Una delle più fenomenali pagine per basso mai musicate. Non solo verdiane ma di tutto il teatro d'opera.

Grande interprete e grande voce. Furlanetto sempre una garanzia.

No one who has heard him sing this live can exaggerate how incredible it is. The greatest performance I have ever seen, I don’t see how anyone can ever top it. I couldn’t hardly applaud when he was finished because it was so emotional

@hanschristianhoff5341

4 жыл бұрын

I saw the Hytner production in Oslo (with Anja Harteros/Peter Mattei/Renè Pape and a nondescript tenor). Pape as Philip was in no way inferior to this. Vocally both Siepi and Ghiaurov are even more impressive. This aside, also F. is a joy to behold.

@dubbelhenke854

3 жыл бұрын

That's the highest praise you can get as an artist......

@michaelashby1067

3 жыл бұрын

Have a listen to Cesare Siepi......

@7H7GRm8jm4QCnjuQ

3 жыл бұрын

@@michaelashby1067 I can’t see him live

@solveiglandvikbrg9103

3 жыл бұрын

PLEASE LISTEN TO THE RUSSIAN BASS ILDAR ABDRAZAKOV !!!!!! He's marvellous ...... 🥰 👍 🥰 👍 🥰

No puedo escuchar este momento sin llorar... Imposible expresarlo con más belleza

Goosebumps! Amazing music, amazing artist, amazing orchestra! 🥰🥰🥰🎹🎼🎵

L'interpretazione più emozionante e intensa di quest'aria straordinaria. Furlanetto è grandioso.

@eugeniogentili1048

2 жыл бұрын

Ma mi faccia il piacere, ti conviene ascoltare i bassi veri tipo Hines Ghiaurov Giaiotti Pinza Siepi Ghiuselev Zaccaria Nesterenko e compagnia bella.

Thank you, Ferruccio for the masterclass!

Meraviglioso brano Furnaretto stupendo.❤️❤️❤️

So singt man das! Eine fantastische Interpretation!

Truly one of the greatest ever arias.

Absolutely phenomenal. So raw and powerful while keeping the voice engaged and efficient. Bravo, Ferruccio!

@iandavis69

Жыл бұрын

Here u go... Watch these amazing percormance after watching your reaction 😁

Jeszcze się taki nie narodził co by wszystkim dogodził. Doskonały. Dziękuję. Brawo. ❤

Grandiose ! C'est lui que je préfère entendre cet air !!!!!! Merci

Che interpretazione splendida!

STEFAN H - You actually have it in reverse - It is the original French text that fits the music "like the hand in glove" - few musicologists would argue with that. IT WAS A FRENCH TEXT and VERDI fashioned his music around that FRENCH TEXT....... One can't argue that! However, I will admit that as much as I love the French sung DON CARLO, I have heard it most often in Italian in the major Opera Houses and I adore it. I've heard it sung on stage completely in FRENCH TWICE and it's a totally different dynamic......... It's your preference, dude and there is nothing wrong with that. The almighty important thing is that we are listening to opera. So keep on truckin'!

Love this. Sang it many times.

Wow, I am gobsmacked...thunderstruck. What a MAGNIFICENT performance!

I saw this opera in New York last weekend. Amazing just amazing. Maybe my favorite opera.

@Jacky-ww1ld

4 жыл бұрын

I was there as well, simply amazing!

Meraviglioso!💙

Una gran interpretación. ¡Qué emoción! La orquesta suena fenomenal.

Красивейший бас в мире! Брава! А в молодости вообще был лучшим.

Ella giammai m’amò! No, quel cor chiuso è a me, amor per me non ha! Io la rivedo ancor contemplar triste in volto il mio crin bianco il dì che qui di Francia venne. No, amor per me non ha, amor per me non ha! (ritornando in sè) Ove son?... Quei doppier presso a finir! L’aurora imbianca il mio veron! Già spunta il dì! Passar veggo i miei giorni lenti! Il sonno, o Dio! sparì dai miei occhi languenti! Dormirò sol nel manto mio regal quando la mia giornata è giunta a sera, dormirò sol sotto la volta nera, là, nell’avello dell’Escurïal. Se il serto regal a me desse il poter di leggere nei cor, che Dio può sol veder! Se dorme il prence, veglia il traditore; il serto perde il Re, il consorte l’onore Dormirò sol nel manto mio regal quando la mia giornata è giunta a sera, dormirò sol sotto la volta nera, là, nell’avello dell’Escurïal. Ah! se il serto regal a me desse il poter di leggere nei cor! Ella giammai m’amò! No! quel cor chiuso e a me, amor per me non ha, amor per me non ha! (ricade nelle sue meditazioni)

Great performance of a great aria.

Danke shon.❤

Altough I fell in love with this aria performed by Nicolai Ghiaurov, I love his performance really much too. It always seems to me that aria touches something in his personal past and the emotions he experienced. It seems that he understands Philip in some way.

Best ever!

@Jacky-ww1ld

4 жыл бұрын

True!

Merveilleux ,Sublime !

Beatiful🌷

Nobody is Furlanetto's equal in this role. I have heard him sing Filippo live three times, and each time was a study in perfection.

@LeTampinateur

8 жыл бұрын

Try Cesare Siepi's rendition....

@tamolyn5141

8 жыл бұрын

Antonella Cesarini I've already heard it. With all due respect, to my ear, Furlanetto sings this better.

@sopranosd

7 жыл бұрын

I've seen him in this role and he is riveting. His technique is perfect freeing him up to act with such intensity. I love him!

@Igorls8

6 жыл бұрын

Ghiaurov. But Furlanetto is a bit different

@figaroalmaviva8607

3 жыл бұрын

Ildar Abdrazakov

Un des meilleurs Philippe II.

Santo Verdi miracoloso

Uno de los mejores bajos de todos los tiempos.

@marceloortale7756

5 жыл бұрын

Coincido. Pero, por favor, no deje de escuchar en esta misma área a estos tres bajos: Jerome Hines, Nicola Rossi Lemeni y Cèsare Sieppi. Gracias.

Absolutely exquisite.

I just LOVE this!!!! First time I heard it was in Rome, when I got home I rushed to the record store and bought two versions and found out when listening that one was in French and the other one in Spanish and the magic was gone. I know Verdi composed the original on a french libretto and that it's about the Spanish court, but I find the Italian version fits the music like the hand in glove.

How about beginning at the top of the aria so we can hear the entirety of the beautiful cello solo?

@solveiglandvikbrg9103

3 жыл бұрын

I totally agree with you ! The CELLO SOLO is so wonderful !!! 💖

@solveiglandvikbrg9103

3 жыл бұрын

@Lukas Casey Quel est le rapport ?????

Magnifico. o

Perfection

I wish I could age so gloriously !

@Jacky-ww1ld

4 жыл бұрын

Exquisite

@Mousy677

3 жыл бұрын

he is wearing very heavy make-up

Tres belle interpretation au service du livret et surtout de la partition et de la Musique Dans la veine de Laszlo ,de Neri et pour ma part l'inaccessible Talvella La Musique est souvent au service de l'eclat du chanteur . Mais chaque timbre , chaque couleur de voix touchera une fibre emotionnelle propre a chacun de nous .

the best

Genio ,

i cry evrytiem

Supper!

BELLISSIMO !!!!!

Bravissimo

Люблю Філіппа.

starke Stimme

I wish this video was complete, starting in the beginning of act IV.

Impresionante 😂🎉

Please make it a DVD!!!!!!

perfect

Viva Verdi!!!!!!

👏👏👏❤❤❤

Wow

Terrific Ferruccio !!!

This is very good. Did they have a Grand Inquisitor to match?

Это потрясающее исполнение! Впервые вижу такого Филиппа, с такой яркостью актёрской игры и речевых красок... Фурланетто великолепен! Великий певец и великий актëр! Всë, что он делает, прямо соответствует всем столпам искусства Шаляпина. БРАВО!!!

Very moving. Exuisite rendition. The last living, truly Verdian bass?

@jessemendozadavis6544

8 жыл бұрын

Samuel Ramey also? though i think he's just about retired or retiring

@paoladatodi8626

6 жыл бұрын

Samuel Ramey ha dato sì splendide interpretazioni di ruoli verdiani, ma il suo "territorio" è precipuamente Rossini e il Belcanto.

@killmrdarcy4367

2 жыл бұрын

@@jessemendozadavis6544 As great as Ramey is, he is far too cantabile for Phillip! Yes, Verdi roles such as this (e.g. Silva in 'Ernani') require a true profoundo bass, while Furlanetto's portrayal of the role is arguably the greatest ever in surveying the whole history of 'Don Carlo' - inclusive of Christoff, Ghiaurov, Lloyd, et.al.

@eboli7146

7 ай бұрын

Andrea Silvestrelli is also magnificent and he is still singing.

So touching, great actor too. But my favourite is Rene Pape.

Stefan H - There is NO DON CARLO sung in SPANISH......... by some freak you might have found " ELLA GIAMMAI M'AMO', Philip's Act IV Monologue sung in Spanish by some basso profondo but it has NEVER been performed in Spanish. It is either the original French text or the more commonly used Italian..... however, the French is gaining ground and even the almighty MET will be doing DON CARLO in the 2021/22 season NOT in ITALIAN but in the original French. It is the French that fits beautifully to the music but I must admit that I personally prefer the ITALIAN.

@andreistan5497

Жыл бұрын

French is an exceptionally elegant language but has nothing to do with opera.

@peterdevita6308

Жыл бұрын

@@andreistan5497 You, Andrei Stan, don't seem to have much of a clue about the French language (which is beautiful when well spoken or sung) other than you say it is an elegant language; You must be slightly unhinged to say that French has "nothing to do with opera"........ The French language has been part of opera from the earliest of times, as far back as LULLY.... and the baroque period becoming enormous in the 19th Century with the likes of Gounod, Saint-Saens, Offenbach, Mayerbeer, Bizet, Massenet and more ... then with composers bridging into the 20th century like Charpentier, Debussy, Milaud, Dukas, Ravel and Poulenc's "Dialougues des Carmélites" not to mention more modern composers. So how can you state so incoreectly that French has "nothing to do with opera"? May I ask where you were educated?

@andreistan5497

Жыл бұрын

@@peterdevita6308 Dear Peter, thanks for your lecture in the history of French music. It was a lovely gesture although not necessary at all. I assure you I am very familiar with French culture, written, painted, built, spoken, sung or whatever it may be. No cultivated person would argue about the qualities of the French composers that you mentioned and many more others, in the instrumental area (by the way, Lully was a ”frenchised” Italian and you forgot maybe the greatest of them all, Rameau). Yet, as soon as it comes to bel canto, French becomes rough and cloddish, sometimes downright unpleasant. This is precisely what I meant and I stand to it. A completely different sound have their modern chansons which are rather spoken than sung which is why their performers are called ”diseurs”. This is a personal opinion, you do not have to share it !

@lirica3209

8 ай бұрын

Per chi riesce a cogliere la differenza: in francese "elle ne m'aime pas"; in italiano "ella giammai m'amò". Nella versione italiana c'è tutto il dramma della consapevolezza di non essere MAI stato amato.

You're all invited to join this page dedicated to him. Thanks! facebook.com/FerruccioFurlanettoFans/

Эх....Друг мой Феруччо... Филипп - это НЕ Лепорелло...

@SerPetKo

8 ай бұрын

Точно подмечено!

Mo vu Zo

its very nice.... BUT.... just compare it to Boris Christoff....i know... Boris is perfection... so Ferruccio made it superb....

@Tam Olyn,, I really like Furlanetto but in my opinion ( and even in Furlanetto's opinion) he is not equal to Siepi ( so we agree to disagree...)

@hightenor123

8 жыл бұрын

+Antonella Cesarini I think it's nice to have a bass around that you can mention in the same sentence. :D

@LeTampinateur

8 жыл бұрын

+Christopher Lucier I beg your pardon?

@hightenor123

8 жыл бұрын

+Antonella Cesarini Sorry if I was unclear. What I mean is that it is nice that we have anyone around singing today that is worthy of comparing to the great basses of the past. No matter what your preference.

It’s good, but is not Ghaiurov!

삼손과 데릴라

Ma lui canta 100 000 000 volte meglio di Ghiauraccciooo Mauracccioo !

he's so miserable and it is literally all his own fault.

Это недоразумение. Певца надо представлять и показывать в Интернете не тогда, когда он уже потерял голос, а в молодые годы, в расцвете жизненных и творческих сил. Сравните хотя бы это исполнение: kzread.info/dash/bejne/iqKIp7WBhtvIZrA.html:

Boah...Perle nere... disgrazia

Very nasal, horrible

@bradycall1889

8 ай бұрын

No, he's not really nasal. I disagree with you on that.

@ariasemusicaslegendadas7657

8 ай бұрын

@@bradycall1889Even if it isn't, it's still horrible, he doesn't cover the high notes, which only makes his singing worse.

Poor singing, overacting ......

How can people think this is perfect is beyond me, very nasal and small singing and wobble at times, very squeezed sound throughout

@puma5471

4 жыл бұрын

Opera Lover have you heard him sing this role live?! I heard him 6 times. I can tell you that you are totally wrong!

@PeterBarber

4 жыл бұрын

Well, it's actually not nasal -- nasality happens when the sound goes through the nasal passage, and I can assure you that his soft palate is raised at all times while singing, sealing off the nasal passage. So you may not like the sound he's making, but it's not because of nasality. Also, Ferruccio has one of the biggest voices of recent history (I have heard him live in Don Carlo and his voice was far bigger than even Morris Robinson's), so he's not doing any kind of small singing even if it may sound like that at times in this video. The wobble has become more prominent as of late, but the man is still singing very, very well for his 70s.

@7H7GRm8jm4QCnjuQ

4 жыл бұрын

It is huge and dark in the house, not nasal at all. Three to four times bigger than that James Morris, whose voice was already one of the biggest I heard in the Met. You hear some wobble on the recording but not in the house. Every word was perfectly clear as well.

@boundary2580

3 жыл бұрын

Bigger voices struggle to be comprehended when recorded. Think Del Monaco and Richard Tucker. I know there is a trend of bashing contemporary opera songs but this guy is the real deal.

@massiveqdawg

2 жыл бұрын

I actually sang this opera with him in 2018 ... I've been in other shows with him as well. I can promise you ... there is nothing nasl about his sound. In recordings resonance comes across as nasal. I have a big voice, and I've sung with some of the largest, most beautiful voice ever heard (Zajick, Giordani (God rest his soul), Guleghena (Spelling) Ramey etc). Furlaneto BY FAR has the largest, most gorgeous sound EVER. (Zajick was defening to be fair ... but she wasn't a Bass) 😊 There is nothing critical to be said about his singing. Its so naturally nuanced and beautiful ... and I speak this from the vantage point of a current Performing Artist who also happens to be a Bass who sang Inquisitor opposite his Filippo! My 2 cents