The angrier he gets, the stronger he gets = Hulk The longer he stays in a hallway, the more unstoppable he becomes = Daredevil

@WNB6039

5 жыл бұрын

You basically described the season 2 fight with that statement because yes season 1 and 3 had great long take fights season 2 literally shows how deadly and ruthless Daredevil has become and the way he uses the chain is phenomenal.

@eisencolumbusabonitalla3570

5 жыл бұрын

y r u evrywer?

The way you cut together the camera pans and whips throughout this video was seamless. Brilliant my dude.

@JShuaYu

5 жыл бұрын

i thought it was one long take

@MeetDannyWilson

5 жыл бұрын

@@JShuaYu I think I saw one cross cut in that sequence.

@fin3st

5 жыл бұрын

Mach Tony lol

@MeetDannyWilson

5 жыл бұрын

@@fin3st Yeah, I know, crazy, right?

@syriano9637

4 жыл бұрын

5:32 movie name Please ?

Daredevil season 4 will just be one giant long take.

@dragonhunterx5929

5 жыл бұрын

Mr robot had a whole episode that was filmed like a oneshot. With hidden cuts of course.

@temiajuwon8893

5 жыл бұрын

@@dragonhunterx5929 Was it the riot in the E-corp building? That was great.

@ijal290

5 жыл бұрын

@@danielalmodovarrico8134 true on that!

@howardholy

5 жыл бұрын

nah the whole season will just be people turning to dust

@BossEnosch

5 жыл бұрын

More like one giant cancellation R.I.P

imagine fighting a couple dozens of guys and you can't look directly into their eyes cause you have to act blind. that's the one point of this fight scene in season 3. Charlie Cox is just brilliant.

@guitarman0365

5 жыл бұрын

i think he is used to it for some time now.....i heard in interviews that even when not shooting anything and just talking to people normally he will still not look at people directly like he is blind haha it has taken over his mannerisms at times.

@blitzkriegdragon013

5 жыл бұрын

@@guitarman0365 It's how he lost the Solo audition.

@beregondibram2985

2 жыл бұрын

Tbf when you fight you don't really look into the eyes. You kinda look. At nothing and see everything, it's hard to describe

The long take daredevil fight in season 2 is about matt's decent into hell as he fights his way down. The further down he gets the more brutal he fights, if you notice the hall way lighting along the way he's gradually going into the underworld. The lower he gets the more vicious his opponent the nastier he gets. It's kind of a representation of what's matt is going through in the season. He's having to fight off more and more nasty people while at the risk of losing his humanity.

@hiimchrisj

5 жыл бұрын

Slam Jackson that’s the justification for the scene itself, narratively, which is fine. But what he’s pointing out is that there’s no reason for it to be a long take aside from them wanting to repeat the highlight of the first season but make it bigger. These long takes work best when you’re trying to capture how tiring or frantic a situation is. When you want the audience to feel the protagonist’s up hill climb. But in season 2 Matt outclasses everyone he’s fighting the feeling you get from watching it is exactly what the production team’s intentions were: they’re showing off. That said it is one hell of a sequence

Wow, the camera swoop and scene transition is flawlessly edited.

@IncredibleFlyinSquid

5 жыл бұрын

Yeah I really liked that, very well done.

@probot6515

5 жыл бұрын

Especially the "I quickly want to mention squarespace" bit!

The editing on this video is phenomenal. Just saying.

@joshmciver4847

5 жыл бұрын

all his videos have great and fun editing! :)

@erttttt

5 жыл бұрын

I know, right?

@attilathenun

5 жыл бұрын

This one in particular though. Mwah!

Making a video about long takes, and putting various long takes together into a seamless long take video essay. That's next level editing, sir.

The three way between kingpin, bullseye and daredevil was really something else, definitely set season 3 above the the rest.

@blastmedia3218

5 жыл бұрын

Samuel Fernandes I don't remember them having a three way?

@oreohunter7798

5 жыл бұрын

BlastMEDIA 321 let’s just say Bullseye has impeccable aim...

@Milkra

5 жыл бұрын

Uh, you’re technically not wrong.

@drwg456

5 жыл бұрын

Really? I thought that fight was a real let down compared to how good the rest of the season was. It felt like they were working around a budget by getting Fisk to fight Matt behind a wall, or by having Matt and Bullseye go off-screen to the balcony. Even some of the punches towards the end just don't even look like they connect at all. I left feeling pretty disappointed.

The Prison Fight one take in Daredevil season 3 reminded me of The Children of Men one take. Interestingly enough, the director of the episode used that scene as inspiration for the prison one take. Like The Children on Men oner, the prison take is so steady and focused, but also frenetic at the same time. Masterful work.

@Happymali10

5 жыл бұрын

The COM final confrontation actually isn't a long take, the cuts are just mostly well hidden (one time some blood/dirt disappears from the lens in a panning-motion)

@AngeloBarovierSD

5 жыл бұрын

@@Happymali10 Well, you're kind of right. The famous COM long take is a simulated really, really long take made up of a few actual (and still impressive) long takes.

@cokeglas

5 жыл бұрын

Isn't the CoM take that was so impressive the one that starts in the car, goes through the bike attack and finishes outside of the car? Not the one with the soldiers and the buildings. Btw,, Daredevil is just so mega-impressive on so many levels. Just brilliant episodic TV. The directing, acting, storytelling, cinematography, just wow.

Daredevil season one's long take was a delightful surprise and was genuinely good storytelling. Season two's long take however felt a bit "look guys its the long take but BIGGER AND BETTER." It seemed a bit forced and the cuts were a bit too apparent. Season three's however blew it out of the water. Mixing dialogue scenes with action and not mention the sheer length plus the fact that its actually Charlie Cox for most of it and not a stunt double. Total actiongasm if that's a real thing.

@BFG-hv2ml

5 жыл бұрын

wtf? forced? it was perfect

I see its already been said but I really went from watching this on TV to my phone just so I could comment on how phenomenal the editing on this video is. Amazing work.

This. This is what content looks like. Great editing, powerful script, and amazing research. Thank you. Thank you for entertaining and teaching us.

@erttttt

5 жыл бұрын

From the beginning, it blew my mind. Just incredible.

The third season felt like the first season of TWD. No one was safe everyone was in danger.

I think the DDS2 long take was more about enhancing plot than character, highlighting the stakes and geography of Frank Castle's "rescue." DD starts the scene just trying to get Frank to the ground floor, which is upset by the bikers' arriving and threatening a bystander. Rather than enter the freight elevator or try to carry Frank, leaving the residents defenseless, he chooses to essentially race Frank to the bottom through a gauntlet of bikers. Not cutting away raises the tension of knowing that Frank is still in the elevator below him, defenseless even while remaining a potential threat himself. And even after surviving that brutal fight, the long take also highlights its futility as Castle still slips away unharmed by the bikers and unnoticed by the man with the radar senses.

The prison fight scene in season 3 was amazing!! The only American action scene I can think of that rivals (and perhaps even surpasses) the fight choreography from The Raid, which is saying a lot.

The editor of this video gets my respect for life. Those cuts and pans are fucking amazing.

Not gonna lie, im not too well versed on editing but I can immediately tell the excellency in this video. Literally absurd how well done it is.

I love how you point out his exhaustion. The fact that his 'powers' are nothing to do with endurance and he has to fight through his limitations.

ironically enough, the seamless cuts in this video were the enemy of the content. half the time i found my self thinking "how the hell did he come up with that thought", "it must have taken him a fuckin long time to match the footage from different movies", "oh.. that's a brilliant move" ... such and so on. keep up the good work man. the world needs people like you.

You know, it's funny how i was thinking about it like yesterday and then the video popped out of my suggestions. Daredevil was infamous for its long takes in the past, but in the 3rd season, they decided to go all swagger and crank it up to eleven. Like "hey, we know it's what we're famous for, so we'll keep practicing to be the best". And man, they are. Every time it's different, and creative, and breathtaking for different reasons, in different fights. Even if they're showing off...well, who am i to complain?

I love how the transitions in this video are meant to look like it’s all done in one take

This may be one of the best videos ever made. In any genre. First of all, the editing is fucking amazing. But more then that, the way you time the text, the specific thing you're saying, with what's going on in the screen... That's just unbelievable. You are the best creator I follow currently and Ive only known about you since yesterday. Keep bringing the quality and you'll get the views. Also, just a small tip: design your own profile pic, instead of using a stock image. Whenever I see stock image profile pics I assume that the channel isn't serious about the content it produces. Seeing a custom profile pic gives the viewer the impression that this dude is serious.

The editing in this video is amazing. I mean, I'm listening to what's being said, but the way the sequences were edited to make them flow together is impressive. Especially 1:03 to 1:05

Best Fight TV Shows/Movies Scenes without overusing CGI John Wick, Daredevil, The Raid, Hardcore Henry, Bourne series hands down Long takes and good martial arts fight choreography is a must have along with proper length, narrative and steady camera work

Bruh the transitions in this video 👏 Imo- long takes should be used- if the situation calls for it, to show our lead tired or out of breath fighting off all the goons. The one take scene in a movie I love is the Church Shoot out scene in Kingsman 1 And my favourite scene in the entire film( which i didn’t love) Atomic Blonde Stairway fight scene

@RandallClark

5 жыл бұрын

Kingsman church scene is not one take, there are a ton of edits. The editor for that movie is a god.

Man, turning a video about long takes into one long take by combining pans and transitions... This video is amazingly done and is art on its own ..

It's ironic that a video about long takes (where the editors work is minimal) is so masterfully edited together. I've come to expect great analysis from your work but the visual work is on another level also.

@Rossatron

5 жыл бұрын

I-ross-Ic. But no thanks for the kind words.

The Haunting Of Hill House episode 6 has some of the best long takes i've ever seen.

I love that, even as an action focused film viewer, you are so focused on the most important part. Story. Nothing is more boring than just seeing a director and team show off their technical prowess. That the video was edited in the way it was, wasn't because you wanted to show off (maybe a little bit :D) but because it enriched the experience. Keep up the good work.

Damn the editing is absolute perfection....especially when using different clips from different movies...

I just gotta say that the editing in this video was A+ while also having interesting analysis. Great video!

The greatest long takes were the drug raid in true detective season one and the battle scene in children of men.

@ConnorMcCartney95

5 жыл бұрын

Watch Quarry. There was a long take in the last episode of that that is about the same length as True Detectives long take.

It's hilarious. My friend and I literally just watched the prison fight episode for the first time a few hours before I saw this on my feed. I actually didn't even notice that it was a long take until my friend pointed it out. Then we rewound the scene and watched it over again, looking for hidden cuts and stuff, and just appreciating how awesome it was.

Great video! One thing I think that shows how well the long take prison fight worked is that when I saw it it took me a while to realize hey--this is one shot. It makes sure you're wrapped up in the action and worried about Matt that I think most people (unless they have a trained eye) wouldn't notice it, at least not right away.

I just gotta say - your editing here is fantastic. Every match cut is smooth elegant and invisible. Perfect. I wish you were my editor!

Masterful editing, Ross. Your videos are always greatly edited, but this is next level stuff. As for the video itself, I agree with your points, but would just like to add one thing: I remember reading an interview with Alejandro Gonzalez Inarritu about Birdman and his decision to do the entirety of the movie in a "cheated" one take. He said that the reason was to better replicate the real-life feel of storytelling, as "our lives are a continuous one shot, we open our eyes in the morning and *boom*, it's one take until we go to sleep" and he wanted to convey the idea of the main character being trapped and desperate, we couldn't escape from the events in the movie, as the main character couldn't escape as well. It's like in horror movies, you feel dread, but you know that the camera is going to cut away at one point or the other, to something less scary. This is something I felt in S01 and s03 of Daredevil as well: in the corridor scene in s01 we are literally cramped in there with Matt, whereas in s03... Well, we are in a prison, after all. Just wanted to add this one small point to an amazing video, thanks for all you do on this channel!

Jeezus your editing in this video was top fucking notch. Russatron you mad man!

True detective season one still had my favorite long take. It really helped build the tension.

I love long takes, the way tension only increases the whole time until the final cut is exquisite.

the oldest short film i have footage of had a one shot fight scene. i wrote, choreographed, directed, and starred, and i was determined to get it right. the short wasn't great, but that fight was well received by the class. i remembered having a panic attack because i wore a mask and was not good with small spaces at the time. i got the crap kicked outta me, and even had an asthma attack while filming. it took me 7 takes to get the fight right. it was hell, but man did it come out good. and i wouldn't change a damn thing

The editing in this video is freaking ridiculous. I gotta watch it twice because I'm focusing on the cuts and not your voice. Well done, sir

This is masterful work, seamlessly editing all those action scenes together. Absolute joy to watch.

you are the best editor, my dude.

Something you shouldn't underestimate is that most movie-cameras have no autofocus, so someone, on small crews the camera operator himself, has to constantly pull or push focus as objects move towards or away from the camera.

The most fun I had with a long take was a russian action movie called Hardcore Henry. Seeing a chase scene or building infiltration from literally the action hero's POV was one of the most refreshing experiences in cinema

Excellent video analysis of long takes/fights in films and Daredevil, cheers!

The editing in this is flawless. Brilliant!

I just love (a well made) long takes, i know you are talking about action Long takes, but in the new Halloween they made a terrific work i just need to talk about it xD

@Patrick-pc3vq

5 жыл бұрын

Oh yes the new Halloween had an amazing long take, just what i imagined what it would look like if someone like Michael Myers would go from house to house killing people.

Another great video, and the editing in this video was just.... phenomenal.

Ironic how good the cuts are in a video about long takes! :D good work, man!

such editing ily

The editing on this episode is incredible! Simple amazing work

I loved the stairwell fight in season 2! So brutal and so much fun.

Again an excellent video combined with masterful editing! Thank you!

I am into just one and a half minute into this video and I see that you put a lot editing effort into this particular video which explains long takes. I mean look at the transition between the movies! so kudos to you for taking this seriously!

Brilliant editing. Simply Amazing

Your editing in this was fantastic and seemless! Well done!

Best Analysis Channel on the web, no competition.

Always good to see Rossatron uploaded a video. Great editing by the way, that was a fun way to edit a video about one takes.

There's one long take in an episode of True Detective when the undercover vopnis with his biker buddies going to rob a drug dealer. Its freaking awesome. And Daredevil was one of the best shows ever on TV no doubt. We will miss it mark my words

The long takes are impressive but the way you transitioned one scene to another was brilliant Perfect everytime😵

Wow wow weewow! That video editing with all the long takes was masterful. Kudos! I too began wondering with the proliferation of long takes, that filmmakers are beginning to force it. It seems at times that a film has it in their lost to include at least on eking take in their film, regardless of necessity or not. I love the long take as much as Clive Owen in Children of Men, but I don't want it to ever depreciate in value. If you already haven't, I recommend Haunting of Hill House.

Your editing is top notch.

*Insert GOTG Finally gif* I've been waiting for this video.

Thanks for getting across one of the main points about the oner. You shouldn’t notice it. Good vid

I always enjoy your videos but this one was especially enlightening. Thank you

I've noticed your own editing has really been improving lately man good job :)

Great content, great editing, thank you :)

Fnially! Yes! Been waiting for this video for ages :) cheers mate

Loved this

Supreme editing this episode, dude.

You have outdone yourself with the editing here, wow.

holy shit, your cuts are spot on.

When watching the prison fight scene, I didn't notice it was a single shot until he got back in the taxi and I was able to relax for the first time in 10 minutes.

I know you focused on action shows/films, but you definitely should have included the long take of Haunted of Hill House episode 6. It's a great example of how the complicated execution adds to the drama and the narrative (and well, every long take is an action sequence I suppose :) Great video as always! (And superb editing! Wow!)

The editing in this video deserves an oscar

I would have mentioned the terrible oner of Last Airbender, and the neat use of jump cuts of Kick Ass condensing a long take.

The editing in this video!!!

An interesting topic and a well made video, thanks! The long take that impressed me the most till today was in the series 19-2 (the English one), where the main characters were called to a high school shooting and followed the shooter through the building. I was literally on the edge of my seat and to this day remember the dread I felt while watching... IMO, it beat the often cited long take from True Detective by a mile. But t I wouldn't want to see long takes everywhere, especially in action scenes because that genre uses other visual tools to built atmosphere (as showcased by the Kick-Ass example).

Well i need to rewatch this essay because i just watch (again) this week Atomic Blonde 0:50 and BvS with the dream sequence, was so beautiful, and of course the outstanding James Wan's Long Take in Aquaman

Episode 6 of Haunting of Hill House is the champion of long takes

Universal soldier regeneration jcvd scene was,bad ass

The hallways is DareDevil’s element😂😂

There's also some pretty sweet one shots in Agents of Shield as well!!

I was to distracted by the perfect editing to pay atention to what you were saying.

You could teach editing classes Rossatron, truly great stuff

This video could also be called: "How to do Editing like a Boss"

Awesome cuts dude

I know people are saying it a lot but the editing in this is slick as all hell

Your editing has significantly improved. Looks like some clever masking techniques were used to get the different films to flow together. Well done. Seems like working on that documentary has done wonders for your filmmaking skills!

@Rossatron

5 жыл бұрын

Zero masking. The only thing I did was add a few frames of a dissolve here and there.

After watching the Half in the Bag review of The Haunting of Hill House, where they mentioned how the long-take oners seems to have become a "trend" lately, it made me realize how unimpressed I've actually become with them. Not to say that I don't still appreciate the work and talent and co-ordination and artistic ambition and everything that goes into them, and I certainly don't mind seeing them... I don't really find them all that "impressive" anymore, to be honest. They're not really special anymore, the way they were when, say, Goodfellas did it, or even up until 2006 when Children of Men did it. And credit to Rossatron for focusing on action movie oners, because those certainly are the most impressive form of long-takes. More impressive from a fight/stunt choreography perspective than a filmmaking perspective, though. From a filmmaking perspective, I find long-takes feeling more and more routine now. There are simple tricks involved in the set-up, and it involves a lot of planning and rehearsal, and crews have to do a lot of careful timing and positioning, etc... but in terms of the number of people, the relative level of how "hard" the work is compared to normal/short takes (which obviously varies depending on the shot. A shot that's much shorter could be much harder work), and how long it takes to execute is all not necessarily more "impressive" than short takes. In fact, oners often save production time by getting a lot of screentime done at once. Crews tend to love when directors choose to do oners, because it usually means a short day, as oners tend to be the only shot scheduled on its day. 5 takes of such a big shot might seem like a lot... but it's nothing compared to how many takes are done across multiple shots on a normal day of production. Usually you're doing like 20-30 shots a day or more, with multiple takes for each one, multiple set ups, etc. Having to reset stunts and set dressing and props, etc, for every take. Doing it all at once and only redoing it 5 times is actually easier and more efficient. It might be more work all at once each time and mean more downtime between the takes, but it's faster than if you were to do everything piece-meal the usual way. I'm sure this isn't ALWAYS the case, but it usually is. Furthermore, I do often find myself succumbing to the problems that Rossatron mentions here, where the audience being aware of the long-take and any trickery involved in it can become distracting. It does tend to take me out of the story, because I become too aware of the filmmaking going on. At some point during a long enough shot, I always realize and say to myself, "Oh, has this all been one shot?" From that point on, it becomes a game of "Ooh, when's it gonna cut? How long is it gonna last? Ooh, we did a 360... Ooh, look at that timing... Ooh, the actors remembered their lines and marks, like theyre... paid... to... do... Wait, what's going on in the actual story?" That's why I wasn't really as impressed by episode 6 of Haunting of Hill House as everybody else seemed to be. It was a good episode for sure, but I did find the long takes kinda distracting me throughout. I also found that the acting was notably more theatrical in that episode. It felt more like a filmed stage-play compared to the rest of the episodes, which took me out of the story a bit. I became too aware of the production of it. There's a reason that some of the most successful oners are Spielberg's oners. He tends to keep them to about a minute or less, and they tend to be fairly subtle, with the shot changing naturally to be varied, without drawing attention to the camera movement. Often times, the camera won't move much, but the actors will change the shot size by moving closer or further away, etc. He relies on the blocking to guide the shot instead of the shot dictating the blocking. You barely tend to even notice that it's particularly long shot before it's over, but the effect of the scene just becomes a bit more "pure" as a result of being unbroken. The flashiest oners he's done are probably the spiders shot from Minority Report and the chase scene in Tintin. The former certainly drew attention to itself, in an almost breaking the fourth wall kind of way, with how the set was obviously constructed without ceilings and everything, the camera moving "through" things (another trope that is often distracting)... this one came in 2002, when I would say that long-takes were still rare and cool. Looking at it today, it's an effective shot for conveying the sense of these spiders being everywhere in the building and the tension building as they close in on Anderton, but it's done so in a stylized way that seems to accept and roll with the fact that it's going to be an obvious production as opposed to a believable reality. As for the Tintin one, it's an entirely CG movie, so it isn't really a "take", and with it already being a cartoonish reality, any distractions from trying to be immersed in the reality of the story aren't really a problem. It was fun enough and just kinda becomes a ride. An effective oner for me was the one in episode 4 of Game of Thrones season 7, where Bronn is running through the field of fire during the battle. It was less than a minute long, I think, and wasn't too complicated or stagey as to draw attention to itself. It just communicated Bronn trying to move through the battle towards the scorpion as the chaos of the battle keeps getting in his way, and the unbroken take allows us to feel more like we're in the battle instead of jumping around to different shots of the battle. It's a long-take that manages to immerse you more than distract you. I actually found it to be better than the similar one of Jon in Battle of the Bastards due to this fact, as the Jon one was noticeably more choreographed and fudged with hidden cuts that I noticed. At the end of the day, it's the scene itself that needs to be impressive, no matter how you shoot it, and the best long-takes tend to be the best scenes, regardless of being long-takes. I prefer the long-take fight in the hallway/stairwell in season 2 of Daredevil to the hallway fight in season 1, and that's probably because it's just a better fight, IMO. Him whipping the chains around and taking out the lights, moving all the way down the stairs, the fight is more brutal and fast-paced and dynamic... there's some more noticeable hidden cuts in this oner, but it doesn't matter to me because the scene itself is better, so I'm not really focusing on the fact that it's a oner. I haven't watched season 3 yet, so I can't comment on anything from that. Anyway... that's my long take on long-takes.

@pyramidweiner

4 жыл бұрын

Tl;dr

Gosh I love long take action John Wick also utilized this greatly!!!

Ridiculously good editing here

The current record holder for one continuous long take. Is the film Russian Ark, the entire movie is shot in one continuous long take. No other filmmaker has attempted this.

@Rossatron

5 жыл бұрын

I believe Victoria actually holds this record now, which I highly recommend

@KotsovosFilms

5 жыл бұрын

@@Rossatron Who directed it?

Great video!

man you did good. respect

Work of art, the long take.

Daredevil season 3 is a masterpiece and i agree with Hitop films when i say it literally re-popularised the one-take action scene

Season 2's hallway fight was the best out of all 3 seasons