempo and performance. One critic called it "hysterical." I would say "emphatic." We have to remember that Furtwangler was rebuking the very man who was applauding him.

  • @joseluisgimenezperez909
    @joseluisgimenezperez9095 жыл бұрын

    Concebido ...y esperando emerger y respirar esta música!

  • @user-xk8bz1hj8e
    @user-xk8bz1hj8e5 жыл бұрын

    ありがとうございます🎵

  • @frankburren1553
    @frankburren1553 Жыл бұрын

    Mir fehlen die Worte….

  • @alcidesduartefalcao2577
    @alcidesduartefalcao25775 жыл бұрын

    Wow, this is really great!!!

  • @natanaelgorrin9473
    @natanaelgorrin94734 жыл бұрын

    Insuperable, única, perfecta.

  • @faktenmann
    @faktenmann10 жыл бұрын

    Dieses Werk wurde - bei gleichbleibender Besetzung - im März 1942 dreimal aufgeführt / Am 21. März ( Sonnabend ) als Sonderkonzert zum 40jährigen Bestehen des Bruno - Kittelschen - Chores / Am 22. März ( Sonntag ) als Voraufführung / Am 24. März ( Dienstag ) als Hauptaufführung / Der Bruno - Kittelsche - Chor singt die Sinfonie Nr.9 von Beethoven zum 125. Male // Ort: Philharmonie Berlin, Bernburger Straße 22 / Dieser Konzertsaal wurde am 29. / 30. Januar 1944 durch einen alliierten Bombenangriff zerstört. Quelle: Eigene Unterlagen

  • @Katziezi

    @Katziezi

    2 жыл бұрын

    Hochinteressant, danke dafür! Und schade um den schönen Konzertsaal.

  • @LuisSalva

    @LuisSalva

    2 жыл бұрын

    Dieser Saal ist ein bisschen ähnlich zum Wiener Musikverein, oder bin ich falsch?

  • @user-nj7oi1lt8c
    @user-nj7oi1lt8c5 жыл бұрын

    初期EMIのCDを聞いて、 「音が悪くて何やってるかサッパリ分からないけど、ものすごい演奏が隠されてそうだな」 とは思ってた。 いま隠されていたものが明かになり、その凄まじい演奏に心底戦慄を感じている。 テクノロジー的に、本当にいい時代になった。

  • @ryanpoggioli8602
    @ryanpoggioli86024 жыл бұрын

    Absolutely amazing audio quality considering this was recorded over 75 years ago! Does anyone know what system was used to record it?

  • @michaelmorgenroth

    @michaelmorgenroth

    4 жыл бұрын

    Mutmaßlich handelt es sich um eine Tonbandaufnahme . Es wird sich wohl um ein AEG magnetophon und AEG Kondensator Mikrofon handeln.

  • @quintessenzartists6196
    @quintessenzartists61964 жыл бұрын

    Ein schrei nach Freiheit und Liebe.

  • @elijahscall718
    @elijahscall7185 жыл бұрын

    This is pretty amazing.

  • @paineite
    @paineite11 күн бұрын

    The first movement; never been done better. Berserk and transcendent.

  • @waschbrettconradwaschbrett8391
    @waschbrettconradwaschbrett83912 жыл бұрын

    Es ist immer wieder ergreifend mit welchem Gefühl, Hingabe und Liebe! Ich bin immer wieder beeindruckt und fasziniert, wie Wilhelm Fürtwängler die DEUTSCHE SEELE anspricht. Die anderen Meister beißen sich daran die Zähne aus. Bahrenboim, Karajan - kein Vergleich trotz ihres Genies erreichen SIE mich nicht. Wilhelm Furtwängler ist um Äonen weiter. Danke, Danke, Danke! - und das in der schwierigsten Zeit der Deutschen Seele!

  • @jurgenhofmann3204

    @jurgenhofmann3204

    10 ай бұрын

    Ich bezweifle, dass die Seele deutsch sein muss. Kann es nicht vielleicht sein, daß die Seele grundsätzlich angesprochen wird? Unabhängig von der Nationalität?

  • @stickom
    @stickom5 жыл бұрын

    Joaquin Quantz made an famous essay on musicianship and performance, Furtwangler makes it work. This is music 101 and most likely 909.

  • @daddysch

    @daddysch

    Жыл бұрын

    Can you tell me the title of the essay? I would really like to read it.

  • @stickom

    @stickom

    Жыл бұрын

    @@daddysch "On Playing the Flute" ( i was trying to play Mozart's horn concerto 1. as an amateur at my adult years, and after few classes my instructor point on this practical "brochure" but, ' turns I love it cover to cover..)

  • @sterlist
    @sterlist6 ай бұрын

    Third movement at 28:39

  • @user-cy1zl3mi3q
    @user-cy1zl3mi3q Жыл бұрын

    Люди не понимают, что чувства первичны, а мысли вторичны. Наши чувства определяют ход наших мыслей. Бетховен задаёт ритм, и у нас появляются мысли, что мы принимаем за те, до которых додумались сами. Святая простота.

  • @jean-christopheMiquel-ef3ur

    @jean-christopheMiquel-ef3ur

    Жыл бұрын

    ....мысли, что мы принимаем за те , до которых додумались сами. Могли бы ли Вы нам объяснить это предложение, пожалуйста.

  • @user-cy1zl3mi3q

    @user-cy1zl3mi3q

    Жыл бұрын

    @@jean-christopheMiquel-ef3ur мышление человека принудительно. Попробуйте не мыслить, и как долго это у вас получится?

  • @user-cy1zl3mi3q

    @user-cy1zl3mi3q

    Жыл бұрын

    @@jean-christopheMiquel-ef3ur Высший пилотаж в манипуляции, это навести человека на мысли так, что человек 100% уверен, что сам додумался до этого. Вы не по чину себя ведёте, требуя у меня объяснения. Мои работы в открытом доступе. У меня идёт один миллиард просмотров в год. Так что будем взаимно вежливыми.

  • @eisenaechery7591
    @eisenaechery75914 жыл бұрын

    Could anyone confirm whether this is the 2012 Music and Arts Remastering or the 2004 Archipel remastering?

  • @christopherbubbadad7911
    @christopherbubbadad7911 Жыл бұрын

    I DON'T KNOW. EACH LISTENING, EACH CONDUCTOR, BRINGS A NEW LISTENING. FURWANGER MORE THAN ANY CINDUCTOR BRINGS A SENCE OF REAL TORMOIL , WAR (?) TO THE FIRST MOVEMENT ONLY TO BE RESCUED BY SCHILLER'S POEM.THIS SEEMS NEIVE ON MY PART, SIMPLITIC thank BEETHOVEN FOR A WORK ON WHICH I may grow and become better.

  • @opera93
    @opera933 жыл бұрын

    Thanks.. interestingly since, this was recorded Before I was born, certainly a different World………and I am love Beethoven ‘s Work….

  • @louise_rose

    @louise_rose

    2 ай бұрын

    It's very intriguing that this great performance of Beethoven's call for Peace and Universal Brotherhood was recorded in the very darkest and most shameful era of German history.

  • @opera93

    @opera93

    2 ай бұрын

    @@louise_rosethanks.. & fore reading my comment.! Yes.

  • @louise_rose

    @louise_rose

    2 ай бұрын

    @@opera93 Furtwängler, of course, was no Nazi (I'm sure you knew that) - he knew early on, that Hitler was really not what Germany or Europe needed. Their first face to face encounter in early 1933 descended into an angry shouting match, and Willi told his wife that he now knew Hitler was a danger to the country and could not be trusted at all (or something to that effect). But he remained in Germany not least to try to protect its leading orchestras (including the Vienna PO) from Nazi interference. It was a controversial choice, for sure, but I think he did the right thing.

  • @VladimirKhrobystov
    @VladimirKhrobystov9 ай бұрын

    Does anybody know if possible to find a names of BPO musicians of that period?

  • @gluups
    @gluups4 жыл бұрын

    Pur bonheur !

  • @no_Ray_bang
    @no_Ray_bang2 жыл бұрын

    I always wonder if approaching this recording blind (not knowing the circumstances of it until after) might color people's response to it.

  • @johnritter9947
    @johnritter99472 ай бұрын

    Please share where you got this specific recording. Which CD release is this?

  • @robertarnold3394
    @robertarnold33945 ай бұрын

    Aeschylean heroic pathos about the need to resolve the tragedy of humanity versus the optimism to unite humanity around mutual development.

  • @suboescaleras3755
    @suboescaleras37555 жыл бұрын

    Por ser una grabación de 1942 , se escucha muy bien . Furtwängler es sin duda uno de los mejores directores de orquesta que han habido. La interpretación que nos ocupa hay que verla con los ojos de la época que le toco vivir , era la época del nazismo , pero él tocaba muy bien , su orquesta la Filarmonica de Berlín es espectacular. Esta versión me encanta.

  • @aliena2979

    @aliena2979

    2 жыл бұрын

    No sé por qué hay que verla con esos ojos. Jamás he oído a nadie hacer la misma aseveración respecto a una sola representación en el Bolshoi en la época de Stalin, por poner un único ejemplo de los muchísimos que hay. Pero con esto no paráis, qué pesadez.

  • @chanchan844
    @chanchan844 Жыл бұрын

    from which CD did you import this to youtube? any information is really appreciated as I truly love this edition

  • @livschakoff

    @livschakoff

    Жыл бұрын

    It was a copy from a disc of a friend of mine , thus I'm sorry to tell you I can't give you any further details.

  • @chanchan844

    @chanchan844

    Жыл бұрын

    @@livschakoff I see. Thank you for uploading this :)

  • @volkspark01
    @volkspark015 жыл бұрын

    Perfekt. Die in der Tat wohl beste Aufführung von Beethovens 9. ... und das in dunklen deutschen Tagen

  • @vdodenstein5754

    @vdodenstein5754

    5 жыл бұрын

    "...und das in dunklen deutschen Tagen..." - Ich finde ja, dass wir zweimal angegriffen wurden. 14 Punkte von Wilson versprochen, Versailles erhalten. Schön weiter die Litanei der "Befreier" runterbeten.

  • @Fritz_Maisenbacher
    @Fritz_Maisenbacher5 жыл бұрын

    58:44 ... pure testosterone ......

  • @thm4643
    @thm46433 ай бұрын

    Astonishing recording quality! I think that I'll make a recording of it and EQ it a bit. Take out a bit of the bass.

  • @michaelmorgenroth

    @michaelmorgenroth

    2 ай бұрын

    Hören Sie sich die Aufnahme auf einer sehr guten stereoanlage an und sie haben mit dem Bass kein problem. Der Bass ist zum Beispiel bei einer Handy Wiedergabe zu präsent

  • @michaelmorgenroth

    @michaelmorgenroth

    2 ай бұрын

    Hin und wieder ist die Aufnahme zu stark in die Sättigung (übersteuert) hinein gefahren worden. Was auf der einen Seite einen ganz interessanten Effekt ergibt aber auf der anderen Seite für meine Ohren doch hin und wieder etwas störend ist.

  • @KirilIliev_Utube
    @KirilIliev_UtubeАй бұрын

    How many orchestra musicians were injured, does anyone know?

  • @jrneal1220
    @jrneal1220 Жыл бұрын

    Yet another performance where I suspect Furtwangler put the first two letters of his family name into it, given who was likely in the audience...

  • @thebigstink7472
    @thebigstink747228 күн бұрын

    9:30 is incredible

  • @francescaemc2
    @francescaemc22 ай бұрын

    grazi

  • @dragmio
    @dragmio5 жыл бұрын

    Are we sure this recording is authentic? The sound quality is quite good. Way better than the 1954. version here on KZread. And some parts are very fast. Quite anachronistic to say the least.

  • @DJHasp

    @DJHasp

    4 жыл бұрын

    This definitely is Furtwänglers interpretation with Berliner Philharmoniker from March 1942. It is remastered but 100% authentic.

  • @michaelmorgenroth

    @michaelmorgenroth

    4 жыл бұрын

    Original Tonbandaufnahme, leider in einigen Passagen etwas übersteuert. Künstlerische natürlich super

  • @LuisSalva

    @LuisSalva

    2 жыл бұрын

    @@michaelmorgenroth genau, das hatte ich gerade gemerkt. Gibt es diese Version in Video, wissen Sie?

  • @michaelmorgenroth

    @michaelmorgenroth

    Жыл бұрын

    ​@@LuisSalva es gibt den Schluss als Wochenschau video, kann man auch hier auf KZread finden. Das gesamte Konzert ist glaube ich nicht filmisch aufgenommen worden

  • @LetrasconFe-vy3fu
    @LetrasconFe-vy3fu24 күн бұрын

    ¿Qué es lo que hace que una persona y su talento conmuevan a millones de oyentes de música para insatisfechos?

  • @fabricedieutre2658
    @fabricedieutre26585 жыл бұрын

    de 9'20 à 10'40 le sommet du 1er mouvement avec les coups de boutoir des timbales, aucune autre interprétation n'atteint cette puissance (hormis une interprétation de B.Walter qui s'en approche).

  • @tatataBe5
    @tatataBe55 жыл бұрын

    schwer zeit fur Dirigente und musiker, aber so freikeiten fur musik . PRESTISSIMO apsolut in top.

  • @pphedup
    @pphedup Жыл бұрын

    00:39 Yesssss! Go!!!!!

  • @user-bchfldmgd
    @user-bchfldmgd18 күн бұрын

    ❤❤❤❤❤

  • @umbertolombardo4415

    @umbertolombardo4415

    18 күн бұрын

    ❤❤

  • @Fritz_Maisenbacher
    @Fritz_Maisenbacher4 жыл бұрын

    1:01:19 and this .... the Gross-Ralentando before an extactic and super-brutal "Hymn" , what a violence .......

  • @jhrtelem
    @jhrtelem5 жыл бұрын

    ¡Bien ahí! ¡Denle lo que pida que va pago!

  • @Fritz_Maisenbacher
    @Fritz_Maisenbacher4 жыл бұрын

    16:04 this is terrifying ... all smells here about Death

  • @alexdelarge702

    @alexdelarge702

    4 жыл бұрын

    In a time when Germany was at the Everest of power

  • @illegalewahrheiten2911

    @illegalewahrheiten2911

    Жыл бұрын

    @@alexdelarge702 The Painter gave us this.

  • @giuseppefrusteri7886
    @giuseppefrusteri78866 жыл бұрын

    48:28

  • @alessandrocolagrossi9571
    @alessandrocolagrossi95714 жыл бұрын

    53:03 apoteosi della gioia

  • @Contracrostics
    @Contracrostics4 ай бұрын

    They just don't whack a timpano like they used to, these days.

  • @user-vz2jv3nq2x

    @user-vz2jv3nq2x

    4 ай бұрын

    😂

  • @xara_gaiteiro
    @xara_gaiteiro4 жыл бұрын

    32:32

  • @famiredo
    @famiredo5 жыл бұрын

    22/03

  • @StephenJurist-pw7by
    @StephenJurist-pw7by9 ай бұрын

    the torch was passed from mozart to beethoven.

  • @jamesmorris1657
    @jamesmorris16575 жыл бұрын

    At the time I was regularly attending the Met I knew what was going on with conductor. I had been told by a friend who knew someone connected to the situation and who could be believed. Yet I had to sit there and watch the audience fawn over this horrible person. I, too, had to separate this man from the music I so loved. It's something each individual must either accept or reject.

  • @dragmio

    @dragmio

    5 жыл бұрын

    Interesting, but what conductor exactly are you talking about?

  • @Fritz_Maisenbacher
    @Fritz_Maisenbacher4 жыл бұрын

    1:00:14 is such a tempo possible here ??? Oh God ...... Stukas and Panzers over Soviet land ......

  • @mrshovelbottom7475
    @mrshovelbottom74757 ай бұрын

    1:09:06

  • @LongHe8964
    @LongHe89644 жыл бұрын

    黑色贝9⃣️

  • @noobfl
    @noobfl2 жыл бұрын

    ich finde die Aufnahme von Karajan 1962 besser. Aber dieser Aufnahme hört man sehr stark die Zeit an, in der sie entstanden ist und Furtwänglers Meinung zu der Zeit. Soviel Wut und Trotz und Hoffnung. Die Wirren des Krieges, die Hoffnung auf Frieden, das Chaos der Zeit sind hier perfekt eingefangen. Die Aufnahme von Karajan 1962 ist erhabener, befreiter, beschwingter. Aber das hätte 1942 nicht gepasst.

  • @fabriziogarzi9892

    @fabriziogarzi9892

    2 жыл бұрын

    Karajan e molto superficiale pur essendo perfetto nei suoni...ma non mi prende. Dopo Furtwaengler Karajan mi pare uno molto bravo ma qualunque. Quando c'e' forse il vero Romanticismo, lo Sturm und Drang...mi posso sbagliare ma questa e' una esecuzione somma tra le somme. E non sono un furtwaengleriano ad oltranza.

  • @themanitoueatery1543
    @themanitoueatery1543Ай бұрын

    God-Mode

  • @Fritz_Maisenbacher
    @Fritz_Maisenbacher Жыл бұрын

    1:08:45 darf man das noch "kommentieren" ... ? Comment needed ? .... Such moments ...... completely insane in beauty and love, toxic stuff, violence, and breaking every limit in a vital current of holy passion and faith .... dynamite

  • @davidsalomon8426
    @davidsalomon84265 жыл бұрын

    Brutalische!

  • @laurentdumontel5680

    @laurentdumontel5680

    3 жыл бұрын

    Listen Debussy !!!!!

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