Enjoy guys :)

This channel is criminally under-appreciated.

@HarvVideoAudioStuff

2 жыл бұрын

This means a lot, many thanks 🙏🏻

THIS IS EXACTLY WHAT I WAS LOOKING FOR!!! Thanks BRO!!

@HarvVideoAudioStuff

2 жыл бұрын

Many thanks, you’re welcome!

Thanks Harv.. great vid man!!

Just waiting for the Premiere Support :)

@HarvVideoAudioStuff

2 жыл бұрын

Can’t be long now 👍🏻

@thomaskerrigan3244

2 жыл бұрын

I'm pretty sure there is premiere support from a quick google.

FCP lacks Davinci's group based nodes for batch color correction. working on the switch. Super powerful.

I'm really glad Edgar Wright has a youtube channel.

@HarvVideoAudioStuff

2 жыл бұрын

You wouldn’t believe how many times I’ve had this comment 😂

@JakeHGuy

2 жыл бұрын

@@HarvVideoAudioStuff Hahaha I'm sorry man as soon as I wrote it I knew you'd heard it before. Been watching you for years back since I was a newbie. Thanks for all your videos. I like how you split between audio and video as well.

Hi Harv! I´m using Premiere pro. When you apply the Arri luts, are these "techincal" luts or "creative" luts? Because in PP you choose, in Lumetri, if its a technical lut or a creative lut. I dont see you make that choice in Final cut? Thanks for a great channel!

@HarvVideoAudioStuff

2 жыл бұрын

Hmm, my guess would be technical as they’re basically doing a log to rec709 conversion (albeit very flatteringly) 👍🏻 have you tested between the two? What kind of difference does it make? Many thanks

@magnusbylund

2 жыл бұрын

@@HarvVideoAudioStuff Yes, I think so to. You cant see any difference if you apply it in input lut (technical) or creative? Dont know why it is two options? Thanks!

Thanks Harv!… for the work I’m doing, the Raw still seems excessive?… but I’m curious how to execute creating the file in the first place? Might sound like a stupid question? But it seems obscure to me. I’m working with a Sony a7S III and a Ninja V. I know the Ninja can record “Raw”… but I’m not sure how to make sure I’m sending that out the HDMI of the Sony?? Also what do you do with the odd image on screen? I’m used to Slog II and the Ninja allows,for a LUT so I have an idea what I’m getting…. But how do you deal with ProRes Raw??? [for viewing]. 😊

@rich9785

Жыл бұрын

Hey Brad.. I’ve got the same setup.. you gotta shoot Raw with the Ninja V .. it’s awesome.. it’s a bit of a learning curve but do it.. you’ll love it. 💯🚀🎥👍

@Studio51media

Жыл бұрын

@@rich9785 Thanks! And yeah, OK, if you don’t mind? Can you explain what you get out of the “raw” workflow? Other than really LARGE files? I’ve had such great success with good old Slog II ProRes 422 10bit workflow. I’m having a hard time understanding “why” RAW? Also, I assume that RAW means no Slog [and other picture profiles] correct? I really don’t understand what RAW means in this case? How raw IS “RAW”? Or is it still actually another Codec? [that’s just less messed with than the codec’s I’m used to using?

@rich9785

Жыл бұрын

@@Studio51media sorry man.. I don’t have the tech speak to flesh it all out.. and I’m still working it all out.. but keeping researching it .. I’m heading toward HDR so it makes sense for me and I love 12 bit. I know it’s big but it just feels Kickass to me.

@Studio51media

Жыл бұрын

@@rich9785 It’s OK I appreciate the honesty! And yeah, 12 bit makes sense to me… as I have completely proven to myself that the internal codec of my old A6300’s [4.2.0 - 8 bit] was NOT workable when using multiple cameras. White balance / color correction proved absolutely impossible when using 4.2.0 -8bit]… long story but the point is that each camera “pulled”certain colors [that fell between the limited 4.2.0 -8bit color resolution] in different directions..As an example; when I matched “flesh tones” between cameras, it was then, obvious, that each camera was interpreting certain pastels completely differently…so then… If I [instead attempted] to matched the offending pastels…the flesh tones would go wacky… and around and around I would go. I found that very small “Hue” adjustments could help a little… but the problem became much more workable after I bought Ninja V’s, and yes, the old A6300’s can output 10 bit 4.2.2 from the HDMI! [even though they can NOT record that internally!!]. An additional benefit of using the Ninja V’s is the “thermal” issues also went away, So it was a “win-win” My understanding is that the RAW the Ninja V captures is 16 bit! ? [assuming you HAVE a camera capable of 16 bit HDMI output??] I believe my A7S III IS capable of 16 bit Raw… just not sure I need it?? Nor how to make it happen? LOL

@rich9785

Жыл бұрын

@@Studio51media you’ve spent some time on this Brad .. I shoot with an A7s3 with the NinjaV .. 4K 12bit recording in ProRes Raw.. Which is awesome for adjusting colour temp and iso after you shoot. But search up ‘The DP Journey’.. he’s amazing at this stuff and produces great explanatory vids.. check his raw vids out man. Colour spectrum is key also.. and DP Journey covers this too. Well worth a look man. What I’m learning is we have to be colourist experts to actually get a good result.. which sucks because I don’t want to spend time ‘processing’ .. I want to be shooting.. I don’t know about you but it seems to take a lot of effort over a long period of time to get something beautiful. Bugger it.

Harv, What monitoring lut are you using with the ninja if any? Because technically you wouldn’t be able to use the phantom LUTs for monitoring because prores isn’t a log file, correct?

@rich9785

Жыл бұрын

Try PQ. Works for me. 👍

Do the prores raw files coming from the sony allow you to adjust the color temperature in post?

@MrVh78

2 жыл бұрын

yes

@rich9785

Жыл бұрын

Absolutely.. it’s amazing 👍💯🎥🚀

Hey! How do you deal with noise after color grading?

@HarvVideoAudioStuff

2 жыл бұрын

Hi! Hmm honestly I don’t get noise these days (the a7s3 copes with anything lol) but this is definitely something you can address during grading. I did video that will be helpful kzread.info/dash/bejne/a593lMapkpSzd7A.html 👍🏻

@simonssight

2 жыл бұрын

@@HarvVideoAudioStuff but isn't noise reduction disabled in the a7siii when shooting in apple prores raw (just like the debyering filter)

@HarvVideoAudioStuff

2 жыл бұрын

Ah I see what you mean, a touch of neat video (applied correctly and subtly) works wonders. I think it’s actually better & more targeted than the built in NR 👍🏻

the CLip of the Guitar player was essentially my first time editing Video Raw...OH MY GOD, what a difference 😬😬😬😬

@HarvVideoAudioStuff

10 ай бұрын

Glad you had fun with it, it’s just incredible compared to compressed formats isn’t it! 😅

hi ! i cannot set the iso, why? im in the coret menu, im on settings! help

@HarvVideoAudioStuff

2 жыл бұрын

You shouldn’t need to with raw, you can change the iso later when you come to edit your clips 👍🏻

@paulamontenegro7778

2 жыл бұрын

@@HarvVideoAudioStuff ok. But un final? Because i didnt find it

@HarvVideoAudioStuff

2 жыл бұрын

Ah no it’s a third party plugin but well worth it

Do you see the difference vs internal? A lot of people can’t

@HarvVideoAudioStuff

2 жыл бұрын

The most noticeable thing is the highlights you can recover, but otherwise not really 😂 provided you expose well of course

@danielk1380

2 жыл бұрын

@@HarvVideoAudioStuff yeah because SLOG 3 is already pretty wide. Somebody did the test with banding and there was very little noticeable difference so I wonder if it’s worth the effort

Raw to log? really? Losting raw preferences, MXF?

@HarvVideoAudioStuff

Ай бұрын

It’s just for the grade, there’s no loss of data and you can tweak the gamma anytime 👍🏻