I'm a Game Director and am finding this series incredibly helpful. This one in particular was especially inspiring. Thanks so much Emerald for sharing such thoughtful insightful answers.

So wonderful, she's a fantastic artist so passionate and curious.

Please add section and time stamp of questions

@leosylver7

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Trust me, let the episode flow and enjoy without knowing what questions are coming.

Absolutely fascinating discussion. Loved all of what you shared here. It really does demystify film making in a beautifully inclusive positive way.

Wonderful second part. An insightful second part as we learn more about Emerald but our hosts too like set environment and post production. Look forward to the next pizza film school.

Emerald Fennell is INCREDIBLE and both parts of this interview were fantastic to watch. So happy that you had her on!

Love listening to this chick. Tho I cannot recall her from anything. Best believe once I’m finished here, I’ll be googling. The dialogue here was wonderful. Felt as if I had a seat in the room

When creating moodboard. Pull stuff and put it in a folder/PDF. They can be anything from movies, images, tv, music, locations, colours, designs and etc. Could ask someone to make to nicer. Part of the artform is communication. Filmmaking is making millions of decision making. When you are making a movie on a small budget. You need to use everything in your arsenal to communicate stuff as briefly and concisely as possible. Don't manage actors or actresses. Don't sweet or beat around the bush but rather, speak to them plainly and directly. Be blant and just say it how it is, but in a respectable way. Have a no bullshit or asshole/rude policy. Don't shout at people. Making movies is like a symphony. You have to manage egos. Approaching a a process without ego, you are setring the tone. You are there to serve the movie. There to change people's lives. Have a vibe on set. Pick and trust your heads of departments and cast. Castings: no auditions. Just have meetings (once the actors have sent their audition tapes and they have been casted). Table reads. Its about casting the actors you would fall in love with. NOTE: As a director, the most important job is to always remember what the audience knows. As when you are so in it, you forget. Keep and bare the audience in mind. Music: During the creative porocess. Live in the story for years. Have a playlist. Have a playlist for all your films. Although, it is adviced that you shouldnt put songs in your script, it is suggested/adviced if it helps you. Pro production - Make sure/let your editor have a very thorough editors pass b4 you watch your movie or cut. This can be affected by budget. Look at cuts, before you are shooting as you can get a better shot than the previous one like a much better close-up or a better line. Relax, your you are done. Reserve the budget when doing reshoots. Address everything when you are on set. Think of 3 or more things to do better once you have rested.

i think it's already time for another snyder interview lol come on please

Why are you not talking about Saltburn it has a great cast, Barry Keoghan Rosamund Pike, and Jacob Elordi Carey Mulligan I hope coming out this year 🙏

Great podcast, stupid hashtag

First 🥇

I LOVE HER SO MUCH I’D KILL FOR HER

We need her and snyder to come back