Grandissimo anche maestro di canto

Bravo maestro!!!;per sempre in nostri cuori!!!!

@guidogreco341

7 жыл бұрын

L immenso Franco...

It’s kinda sad that we have to fight with students to get them away from the mentality that their voices must be dark in order to be beautiful. When this student began to allow his natural brightness into the pronunciation, his voice revealed itself and it was gorgeous. Also, the ping or ring entered the sound and his voice actually sounded larger.

@toscadonna

Жыл бұрын

It’s really a trick, because when you sing properly, you feel like you’re not singing at all and aren’t putting out a big sound, but you are. You’re actually way louder than when you’re singing voce ingolata and swallowing all of the sound inside your own skull. The sound must go to the audience not us.

Mi piace tanto la voce quando parla normale.

Grandissimo maestro fu Franco Dario Corelli Marchetti!!!,BRAVO!!!

Amazing recording. Thanks for share 🌹

Siempre es un lujo escuchar esa vos tan magnifica que nunca morirá enseñando a sus alumnos

MOLTE GRAZIE, E UN LUJO TENER LECCIONES COMO ESTAS DE GRANDE FRANCO CORELLI

youtube gold! Ty for posting this

More, please, more!! Even without subtitles!!

I am amazed that why didnt he (Corelli) sing it in his life?!

ОДИН ИЗ УМНЫХ И ТАЛАНТЛИВЫХ ТЕНОРОВ-ПРЕДСТАВИТЕЛЬ ОДНОЙ ИЗ ВОКАЛЬНЫХ ШКОЛ УШЕДШЕЙ ЭПОХИ ТИТАНОВ

Who is the lucky student?

I will learn italian just to understand what he says and what his remarks are..

@micol95

9 жыл бұрын

+Super OperaTenor he put the subtitles!

@aarontenor

2 жыл бұрын

@@micol95 not even close to all of them.

Fantastica lezione di dizione italiana...

@alexingresss2420

2 жыл бұрын

Diction lesson from Corelli who had the worst diction by far among all Italian tenors? You must be kidding. He could speak normally but his singing diction was on par with Sutherland's.

@numetutelare

2 жыл бұрын

@@alexingresss2420 bah lasciamo stare la Sutherland che non aveva dizione ma farfuglio...e comunque le indicazioni di canto e pronuncia sono giuste, poi siccome immagino che lei sia madrelingua mi inchino alla sua saccenza.

@alexingresss2420

Жыл бұрын

@@numetutelare Yep, that's right, you should bow to me and my knowledge 😁 Corelli's diction was something between gargle and stammer, and his treatment of consonants was terrible.

@numetutelare

Жыл бұрын

​​@@alexingresss2420 ho riletto il suo commento... che pietosa astiosita'... confonde il parlare comune in cui TUTTI abbiamo inflessioni con la dizione cantata... cmq Lauri Volpi lo considerava fra i più grandi e completi tenori ma ividentemente vostra signoria ne sa più di questi miti... si rilegga il verso di Dante dove dice " or chi se' tu che vuo' sedere a scranna...etc. etc. mah, ormai anche al bar o al pub si commenta l'arte lirica. Non si scomodi a rispondere se voglio annoiarmo lo so fare in proprio esattamente come Oscar Wilde ...

@giulianosalvatori4126

8 ай бұрын

@@alexingresss2420 Ma chi credi di essere ?! Sei solo un chiacchierone 🤣🤣🤣🤣

The student started shaky but turned out to have a lovely natural timbre.(Truth to tell, what Corelli says is enigmatic, in places self-contradictory, and in my opinion wrong about Gigli, etc.)

El alumno tiene una voz muy bonita para mi gusto.

Dar clases de técnica vocal e interpretación no es cuestión de unas clases esporádicas, sino de al menos tres años seguidos de tres clases por semana o más... Y antes de comenzar con el canto habrá que construir el instrumento con la técnica vocal

E cantato questa romanza en el Lido de Venecia fundación Mario del Mónaco, non ho video, piango, tristezza

Il would have been great Honor..

Who is this all-knowing expert @balletjanie6978? Why don't we just ignore him and listen to the Great Corelli?

Subtitulada en español.

L'allievo, di chi si tratta? Mi ricorda tanto il tenore Francesco Demuro. Evviva Corelli!

Straordinario.

Grande maestro corelli. Purtroppo oggi molti cantanti lirici tendono a iscorire troppo la voce, e a dargli troppa cavità come dici tu. La voce deve essere un po' più naturale, un po' più veritiera. Al giorno d'oggi si sentono tenori che cantano con una voce scura, ma se li senti parlare Sembrano dei tenori leggeri. C'è qualcosa che non va O no?

Hay algún audio o video de Franco Corelli interpretando Il lamento di Federico? por favor si alguien lo tuviera, gracias.

@monainfame

Жыл бұрын

Llegué acá buscando lo mismo :(

@FranciscoArvizuH

3 ай бұрын

@@monainfame Según el enorme trabajo de Frank Hamilton sobre la vida activa de Franco, nunca incluyó el aria en recital o concierto a lo largo de su carrera 1951-1976. Sí interpretó Franco Corelli en concierto o en recital fragmentos de obras que no estuvieron en su repertorio, como Il Guarany, de Carlos Gomes, o Iván IV, de Georges Bizet.

can you put subtitles please?

@micol95

9 жыл бұрын

+Super OperaTenor he put them!

@maggiedeveney

4 жыл бұрын

Mic Lourenço thank you so much

LEZIONE SU RECITATIVO DE IL LAMENTO DI FEDERICO DA ARLESIANA DI F. CILEA For other videos about Corelli click here: kzread.info/dash/bejne/hKWMuc-hkdjKmNo.html kzread.info/dash/bejne/qaWbzdWDZ8-wYpM.html

Chi è il tenore allievo? Che bella voce!

@steccomax8103

3 жыл бұрын

Un tenore fiorentino, ma non abbiamo altre informazioni

who the student? Bocelli?

@steccomax8103

8 жыл бұрын

No, he is not Bocelli, he is a florentine tenor, but in this masterclass he was also present Andrea Bocelli.

@HammondDER

8 жыл бұрын

Thanks!

The mask he's referring is the nose. DO NOT SING IN THE NOSE like Horne

@jenspflug7473

3 жыл бұрын

Yes, never sing in the nose. But nose is not the mask. The mask are the cavities behind the cheekbones , next to the nose and above i.e.forehead.

@mariofilippeschi4855

3 жыл бұрын

@@jenspflug7473 Agreed.

@TheDesepcion

2 ай бұрын

El se refiere a cantar de pecho, no mandar la voz a la cabeza sino desde la laringe

His looks had been the making of Corelli, not his technique. Looks were everything for the filming industry in the 1950-60s. His looks and the fact he spoke the language brought him the role of Cavaradossi in the Tosca movies, and the movies brought him name recognition among a larger audience, and the name recognition opened the door of La Scala and the Met. People began to associate him with verismo repertoire, which was just as well because he lacked the technique for anything else. And so he stuck with those few verismo roles he sang over and over again, and a few Verdi roles which he, unfortunately, also sang more or less regularly. His style wasn't original verismo, but people were more than happy to accept the roaring and being lachrymose for genuine verismo. In a way, it was genuine - genuine for THAT period. Taste or getting familiar with the operatic tradition was not high on the priority list, but angry young men, existential angst, and sex was. Kraus' was a similatr case. His looks and the fact he spoke the language brought him the role in the Spanish movie Gayarre, and the movie brought him name recognition, and the name recognition brought him contracts with opera houses of repute. People also began to confuse him with the movie character and associate him with the belcanto tradition. It always happens like this ;-) Lucky him Kraus' technique had perfectly adequate for a few belcanto roles so the confusion was just as well because he couldn't have done anything else without ruining his voice. And so he stuck with those few bel canto roles he sang over and over again. His style wasn't quite belcanto but I don't see how he could have done more (even assuming he had the required imagination and spirit), considering the period he sang.

@jaxhassler9591

3 жыл бұрын

But what about the excellent performances he gave us in verismo roles?

@ilgattopardo3231

3 жыл бұрын

Wow, I never knew that Romeo, Poliuto, Raoul, Gualtiero, count Bezukhov and Werther were verismo roles. They all present at once, oh, so many Miraculous revelations just to us.

@arepo

3 жыл бұрын

​@@ilgattopardo3231 Try not to buckle under the weight of the miraculous revelation. If your user name is anything to go by, I'm sure you will manage creditably. And try to distinguish between (1) roles a singer has in his REGULAR repertoire for MANY years, (2) roles he sings only once or twice in his career, dropping them faster then you would drop a hot brick, (3) roles he sings at the end of his career, in a desperate effort to salvage what could be salvaged and delay the inevitable by a few years. And keep your cheap sarcasm to yourself, it's not in demand.

@arepo

3 жыл бұрын

@@ilgattopardo3231 ..... and learn Werther is Belle Epoque, which verismo à la francaise.

@ilgattopardo3231

3 жыл бұрын

Corelli sang Poliuto and Gualtiero frequently in the beginning of 1960's. He regulary sang Gounod's Roméo in Met for almost whole decade. I hope you would agree that Pollione has nothing to do with verismo but Corelli sang it quite often throghout the career. He sang Werter on only in the last years of his career, but also in 1950's in Italy. You know why I wrote about Gualtiero from Il pirata and Raoul from Les Huguenots? Do a brief research about performance history of this operas, please. Corelli sang "a few Verdi operas"? He was one of most important interpreters of Radames, Manrico, Alvaro, Don Carlo, McDuff and Ernani in 1960's. Your didactic tone combined with such amount of factual errors is ridiculous at least.

sembra così semplice cantare lirica applicando la tecnica...ma la realtà è ben diversa...un conto è dirlo,ma applicarla è complicato per voi mediocri...dice FRANCONE

@davidstyles2762

5 жыл бұрын

Vero! Ma da quel che si sente in questo video pare che lo studente si stia cantando la melodia addosso, tipo "dentro"..per questo i suoni non escono a fuoco e appoggiati e Corelli lo corregge sempre difatti..

@paolonostini3693

5 жыл бұрын

Sono più appassionato di sinfonica e musica da camera ma in casa mia erano tutti melonani, andavano in teatro e qualche volta nelle piazze a sentire i famosi concerti Martini e rossi, dove si esibivano cantanti d'opera. Mi dispiace ma devo dire che oggi le nuove promesse, lasciano il tempo che trovano, cantano, ma poi cosa lasciano a loro e a noi in eredità. Voci belle, ma non e' tutto. Quando guardo un opera in chiave moderna, mi chiedo se e' giusto che ne so ' vedere la madama Butterfly, tanto per intenderci vederla vestita in jeans piuttosto che col kymono come il musicista la concepita oppure Carmen con la biancheria intima piuttosto che da spagnola come andava allora e come doveva essere. Le scene Poi, inutile commentarle

@Tkimba2

4 жыл бұрын

@@paolonostini3693 hai totalmente ragione

Quanta confusione, quante imprecisioni e contraddizioni nelle sue indicazioni.

un vibrato troppo caprino

JESUS CHRIST IS COMING BACK PEOPLE REPENT OF YOUR SINS AND ACCEPT JESUS CHRIST AS YOUR SAVIOR TODAY NOT TOMORROW PEOPLE WHICH IS PROMISED TO NOONE ON THIS EARTH AT ALL.