The Rose is 'like' a bucket brigade in that the sample clock is driven by a varying LFO. It doesn't do any "DSP". There's no DSP chip or algorithms. It's quite a left turn for Eventide but , in a sense, a return to the earliest days of digital audio before there were standards for sample rate, DSP chips, etc. Back then companies like Eventide, Lexicon, Publison designed products that swept the sample clock rather than base their systems on a fixed standard stable clock. Bucket brigade products HAVE to vary the sample rate to change delay and that's what Rose is capable of doing, Unlike BBDs built using CCD (charge coupled devices), Rose has a digital delay line. BBDs sound cool in part because of the varying sample rate but they only work for short delays. A BBD uses a clock to transfer an analog voltage along a series of capacitors and switches. A little bit is lost with each transfer. Rose turns this on it's head by building a digital bucket brigade making long delays possible and doing stuff that a CCD cannot do like reversing the audio. Since only the delay line is digital, Rose uses analog circuitry for saturation, feedback and filtering. This unorthodox approach opens up all sorts of weird and unpredictable effects but it takes some experimenting and many users find it confusing. Rose is not for the weak of mind or spirit. Its also pricey to build given all the analog circuitry. That said we don't know anything else that sounds as beautiful and that can do so many cool things.

WOW! Such a pleasant demo of both the Eventide Rose with the Arturia Keystep Pro 37. 🤟🙌👏

Love the setup and this sounds lovely. Yet another pedal to consider :)

Sic track!🤙🏽🌱💚

thanks for the video!! Im trying deal how to connect my Tr8s with the keystep pro plus a pedal the zoom 70 CDR, which cable which connexions and steps, a bit help? thank you

Not stereo, deal breaker for me unfortunately