Enrico: Boris Pinkhasovich Raimondo: Michele Pertusi Orchestra e Coro del Teatro alla Scala Conductor: Riccardo Chailly
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Пікірлер: 66
@saveriogiordano625411 ай бұрын
Una nuova stella che di brillar ancor ne ha ❤
@barbaranorthwood5 ай бұрын
The character is beautifully observed. Great clarity of sound. Thank you.
@anitaweber8149 ай бұрын
Wonderful Lisette Oropesa with her glorious crystal clear but warm soprano and her being, not playing Lucia!!!❤❤❤🎉🎉🎉👏👏👏
@neilmckenna9445 Жыл бұрын
Most beautiful voice I've ever heard
@user-highbaritone5 ай бұрын
You know a performer is great when the Callas admirers come out to criticize. Human nature I'm afraid. 🙏
@claudiobonazzi1827 Жыл бұрын
The most complete and perfect version of this I've ever heard! The variations are original and so interesting! Complimenti per La Scala!
@enie52
8 ай бұрын
Vergessen wir nicht Edita Gruberova!
@suzannederringer1607
7 ай бұрын
Mostly she doesn't sing any variations - just what is written in the score. She and the Conductor have eschewed the traditional higher interpolations.
@patriciapaape9238 Жыл бұрын
Wonderful.Thank you for posting❤
@ShamirPodcast10 ай бұрын
Fabulous...Brava!!!!!
@italovasquez5508 Жыл бұрын
She is a tour de force. Bravissima!
@romearomeo3 ай бұрын
Sublime
@ER1CwC Жыл бұрын
They eschewed flute cadenza - that’s pretty bold of them, particularly in Italy. Love her singing. I’m very glad that she getting recognition from such an knowledgeable audience.
@-giakhanh--kayden-8337
Жыл бұрын
It is in my opinion such a disappointment, considering it's the crowning jewel for the soprano
@ER1CwC
Жыл бұрын
@@-giakhanh--kayden-8337 I agree, but it is bold. I think Chailly likes performing opening night performances as the operas were 'originally intended,' or at least as close to the original versions as possible. His Tosca with Netrebko from a few years ago included a number of passages that are interesting to hear, but were rightfully cut by Puccini.
@Oskareds
Жыл бұрын
No flute?
@ngenzemsh8825
Жыл бұрын
@@ER1CwC yes. or maybe the flutist wanted to flex technical skills. do other solo instruments like piano and violin go well with the cadenza? i dont know much. also i do like anna Netrebko. very nice soprano too
@ER1CwC
Жыл бұрын
@@ngenzemsh8825 Usually, the cadenza is done with a flute. Originally, it was performed with glass harmonica actually; there are some examples on KZread. It's supposed to be a symbol of Lucia's madness. But flautists (and flutes) are more readily available, and glass harmonicas can't play as quickly as flutes.
@jsantojr11 Жыл бұрын
Bravissima
@clefnoteproductions66958 ай бұрын
You can hear the glass harmonica throughout the mad scene
@operaloversabater3690
7 ай бұрын
Love it. Like on Sills recording.
@user-highbaritone
5 ай бұрын
It's wonderful. Just saw her in Paris as Cleopatra. Fantastic.
@angelpaz55 Жыл бұрын
Sublime. As usual. Today I'll see Her at Teatro Real.
@jsantojr11
Жыл бұрын
How was she?
@patrickmarguerit82647 ай бұрын
Callas, Berlin 1955, nothing else !
@user-highbaritone
5 ай бұрын
Well there has to be something else or we close all the opera houses. 👍😁❤️
@charlescornner
3 ай бұрын
To say that there is only one version of an artistic work is illogical. Especially since Ms. Oropesa is arguably of more firm technical footing in this rep.
@heesimv10 ай бұрын
❤🌹❤️🌹❤️🌹❤️🌹
@davidalbro20096 ай бұрын
Despite her accomplishments, the most underrated soprano today. She is the best of the best of the best.
@EmilyHancock-pl7pc5 ай бұрын
at 3:25 - what gorgeous flute and clarinet blending! It almost sounds like a different third instrument that doesn’t exist. Seriously incredible playing together, especially the flutist’s control of the vibrato to match the clarinet. Does anyone know who these two performers are? I know this production is from La Scala but that’s about all I have so far. Lisette is perfection throughout, as always!
@FranciscoFerrerGaliana19307 ай бұрын
Simplemente maravillosa .!!
@AnaLuiza-rl9ee11 ай бұрын
Onde assistir completo??
@raffaeleviggiano49016 ай бұрын
Corretta non oltre
@user-wb1le4jt4d Жыл бұрын
Where can I find this representation complete?
@ernestoboldreghini1279
Жыл бұрын
Bravissima
@ernestoboldreghini1279
Жыл бұрын
Bravissima
@youstubesrospmother11 ай бұрын
Esta señora no puede ser real
@Diva_D2 ай бұрын
Interesting approach. She's vocally incredible but this feels like Pucini's version, if he had written Lucia....
@michelegiovetti6678 Жыл бұрын
Ma per favore.......
@marapaltrinieri56672 ай бұрын
Mah
@YortOK Жыл бұрын
Impressive if a little hard driven
@christopherrobinwattsthoma63183 ай бұрын
Imbarazzante! 😂😂😂
@unclelouie382811 ай бұрын
What a horrible production. The floor, the blood- egh!
@allenjones3130
7 ай бұрын
I too hated the fake blood!!
@amneris788 ай бұрын
Какой ужас... Какое козлиное блеяние, какая жуткая тремоляция! И это убожество на сцене! Среди бессмертной музыки Доницетти, из океана её красоты и глубины Вдруг всплывает это чудовище...🥹😢 Позор всем, кто выпустил её, возомнившую себя примадонной, на сцену!😤😠😡😡😡 -- Ах, Сальери, ужель и сам ты не смеёшься? -- Нет. Мне не смешно, когда маляр негодный Мне пачкает Мадонну Рафаэля! Мне не смешно, когда фигляр презренный Пародией бесчестит Алигьери! Пошёл, старик! Александр Пушкин, "Маленькие трагедии. Моцарт и Сальери" Среди согласного хора ничего не смыслящих в искусстве пения обожателей, вдвойне презренных за восхваление этого "дребезжащего бюста" только за то, что он, этот бюст, их соотечественник, пусть останется на какое-то время мой вердикт: вердикт истинного музыканта!😂
@Lotsman777
8 ай бұрын
всегда забавно почитать, как фрустрирующие лузеры пытаются гадить на талантливых современников, заслуживших признание). И заметьте, она в LaScala срывает овации, а вы в KZread пинки получаете под зад за комментарии
@user-iz4dc1ro2l
7 ай бұрын
Пик ее вокальной формы был в 2017-18 годах. Сейчас - шоубиз. Спасибо за горькие слова. Еще фальшь постоянная у нее - здесь еще не так криминально. С уважением
troppo comodo cantare così ... ma stiamo scherzando?
@zitto606 ай бұрын
Troppo vibrato, intonazione precaria, sovracuti omessi. Nemmeno una Lucia mediocre.
@lastupendaboy9 ай бұрын
Ahhhh really pale, not in the character except for the programmed jerky movements… No Eb in the first half? Don’t do the role.. Already a wobble on the high Bb? And not much power in the Eb? She should avoid this( and god forbid, Norma), and stick to girlie soprano roles…
@clefnoteproductions6695
8 ай бұрын
The Eflat6 is not in the original score. Lucia wasn't composed for a coloratura soprano. In the original score, there are a couple of C6 and a C#6. Well, within the voice of a full lyric or dramatic soprano
@operaloversabater3690
7 ай бұрын
In plenty of areas Im hearing Callas in her voice. That same ringing sound which made Callas Like!
@FaustinaBordoni
4 ай бұрын
Lisette sang Lucia this way because that's LA SCALA required. For this production, LA SCALA required the singers to sing the music come scritto, using Donizetti's original version. LA SCALA did not allow any changes, except in a few areas (such as the high E-flat at the end of SPARGI).
@ms.chaewon9231
4 ай бұрын
@@operaloversabater3690Yes. You can tell even from other sopranos if they studied Callas' recordings or not.
@thomasdahlen85333 ай бұрын
Very bad.
@user-ql8qz9rh4u8 ай бұрын
Она поет красиво, но как будто робот, как то бежизненно.. Она просто что смеётся над героиней! .Каллас никто не перепел и не переиграл в этой роли! Нет у этой певицы энергии персонажа! Все в низкой позиции.... Клоунада наверное! Сори!
@amneris78
8 ай бұрын
А как же тремоляция и фальшивая интонация??? Это невыносимое дребезжание? Разве вы не заметили?
@Lotsman777
8 ай бұрын
Вам, видимо, Рабинович напел
@Lotsman777
8 ай бұрын
@@amneris78 Где бы ваше ещё пение услышать, а то в LaScala афишу не вывесили, неряхи. Заодно, чтобы понять, насколько вы авторитетны и вправе комментировать чужой профессионализм.
Пікірлер: 66
Una nuova stella che di brillar ancor ne ha ❤
The character is beautifully observed. Great clarity of sound. Thank you.
Wonderful Lisette Oropesa with her glorious crystal clear but warm soprano and her being, not playing Lucia!!!❤❤❤🎉🎉🎉👏👏👏
Most beautiful voice I've ever heard
You know a performer is great when the Callas admirers come out to criticize. Human nature I'm afraid. 🙏
The most complete and perfect version of this I've ever heard! The variations are original and so interesting! Complimenti per La Scala!
@enie52
8 ай бұрын
Vergessen wir nicht Edita Gruberova!
@suzannederringer1607
7 ай бұрын
Mostly she doesn't sing any variations - just what is written in the score. She and the Conductor have eschewed the traditional higher interpolations.
Wonderful.Thank you for posting❤
Fabulous...Brava!!!!!
She is a tour de force. Bravissima!
Sublime
They eschewed flute cadenza - that’s pretty bold of them, particularly in Italy. Love her singing. I’m very glad that she getting recognition from such an knowledgeable audience.
@-giakhanh--kayden-8337
Жыл бұрын
It is in my opinion such a disappointment, considering it's the crowning jewel for the soprano
@ER1CwC
Жыл бұрын
@@-giakhanh--kayden-8337 I agree, but it is bold. I think Chailly likes performing opening night performances as the operas were 'originally intended,' or at least as close to the original versions as possible. His Tosca with Netrebko from a few years ago included a number of passages that are interesting to hear, but were rightfully cut by Puccini.
@Oskareds
Жыл бұрын
No flute?
@ngenzemsh8825
Жыл бұрын
@@ER1CwC yes. or maybe the flutist wanted to flex technical skills. do other solo instruments like piano and violin go well with the cadenza? i dont know much. also i do like anna Netrebko. very nice soprano too
@ER1CwC
Жыл бұрын
@@ngenzemsh8825 Usually, the cadenza is done with a flute. Originally, it was performed with glass harmonica actually; there are some examples on KZread. It's supposed to be a symbol of Lucia's madness. But flautists (and flutes) are more readily available, and glass harmonicas can't play as quickly as flutes.
Bravissima
You can hear the glass harmonica throughout the mad scene
@operaloversabater3690
7 ай бұрын
Love it. Like on Sills recording.
@user-highbaritone
5 ай бұрын
It's wonderful. Just saw her in Paris as Cleopatra. Fantastic.
Sublime. As usual. Today I'll see Her at Teatro Real.
@jsantojr11
Жыл бұрын
How was she?
Callas, Berlin 1955, nothing else !
@user-highbaritone
5 ай бұрын
Well there has to be something else or we close all the opera houses. 👍😁❤️
@charlescornner
3 ай бұрын
To say that there is only one version of an artistic work is illogical. Especially since Ms. Oropesa is arguably of more firm technical footing in this rep.
❤🌹❤️🌹❤️🌹❤️🌹
Despite her accomplishments, the most underrated soprano today. She is the best of the best of the best.
at 3:25 - what gorgeous flute and clarinet blending! It almost sounds like a different third instrument that doesn’t exist. Seriously incredible playing together, especially the flutist’s control of the vibrato to match the clarinet. Does anyone know who these two performers are? I know this production is from La Scala but that’s about all I have so far. Lisette is perfection throughout, as always!
Simplemente maravillosa .!!
Onde assistir completo??
Corretta non oltre
Where can I find this representation complete?
@ernestoboldreghini1279
Жыл бұрын
Bravissima
@ernestoboldreghini1279
Жыл бұрын
Bravissima
Esta señora no puede ser real
Interesting approach. She's vocally incredible but this feels like Pucini's version, if he had written Lucia....
Ma per favore.......
Mah
Impressive if a little hard driven
Imbarazzante! 😂😂😂
What a horrible production. The floor, the blood- egh!
@allenjones3130
7 ай бұрын
I too hated the fake blood!!
Какой ужас... Какое козлиное блеяние, какая жуткая тремоляция! И это убожество на сцене! Среди бессмертной музыки Доницетти, из океана её красоты и глубины Вдруг всплывает это чудовище...🥹😢 Позор всем, кто выпустил её, возомнившую себя примадонной, на сцену!😤😠😡😡😡 -- Ах, Сальери, ужель и сам ты не смеёшься? -- Нет. Мне не смешно, когда маляр негодный Мне пачкает Мадонну Рафаэля! Мне не смешно, когда фигляр презренный Пародией бесчестит Алигьери! Пошёл, старик! Александр Пушкин, "Маленькие трагедии. Моцарт и Сальери" Среди согласного хора ничего не смыслящих в искусстве пения обожателей, вдвойне презренных за восхваление этого "дребезжащего бюста" только за то, что он, этот бюст, их соотечественник, пусть останется на какое-то время мой вердикт: вердикт истинного музыканта!😂
@Lotsman777
8 ай бұрын
всегда забавно почитать, как фрустрирующие лузеры пытаются гадить на талантливых современников, заслуживших признание). И заметьте, она в LaScala срывает овации, а вы в KZread пинки получаете под зад за комментарии
@user-iz4dc1ro2l
7 ай бұрын
Пик ее вокальной формы был в 2017-18 годах. Сейчас - шоубиз. Спасибо за горькие слова. Еще фальшь постоянная у нее - здесь еще не так криминально. С уважением
@user-highbaritone
5 ай бұрын
I imagine you didn't like Callas either. 😂
@maiamamulashvili315
5 ай бұрын
golos krassiviy ,podxod xoroshoy,prosto nexvataet belcanto,staroy italyansskoy shkoli
troppo comodo cantare così ... ma stiamo scherzando?
Troppo vibrato, intonazione precaria, sovracuti omessi. Nemmeno una Lucia mediocre.
Ahhhh really pale, not in the character except for the programmed jerky movements… No Eb in the first half? Don’t do the role.. Already a wobble on the high Bb? And not much power in the Eb? She should avoid this( and god forbid, Norma), and stick to girlie soprano roles…
@clefnoteproductions6695
8 ай бұрын
The Eflat6 is not in the original score. Lucia wasn't composed for a coloratura soprano. In the original score, there are a couple of C6 and a C#6. Well, within the voice of a full lyric or dramatic soprano
@operaloversabater3690
7 ай бұрын
In plenty of areas Im hearing Callas in her voice. That same ringing sound which made Callas Like!
@FaustinaBordoni
4 ай бұрын
Lisette sang Lucia this way because that's LA SCALA required. For this production, LA SCALA required the singers to sing the music come scritto, using Donizetti's original version. LA SCALA did not allow any changes, except in a few areas (such as the high E-flat at the end of SPARGI).
@ms.chaewon9231
4 ай бұрын
@@operaloversabater3690Yes. You can tell even from other sopranos if they studied Callas' recordings or not.
Very bad.
Она поет красиво, но как будто робот, как то бежизненно.. Она просто что смеётся над героиней! .Каллас никто не перепел и не переиграл в этой роли! Нет у этой певицы энергии персонажа! Все в низкой позиции.... Клоунада наверное! Сори!
@amneris78
8 ай бұрын
А как же тремоляция и фальшивая интонация??? Это невыносимое дребезжание? Разве вы не заметили?
@Lotsman777
8 ай бұрын
Вам, видимо, Рабинович напел
@Lotsman777
8 ай бұрын
@@amneris78 Где бы ваше ещё пение услышать, а то в LaScala афишу не вывесили, неряхи. Заодно, чтобы понять, насколько вы авторитетны и вправе комментировать чужой профессионализм.